They Say It’s Your Birthday

Happy birthday to you, Sir Paul!

You say it’s your birthday
It’s my birthday too, yeah
They say it’s your birthday
We’re gonna have a good time
I’m glad it’s your birthday
Happy birthday to you

Today, Paul McCartney is turning 79 years old – wow! He’s one of my greatest music heroes of all time, who continues to inspire me after an incredible close to 60-year recording career. Paul’s biography has been written up countless times, and it’s safe to assume there is nothing new I could reveal. Instead, I’d like to celebrate Macca’s birthday with some of the great music he has given us over the decades.

...Yes we’re going to a party party
Yes we’re going to a party party
Yes we’re going to a party party

Things We Said Today (1964)

A song from The Beatles era I’ve always loved, which appeared on the U.K. version of the A Hard Day’s Night album released in July 1964 but wasn’t part of the movie soundtrack. According to The Beatles Bible, McCartney wrote this tune on a yacht in the Virgin Islands in May 1964, where he vacationed with his girlfriend Jane Asher, as well as Ringo Starr and his future first wife Maureen Cox.

Sgt. Pepper’s Lonely Hearts Club Band (1967)

The title track and a Macca tune from my favorite Beatles album on most days, which was released in May 1967. The idea of the song and the entire album of an alter-ego band that would perform before an audience came to McCartney in November 1966 on a flight from Nairobi back to England.

Maybe I’m Amazed (1970)

The highlight of McCartney’s debut solo album McCartney from April 1970. Written in 1969, the tune is about his first wife Linda McCartney (née Eastman). Linda who passed away from breast cancer in 1998 undoubtedly had an enormous impact on Paul. Instead of picking the studio track, I’m cheating a bit here and feature what I feel is a superior version that appeared on the great Wings Over America live album from December 1976.

Band on the Run (1973)

The title track from what I think is the Mount Rushmore of Macca’s solo period, released in December 1973. The tune was McCartney’s response to drug laws he believed unfairly criminalized him and his friends. Noting the latter included the Eagles and The Byrds, Songfacts quotes Macca as follows: “We’re not criminals… We just would rather do this than hit the booze – which had been a traditional way to do it. We felt that this was a better move.”

Letting Go (1975)

A nice rocker from Venus and Mars, McCartney’s fourth studio album with Wings, which came out in May 1975. Letting Go is another tune about Linda McCartney, a reflection on Paul’s relationship with her and that she deserved more freedom to pursue her own interests after she had given up her photography career. Linda received a co-credit for the song.

Here Today (1982)

A moving tribute to John Lennon Macca wrote wrote in the wake of Lennon’s senseless murder in December 1980. It appeared on McCartney’s third solo studio album Tug of War from April 1982, another gem from his solo catalog I previously covered here. This song can still make me well up!

Fine Line (2005)

Time to continue the party by jumping to the current century. Fine Line is the opener to Macca’s 13th solo album Chaos and Creation in the Backyard from October 2005. It’s a great piano-driven pop song that also showcases the multi-instrumental talents of Sir Paul. In addition to piano and vocals, he provided guitar, bass and drums – pretty much the track’s entire instrumentation, except for the strings that were played by London-based session players Millennia Ensemble.

I Don’t Know (2018)

A beautiful piano ballad from Egypt Station, McCartney’s 17th solo studio effort from September 2018 – a late career gem in his solo catalog, in my opinion! You can read more about it here. Yes, Paul’s voice is clearly showing some wear and tear, but I think it works very well for this and the other tracks on the album.

Lavatory Lil (2020)

A nice rocker from McCartney III, which is yet another intriguing late career release in my book. I would also say it’s the charm of Macca’s three DIY home-made albums, as I previously wrote here. Check out the cool descending bass line of Lavatory Lil.

Birthday (1968)

A birthday celebration calls for a birthday song, so I’d like to wrap up this post with exactly that. Conveniently, Sir Paul also wrote the perfect tune for the occasion. It first appeared on The Beatles’ White Album from November 1968 as the opener to side three (speaking in vinyl terms here!). Instead of picking the original studio track, let’s up the fun with a live version captured during a performance at New York’s Grand Central Station in September 2018 to celebrate the release of the above noted Egypt Station album. It’s just great to see how much fun Macca continues to have when performing in front of an audience. This absolutely makes me want to see him again!

