Best of What’s New

A selection of newly released music that caught my attention

Welcome to another installment looking at newly released music, which oftentimes features artists and bands I encounter for the first time. This week, it’s a blend of new and familiar names, including what perhaps is my favorite contemporary band and an artist I first discovered through Best of What’s New last October. Let’s do it!

Southern Avenue/Control

If you are a more frequent visitor of the blog, you will likely have seen previous posts about Southern Avenue. This cool group from Memphis, Tenn., which has been around since 2015, blends Stax-style soul with blues, gospel, funk, rock and contemporary R&B. Their members include guitarist Ori Naftaly, who originally hails from Israel; sisters Tierinii Jackson (lead vocals) and Tikyra Jackson (drums, backing vocals); as well as Jeremy Powell (keyboards) and Evan Sarver (bass). From the time I first came across Southern Avenue in July 2017, thanks to a post by fellow blogger Music Enthusiast, I’ve dug this band. Control, co-written by Naftaly and Tierinii Jackson and released yesterday (August 13), is the latest single from Southern Avenue’s upcoming third studio album Be the Love You Want scheduled for August 27 – yet another great tune with killer vocals and an infectious groove!

A Great Big Pile of Leaves/Halloween

A Great Big Pile of Leaves is what I face around my house each autumn – actually make that many! It also is the name of an indie rock band from Brooklyn, New York. I can safely say I much prefer the group over the piles of autumn leaves! According to their Apple Music profile, they were founded by guitarist/singer Pete Weiland and drummer Tyler Soucy, Connecticut natives who moved to New York after their band Farewell to Arms split up in 2007. Their sound was rooted in both breezy classic indie pop and ’90s American underground acts like the Dismemberment Plan. The duo worked on and self-released two EPs, Fiery Works, Vol. 1 and Vol. 2. After the release of these recordings, they expanded to include Tucker Yaro and Matt Fazzi. As the band gained momentum, they began touring, eventually doing shows with Saves the Day, Motion City Soundtrack, and Say Anything. In 2010 they completed their first full-length album Have You Seen My Prefrontal Cortex?. Fast-forward to August 13, 2021 and Pono, the band’s third studio album, their first new one in eight years. Somewhere along the way, Fazzi departed, making A Great Big Pile of Leaves a trio. Here’s Halloween credited to the group.

Son Volt/The Globe

Son Volt are an alternative country and Americana rock band around singer-songwriter and guitarist Jay Farrar. Farrar formed the group in 1994 after the breakup of Uncle Tupelo, another alt. country outfit he had co-founded in 1987. Son Volt’s studio debut Trace appeared in September 1995. The band has since released nine additional records, including the latest, Electro Melodier, which came out on July 30. The group’s line-up has changed over the years. In addition to Farrar, the current members include Chris Frame (guitar), Mark Spencer (keyboards, steel guitar), Andrew DuPlantis (bass) and Mark Patterson (drums). Here’s The Globe, which like all other tracks on the album was written by Farrar. The band’s website calls out the Moog line from Won’t Get Fooled Again – something I hadn’t noticed at first. It’s at around 2:13 minutes. The tune reminds me more of Bruce Springsteen than The Who – check it out!

Daniel Romano/Nocturne Child

Let’s wrap up things for this week with an artist I first featured in a Best of What’s New installment last October: Canadian singer-songwriter Daniel Romano. From that post: Wikipedia describes Daniel Romano (born Daniel Travis Romano in 1985) as a Canadian musician, poet and visual artist based out of his hometown of Welland, Ontario. He is primarily known as a solo artist, though he is also a member of [Canadian indie rock band] Attack in Black and has collaborated with [fellow Canadian music artists] Julie Doiron and Frederick SquireHe has also produced and performed with City and Colour, the recording project of Dallas Green [another Canadian music artist]…and is a partner in his own independent record label, You’ve Changed Records. Romano is a prolific artist. His solo debut Workin’ for the Music Man appeared in 2010. He has since released 12 additional albums under his name. Only since last year, he has also issued seven records together with his road band The Outfit as Daniel Romano’s Outfit. And this doesn’t count various additional collaboration albums. Nocturne Child, written by Romano, is a single that appeared on July 16 from yet another Daniel Romano’s Outfit album, Cobra Poems, scheduled for September 10. Check out the Stonesy guitars – love it!

Sources: Wikipedia; Apple Music; Son Volt website; YouTube

Best of What’s New

A selection of newly released music that caught my attention

After more than 50 installments of a weekly recurring feature, the intros must sound a bit like a broken record for more frequent visitors of the blog. So I’m keeping this pretty brief. If you’re visiting for the first time, these posts feature four to six new or recently released songs. In this case, all tracks appeared yesterday (June 10).

