Snarky Puppy Shine On Genre-Crossing New Album Empire Central

Snarky Puppy aren’t for everybody – of course, no music ever is. The instrumental genre-crossing group definitely also falls outside of my core wheelhouse. And yet when I came across their new album Empire Central, released last Friday, September 30, I was immediately intrigued. Now I’m hooked, even though there aren’t any vocals – and I usually pay great attention to vocals! In fact, I can go on forever raving about strong voices and great harmony singing and have done so repeatedly on this blog. None of that is here. And dare I say it, in this case, I’m not missing it!

Before taking a closer look at Empire Central, I’d like to provide some background on Snarky Puppy. Other than their great name, I had not heard of them before. Even though they have won four Grammy Awards, I suspect they’re not exactly a household name. Snarky Puppy were founded in Denton, Texas in 2004 by bassist and main composer Michael League as a group of college friends who were in the jazz studies program at the University of North Texas. Initially, they started out as a 10-piece but have since more than doubled in size.

Michael League (front row second from left) with other members of Snarky Puppy

On their website, Snarky Puppy describe themselves as “a collective of sorts with as many as 25 members in regular rotation” who “each maintain busy schedules as sidemen (with such artists as Erykah Badu, Snoop Dogg, Kendrick Lamar, and D’Angelo), producers (for Kirk Franklin, David Crosby, and Salif Keïta), and solo artists (many of whom are on the band’s indy label, GroundUP Music).” When it comes to characterizing their music, notably the website focuses on what the group isn’t: “Snarky Puppy isn’t exactly a jazz band. It’s not a fusion band, and it’s definitely not a jam band.” I would call their music a blend of jazz, rock, funk and R&B.

Empire Central, Snarky Puppy’s 16th album, is “a tribute to the band’s hometown of Dallas, recorded over the course of eight nights in front of a live-in-studio audience at Dallas’ Deep Ellum Art Company,” according to this review in Glide Magazine. “The album also features the last recorded performance of ‘80s funk pioneer and major inspiration Bernard Wright, who passed away tragically at age 58 shortly after these recordings were completed.” Glide Magazine adds the recording includes 19 musicians altogether. Empire Central marks the group’s first album, for which members other than League were involved in the writing of the 16 tracks. Let’s take a look at some, together with League’s thoughts he shared with Apple Music.

Since I just included the opener Keep It On Your Mind in my latest Best of What’s New installment, I’m skipping the track here and go directly to East Bay. “Our woodwind player Chris Bullock wrote ‘East Bay’ while we were on tour in Oakland. He sees Oakland as a sister city to Dallas in terms of its music, and what I love about Chris’ composition style is that he approaches it like J Dilla or a hip-hop artist, interlocking parts in disjointed sections. Somehow, he fits it all together beautifully, with a groove-laden ride-out at the end.”

Next is Bet, written by League, which has a cool funky groove, some neat bass playing and great horn action. “‘Bet’ was written in honor of my good friend RC Williams, who is Erykah Badu’s musical director and essentially the musical heart of Dallas. Every Wednesday night, he runs a jam session in the city, where I was part of the house band for a number of years, and he is just a connector of people who makes things happen. I love midtempo tunes like this that come in, slam it, and get out without trying to be too epic.”

Here’s another great funky tune titled Take It!, featuring the late Bernard Wright. It’s definitely among my early favorite tracks on the album – so good! “This is the only song we’ve recorded as Snarky Puppy that has been previously released by another artist. Our keyboard player Bobby Sparks had this on his MySpace page years ago, and it was a big part of the formation of Snarky Puppy’s sound, since we would listen to it all the time when we were touring in our early days. We kept playing it during sound check for these recordings and decided to throw it into the set list one night. It features the great Bernard Wright for his final recorded performance, where he plays one of the most amazing solos I’ve ever heard.”

The next tune I’d like to call out is Broken Arrow. “Justin Stanton, our keyboard player, wrote ‘Broken Arrow’ to showcase a different side of Texas—its country music. When he brought the tune to the band, he said to think of Crosby, Stills & Nash, which was a fun reference, and it also has a soulful feel, bringing to mind Al Green in sections before going back to being guitar-driven. It’s all over the place, which I love.” Me too!

I’d like to leave you with one more track: RL’s, an homage to Texas blues penned by League. “As a band, we love to take a well-established genre and see what we can do to make it ours. The shuffle is like a religion in Texas, and I wrote this track in homage to a legendary blues shack in south Dallas where I have spent many wonderful nights listening to bands play blues shuffles. ‘RL’s’ is bluesy, but we extrapolate the shuffle, and, at the end, we all come in hard over the foundation of our drummer JT’s groove.”

There is so much more great music on Empire Central, which I cannot include in this post. Here’s a Spotify link to the album in case you’d like to further check it out!

“This album is a chance to say thanks to our home,” League told Apple Music, summing up Empire Central. “It is also a tribute to Bernard and his incredible musical legacy. He left us far too soon.”