I would like you to dance, birthday
Take a cha-cha-cha-chance, birthday
I would like you to dance, birthday
Dance

I would like you to dance, birthday
Take a cha-cha-cha-chance, birthday

I would like you to dance, birthday
Dance

You say it’s your birthday
Well it’s my birthday too, yeah
You say it’s your birthday
We’re gonna have a good time

I’m glad it’s your birthday
Happy birthday to you

Rock on, Paul, and here’s to good health and many more years to come!

Sources: Wikipedia; The Beatles Bible; Songfacts; YouTube

McCartney III is the Charm of Macca’s DIY Home-Made Albums

I was excited when Paul McCartney announced his new album McCartney III back in October, though my expectations weren’t very high. McCartney and McCartney II, the two previous albums in his DIY homemade trilogy, for the most part never appealed to me. While McCartney III is no Band on the Run, Tug of War or predecessor Egypt Station for that matter, there’s something charming about the album, which was released today (December 18). With each additional listening, I feel a bit like what Sir Paul sang 53 years ago: It’s getting better all the time.

Unlike McCartney and McCartney II, McCartney III had not be planned. From the previous announcement on McCartney’s website: “I was living lockdown life on my farm with my family and I would go to my studio every day. I had to do a little bit of work on some film music and that turned into the opening track and then when it was done I thought what will I do next? I had some stuff I’d worked on over the years but sometimes time would run out and it would be left half-finished so I started thinking about what I had.  Each day I’d start recording with the instrument I wrote the song on and then gradually layer it all up, it was a lot of fun.  It was about making music for yourself rather than making music that has to do a job.  So, I just did stuff I fancied doing. I had no idea this would end up as an album.” 

McCartney III feels a bit like a hodgepodge of tunes, including somewhat experimental music, full-blown rock and more typical acoustic McCartney type songs. That’s part of its charm! Like on his two DIY predecessors, McCartney plays all instruments himself, including guitar, bass, piano, harpsichord, mellotron, synthesizer and drums. There’s one exception. On the rocker Slidin, he did get a little help from Rusty Anderson (guitar) and Abe Laboriel Jr. (drums), two longtime members of his backing band in the studio and on the road.

There’s also When Winter Comes, an unreleased track that was previously recorded in the early ’90s and co-produced by George Martin. Macca wrote a new passage for the song, which inspired album opener Long Tailed Winter Bird. In turn, that tune sparked the process for McCartney to work on songs and of course extra time he had on his hands during the extended COVID-19 lockdown. Let’s get to some music.

I’d like to kick it off with the aforementioned opener Long Tailed Winter Bird, a largely instrumental track that’s the most adventurous on the album. I had to listen to the tune a few times before it started speaking to me – certainly not typical McCartney.

Find My Way sounds more like a McCartney pop tune. It’s got some nice harmony guitar accents. I also like the harpsichord. And the legendary Höfner violin bass! Here’s the official video.

Lavatory Lil is a nice rocker with a cool descending bassline. Some reviews I’ve seen called it reminiscent of Polythene Pam. Whichever way you want to describe it, I think it’s a cool tune!

Let’s follow it up with another rocker: the above noted Slidin’, the hardest rockin’ tune on the album.

How about some classic McCartney acoustic guitar tune? Ask and you shall receive. Here’s The Kiss Of Venus.

The last track I’d like to call out is the closer Winter Bird/When Winter Comes. Don’t get fooled by the beginning, which sounds like a reprise of the opener. About 27 seconds into the track, When Winter Comes begins, another nice acoustic tune.

McCartney III has a few additional parallels to McCartney and McCartney II. The photography stayed in the family. In the case of the two predecessors, it was Linda McCartney. On the new album, the principal photos were shot by McCartney’s daughter Mary McCartney, with additional photos by his nephew Sonny McCartney and some shots Paul took on his phone. Each of the three albums appeared during the first year of a new decade around major developments: The breakup of The Beatles, the end of Wings and the turmoil caused by a global pandemic.

Unlike McCartney and McCartney II, which initially had lukewarm receptions from critics, the majority of reviews I’ve seen for McCartney III are pretty positive. Perhaps the critics have mellowed because of COVID-19, or perhaps they are simply happy that one of the most beloved artists on the planet still feels passionate about his craft and releases new music. I can’t deny the latter is a factor in my judgment.

