Another Saturday is upon us, which means it’s time to take a fresh look at newly released music. My picks for this week include melodic punk, pop country, indie rock and some contemporary reggae. All tunes appear on releases that came out yesterday (August 6).
Fake Names/It Will Take a Lifetime
Fake Names are a supergroup featuring members from Swedish and American punk bands I’m not familiar with. According to this review in Broadway World, the line-up includes guitarists Brian Baker (Minor Threat, Dag Nasty, Bad Religion) and Michael Hampton (S.O.A., Embrace, One Last Wish), lead vocalist Dennis Lyxzén (Refused, International Noise Conspiracy, INVSN) and bassist Johnny Temple (Girls Against Boys, Soulside). In May 2020, Fake Names released their eponymous debut album. It Will Take a Lifetime is the opener of their new self-titled EP. The tune is credited to all four members. The recording also includes guest drummer Brendan Canty (Rites of Spring, Fugazi). I rarely listen to punk but find this pretty accessible. Obviously, it’s not hardcore, which isn’t my cup of tea, plus it’s pretty melodic!
Allison Ponthier is a singer-songwriter based in Brooklyn, New York, who originally hails from the Dallas area. This feature in Atwood Magazine describes her music as “equal parts Taylor Swift, Kacey Musgraves, and Phoebe Bridgers.” Cowboy is from Ponthier’s debut EP Faking My Own Death. The tune first appeared in March as her debut single. “”Cowboy” is the story of when I moved from my hometown in Texas to Brooklyn and ended up coming out as a queer person,” Ponthier explained to Atwood Magazine. “I was always trying to run away from different aspects of myself, and I guess it was time to live my truth as a gay cowboy.” According to the publication, “Ponthier is quickly asserting herself as one of 2021’s freshest and most exciting new singer/ songwriters.” While I know way too little about her music to comment on the statement, I find Cowboy pretty intriguing.
Laura Stevenson/Continental Divide
Laura Stevenson is a folk and indie rock-oriented singer-songwriter from Long Island, New York. According to her Apple Music artist profile, Stevenson is the granddaughter of Harry Simeone, an arranger and conductor who was co-credited with writing the Christmas classic “Little Drummer Boy.” Simeone’s wife, Margaret McCravy, sang for Benny Goodman’s Orchestra in the 1930s under the name Margaret McCrae. By her late teens, Stevenson was already writing her own songs and performing locally when she befriended members of band the Arrogant Sons of Bitches. They temporarily disbanded in 2004, and when lead singer Jeff Rosenstock quickly formed the ska-punk collective Bomb the Music Industry!, Stevenson was enlisted as keyboard player. She continued to play solo shows during her time with the group, with members often contributing to her backing band. Credited as Laura Stevenson & the Cans, she made her solo recording debut in 2009 on a split EP with BTMI, adding the three-track “Holy Ghost!” later the same year. Her full-length debut, A Record, followed on Asian Man Records in 2010 and included collaborations with Rosenstock. Fast-forward 11 years to Stevensons’ new and self-titled sixth album, for which she wrote all tracks. Here’s Continental Divide – check out that great warm sound – very nice!
Sizzla/On a High
When being asked about reggae music, I’m quick to say I dig it because it’s groovy and makes you want to move. The truth is I mostly base this on Bob Marley, the only reggae artist I’ve explored beyond just a song or two. Perhaps tellingly, I had not heard of Sizzla (born Miguel Orlando Collins), who according to Wikipedia is “one of the most commercially and critically successful contemporary reggae artists.” Well, if they say so. Sizzla was born and raised in Kingston, Jamaica. In 1995, he met Jamaican record producer Philip “Fatis” Burrell, who produced his debut album Burning Up that appeared in September of the same year. Sizzla is a prolific recording artist who has since released more than 50 additional albums, frequently several during the same year. On a High, written by Collins, is the title track of Sizzla’s new album. Feel free to groove along!
Sources: Wikipedia; Broadway World; Atwood Magazine; Apple Music; YouTube