The Sunday Six

Celebrating music with six random tracks at a time

Welcome to The Sunday Six! Can you believe the next installment will be the day after Christmas? It’s unreal to me! Though I’m not going to lie – I can’t wait for this dreadful year to be over! Let’s turn to a more cheerful topic and frankly a good distraction: Music! This time, the little journey features jazz fusion, new wave, soul, alternative rock, pop rock and garage rock, touching the ’60s, ’70s, ’80s and ’90s. Let’s go!

Klaus Doldinger/Tatort

German saxophonist Klaus Doldinger, who has been active since 1953, is best known for jazz fusion band Passport, which he formed in 1971 as Klaus Doldinger’s Passport. Prior to starting Passport, he composed one of the best-known musical themes in Germany for what has become the longest-running police drama TV series: Tatort (crime scene), which has been on the air for more than 50 years. I watched it many times while growing up in Germany. One of the things I always liked about the series was the theme music, one of the coolest I know. BTW, Doldinger turned 85 earlier this year and remains active with Passport. That’s truly remarkable! Doldinger also wrote or co-wrote various other TV and film scores, most notably for World War II drama Das Boot (the boat, actually a submarine) from 1981, as well as the 1984 fantasy picture The NeverEnding Story. The original recording of Tatort from 1970 featured drummer Udo Lindenberg, who subsequently launched a solo career and became one of Germany’s most successful artists singing in German.

Tears For Fears/Everybody Wants to Rule the World

Tears For Fears has to be one of the best band names. The new wave and synth-pop group were initially formed in 1981 in Bath, England by Roland Orzabal (guitar, keyboards, vocals) and Curt Smith (bass, keyboards, vocals). They had known each other as teenagers and played together in English new wave and mod revival group Graduate. Ian Stanley (keyboards, backing vocals) and Manny Elias (drums, percussion) completed the original line-up. That formation lasted until 1986 and spanned the group’s first two albums. By 1991, Orzbal was the only remaining member. Relying on collaborators, he kept the name Tears For Fears alive and released two albums. In 2000, he reunited with Smith. Everybody Loves a Happy Ending, the group’s sixth studio album, appeared in 2014. A new album is scheduled for February 2022, the first in nearly 18 years. Everybody Wants to Rule the World, co-written by Orzabal, Stanley and Hughes and released as a single in March 1985, became Tears For Fears’ biggest hit. It was off their sophomore release Songs from the Big Chair, their best-selling album to date. Yes, it sounds very ’80s, but it’s a hell of a catchy tune!

Billy Preston/Will It Go Round in Circles

To folks who have watched the Peter Jackson docu-series The Beatles: Get Back, Billy Preston will be a very familiar name. The then-23-year-old keyboard player was invited by The Beatles to join their recording sessions for Get Back, which eventually became the Let It Be album. Preston’s involvement not only boosted the band’s sound but also their spirit – he may well have saved the project! The entirely self-taught Preston had first met The Beatles in Hamburg in 1962, when he was part of Little Richard’s backing band. At the time, the 16-year-old already had been six years into his performing career, which had started in 1956 to back several gospel singers like Mahalia Jackson. In 1963, Preston released his debut album 16 Yr. Old Soul. Four years later, he joined Ray Charles’ band. After signing with Apple Records, Preston released his fourth studio album That’s the Way God Planned It, which was produced by George Harrison. The title track became a hit in the UK. In the ’70s, Preston remained a sought-after session musician and played on various Rolling Stones albums. He also continued to put out his own solo records. Sadly, Preston passed away in June 2006 at the age of 59. Will It Go Round in Circles, co-written by him and Bruce Fisher, is from his seventh album Music Is My Life that came out in October 1972. The funky soul tune became his first no. 1 as a solo artist in the U.S. on the Billboard Hot 100.

Radiohead/Paranoid Android

Recently, I discussed Radiohead with fellow blogger Music Enthusiast. I still mostly know the English alternative rock band by name, which has been around since 1985. Remarkably, the group’s original line-up still is in place to this day: Thom Yorke (vocals, guitar, piano, keyboards), Jonny Greenwood (guitar, keyboards, ondes Martenot, orchestral arrangements), Ed O’Brien (guitar, effects, backing vocals), Colin Greenwood (bass) and Philip Selway (drums, percussion). Paranoid Android, credited to all members of the group, was the lead single off their third studio album OK Computer from May 1997. Reaching no. 3 in the UK on the Official Singles Chart, the tune became the band’s highest-charting single to date. According to Wikipedia, the song has been compared to The Beatles’ Happiness Is a Warm Gun and Queen’s Bohemian Rhapsody – not sure that’s obvious to me, but it’s definitely a good tune!

Marmalade/Reflections of My Life

Next, let’s turn to one of my favorite songs from 1969: Reflections of My Life by Marmalade. The Scottish pop-rock band originally was formed in 1961 in Glasgow as The Gaylords. In 1966, they changed their name to The Marmalade, later shortened to Marmalade. The band enjoyed their greatest chart success between 1968 and 1972 when 10 of their tunes made the UK’s Official Singles Chart. One of the most successful tunes among them was Reflections of My Life, a no. 3 in the UK, and a no. 10 in the U.S. on the Billboard Hot 100. The song was co-written by lead guitarist Junior Campbell and vocalist Dean Ford, two of the group’s founding members. It appeared on their 1970 studio album Reflections of the Marmalade. A version of Marmalade continues to be active, though none of their members are co-founders. Reflections of My Life relies on a repetitive chord progression, but it’s beautifully done. I just love it!