McCartney III appears on Capitol Records and is available via digital platforms, on CD, and on LP. According to McCartney’s website, the latter are manufactured by Third Man Pressing. Vinyl configurations range from standard 180g to a Third Man Edition of 3000 hand-numbered red vinyl copies, a ‘333’ Edition sold only via Third Man Records online store and limited to 333 copies on yellow-with-black-dots vinyl created using 33 recycled vinyl copies of McCartney and McCartney II, a U.S. indie retail exclusive pressing of 4000 hand-numbered white vinyl LPs, and more. 

Sources: Wikipedia; Paul McCartney website; YouTube

The Who Are Coming To Town And The Real Me Is In

North American Moving On! Tour to feature band with symphonic orchestras

When The Who came to the U.S. the previous time in 2017, I was really tempted to see them again. After all, they remain my favorite ’60s British Invasion band next to The Beatles and The Rolling Stones. I didn’t and then sort of regretted it. Should have, could have – well, not this time, especially given this could well be The Who’s last big tour. Plus, three make a charm!

On Monday, Roger Daltrey and his longtime partner in crime Pete Townshend announced Moving On!, a 29-date North American tour, and a new studio album to be released “later this year” – their first of original material in 13 years. Is it going to be called Moving On!? At this time, one can only speculate, since the announcement didn’t say anything else.

thewho_moving on!

Perhaps Daltrey and Townshend are taking a page from the playbook of Paul McCartney. Last year, Sir Paul showed the music world how to create anticipation ahead of the release of his most recent studio album Egypt Station. From posting visual clues on his Instagram to telling Jimmy Fallon about a concert in New York at an undisclosed location to coincide with the release, saying it would be big and cheerfully reminding the audience of the album’s title, Macca masterfully executed a few tricks to create buzz.

You could argue there’s something odd about a man, who by the time the tour kicks off will be 75 years old, to sing I hope I die before I get old. Whether My Generation will be included in the setlist remains to be seen. And 75 today isn’t what the age used to be when Daltrey shouted out the verse for the first time in 1965. More importantly, age first and foremost is how you feel inside, not some number – that’s what I keep telling myself as well! 🙂

roger daltrey & pete townshend

Daltrey seems to be pretty aware of his current life stage. Telling Rolling Stone recently this may be his last tour, he added, “I have to be realistic that this is the age I am and voices start to go after a while. I don’t want to be not as good as I was two years ago.” In other words, he knows when the time comes to stop. Until then, fans should continue to enjoy who I believe is one of the best rock vocalists.

One aspect of Moving On!, which escaped my attention until after I had purchased my ticket yesterday, is the symphonic format – a setup I feel can easily become overwhelming. Here’s Daltrey’s take he shared with the Los Angeles Times: “One mistake rock bands make is when they just have orchestras playing “pads,” as I call them, music that could be played on a synthesizer…Another mistake people make is taking the rock out. When Pete did “Quadrophenia” with an orchestra but without the rock band, well, taking the rock out of “Quadrophenia” was, to me, an anathema. It didn’t make sense. But you put the two together, it becomes huge. I was really bowled over by it. It’s triumphant.”

the who with touring band
Roger Daltey (far left) and Pete Townshend (far right) with their touring band (from left) in 2017: Jon Button (bass) and Loren Gold (keyboards). Not pictured: Simon Townshend (guitar, backing vocals) and Zak Starkey (drums)

Daltrey and Townshend also addressed the tour’s symphonic format in their above announcement. “Be aware Who fans! Just because it’s The Who with an orchestra, in no way will it compromise the way Pete and I deliver our music,” said Daltrey. “This will be full throttle Who with horns and bells on.” Added Townshend, “Roger christened this tour Moving On! I love it. It is what both of us want to do. Move on, with new music, classic Who music, all performed in new and exciting ways. Taking risks, nothing to lose.” Let’s see how they put it all in action. I’m certainly intrigued!

In addition to sharing the stage with orchestras, Daltrey and Townshend will be backed by their familiar touring band: Townshend’s younger brother Simon Townshend (guitar, backing vocals), Loren Gold (keyboards), Jon Button (bass) and Zak Starkey (drums), the oldest son of Sir Richard Starkey, aka Ringo Starr.

