This is it – well, almost! As the remaining hours of 2020 are ticking away, the time has come for my final post of this year. Since I’ve already expressed my thoughts about this year in comments to posts by fellow bloggers, I’m keeping this short and sweet.
I’d like to wish all readers a happy and healthy new year and hope you come back for more. Also, please keep the comments coming. I always enjoy reading your thoughts, even though we may not agree all the time on the music we post about. Thank goodness! Can you imagine how boring it would be, if everybody always had the same taste? Reading different perspectives is a good thing!
I’d like to leave you with a few new year’s songs. They aren’t all happy, but I feel choices are limited to begin with. Plus, obviously, the following is based on what I could find. I’m sure there are other tunes that would have been worthwhile to include. Plus, I wanted to keep it to a handful only.
Death Cab For Cutie/The New Year
I only know this indie rock band from Bellington, Wa. by name. Credited to all four members of the band at the time, Ben Gibbard (vocals, guitar, piano), Nick Harmer (bass), Chris Walla (guitar) and Jason McGerr (drums), The New Year is the opener of their fourth studio album Transatlanticism from October 2003.
Eagles/Funky New Year
Co-written by Don Henley and Glen Frey in 1978 but apparently not released at the time, Funky New Year was included in the Eagles’ box set Legacy, which appeared in 2018. Groovy!
Otis Redding & Carla Thomas/New Year’s Resolution
How about throwing in some sweet Stax soul music? My kind of music. Here’s New Year’s Resolution by Otis Redding and Carla Thomas. Co-written by Randle Catron, Willie Dean “Deanie” Parker and Mary Frierson, the tune was included on a studio album titled King & Queen. It appeared in March 1967 and was Redding’s final album prior to his untimely death in an airplane crash on December 10, 1967.
U2/New Year’s Day
Let’s wrap it up with what’s perhaps my favorite tune related to the new year: New Year’s Day by U2. The Irish rock band recorded it for their third studio album War from February 1983. Like all other tracks on the record, it was credited to U2. Here’s the live version from Under a Bloody Red Sky, released in November 1983, which I’ve always preferred over the studio take.
I just saw and wanted to share this story reported by Ultimate Classic Rock. This Sunday, July 5, a concert film by the Eagles, Live From The Forum MMXVIII, will debut on ESPN at 8:00 pm EDT. The film captures highlights from three gigs the Eagles played in September 2018 at The Forum in Los Angeles during their North American tour that year. The concert, which will also appear on vinyl, CD, Blue-ray and DVD on October 16, marks the band’s first release following the untimely death of Glenn Frey in January 2016 at the age of 67.
I was fortunate enough to see the Eagles with Frey in 2015 in Atlantic City during their History of the Eagles Tour, less than six months before he passed away. After a hiatus due to Frey’s death, the Eagles resumed playing shows in 2017, with Glenn’s son Deacon Frey and Vince Gill taking over Glenn’s parts. The following year, the band returned to full-fledged touring. While their shows got rave reviews, ticket prices were completely over the top, so I haven’t seen them again since the above great Atlantic City show – not that that concert was exactly cheap, but at least I felt I could still half way afford it! Now, no way, but I take a free broadcast!
According to this ESPNpress release, LIVE FROM THE FORUM MMXVIII, a Scheme Engine production directed by Nick Wickham, was filmed on 14 4K cameras. It will be available on October 16, through Rhino in a variety of audio and video formats, including Blu-ray, CD, Vinyl, and Streaming. A super deluxe edition will also be available. The set captures definitive live performances of the band’s most iconic hits, (“Hotel California,” “Take It Easy,” “Life In The Fast Lane,” “Desperado”), and beloved album tracks, (“Ol’ 55, “Those Shoes”), along with some of the individual members’ biggest solo smashes, (Henley’s “Boys Of Summer,” Walsh’s “Rocky Mountain Way,” and Gill’s “Don’t Let Our Love Start Slippin’ Away”).
The Eagles’ lineup (including touring musicians) during their 2018 tour featured Don Henley (lead and backing vocals, drums, percussion, rhythm guitar), Joe Walsh (lead and rhythm guitars, keyboards, backing and lead vocals), Timothy B. Schmit (bass, backing and lead vocals, harmonica), Deacon Frey (rhythm and lead guitar, lead and backing vocals, Vince Gill (lead and rhythm guitar, backing and lead vocals), John Corey (piano, backing vocals, percussion, additional guitars), Scott F. Crago (drums, percussion), Will Hollis (keyboards, synthesizers, backing vocals), Steuart Smith (guitars, mandolin, backing vocals) and Michael Thompson (piano, keyboards, backing vocals).