Southern Avenue/Push Now

I’m happy to kick things off with one of my favorite contemporary bands: Southern Avenue. I covered this group from Memphis, Tenn. on various occasions in the past, for example here and here. Founded in Memphis in 2015, Southern Avenue blend traditional blues and soul with elements of modern R&B. Their members are Ori Naftaly (guitar), Tierinii Jackson (lead vocals), her sister Tikyra Jackson (drums, backing vocals), Jeremy Powell (keyboards) and Evan Sarver (bass). Less than a year after their formation, Southern Avenue signed with none other than Stax Records. The band’s eponymous debut album appeared in February 2017. Their sophomore, Keep On, was released in May 2019. Push Now is the lead single from Southern Avenue’s upcoming new album Be the Love You Want set to come out on August 27. The music and vocals are great as usual, and I look forward to hearing more from the album!

AFI/Dulcería

AFI are a rock band formed by three high school students in Ukiah, Calif. in 1991. Initially, they didn’t know how to play any instruments. Unlike The Monkees (for the record, I dig this band!), they didn’t have session musicians to play their music, so they started to learn their instruments right away. Originally a hardcore punk band, AFI have since evolved into other genres, which according to Wikipedia include horror punk (didn’t even know this genre exists!), post-hardcore, EMO, gothic rock and alternative rock. The band’s current line-up has existed since 1998 and includes founding members Davey Havok (lead vocals) and Adam Carson (drums, backing vocals), along with Hunter Burgan (bass, keyboards, backing vocals) and Jade Puget (guitar, keyboards, piano, synthesizer, backing vocals). After two EPs, AFI released their first full-length album Answer That and Stay Fashionable in July 1995. Their sixth and breakthrough album Sing the Sorrow from March 2003 was followed by Decemberunderground in June 2006, their best-selling album to date. It topped the U.S. Billboard 200; climbed to no. 2 and 3 in Canada and Australia, respectively; and also charted in many other countries. Dulcería is a track from AFI’s new album Bodies, their 11th. The tune is credited to all members of the band and William Patrick Corgan, aka Billy Corgan, lead vocalist and guitarist of The Smashing Pumpkins. Sounds like RFI have come a long way from their early days – there’s certainly no horror in this cool sounding and rather melodic tune!

Mammoth WVH/Horribly Right

Mammoth WVH is the new solo project of Wolfgang Van Halen who just released his eponymous debut album. The son of the late Eddie Van Halen is best known as the former bassist for Van Halen (2006-2020) and American heavy metal band Tremonti (2012-2016). According to his profile on Apple Music, Wolfgang was steadily working on songs of his own, but he kept his original material under wraps until his father died in October 2020. He formed Mammoth WVH the next month, repurposing the name Mammoth from the first iterations of Van Halen, which featured his father on lead vocals. A talented singer and multi-instrumentalist, Wolfgang recorded every instrument for his new project himself. His first song, “Distance,” debuted in November 2020, and an accompanying video was montaged from home movies of him and his father in different stages of his early life through to the hour at hand. Here is Horribly Right. “This is a song I wrote in New York when we had a week off on the 2015 Van Halen tour,” Van Halen told Apple Music. “It was really fun to take a quick break from tour and just lock myself in my room and write.” The tune is definitely on the heavy side, which doesn’t always work for me, but after a somewhat grim opening riff, it evolves into a more melodic hard rock song.

Julian Lage/Etude

I’d like to close this post on the quieter side with some great jazz by American guitarist and composer Julian Lage. I’m completely new to his music, but when I sampled a few tracks from his new album Squint, I immediately knew I’d dig it. According to Apple Music’s profile, Lage has been widely acclaimed as one of the most prodigious guitarists of his generation. The New York-based musician boasts a long resume as a desired sideman with artists as diverse as Gary Burton, Taylor Eigsti, John Zorn, Nels Cline, Chris Eldridge, Eric Harland, and Fred Hersch, to name just a few. Equally important is his reputation as a soloist and bandleader. He is equally versed in jazz, classical, pop, and show tunes, and has spent more than a decade searching through the myriad strains of American musical history via an impeccable technique and a gift for freely associating between styles, tempos, keys, and textures that adds to his limitless improvisational spirit. Lage’s debut album Sounding Point was released in March 2009. Eleven additional studio and live albums led by Lage have since appeared. This includes his latest, Squint, which also features Jorge Roeder (bass) and Dave King (drums). Here’s the beautiful opener Etude featuring Lage all by himself. Check out that guitar tone and tell this doesn’t sound awesome!

Sources: Wikipedia; Apple Music; YouTube

The Sunday Six

Celebrating music with six random songs at a time

It’s another Sunday morning in good ole’ New Jersey. The weather looks decent with temperatures supposed to hit the ’60s – perfect for an Easter egg hunt, if you’re into it! In case you prefer music or perhaps combine Easter egg hunting with some great tunes, I encourage you to read on. I think I’ve put together another nice and diverse set of six random tunes: Some instrumental rock, bluegrass, alternative rock, soul and blues rock.