The tour’s line-up is listed at the bottom. I’m going to join together with band on May 13 at New York’s Madison Square, where I saw them first, the only time with John Entwistle. I just checked on setlist.fm, and I now think it must have been in October 2000. My previous recollection was it happened as part of the 2002 tour and only a few months prior to Entwistle’s death in Las Vegas in June 2002. To celebrate the upcoming tour and The Ox and Thunderfingers, here’s a clip of one of my all-time favorites: The Real Me from Quadrophenia, The Who’s sixth studio album from October 1976. Entwistle may have been stubborn like an ox, but he was one hell of a bass player!

2019 North American Tour Dates

 

Summer Dates

May 7   Van Andel Arena, Grand Rapids, MI

May 9   KeyBank Center, Buffalo, NY

May 11   Jiffy Lube Live , Bristow, VA

May 13   Madison Square Garden, New York, NY

May 16   Bridgestone Arena, Nashville, TN

May 18   Ruoff Home Mortage Music Center, Noblesville, IN

May 21   Hollywood Casino Amphitheatre, Chicago, IL

May 23   Hollywood Casino Amphitheatre St. Louis, Maryland Heights, MO

May 25   Citizens Bank Park, Philadelphia, PA

May 28   Little Caesars Arena, Detroit, MI

May 30   PPG Paints Arena, Pittsburgh, PA

June 1   Scotiabank Arena, Toronto, ON

 

Fall Dates

Sept 6   Xcel Energy Center, St. Paul, MN

Sept 8   Alpine Valley Music Theatre, Alpine Valley, WI

Sept 10   Blossom Music Center, Cuyahoga Falls, OH

Sept 13   Fenway Park, Boston, MA

Sept 15   Northwell Health at Jones Beach Theater, Wantagh, NY

Sept 18   State Farm Arena, Atlanta, GA

Sept 20   BB&T Center, Ft. Lauderdale, FL

Sept 22   Amalie Arena, Tampa, FL

Sept 25   Toyota Center, Houston, TX

Sept 27   American Airlines Center, Dallas, TX

Sept 29   Pepsi Center, Denver, CO

Oct 11   Hollywood Bowl, Los Angeles, CA

Oct 13   Hollywood Bowl, Los Angeles, CA

Oct 16   Viejas Arena at Aztec Bowl San Diego State University, San Diego, CA

Oct 19   T-Mobile Park, Home of the Seattle Mariners, Seattle, WA

Oct 21    Pepsi Live at Rogers Arena, Vancouver, BC

Oct 23   Rogers Place, Edmonton, AB

 

Sources: Wikipedia, The Who website, Rolling Stone, Los Angeles Times, setlist.fm, YouTube

Ultimate Classic Rock’s Take On 2018’s Biggest Rock Stories

The other day, I came across an article on Ultimate Classic Rock (UCR), which I thought provides a nice wrap-up of rock’s biggest headlines in 2018 and is worth highlighting. Following I’m going to address some of the stories included in the piece.

Bohemian Rhapsody, the biopic of Queen, which premiered on October 24 in the U.K. and on November 2 in the U.S., became a massive success at the box office. With more than $702 million in ticket sales, it was the eighth highest grossing picture in 2018 and the most successful film biopic to date. The movie has received various nominations, including a Golden Globe Award for Best Motion Picture – Drama. All this attention has also triggered renewed interest in Queen’s music. The Billboard 200 for the week of December 29 include the movie soundtrack (no. 8); The Platinum Collection: Greatest Hits I, II & III,  November 2000 (no. 33) and Greatest Hits, October 1981 (no. 122). Obviously, it’s not a coincidence that Queen in early December announced a North American Rhapsody tour with Adam Lambert in July and August 2019. Here’s the official trailer of the biopic.

About three and a half years after Fleetwood Mac had restored their most commercially successful line-up with the return of Christine McVie, Lindsey Buckingham was dismissed in April 2018, reportedly over disagreements about the band’s next tour. And before people knew it, Mike Campbell (formerly of Tom Petty’s band The Heartbreakers) and Neil Finn (former frontman of Crowded House) were hired to replace Buckingham. In early October, Fleetwood Mac embarked on their current world tour, which is scheduled to stretch all the way until June 2019. A lawsuit brought by Buckingham in October was settled earlier this month. Since I’ve seen the Mac a few years ago (with Buckingham but sans McVie), I currently don’t have any plans to see them again. That being said, based on clips I’ve seen, Campbell and Finn are doing a pretty decent job. Here’s a clip of Go Your Own Way, which apparently was captured in St. Louis in October.

