Best of What’s New

Time for some newly released music. This is perhaps the most eclectic Best of What’s New installment to date, including afrobeat, indie pop folk, rock and jazz. Yes, more jazz, though it does have some singing. All of the featured albums came out yesterday (February 5). Let’s get to it!

Femi Kuti & Made Kuti/Stop the Hate

Femi Kuti is a Nigerian afrobeat and jazz musician born in London and raised in Lagos. According to his website, Before Femi was his own bandleader, he started playing saxophone in his father — Fela Kuti’s — band, Egypt 80, in 1979, where he learned the ins and outs of performing with a legend. [Fela Kuti, a Nigerian multi-instrumentalist, composer and political activist, is considered to be a pioneer of afrobeat.] In 1984, Femi had no choice but to fulfill his destiny after Fela was arrested at the Lagos airport just before the start of a U.S. tour and Femi was asked to be the frontman of his father’s band instead of cancelling the shows. In 1986, Femi created his own band, called Positive Force, which quickly gained notoriety as a formidable group in Afrobeat music. Over the next 30 years, Femi would amass worldwide acclaim as an ambassador of this righteous music and many humanitarian organizations. Positive Force is still at the forefront of the Afrobeat movement, expanding the music’s vocabulary by adding hints of punk and hip-hop to the sound, while maintaining its traditional roots and political message. This track, Stop the Hate, is from Legacy +, which combines two new albums: Stop the Hate by Femi Kuti and For(e)ward by his son Made Kuti. The groove of this music is infectious.

Hayley Williams/First Thing to Go

Hayley Williams, who was born and raised in Mississippi, is a singer-songwriter and musician. She’s best known as lead vocalist and keyboarder of Paramore, a rock band from Franklin, Tenn. she co-founded in 2004. According to her profile on Apple Music, Williams was already signed to Atlantic Records as a solo pop artist at age 15 before she insisted on going in an edgier alt-rock direction with her high-school pals in tow. As Paramore became fixtures on the mid-2000s Warped Tour circuit, Williams represented an orange-haired beacon for girls looking to elbow their way into the predominantly male mosh pit that was the pop-punk scene…Outside the band, Williams has crowd-surfed far away from her punk roots. After releasing two EPs, Petals for Armor I and Petals for Armor II, in February and April 2020, respectively, her first full-length solo album Petals for Armor appeared in May 2020. It combines songs from the EPs with some new tracks. First Thing to Go is the opener of Williams’ new sophomore release FLOWERS for VASES/decansos. She wrote and recorded the entire album by herself at her home in Nashville. I like the stripped back approach.

Foo Fighters/Making a Fire

While it’s safe to assume Foo Fighters need no introduction to most readers, admittedly, I know next to nothing about this rock band from Seattle, other than it’s fronted by former Nirvana drummer Dave Grohl who is the band’s lead vocalist, guitarist and primary songwriter. I also previously heard a song or two. I didn’t realize Foo Fighters have been around for more than 25 years. In addition to Grohl, the current line-up includes Pat Smear (guitar), Chris Shiflett (guitar), Rami Jaffee (keyboards), Nate Mendel (bass) and Taylor Hawkins (drums). Except for Jaffee who joined in 2017, all other members of the band have played together for more than 15 years. Making a Fire, credited to Foo Fighters, is the opener of the band’s new and 10th studio album Medicine at Midnight.

Archie Shepp & Jason Moran/Sometimes I Feel Like a Motherless Child

I’d to wrap things up with new jazz by saxophone player Archie Shepp who teamed up with Jason Moran, a jazz pianist, for a new album titled Let My People Go. Both of these artists are entirely new to me. Shepp, who is 83 years old, has been active since 1960. Over his 60-year-plus career, he has been on close to 100 records and played with Cecil Taylor, John Coltrane, Dave Burrell, Chet Baker and Frank Zappa, among others. Forty-six-year-old Jason Moran recorded his debut album Soundtrack to Human Motion in 1999 and has since released 14 additional albums as a bandleader. He has also been a sideman for Steve Coleman, Bunky Green, Charles Lloyd and Greg Osby, among others. Sometimes I Feel Like a Motherless Child is the opener of the above noted Let My People Go. It starts with very relaxing piano and saxophone music before Sheep starts singing at about 5:17 into the tune, which based on the description of the YouTube clip is a “negro spiritual” by an unknown writer. Just beautiful to listen to and also fascinating to watch these two artists from different generations.

Sources: Wikipedia; Femi Kuti website; Apple Music; YouTube

Beware Of Mr. Baker

When I saw the name of Ginger Baker pop up in a CNN news alert on my phone yesterday morning, I immediately knew what had happened. Just a few days ago, I had spotted a story on Facebook, reporting Baker was in the hospital and critically ill. The legendary drummer passed away on October 6 at age 80.

Baker was a pretty wild character. His constant fights with Jack Bruce while they played together in The Graham Bond Organisation and lateron in “supergroup” Cream have widely been reported. Once he even pulled a knife on Bruce – yikes! Baker’s volatile behavior is also impressively captured in the fascinating 2012 American documentary Beware of Mr. Baker. At some point, he hits film maker Jay Bulger in the nose with his walking stick – a terrifying thought, especially coming from a drummer.

So, yes, Baker wasn’t exactly a saint. But I don’t feel it’s my place to judge. Plus, let’s be honest here: The same can be said about some other music artists, including one of my biggest heroes of all time, John Lennon. He certainly was a less than perfect husband to his first wife Cynthia Powell and father to Julian, his son from that marriage. Still, the fact Lennon’s behavior fell short doesn’t change my admiration for him as an artist. The same is true for Ginger Baker.