Here’s the great looking track list, as reported by Ultimate Classic Rock:
‘Eagles Live From the Forum MMXVIII’ Track Listing 1. “Seven Bridges Road” 2. Joe Walsh: “How ya doin?” 3. “Take It Easy” 4. “One of These Nights” 5. Don Henley: “Good evening, ladies and gentlemen” 6. “Take It to the Limit” 7. “Tequila Sunrise” 8. “In the City” 9. Timothy B. Schmit: “Hey, everybody, that’s Joe Walsh” 10. “I Can’t Tell You Why” 11. “New Kid in Town” 12. Don Henley: “Just want to thank all of you…” 13. “How Long” 14. Deacon Frey: “Hello, everybody…” 15. “Peaceful Easy Feeling” 16. “Ol’ 55” 17. “Lyin’ Eyes” 18. “Love Will Keep Us Alive” 19. Vince Gill: “How about a nice hand for California, man…” 20. “Don’t Let Our Love Start Slippin’ Away” 21. “Those Shoes” 22. “Already Gone” 23. “Walk Away” 24. Joe Walsh: “Is everybody OK?” 25. “Life’s Been Good” 26. “The Boys of Summer” 27. “Heartache Tonight” 28. “Funk #49” 29. “Life in the Fast Lane” 30. “Hotel California” 31. “Rocky Mountain Way” 32. “Desperado” 33. “The Long Run”
“…The Pretender, These Days, For Every Man, I’m Alive, Fountain of Sorrow, Running On Empty, For a Dancer, Before the Deluge. Now, I know the Eagles got in first; but let’s face it it – and I think Don Henley would agree with me – these are the songs they wish they had written. I wish I had written them myself, along with Like a Rolling Stone and Satisfaction…”
The above words were spoken by Bruce Springsteen in 2004 as part of his Rock & Roll Hall of Fameinduction speech for Jackson Browne. Springsteen also recalled when he first met Browne in New York City at The Bitter End, a storied Greenwich Village performance venue, he knew the singer-songwriter from California was “simply one of the best”. Coming from somebody who has written so many great songs himself and during that same speech also admitted to be “a little competitive”, I think these remarks speak volumes.
The first Jackson Browne record I listened to in its entirety was what I still consider a true ’70s gem: Running On Empty. If I recall it correctly, my brother-in-law had it on vinyl, and I initially copied it on music cassette. I was spending countless hours at the time taping music from records, CDs and certain radio programs. I still have hundreds of tapes floating around. While it’s safe to assume the quality of most is less than stellar at this time, I just cannot throw them out!
Back to Browne with whom I happen to share one fun fact: We were both born in Heidelberg, Germany, though close to 18 years apart. Browne’s dad was stationed in Germany, working for American military newspaper Stars and Stripes. Two of his three siblings were born there as well. In 1951 when Browne was three years old, his family relocated to Los Angeles.
During his teenage years, Browne started performing folk songs at local L.A. venues like The Ash Grove and The Troubador Club. After graduating from high school in 1966, he joined country rockers Nitty Gritty Dirt Band, which would later record some of his songs. After a few months, Browne left and moved to New York City where he became a staff writer for Elektra Records’ publishing company Nina Music.
In 1967, Browne met and became romantically involved with singer Nico of The Velvet Underground. He became a significant contributor to her debut solo album Chelsea Girl. After they broke up in 1968, Browne returned to Los Angeles where he met Glenn Frey soon thereafter. Before he started recording his own songs, Browne’s music was recorded by other artists such as Tom Rush, Gregg Allman, Eagles, Linda Ronstadt and of course the aforementioned Nico and Nitty Gritty Dirt Band.
In 1971, Browne finally managed to get a deal with Asylum Records, and in January 1972, he released his eponymous debut album. Thirteen additional studio records have since appeared, as well as seven compilation and live albums and more than 40 singles. And this brings us to the most fun part of the post: Some of Browne’s music he has released during his close to 50-year recording career.
I’d like to kick things off with Song for Adam from Brown’s above noted eponymous debut album. The mournful memory of Adam Saylor, a friend of Browne who died in 1968 – possibly by suicide – was covered by various other artists, including Gregg Allman, who included a moving rendition with Browne singing harmony vocals on his final studio album Southern Blood from September 2017.