Neil Young managed to pull off getting married to American actress and environmental activist Daryl Hannah in August and keeping the festivities a secret to the public – quite a feat in the age of social media! Young and Hannah certainly need to thank their 100 guests who kept quiet about the wedding, which Young officially confirmed in October. I suppose Neil Young doesn’t require any further introduction. Hannah, who started her acting career in 1978, has had roles in more than 70 films of different genres, including Blade Runner (1982), Wall Street (1987), Grumpy Old Men (1993) and Kill Bill Volume 1 & 2 (2003 and 2004, respectively). Young and Hannah had been in a relationship since 2014.

Daryl Hannah & Neil Young

In September, Paul McCartney released his 25th studio album and 17th solo record Egypt Station, which I previously reviewed here. While as a longtime fan of The Beatles, who generally also likes each member’s work thereafter, I may not be entirely objective here, I think Egypt Station may be Macca’s best album since Flowers In The Dirt from 1989. Remarkably, it became his first to debut at no. 1 on the Billboard 200. At 76 years, his voice sounds worn, but I actually feel it goes quite well with the songs. Here’s one of my favorites, I Don’t Know.

Gibson Brands, maker of legendary Gibson guitars like the Les Paul or the SG, re-emerged from bankruptcy in October. As part of the re-organization, a new management team was installed, and private equity firm Kohlberg Kravis Roberts & Co. (KKR) assumed majority ownership control. KKR also brought in a guitarist and Gibson collector as chairman of the board: Nat Zilkha, former lead guitarist of Red Rooster, a New York-based band that describes itself as a folk collective with music rooted in Americana with an urban-infused sound. “I feel like I have a personal relationship with the product,” Zilkha told Bloomberg in an interview. “This is a great American brand that sort of lost its way. It’s almost like a responsibility to try to bring it back to what it’s supposed to be.” In May, the 124-year-old music company had filed for Chapter 11 protection with up to $500 million in debt, according to NPR.

Gibson SG Standard
Gibson SG Standard

Sources: Deriso, Nick (December 20, 2018) 2018’s Biggest Rock Stories. Ultimate Classic Rock. Accessed December 30, 2018; Wikipedia; Billboard Top 200 Albums; Red Rooster website; Bloomberg; NPR; YouTube

My Busy 2018 Music Journey Part 2: New Music & 2019 Preview

Part 1 of this 2-part series looked back on the concerts I was fortunate to catch this year. Another significant aspect of my 2018 journey was listening to music, both familiar and new. While most of the music that’s coming out these days isn’t my cup of tea, I still ended up reviewing 24 new releases this year. About half (13) are studio albums, while the remainder is a mix of reissues, vault type releases and live records. Even if you only consider the new studio releases, 13 albums over the course of one year, or an average of approximately one per month, isn’t so bad for somebody who almost entirely lives in the past when it comes to music.

From the above studio albums, I’d like to call out the following: John Mellencamp, Other People’s Stuff, Dec 7 (review); Greta Van Fleet, Anthem Of The Peaceful Army, Oct 19 (review); Paul McCartney, Egypt Station, Sep 7 (review); Buddy Guy, The Blues Is Alive And Well, Jun 15 (review); Roger Daltrey, As Long As I Have You, June 1 (review); and Sting & Shaggy, 44/876, Apr 20 (review). Following are some clips.

Teardrops Will Fall, a ’60s tune co-written by Gerry Granaham and Marion Smith, was first recorded by John Mellencamp for his June 2003 album Trouble No More. But it actually sounds he could have taken the tune from his 1987 gem The Lonesome Jubilee, Mellencamp’s first record where he moved away from straight rock toward a more roots-oriented sound.

While Greta Van Fleet will probably need to find a more original style to ensure their longevity, selfishly, I can’t deny getting a kick out of their Led Zeppelin-style rock. The Cold Wind from their new album is a great example. I don’t know of any other band that sounds like the mighty early Zep. One thing is for sure: Robert Plant can no longer deliver vocals with this degree of intensity.