There are already many obituaries out there, and undoubtedly, there will be many more. I don’t want to add yet another such piece. If you feel like reading an obituary for Baker, you can do so here at Rolling Stone, for example. Instead, I’d like to commemorate Baker with some of his music. And there is quite a lot over a career that spanned more than 60 years.

Less than two years after Baker had started picking up the drums at age 16, he was initially playing Dixieland on London’s Soho jazz scene. He was also influenced by bebop and artists like Max Roach, Charlie Parker and Dizzie Gillespie. In fact, during a 2013 interview with jazz.fm91 he said, “Oh, for God’s sake, I’ve never played rock.” He also insisted Cream was a jazz band. “Cream was two jazz players and a blues guitarist playing improvised music. We never played the same thing two nights running…It was jazz.” Oh, well, I guess it all depends on how you define jazz. In any case, at the end of the day, who cares what you call it when you’re talking about Cream, one of the greatest bands of the 60s.

In 1962, following Charlie Watts’ departure to The Rolling Stones, 23-year-old Baker joined Blues Incorporated. The English blues band was led by guitarist Alexis Korner, who is often called “a founding father of British blues.” It is also there where Baker first met Jack Bruce. Here’s a great 1962 instrumental called Up-Town, which in addition to Korner (guitar), Bruce (bass) and Baker (drums) also featured Cyril Davies (harmonica), Dick Heckstall-Smith (tenor saxophone) and Johnny Parker (piano).

In 1963, Baker joined The Graham Bond Organisation, where he again played with Bruce, as well as other former Blues Incorporated members Graham Bond (vocals, keyboards, alto-saxophone) and Heckstall-Smith (tenor & soprano saxophone). Guitarist John McLaughlin rounded out the line-up of this jazz and R&B group. Here is Camels & Elephants, a tune featuring a Baker drum solo reminiscent of Toad, except it’s much shorter! 🙂

While Baker made a name for himself in The Graham Bond Organisation, it was his affiliation with next band that cemented his status as a legendary drummer: Cream. Most of the band’s orginal songs were written by Bruce and Eric Clapton. Between the two, they typically also handled vocals. But here is one Cream tune that not only was soley written by Baker but also sung by him: Blue Condition. The song appeared on their second studio album Disraeli Gears from May 1967.

Following the break-up of Cream and Baker’s participation in the short-lived Blind Faith, he founded jazz rock fusion group Ginger Baker’s Air Force. Apart from Baker, the supergroup’s initial formidable lineup included Steve Winwood (organ, vocals), Ric Grech (violin, bass), Jeanette Jacobs (vocals), Denny Laine (guitar, vocals), Chris Wood (tenor saxophone, flute), Graham Bond (alto saxophone), Harold McNair (tenor saxophone), Remi Kabaka (percussion), Alan White (drums) and jazz drummer Phil Seamen with whom Baker had taken lessons in the early ’60s. Here is Do What You Like, a tune Baker originally had written for Blind Faith, featuring Steve Winwood on lead vocals. It appeared on Air Force’s eponymous debut from March 1970, a live recording of a show at the Royal Albert Hall from January 15, 1970.

Just like Baker’s other music ventures, Air Force was short-lived, lasting only for a couple of years. In November 1971, he decided to move to Lagos, Nigeria where he set up a recording studio. It operated through the ’70s. One of the albums produced there was Band On The Run by Paul McCartney and Wings. In addition to putting out various solo albums during that time, Baker worked with Nigerian multi-instrumentalist and composer Fela Kuti, a pioneer of the Afrobeat music genre. One of these albums, Stratavarious, appeared in 1972 and included a track written by Kuti called Tiwa (It’s Our Own).

In 1974, Baker teamed up with brothers Adrian Gurvitz (guitar, vocals) and Paul Gurvitz (bass, vocals) to form Baker Gurvitz Army. Here is the title track and a Baker composition from the band’s third and last album Hearts On Fire, which was released in 1976.

After the demise of his recording studio in Nigeria, Baker relocated to Italy in the early 1980s. In 1987, he released African Force, a jazz fusion album. Here’s the opener Brain Damage, which was co-written by Baker and Jan Kazda.

In 1993, Baker teamed up with Bruce (amazing how often these two guys kept reuniting, despite all their bad past fights) and guitarist Gary Moore to form BBM (Bruce, Baker, Moore). Predictably, the power trio didn’t last long either, but they managed to release one album, Around The Next Dream. Here is Why Does Love (Have To Go Wrong?), which is credited to all three musicians.

The last track I’d like to highlight is from Baker’s final studio album Why?, another jazz  record that appeared in May 2014. It was his first solo record in 16 years. Here is Cyril Davis written by Baker. Other musicians on the album included Pee Wee Ellis (saxophone), Alec Dankworth (bass) and Abass Dodoo (percussion).

This post would be incomplete without a few thoughts from other music artists. Mick Jagger called Baker “a fiery but extremely talented drummer.” Recalling his work on the Band On The Run album in Baker’s studio in Nigeria, Paul McCartney characterized him as a “great drummer, wild and lovely guy.” Steven Van Zandt noted “Baker was one of the greatest drummers of all time” and recommended the album Disraeli Gears to those unfamiliar with him.

There were also some heartfelt words from Baker’s son Kofi Baker, the drummer in Cream tribute band Music Of Cream: “The other day, I had a beautiful visit with my dad…we talked about memories and music and he’s happy I’m keeping his legacy alive. Our relationship was mended and he was in a pieceful place.”

Sources: Wikipedia; CNN; Rolling Stone; Jazz.fm91; YouTube