The Sunday Six

Celebrating music with six random songs at a time

It’s a gray and rainy Sunday morning in New Jersey, at least in my neck of the woods. But I’m determined not to let that bring me down. Plus, we’ve had plenty of sunshine over the past couple of weeks, so there’s no good reason to complain and every reason to expect the sun will come back. Most importantly, bad weather isn’t a deterrent to listen to great music. In fact, one could argue a rainy day is a perfect opportunity to do just that. And, guess what, I have some suggestions! 🙂

ShwizZ /Clock Tower

Let’s get into the mood with an amazing brand new rock instrumental by ShwizZ. I had never heard of the group until Friday when I spotted the below clip on Facebook. I’m not even sure how to properly pronounce that name! According to their website, ShwizZ is a one of a kind powerhouse from Nyack, New York. Drawing a substantial influence from classic progressive rock and funk, they consistently put their musical abilities to the test to deliver a high intensity and musically immersive show. ShwizZ call out Frank Zappa, Yes, P-Funk and King Crimson as their influences – notably, all artists I essentially don’t listen to, except for Yes. Still, Clock Tower grabbed me right away! The band’s members include Ryan Liatsis (guitar), Will Burgaletta (keyboards), Scott Hogan (bass) and Andrew Boxer (drums). I know Scott who is a very talented bassist. Frankly, when I see him play, sometimes, I ask myself ‘what’s the point’ of me trying. But while skill is great, at the end of the day, playing an instrument should be about fun first and foremost. Anyway, after I watched the video, I messaged Scott with a few inquisitive questions. I think he has no idea I’m writing about him – sneaky, huh? Anyway, he told me ShwizZ have been around for about 10 years. He joined them 1.5 years ago. Most of their music is instrumental. Their website lists a few albums and singles, including Clock Tower, which was released as a single on Friday, April 8. Apparently, they’re working on other new music. Meanwhile, let’s give this cool-sounding tune a listen!

Gerry Rafferty/Baker Street

From the very first moment I heard Baker Street by Scottish singer-songwriter Gerry Rafferty, I loved that tune. The saxophone part by Raphael Ravenscroft and the guitar solo by Hugh Burns still give me the chills. Rafferty wrote Baker Street for his second studio album City to City that came out in January 1978. The song was also released separately as a single and became Rafferty’s biggest hit, peaking at no. 2 and no. 3 in the U.S. and the UK, respectively, and charting within the top 10 in various other European countries. In Australia, it went all the way to no. 1. Rafferty had a complicated relationship with fame and the music industry, and unfortunately, he struggled with alcoholism and depression. On January 4, 2011, Rafferty passed away from liver failure at the untimely age of 63. Primarily fueled by Baker Street, City to City ended up to become his most successful album. Altogether, Rafferty released 10 albums during his solo recording career from 1971 to 2009. He also gained popularity as co-founder of Scottish folk rock band Stealers Wheel and their hit Stuck in the Middle with You.

Muddy Magnolias/Broken People

In December 2016, about seven months after I had started the blog, I named Muddy Magnolias “my new discovery for 2016 I’m most excited about.” Then the now-defunct duo of African American singer-songwriter Jesse Wilson from Brooklyn, New York, and Kallie North, a white pianist from Beaumont, TX, kind of fell off my radar screen until I remembered them out of the blue the other day. They got together in 2014 and released an amazing album titled Broken People in October 2016. The music represents an intriguing blend of each artist’s background. Wilson’s influences include Aretha FranklinSmokey RobinsonLauren HillMary J. Blige and The Notorious B.I.G., while North grew up listening to artists like The CarpentersAlison KraussJames Taylor and Eagles. Unfortunately, the duo dissolved at the end 0f 2017. Wilson went on by herself and released her debut solo album Phase in May 2019, which was produced by Patrick Carney, the drummer of The Black Keys. No idea what happened to North who apparently initiated the duo’s breakup. While Muddy Magnolias only released one album, they certainly made it count. Here’s the cool title track.