Egypt Station is Paul McCartney’s 17th solo study album. Here’s I Don’t Know, a classic McCartney piano-driven pop song. Yes, Macca’s voice has noticeably changed since New from October 2013, but I actually think it goes pretty well with his latest songs. Based on YouTube clips I’ve watched, I’m less sure about Beatles tunes. Many are in high keys and as such tough to sing, so Macca may have to make some adjustments.

Moving on to Buddy Guy, who at age 82 shows no signs of slowing down. One of the highlights of his latest record is Cognac, where he trades guitar licks with Jeff Beck and Keith Richards. If you’re a guitarist with basic blues skills, you just feel like grabbing your instrument and joining in!

As Long As I Have You is Roger Daltrey’s first solo album in close to 26 years. Here’s the excellent title track, a cover of a tune that initially was recorded by soul singer Garnet Mimms in 1964. The Who also played it in their early days.

Last but not least in the new studio album category is what at first sight may look like a somewhat odd pairing: Sting & Jamaican pop reggae fusion artist Shaggy. But they actually blend quite well, and here’s some pretty groovy evidence: Just One Lifetime.

This year also saw various great reissues and songs from the vault type albums. The two releases I’d like to highlight here are the reissue of The Beatles’ White Album (review) and Songs For Judy, an excellent Neil Young compilation of live solo performances from his November 1976 tour with Crazy Horse (review).

To me the true revelation of the Beatles’ reissue are the so-called Esher Demos, early and unplugged versions of most of the original album tracks, along with a few additional songs that didn’t make the White Album. They were all recorded at George Harrison’s bungalow in Esher located to the southwest of London. Here’s the Esher demo of Revolution.

The song I’d like to call out from Neil Young’s recent vault release is The Needle And The Damage Done. It remains one of my favorite tunes from Harvest, Young’s fourth studio album that came out in February 1972.

I also would like to acknowledge two Jimi Hendrix releases: The reissue of Electric Ladyland, the third and final studio album by The Jimi Hendrix Experience, and Both Sides Of The Sky, the third in a trilogy of posthumous albums after Valleys Of Neptune  (2010) and People, Hell and Angels (2013).

The last category of 2018 albums I’d like to touch on are live releases. I already noted Neil Young’s record. Three others that deserve to be called out are Bruce Springsteen’s Springsteen On Broadway (review), Sheryl Crow’s Live At The Capitol Theatre (review) and Soulfire Live (review) by Little Steven and The Disciples of SoulSpringsteen On Broadway is one of the best new albums I’ve heard this year. While Bruce Springsteen as a great music performer wasn’t any news to me, I had not fully appreciated his compelling verbal story-telling capabilities. There’s a bit of that on the Live/1975-1985 box set where Springsteen talks about how he was drafted for Vietnam and that his dad was happy they didn’t take him. Springsteen on Broadway takes his story-telling to another level. In fact, Springsteen’s monologues that precede his songs are almost more compelling than the music performances. Here’s part 1 of the introduction to My Hometown.

Next up: Sheryl CrowIf It Makes You Happy is one of my favorite Crow tunes from her eponymous second studio album released in September 1996. On the new live album, she starts off with another unidentified song I don’t recognize, before launching into Happy.

On to Little Steven. Soulfire Live captures his 2017 tour with The Disciples of Soul in support of his excellent Soulfire album, one of my favorite new records from that year. Among the live album’s highlights is a terrific cover of the Etta James tune Blues Is My Business. In addition to Steven demonstrating that he can be more than just a side-kick,  The Disciples of Soul prove what a terrific backing band they are.

So what’s in store for my music journey next year? On the concert front the only thing I can say for sure is I’m thrilled I got a ticket for The Rolling Stones on June 13 at MetLife Stadium in East Rutherford, N.J. It will only be my second time to see the Stones. Three other artists who are currently on my radar screen are John Mellencamp, John Mayall  and Paul McCartney.

Mellencamp has a series of gigs in New Jersey and New York at the end of February. I’d definitely enjoy seeing him again! Mayall has started booking dates in Europe for February and March. I’ve never been to one of his shows and hope he’ll add a U.S. leg to the tour that includes at least one logistically feasible concert. As for McCartney, his current tour schedule shows U.S. gigs between late May and mid-June. Unfortunately, none of them are within reasonable reach, so hopefully there will be additional dates closer to my location.