In addition to the great music and top-notch musicianship, I love the cultural diversity Snarky Puppy represents, illustrating once again music oftentimes is color blind and knows no narrow-minded racial boundaries. To cite their website one more time: “At its core, the band represents the convergence of both black and white American music culture with various accents from around the world. Japan, Argentina, Canada, the United Kingdom, and Puerto Rico all have representation in the group’s membership.”

Sources: Wikipedia; Snarky Puppy website; Glide Magazine; YouTube; Spotify

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Best of What’s New

A selection of newly released music that caught my attention

Happy Saturday! The new music show must go on. Here’s what I found this week. All tunes are on releases that appeared yesterday (Nov 30).

Warren Zeiders/One Hell of an Angel

My first pick is by Warren Zeiders, a young country singer-songwriter from Pennsylvania. From his website: Warren Zeiders’ distinctive, high energy country music is powered by a steady supply of youthful grit, honesty, and muscle. Hailing from Hershey, Pennsylvania, the 22-year-old singer/ songwriter delivers outlaw sermons in a gravelly, world-weary voice that belies his young age. His music is suited more to the vast wilderness of his home state than the bright lights of Nashville, injecting a healthy dose of Heartland ethos into the honky tonks of Music City. But it’s that space he lives in—between lonesome outsider and magnetic performer—that helps him relate to listeners from all walks of life through songs fueled by unshakeable soul-searching. This brings me to 717 Tapes The Album, Zeiders’ new release, which combines songs from two previous 717 Tapes EPs (Vol. 1 and Vol. 2) with four new tunes. Here’s one of the latter, One Hell of an Angel, co-written by Zeiders, Benjy Davis and Josh Jenkins – nice country rocker!

Pixies/Vault of Heaven

Pixies are an alternative rock band from Boston, associated with the ’90s alternative rock boom. During their initial phase from 1986 until 1993, they released four albums. They broke up in early 1993 and reunited 10 years later. Their current line-up includes co-founding members Black Francis (lead and backing vocals, rhythm guitar, acoustic guitar), Joey Santiago (lead guitar, backing vocals) and David Lovering (drums, percussion, backing vocals), together with Paz Lenchantin (bass, violin, backing and lead vocals), who became a member of the group after they reunited. Vault of Heaven, penned by Francis (credited as Charles Thompson, his birth name), is a track from Pixies’ eighth and latest studio album Doggerel. Good song. The video is a bit odd!

Snarky Puppy/Keep It On Your Mind

While I didn’t know any of their music, I had heard of Snarky Puppy before and based on their name pictured a punk band – well, not exactly! From their AllMusic bio: An acclaimed fusion-influenced jam band, Snarky Puppy have built a loyal following with their adventurous blend of jazz, rock, and funk. Led by bassist Michael League, the Texas group emerged in the mid-2000s and garnered buzz with albums like 2006’s The Only Constant, 2010’s Tell Your Friends, and 2013’s Family Dinner, Vol. 1, which took home the Grammy for Best R&B Performance for their cover of the Brenda Russell song “Something” featuring singer Lalah Hathaway. More accolades followed, including further Grammy Awards for 2015’s Sylva and 2016’s Culcha Vulcha, the latter of which also topped Billboard’s Jazz Albums chart. The band again reached the Top Ten of the jazz charts with 2019’s Immigrance and picked up their fourth Grammy Award for 2020’s Live at the Royal Albert Hall. Empire Central is the group’s new live-recorded album that thematically revolves around the Texas city of Dallas. Here’s Keep It On Your Mind – definitely very different from what I expected. That said, I like it!

Dropkick Murphys/Talking Jukebox

What a coincidence – only three weeks ago, I featured some new music by Irish-American Celtic punk band Flogging Molly. Now it’s the turn of their Boston area cousins Dropkick Murphys who were formed in 1996, the year before Flogging Molly. Since their January 1998 debut Do or Die, the Murphys have released 10 additional albums, including their latest This Machine Still Kills Fascists. The all-acoustic album is composed of unused lyrics and words by Woody Guthrie and is the group’s first without lead vocalist Al Barr who was on hiatus from the band to take care of his ailing mother. In addition to Barr, Dropkick Murphys feature Ken Casey (lead and backing vocals, bass), Tim Brennan (accordion, mandolin, bouzouki, keyboard, piano, tin whistle, backing vocals, lead guitar), James Lynch (rhythm guitar, backing vocals), Jeff DaRosa (banjo, mandolin, bouzouki, guitar, keyboard, piano, harmonica, tin whistle, backing vocals) and Matt Kelly (drums, bodhrán, backing vocals). Here’s Talking Jukebox. The music is credited to the band.

This post wouldn’t be complete with a Spotify playlist of the above songs and a few additional tunes by each of the featured artists.

Sources: Wikipedia; Warren Zeiders website; AllMusic; YouTube; Spotify