Tom Faulkner/Lost in the Land of Texico

A few weeks ago, my longtime music buddy from Germany recommended that I check out Tom Faulkner and his 1998 album Lost in the Land of Texico. Usually, he has a good idea what will appeal to me, and once again he was right! While the singer-songwriter and producer, who was born in New Orleans, already at the age of five knew music was his calling, unfortunately, it appears he never quite broke through as a music artist. To date, decades into his career, Faulkner has only released two albums: Lost in the Land of Texico (1997) and Raise the Roof (2002). For the most part, he has made his living with commercial music for radio and TV. As his bio on last.fm notes, Faulkner has created hundreds of national jingles and scores, including some of the most memorable commercial music on television and radio. Most notably, he composed and sang the wildly popular “I Want My Baby Back” for Chili’s, a jingle that has since found its way into motion pictures (Austin Powers) and over a dozen major network TV shows. He also created the multi-award winning music theme for Motel 6 and Tom Bodett, the longest running commercial campaign in the history of advertising (23 years, 5 CLIOs, and counting). As of June 2019, when his bio was last updated, Faulkner was working on his third CD. Here’s the bluesy title track, which has a nice musical New Orleans flavor.

The Subdudes/Light in Your Eyes

Let’s stay with New Orleans and The Subdudes, another great tip from my German music friend. This band from The Big Easy blends folk, swamp pop, New Orleans R&B, Louisiana blues, country, cajun, zydeco, funk, soul and gospel into a tasty musical gumbo. They have been around since 1987 with breaks from 1996-2002 and 2011-2014. The band’s current members include Tommy Malone (vocals, guitar), John Magnie (vocals, accordion, keyboards), Steve Amedée (tambourine, drums, other percussions, vocals), Tim Cook (percussion, bass, vocals) and Jimmy Messa (bass, guitar), which is almost still their original line-up. Since their eponymous debut from 1989, The Subdudes have released nine additional studio and two live albums. Light in Your Eyes is a track from the band’s first album. It was co-written by Malone and Johnny Ray Allen, the band’s former bassist. The Subdudes’ harmony singing and the warm sound of their music are sweet. Check it out!

Chicago/Free

As has sort of become a Sunday Six tradition, the last tune I’d like to highlight is a rocker: Free by Chicago. Formed as The Chicago Transit Authority in The Windy City in 1967, a name that after the threat of legal action from Chicago’s actual transit authority was shortened to Chicago, the band doesn’t need much of an introduction. They started out as a rock group with horns before moving to an easy listening sound that was dominated by ballads, especially in the late ’70s and ’80s. Over their nearly 55-year career, Chicago have seen numerous line-up changes, as you’d expect. Notably, the current 10-piece still includes original members Robert Lamm (keyboards, lead vocals), Lee Loughnane (trumpet, flugelhorn, backing vocals) and James Pankow (trombone, backing vocals). Free dates back to a period when Chicago were rockin’ and on a true roll: Chicago III, the group’s third consecutive double album in less than two years. Written by Lamm, Free is part of the so-called Travel Suite of tunes that make up side 2 of the double LP. Featuring amazing lead guitarist Terry Kath on lead vocals, the tune also became the album’s lead single in February 1971. It’s hard for me to say and I’m sorry, while Chicago’s ’80s ballads were popular, it’s the rock & horns songs like Free where the band truly shines.

Sources: Wikipedia; ShwizZ website; last.fm; YouTube

Santana Celebrates Africa On Seductive New Studio Album

Deep in the jungle, beyond the reach of greed/You hear the voices of spirits/With their frequency of light/Making sounds like the crackling of stars at night/Communicating with plants, animals and mankind/Affirming the universal truth…All and everything was conceived here in Africa/The cradle of civilization. These words, spoken by Carlos Santana, are the intro to his new album Africa Speaks that was released yesterday. After having listened to it for a couple of times, I’m pretty excited about the infectious grooves and Carlos’ guitar-playing, which continues to amaze me. This record is made for summer!

Appearing on Concord Records, Africa Speaks is Santana’s 25th studio album and his first with producer Rick Rubin. It was recorded together with Santana’s band at Rubin’s Shangri La Studios in Malibu. The record also features two female singers with African heritage: Spanish vocalist María Concepción Balboa Buika, who goes by Buika, and on one track British singer Laura Mvula. Santana’s website characterizes the music as inspired by the melodies, sounds and rhythms of Africa, but in many ways, this is a classic Santana album combining Latin Afro-Cuban rhythms with Carlos’ mighty signature guitar sound.