To frequent visitors of the blog it won’t come as a shock that I have every intention to continue seeing tribute bands. In fact, I already have a ticket for Neil Young tribute Decade for January 11 in Asbury Park, N.J., where they are going to recreate Young’s MTV Unplugged concert from 1993 – should be pretty cool! On February 23, I’m hoping to see Good Stuff, a great new tribute to Steely Dan, Gino Vannelli, Sting and Stevie Wonder. I’m planning to do more about these guys in the near future. Assuming the above British Invasion and Rock The Farm festivals will happen again in 2019, I certainly want to return to both events. Undoubtedly, there will also be plenty of other tribute opportunities.

2019 Outlook

Before finally wrapping up this post, I also would like to take the opportunity to reflect on the current status of the blog. I’m generally pretty happy where things stand at this time. Sticking with it wasn’t necessarily a given when I started out in late June 2016. While I’ve always emphasized I’m doing this because of my passion about the subject of music, not to become “famous,” I cannot deny that getting recognition in the form of comments, likes and followers is encouraging. I’m happy traffic has multiplied from 2017 and to date includes visitors from more than 70 countries.

I’d like to thank all readers, especially those who keep returning and leave comments. Apart from learning new stuff about music, feedback can also help me gain new perspectives. Whether you’re a fist-time visitor or one of the regulars, I’d like to wish you a great and peaceful Holiday season. And if you’re a fellow music blogger, to borrow creatively from Neil Young, keep on rockin’ in the blogosphere!

Christian

Rocking Bitmoji

Sources: Wikipedia, Christian’s Music Musings, YouTube

At 76 Paul McCartney Remains Full of Energy and A True Inspiration

Macca recently released his 18th solo album Egypt Station and is gearing up for new international tour

Paul McCartney has been pretty busy since June, promoting his new solo album and upcoming Freshen Up Tour. Things peaked with the release of Egypt Station last Friday and a ‘secret’ concert that evening at New York City’s Grand Central Station, which was live-streamed on his YouTube channel.

It all started with the June 10 reboot of Macca’s Instagram page and the subsequent posting of photos over the following days, showing music gear (some with, others without him) and cryptic symbols, clearly suggesting something was up. The title Egypt Station was revealed on Facebook on June 18, Macca’s 76th birthday. The next day saw the official announcement of the first two tracks to be released as a double-A single on June 20. That day, the album’s September 7th release date was unveiled.

On July 3rd, the first dates for the Freshen Up Tour in Canada were announced. Numerous additional dates have since been revealed, including in Europe, Japan and the U.S. The latter concerts start in May 2019. Leading up to the album’s launch, Macca also appeared on Howard Stern and The Tonight Show Starring Jimmy Fallon last Wednesday and Thursday, respectively. Calling all of this an elaborate PR campaign is an understatement!

Paul McCartney on Jimmy Fallon

Egypt Station shares its title with one of Macca’s paintings. In a June 20 announcement, he said, “I liked the words ‘Egypt Station.’ It reminded me of the ‘album’ albums we used to make… ‘Egypt Station’ starts off at the station on the first song and then each song is like a different station. So it gave us some idea to base all the songs around that. I think of it as a dream location that the music emanates from.”

Macca’s productivity and energy is remarkable. Egypt Station is his first full album since New from October 2013. In addition to these two pop records, Macca has released two other very different types of records over the past 10 years: his fifth classical album Ocean’s Kingdom (October 2011) and Electric Arguments (November 2008), his third experimental record with The Fireman, a duo he formed in the early ’90s with English record producer and musician Martin Glover, artistically known as Youth. There is also Macca’s collaboration with Kanye West and Rihanna, which resulted in the single FourFiveSeconds in January 2015. Oh, and in-between all these activities, he has been touring frequently.

Paul McCartney_Egypt Station

I managed to write five paragraphs without saying a bloody word about the new record. So what’s the verdict? While I prefer Macca’s 1973 Wings album Band On The Run and his fourth solo release Tug Of War from 1982 and his voice is showing some signs of aging, I am impressed with Egypt Station – of course, as a huge Beatles fan, this is a completely unbiased statement!😀

One of the things I find remarkable about the record is the variety of material ranging from piano-driven ballads, acoustic guitar-focused songs, some pop rockers to even some ambient music. In addition, two of the tunes clock in well over six minutes. One has distinct parts a la Band On The Run, while the second track is a suite of three songs, a concept reminiscent of Abbey Road. Time for some clips!