By the time Browne recorded Take It Easy for his sophomore album For Everyman, which appeared in October 1973, the Eagles had released the tune as their first single in May 1972. It gave them their first hit peaking at no. 12 on the Billboard Hot 100 and one of their signature songs. Originally, Browne began writing the tune for his eponymous debut album. But he got stuck with it, so played it to his friend Glenn Frey, who ended up finishing it. When Browne finally recorded the song, he also released it as a single, but it didn’t chart – perhaps it sounds pretty similar to the Eagles‘ version.
Fountain of Sorrow is a great track from Browne’s third studio Late for the Sky. Released in September 1974, it was his first top 20 record in the U.S., climbing to no. 14 on the Billboard 200. Like Take It Easy, the tune also appeared separately as a single but did not chart either.
In November 1976, Browne released The Pretender, his fourth studio album. It was his first major album chart success, climbing to no. 5 on the Billboard 200, and marking his first record to chart in the U.K., where it reached no. 26. Here’s the title track, which also became the second single. It did moderately well, reaching no. 58 on the Billboard Hot 100 – love that tune!
Next is the album that started my Jackson Browne journey: The amazing Running on Empty from December 1977. Frankly, I could list each tune on that record, so let’s go with one that is a less obvious choice: The Road, written by American singer-songwriter Danny O’Keefe. Themed around life on the road as a touring musician, Running on Empty was an unusual record featuring live recordings on stage and in other locations associated with touring, such as hotel rooms, tour buses or backstage. The first 2:28 minutes of The Road were captured in a hotel room in Columbia, Md., while the remainder was recorded live at Garden State Arts Center in Holmdel, N.J., which nowadays is known as PNC Bank Arts Center and a venue where I’ve seen many great shows.
In June 1980, Browne released Hold Out, his sixth studio album. While the record received poor reviews from music critics, ironically, it became his only no. 1 album in the U.S. It also was Browne’s second record to chart in the U.K. Here’s Of Missing Persons, a beautiful tribute to Little Feat co-founder Lowell George, a collaborator and longtime friend of Browne’s who had passed away the year before. The tune was specifically written for George’s then six-year-old daughter Inara George who since became a music artist as well.
For many years, Jackson Browne has been a political activist, e.g., speaking up against the use of nuclear power and supporting environmental causes. But it wasn’t until the ’80s that political themes starting to play a more dominant role in Browne’s lyrics. The album that comes to my mind first in that context is Lives in the Balance, which came out in February 1986. Here’s the catchy opener For America. It also became the lead single and reached no. 30 on the Billboard Hot 100.
For the next tune, I’m jumping to the ’90s, specifically to February 1996 and Browne’s 11th studio album Looking East. Like many of his previous records, it featured various notable guests, such as Bonnie Raitt, David Crosby, Ry Cooder and Mike Campbell. Here is Baby How Long, for which Cooder provided a great slide guitar part and Raitt sang harmony vocals, together with Australian singer Renée Geyer.
Let’s do two more from the current millennium. First up: The title track from The Naked Ride Home, Browne’s 12th studio album from September 2002, which my streaming music provider served up as a listening suggestion that in turn triggered the idea to do this post.
The final song I’d like to highlight is from Browne’s most recent 14th studio album Standing in the Breach, which was released in October 2014. Here is the nice opener The Birds of St. Marks. Originally, Browne wrote that tune in 1967 after his breakup with Nico and return from New York to California. While first released on his 2005 live album Solo Acoustic, Vol. 1., it wasn’t until this 2014 studio album that Browne properly recorded the tune. “This is a song I always heard as a Byrds song, and that was even part of the writing of the song,” Brown toldRolling Stone in an August 2014 interview. Standing in the Breach became a remarkable late-stage career chart success, reaching no. 15 on the Billboard 200 and no. 31 in the U.K.
Earlier this year, in the wake of testing positive for COVID-19 (though luckily with relatively light symptoms), Browne released A Little Soon to Say, a song from his next studio album scheduled for October 9, which I featured in this previous Best of What’s New installment. To date Browne has sold more than 18 million albums in the U.S. alone. Apart from the above mentioned Rock & Roll Hall of Fame induction, Browne has also been inducted into the Songwriters Hall of Fame in June 2007. He is ranked at no. 37 in Rolling Stone’s 2015 list of 100 Greatest Songwriters of All Time.
Today, my recurring music history feature is hitting a bit of a milestone with the 50th installment. While 50 sounds like an impressive number, it means I still have 315 dates left to cover! The music nerd in me tells me that’s actually not a bad thing! Plus, it turns out there’s lots of fodder for March 22, so let’s get to it.
