Ten Days of Tapestry

On February 10, 2021, Carole King’s Tapestry is turning 50. Not only is it one of the most iconic pop albums ever recorded, but Tapestry holds a special place in my heart. Over the next 10 days, I intend to celebrate this timeless gem largely one song at a time. Since Tapestry has 12 tracks, I guess I should have started this series two days earlier to truly make it one track each day. Well, obviously I didn’t, so I need to cheat a little to fit the series within 10 days. I’m going to kick it off and finish up with two songs and highlight one tune on each day two to day nine.

Tapestry is one of the very first music vinyl records I ever heard when I was a seven or eight year-old growing up in Germany. Even though I didn’t understand a word of English at the time, Carole’s music spoke to me right away. And, believe it or not, pretty soon, I found myself singing along, mimicking the English language. I memorized much of the lyrics that way, and later on when I started taking English lessons in fifth grade, I actually began to understand word by word what I had phonetically mimicked years before.

Tapestry inner sleeve

Tapestry was Carole King’s sophomore solo album. It came out nine months after her debut Writer. While Carole was only 29 years old when Tapestry was released, she already had had an impressive 13-year music career under her belt. Most of that time she had spent writing songs together with lyricist Gerry Goffin. Carole met Gerry while they were students in Queens College and married him at age 17 after she had become pregnant with her first daughter Louise.

Goffin-King became one of the most prolific and most successful songwriting partnerships of the ’60s. Some of the hits they wrote include Will You Love Me Tomorrow (The Shirelles), Chains (The Cookies, The Beatles), The Loco-Motion (Little Eva), Take Good Care of My Baby (Bobby Vee), Up on the Roof (The Drifters), I’m into Something Good (Earl-Jean, Herman’s Hermits), One Fine Day (The Chiffons), Pleasant Valley Sunday (The Monkees) and (You Make Me Feel Like) A Natural Woman (Aretha Franklin). They even dabbled somewhat in psychedelic rock with Don’t Bring Me Down, which The Animals recorded and released in 1966.

Back to Tapestry. Unless noted otherwise all music and lyrics were written by Carole. Here’s the opener I Feel the Earth Move, a piano-driven rocker with a bluesy touch, fueled by Carole’s honky tonk style piano and guitarist Danny Kootch’s great fill-ins. What a terrific way to kick off the album! I Feel the Earth Move also became the A-side of Tapestry’s lead single, backed by It’s Too Late. Billboard lists I Feel the Earth Move as a no. 1 tune on the Hot 100, though according to Songfacts, there is some debate over this. Apparently, after a few weeks of frequent airplay of I Feel the Earth Move, DJs discovered the B-side and ended up playing it more. Billboard subsequently designated the single a double-A. As the result, the tunes were no longer tracked separately and are now both considered to be no. 1 songs.

After an energetic opener, Carole decided to slow things down with the ballad So Far Away. So far away/Doesn’t anybody stay in one place any more?/It would be so fine to see your face at my door/It doesn’t help to know you’re just time away/Long ago I reached for you and there you stood/Holding you again could only do me good/Oh how I wish I could but you’re so far away…Such beautifully written lyrics.

According to Songfacts, Tapestry producer Lou Adler said, “So Far Away’ is my favorite song on Tapestry. I use the phrase a lot, ‘Doesn’t anybody stay in one place anymore?’ It’s the road, it’s the people traveling. It just seems to me an anthem of that particular time and so well written and one of the earlier songs she wrote for this album.”

Sources: Wikipedia; Songfacts; YouTube

The Mighty Songwriting Partnership of Carole King & Gerry Goffin

Long before Carole King launched her solo career in 1970, she was part of one of the most successful songwriting partnerships in pop music history with lyricist Gerry Goffin. The two met in New York’s Queens College in 1959 where Carole Klein (her birth name) had begun writing songs as Carole King. They started collaborating soon thereafter, with Carole composing music and Gerry writing lyrics.

The songwriting partnership quickly led to romance, pregnancy and marriage in August 1959. King was 17 years old while Goffin was 20. That same year, she composed Oh Neil for her high school friend Neil Sedaka who recorded the tune as a single. He co-wrote the lyrics with Howard Greenfield and Goffin. The B-side A Very Special Boy was a Goffin-King composition.

Don Kirshner, Carole King and Gerry Goffin

The single flopped. But it resulted in professional contracts for King and Goffin with Aldon Music, a Manhattan-based music publishing company founded by Don Kirshner and a significant force in what became known as the Brill Building sound.

Goffin-King’s breakthrough occurred in 1960 with Will You Love Me Tomorrow, which was recorded by The Shirelles and came out in November that year. The tune climbed all the way to the top of the Billboard Hot 100, becoming the first no. 1 in the U.S. by an African American all-girl group. King would later record a version of the song for her iconic Tapestry album.

The next big Goffin-King hit is another ’60s classic: Take Good Care of My Baby, recorded by Bobby Vee and released in July 1961. It became the second no. 1 hit on the Billboard Hot 100 for the young songwriting couple.

Another great ’60s tune written by Goffin-King is The Loco-Motion, which was first recorded with Little Eva (born Eva Narcissus Boyd) and came out in June 1962. Boyd was Goffin’s and King’s babysitter. Originally, the song had been written for R&B singer Dee Dee Sharp who turned it down. The tune has been covered by many other artists, including Grand Funk Railroad (1974), who like Little Eva took it to no. 1, as well as King herself on her 1980 album Pearls: Songs of Goffin and King.

And the hits kept coming for Goffin-King. In May 1963, it was One Fine Day by the The Chiffons. The tune peaked at no. 5 on the Billboard Hot 100. And it’s yet another song King recorded herself many years later, in 1980, giving her a no. 12 on the U.S. mainstream chart.

I’m Into Somethin’ Good is another of my favorite ’60s pop tunes. The best known version is by Herman’s Hermits, who released the song as their debut single I’m Into Something Good in August 1964. It topped the UK Singles Chart and reached no. 13 in the U.S. The tune was first recorded earlier that year by Earl-Jean. Her original climbed to no. 38 on the Billboard Hot 100, not too shabby either.

Let’s do three more Goffin-King compositions. First up: Don’t Bring Me Down released by The Animals in May 1966. While it gave the British band a hit in the UK and the U.S. where it reached no. 6 and no. 16, respectively, they preferred a more straightforward R&B sound and as such were lukewarm about it.

No Goffin-King post would be complete without Pleasant Valley Sunday, which became an international hit for The Monkees in 1967, reaching no. 1, no. 2, no. 3 and no. 10 in Canada, New Zealand, the U.S. and Australia, respectively.

The last tune I’d like to highlight is (You Make Me Feel Like) A Natural Woman. Aretha Franklin first recorded and released this gem in September 1967. The song was inspired by Atlantic producer Jerry Wexler who received a co-credit. It’s yet another tune King also recorded herself for the Tapestry album.

While the Goffin-King songwriting partnership lasted for 10 years and yielded remarkable success throughout that period, their personal relationship hit the rocks in 1964 when Goffin fathered a daughter with above singer Earl-Jean (full name: Earl-Jean Reavis, née McCrea). King and Goffin remained together until their divorce in 1969.

King went on to launch a successful solo career and released her debut album Writer in May 1970, followed by the career-defining Tapestry in February 1971. Goffin began working with other composers and also had a solo album in 1973, though it did not become successful. In 1987, Goffin and King were inducted into the Songwriters Hall of Fame and the Rock and Roll of Fame in 1990. Goffin passed away in June 2014 in Los Angeles at the age of 75.

Sources: Wikipedia; YouTube