Here’s the first track Opening Station, an ambient instrumental. All except two tracks on Egypt Station were written by Macca. “When we decided we were gonna call the album ‘Egypt Station’, I liked the idea of making a montage of sounds that were sort of like a station,” he explains in an audio clip on his website. “So we found one station, then we added another to it – the sound effects of real stations. And then we started to add some noises we made up to make it like a dreamscape, so the idea being this kind of dream location, which where all this music was gonna emanate from.”

Immediately following Opening Station it’s on to signature McCartney with the piano-driven I Don’t Know, one of the tracks that also appeared separately ahead of the album.  It’s about people having a difficult day, wondering what it is they’re doing wrong. Notes Macca: “Sometimes that’s a good way to write a song, ’cause you’re coming from your soul. We often used to say that writing a song was like talking to a psychiatrist or therapist or something, ’cause you’re saying it, but you’re saying it in a song rather than in a room to a specialist.”

Happy With You is one of the album’s acoustic guitar-focused songs. Noting there were days when he had a lot of free time and would lay around doing nothing and getting “a bit stoned,” Macca explains, “It’s a song about growing up. There’s a period in your life, in some people’s lives, when they’re not being as productive or not being as organized or disciplined as they may later turn out to be.”

One of the rock-oriented songs on the album is Who Cares. Macca says he basically wrote the tune to show compassion to younger people all over the world who get picked on by others.

Things get political without naming names on Despite Repeated Warnings, which Macca co-wrote with OneRepublic lead vocalist Ryan Tedder. “I thought I’ll do a kind of song where I use symbolism,” Mecca points out. “And so the person that is symbolic of certain politicians or people who argue climate change is a hoax, and we know a few…So I thought, ‘okay, it’s a sea captain’, and he’s steering the boat, and he’s gonna go towards the iceberg. But he’s been warned, but he’s going, ’cause he thinks he’s right, and he thinks they’re all making to much of it and the usual arguments.” The 6:57-minute song has various distinct parts and, as such, is a bit reminiscent of Band On The Run.

The last track I’d like to call out is a 6:22-minute three-song suite that closes the album: Hunt You Down/Naked/C-Link. It starts with a rocker, Hunt You Down, links to another “simple song” called Naked, and finally blends into to C-Link, a bluesy instrumental featuring Macca on electric guitar. About the latter he notes, “it’s just me really enjoying playing electric guitar…people often say, ‘why do you still do it?’ I say, ‘coz I love it, I love this thing.’ And I’m still thrilled with having the privilege of being able to go up to an amp, turn it on, get my guitar, plug it in, and play it very loud. Just, it’s a thrill, you know, and it’s never stopped being a thrill…” This commentary very much feels like it comes from Macca’s heart. You can also feel it when you see him during live performances!

Egypt Station appears on Capitol Records and was mostly produced by Greg Kurstin, who has worked with artists like Beck, Kelly Clarkson, Pink and Foo Fighters. Two tracks, Fuh You and bonus track Nothing For Free, were co-produced by Tedder  and  Zach Skelton.  In addition to OneRepublic, Tedder has written and produced for U2, AdeleBeyoncé, Maroon 5, Taylor Swift and many other “hot” contemporary artists. Fortunately, Egypt Station’s sound isn’t too contemporary!

Paul McCartney Freshen Up Tour Banner

Macca’s  Freshen Up Tour kicks off on September 17 in Québec City, followed by shows in Montréal (September 20), Winnipeg (September 28) and Edmonton (September 30), before leading to Japan in late October and Europe thereafter. Currently announced U.S. dates start in New Orleans on May 23, 2019, and also include Raleigh, N.C. (May 27); Greenville, SC (May 30); and Lexington, Ky. (June 1), among others. This year, Macca is also scheduled to perform at Austin City Limits on October 5 and 12.

It’s safe to assume additional U.S. dates will be announced. I’ve been fortunate to see Paul McCartney live twice. Both shows were fantastic and will always stay in my memory. If his Freshen Up Tour comes within reasonable driving distance from my house, I will likely see him a third time!

Sources: Wikipedia, Paul McCartney website and Facebook page, YouTube