Carlos Santana

In January, Santana told this to Rolling Stone about the upcoming album, which then was supposed to be titled Global Revelation: “I went to Rick to see if he would, as Miles Davis would say, ‘Would you have eyes to do something with me? I know you’ve worked with everybody like Johnny Cash and the Chili Peppers and Metallica,’ And he goes, ‘Well, what are you interested in doing?’ I said, ‘Nothing but African music.’ So can you believe it? We record 49 songs in 10 days. He was very gracious, because it was like a hurricane to record six, seven songs in a day. Rick said, ‘With Clive Davis, you had a bunch of guest stars and singers. Who do you want in here?’ I said, ‘I only want two women: Laura Mvula and Buika.’ And he said, ‘OK.’ So we called them and they said yes.”

Let’s get to some music. Here’s the opener Africa Speaks. The tune has a bit of a mysterious vibe to it. I also like how it builds. And once Santana comes in with his great guitar sound, man, the track just takes off!

Oye Este Mi Canto starts with a smooth laid back Latin jazz feel to it, with Buika shining on vocals. Then check out what happens at around 2 minutes and 28 seconds: Things pick up, with Santana coming in playing a great wah-wah guitar solo. And all for a sudden, it feels like going back 50 years to Woodstock. Then at around 3 minutes and 50 seconds, the song resumes its initial groove – so cool!

Here’s Blue Skies, the track featuring Laura Mvula, who is sharing vocals with Buika. Not sure why Apple Music and YouTube don’t mention her – either an embarrassing oversight or outright disrespectful!

Paraísos Quemados is one of my favorite tunes on the album. I just dig the funky groove and the excellent bassline by Benny Rietveld. As a Hammond fan, I also like what David K. Mathews is doing on the keys. Oh, and did I mention Carlos on guitar?

The last track I’d like to highlight is Breaking Down The Door, which according to a Rolling Stone review is a cover of the Calypso Rose song Abatina, written by Manu Chao. Another nice tune that perhaps is a bit more conventional compared to most other tracks that have more of a fusion feel to it.

This review would be incomplete without acknowledging Santana’s excellent backing band. In addition to the above mentioned bassist and keyboarder Rietveld and Mathews, respectively, the line-up features Carlos’ wife Cindy Blackman Santana (drums),  Tommy Anthony (guitars and vocals), Andy Vargas and Ray Greene (both vocals), as well as percussionists Karl Perazzo and Paoli Mejías.

So what does Rick Rubin think about the album and its making? “I couldn’t believe what I was seeing,” he said during a filmed conversation. “Hearing it on record is one thing, but being in the room and watching it happen was another. I couldn’t imagine anyone who loves music sitting in the position I was in watching this not being blown away.”

“Carlos asked to meet and I had never met him before. He said he wanted to go into to the studio and start recording. And I said, ‘well, let’s talk about the songs and let’s listen to songs’ and he said, ‘well, I don’t really have any songs.’ And I said, ‘okay, interesting,’ and he said, ‘well, I have an idea.’ He played me some pieces of music and then he sent me an iPod filled with African music. And he said, ‘live with this for a little bit and then we’ll talk about it.’ I lived with it and it was fantastic!”

“And he said, ‘I think that’s the energy of what I wanna do, and I wanna start by jamming with the band, using these kinds of rhythms and see where it goes.’ Very unusual to work for me in that way. Usually, the song comes first, and the studio is more about documenting the thing we already know how it’s gonna go. In in this case, it was really, we went to the studio completely blank, jamming on these instrumental pieces, and it was really great – really, really great!” You can watch the full clip here.

I have to say this album has reignited my enthusiasm about Carlos Santana and makes me feel like seeing again.  There would definitely be opportunity this year. Later this month, Santana is embarking on a tour to celebrate the 20th anniversary of his 1999 Supernatural studio album. While it definitely resulted in a resurgence of his career, I’m not particularly fond of this record and much prefer his first three albums with the classic Santana band. Santana is also playing two Woodstock-related festivals in August, which I likely can’t afford. But he told People he is planning a series of dates next year to support his new album. Now, that may be something worthwhile looking into.

Sources: Wikipedia, Santana website, Rolling Stone, People, YouTube