The Shadows/Apache

I’m a huge fan of Hank Marvin, the lead guitarist of The Shadows, whose combination of his Fender Stratocaster and a Vox amplifier created a cool signature sound. Initially founded in 1958 under the name of The Drifters as the backing group for Cliff Richard, the instrumental band became The Shadows in July 1959, after the U.S. vocal group of the same name had threatened legal action. The Shadows soon stepped out of – well – Richards’ shadow and gained popularity on their own. Apache, released in July 1960, became their first no. 1 hit in the UK. It also topped the charts in France, Ireland, New Zealand and South Africa. Written by English composer Jerry Lordan, the tune was first recorded by English guitarist Bert Weedon. But Lordan didn’t like it. I have to agree the version by The Shadows sounds much more dynamic. Still, Weedon’s recording of the track, which came out at the same time, made it to no. 24 on the British charts.

Alison Krauss & Union Station/My Opening Farewell

I’ve yet to more fully explore American bluegrass and country artist Alison Krauss, who I primarily know because of her 2007 collaboration album with Robert Plant. When I came across My Opening Farewell the other day, I immediately liked the tune, so it wasn’t a hard decision to feature it a Sunday Six installment. Written by Jackson Browne, Opening Farewell is the closer of Krauss’ 14th studio album Paper Airplane from April 2011, which she recorded together with her longtime backing band Union Station. While Krauss has continued to perform with Union Station, Paper Airplane is her most recent album with the band. In February 2017, Krauss released Windy City, her fifth and latest solo album. Hope you enjoy Opening Farewell as much as I do!

Counting Crows/Round Here

When I heard Mr. Jones for the first time, I fell in love immediately with American alternative rock band Counting Crows and immediately got their debut album August and Everything After from September 1993. While Mr. Jones, which also became the lead single, is the obvious hit, there are many other great tunes on that record as well. One of them is the opener Round Here. Co-written by lead vocalist Adam Duritz and the band’s guitarist David Bryson, together with Dave Janusko, Dan Jewett and Chris Roldan, the tune also became the album’s second single in 1994. Counting Crows remain active to this day and have released six additional studio albums to date, with Somewhere Under Wonderland from September 2014 being the most recent. Some new music may be on the way. In February 2020, Duritz revealed the band was working in the studio on a suite of songs that could be released as a series of EPs. I guess we have to stay tuned. In the meantime, here’s the excellent Round Here.

Marvin Gaye/Mercy Mercy Me

I trust Marvin Gaye doesn’t need an introduction. In my book, he was one of the greatest soul vocalists of all time. After gaining initial fame with a string of hits at Motown and helping shape the Detroit label’s infectious sound, Gaye emancipated himself from Berry Gordy’s production machine in the 1970s and recorded and produced a series of highly regarded albums. The first one was What’s Going On from May 1971, a true ’70s soul gem. Don’t be fooled by the beautiful music and Gaye’s smooth singing. The concept album explored themes like drug abuse, poverty, environmental degradation and the Vietnam War. Just because Gaye didn’t believe in “shouting,” this doesn’t mean his social commentary wasn’t biting. Here’s the amazing Mercy Mercy Me, expressing Gaye’s sadness about ecological decay.

Southern Avenue/80 Miles From Memphis

As we start approaching the end of this Sunday Six installment, it’s time to speed things up, don’t you agree? More frequent visitors of the blog have probably noticed my deep affection for Southern Avenue, a band from Memphis, Tenn., which blends blues and soul with flavors of contemporary R&B. I think these guys are dynamite and are one of the best contemporary bands. I also love the racial diversity they represent. Southern Avenue are Israeli blues guitarist Ori Naftaly; two amazing African American ladies, lead vocalist Tierinii Jackson and her sister Tikyra Jackson who plays the drums and sings backing vocals; white bassist Evan Sarver; and African American keyboarder Jeremy Powell. Here’s 80 Miles From Memphis, a tune written by Naftaly from the band’s eponymous debut album released in February 2017. BTW, in 2016, Southern Avenue became the first new act signed to Stax Records in many years. How cool is that?

ZZ Top/Tush

Okay, with this last tune, let’s push the pedal to the metal. In my book, Tush by ZZ Top is perhaps the ultimate blues rocker. I just love the guitar riff, the bottleneck action, and how tight the band sounds. Formed in 1969 in Houston, the trio of Billy Gibbons (guitar, vocals), Dusty Hill (bass, vocals) and Frank Beard (drums) is rocking to this day. Fun fact: Beard is the only member of the band without a beard! ZZ Top have released 15 studio albums, four live albums, seven compilations and more than 40 singles to date. Looks like their most recent release was a compilation from 2019 titled Goin’ 50. Tush, credited to all members of the band, is the closer of ZZ Top’s fourth studio album Fandango!, which appeared in April 1975. Take it away, boys!

Last but not least, to those who celebrate it, I’d like to wish you a Happy Easter. To those who don’t, have a great Sunday anyway!

Sources: Wikipedia; YouTube