The Sonics/Psycho

For this last tune let’s accelerate with some great ’60s garage rock: Psycho by The Sonics. The American group was formed in Tacoma, Wa. in 1960. The initial line-up featured Larry Parypa (lead guitar), his brother Jerry Parypa (saxophone), Stuart Turner (guitar) and Mitch Jaber (drums). Larry’s and Jerry’s parents loved music and supported the band. In fact, their mother even filled in occasionally on bass during rehearsals. In 1961, Tony Mabin joined as the band’s permanent bassist. By the time their debut album !!!Here Are The Sonics!!! came out, only the Parypa brothers were left as original members, with Larry having switched to bass. Gerry Roslie (lead vocals, organ, piano), Rob Lind (saxophone, harmonica, vocals) and Bob Bennett (drums) completed the line-up. Lind remains a member of the group’s current touring line-up. Psycho, written by Roslie, is from The Sonics’ first record. It’s a great, hard-charging, raw tune. They have often been called “the first punk band” and were a significant influence for American punk groups like The Stooges, MC5 and The Flesh Eaters. The White Stripes have named The Sonics as one of the bands that influenced them the most, “harder than the Kinks, and punk long before punk.”

Sources: Wikipedia; YouTube

Debate Over Rock And Roll Hall Of Fame Selection Process Likely To Continue With 2019 Inductees

Radiohead, Janet Jackson, Stevie Nicks, Def Leppard, The Cure, Roxy Music and The Zombies make up class of 2019

By now it’s an all too familiar annual ritual in the music world, at least in America. On Thursday, the Rock and Roll Hall of Fame revealed its new inductees. The 2019 class includes Radiohead, Janet Jackson, Stevie Nicks, Def Leppard, The Cure, Roxy Music and The Zombies. While a good deal of music fans stopped paying attention long ago, others still care about the Rock and Roll Hall of Fame. Admittedly, I’m a bit of a music nerd, so I count myself as being part of the latter group.

I’ve no doubt that among those who follow the Rock and Roll Hall of Fame the debate about the selection process and who should be in is going to continue. While I don’t want to be overly judgmental and I’m luckily not a music critic and don’t aspire to become one, I have to say I’m a bit surprised about some of the inductees. Of course, I can’t claim this would be the first time.

Radiohead Rock & Roll Hall of Fame 2019

Let’s start with Radiohead. In June 2017, guitarist Ed O’Brien told Rolling Stone, “I don’t want to be rude about the Rock and Roll Hall of Fame because for a lot of people it means something, but culturally I don’t understand it. I think it might be a quintessential American thing. Brits are not very good at slapping ourselves on the back…It just feels non-authentic to us.” Most of the band’s other members expressed reservations as well. That’s totally fine with me. What I don’t get is why the Rock Hall has inducted them anyway. Presumably, they won’t show for the induction ceremony, and I just feel sorry for their fans – unless of course they don’t care either!

Janet Jackson Rock & Roll Hall of Fame

Janet Jackson. I hate to say this, but the thought her selection at least in part reflects political correctness can’t escape my mind. Don’t get me wrong, it’s dreadful that the Rock Hall mostly remains a white boys club, and there’s no question women are underrepresented, especially women of color. But should Janet Jackson really have been the choice here? How about Ella Fitzgerald? Sure, you can say as a jazz singer, she wouldn’t be a perfect fit for an institution that has ‘rock and roll’ in its name. But they inducted Nina Simone last year. Or how about Mavis Staples, an amazing African American female artist? Yes, she’s already in the Rock Hall as part of The Staple Singers, who were inducted in 1999. Still, there are numerous examples of artists who have been inducted more than once – as part of a band and solo. Just look at 2019 inductee Stevie Nicks!

The Cure_Def Leppard Rock & Roll Hall of Fame

I never paid much attention to The Cure. Boys Don’t Cry was kind of nice at the time but completely over-exposed. Ironically, it might actually make me cry if I have to listen to the song one more time! Def Leppard, who won the fan ballot and got in the first time they had become eligible, may also trigger some debate. A British band that became hugely popular in the ’80s by mixing hard rock with pop elements, Leppard were oftentimes dismissed by the critics. In this context, I think The New York Times rightly called them the equivalent to Bon Jovi, who were inducted last year. While I wouldn’t have considered them, I don’t have any particular problem with Leppard or Bon Jovi for that matter – in fact, I generally like the latter.

Steve Nicks_The Zombies_Roxy Music Rock & Roll Hall of Fame

I’m happy about Stevie Nicks, a great singer-songwriter who like Leppard made it in the first she had become eligible. Additionally, I’ve always liked Time Of The Season and She’s Not There, so I find it nice to see The Zombies among the 2019 inductees. I also generally like Roxy Music, though I have to add I don’t know them particularly well beyond their big hits.

This year, the induction festivities will happen at Barclays Center in Brooklyn, N.Y. on March 29. HBO and SiriusXM will broadcast an edited version of the event sometime thereafter. Last year, the broadcast happened in early May.

What do you think about the Rock and Roll Hall of Fame and the 2019 inductees? Feel free to leave comments. My only request is let’s keep any discussion civil, please.

Sources: Rock and Roll Hall of Fame website, Rolling Stone, New York Times