1963:Please Please Me, the debut studio album by The Beatles, appeared in the UK. According to The Beatles Bible, the record was rush-released to capitalize on the success of the singles Love Me Do and Please Please Me. Both singles were on the album, along with their b-sides P.S. I Love You and Ask Me Why, respectively. The remaining 10 tracks were recorded during a marathon session on February 11, 1963, which lasted just under 10 hours. The other fun fact about the record is that George Martin initially had planned to call it Off The Beatle Track – kind of clever, though he obviously abandoned the idea. Naming it after a successful single probably was also part of the plan to maximize sales. As was common on the early Beatles albums, Please Please Me featured various covers. Here’s one of my favorites: Twist and Shout, co-written by Phil Medley and Bert Berns, and first recorded by U.S. R&B vocal group The Top Notes in 1961.
1965:Robert Allen Zimmerman, the genius known as Bob Dylan, released his fifth studio album Bringing It All Back Home. It marked his first top 10 record in the U.S., climbing to no. 6 on the Billboard 200, and his second no. 1 studio release in the UK, following The Freewheelin’ Bob Dylan from May 1963. Perhaps more significantly, Bringing It All Back Home was also Dylan’s first album to feature recordings with electric instruments; in fact, on the entire A-side, he was backed by an electric band. The b-side was acoustic. Four months later, on July 25, the electric controversy turned into a firestorm with Dylan’s appearance at the Newport Folk Festival. Here’s Maggie’s Farm. It was the much faster and more aggressive performance of that song at Newport, which caused most of the controversy there.
1971:John Lennon released his fifth solo single Power to the People in the U.S., 10 days after its debut in the UK. Credited to Lennon and Plastic Ono Band, the non-album tune peaked at no. 11 on the Billboard Hot 100, marking Lennon’s second most successful single to date. In the UK, the song climbed to no. 6. It performed best in Norway where it hit no. 3. Power to the People was recorded at Ascot Sound Studios in Berkshire, England as part of sessions that also yielded tunes for Lennon’s second solo album Imagine. “I wrote ‘Power to the People’ the same way I wrote ‘Give Peace a Chance,’ as something for the people to sing,” Lennon reportedly said. “I make singles like broadsheets. It was another quickie, done at Ascot.” Quickie or not, I think it’s safe to say it wasn’t his best tune.
1974: The Eagles dropped their third studio album On the Border. After two country-rock records, the band decided they wanted a more rock-oriented sound. Therefore, most of the album was produced by Bill Szymczyk, who had previously worked with then-future Eagles member Joe Walsh and The James Gang, among others. It also marked the band’s first record with rock guitarist Don Felder. Here’s Already Gone, featuring Felder on lead guitar and Glenn Frey on lead vocals. Co-written by Jack Tempchin and Robb Strandlund, the tune also appeared separately as the album’s lead single. It’s one of my favorite rockers by the Eagles.
1975:Led Zeppelin hit no. 1 on the Billboard 200 with their sixth studio album Physical Graffiti. The double LP, which includes recordings spanning from January 1970 to February 1974, maintained the top spot for 6 weeks and marked Zeppelin’s fourth no. 1 record in the U.S. The album also topped the charts in the UK and Canada. Viewed as one of the band’s strongest albums, Physical Graffiti was certified 16x Platinum in the U.S. in 2006, which means sales of more than eight million copies – unreal from today’s perspective! Here’s the bombastic Kashmir, co-written by Jon Bonham, Jimmy Page and Robert Plant. It’s one of the most unusual rock songs I know; frankly, it wasn’t exactly love at first sight for me, though over the years, I’ve come to dig it.
1977: Stevie Wonder released Sir Duke, the third single off his 18th studio gem Songs in the Key of Life. Both are long-time favorites in my book. The tribute to jazz legend Duke Ellington marked Wonder’s fifth and last no. 1 on the Billboard Hot 100 during the ’70s. It also topped the R&B chart and became a hit internationally, reaching no.1 in Canada and top 10 positions in Germany, Switzerland and the UK. I just love the groove of this tune. The horn work is outstanding – take it away, Stevie!
1980:Pink Floyd scored their only no. 1 hit in the U.S. on the Billboard Hot 100 with Another Brick in the Wall (Part 2), where it would stay for four weeks. Given the Roger Waters song, off Floyd’s 11th studio album The Wall, was their most pop-oriented, radio-friendly tune, perhaps that’s not exactly a surprise. It also became a chart-topper in the UK, Austria, France, Germany, Switzerland and New Zealand. I can confirm firsthand that it was played to death on the radio in Germany. On a lighter note, I also recall a funny incident at a school party when I was in seventh grade. For some reason, which I can’t remember, we had a little get-together in our classroom. When our English and homeroom teacher walked in, the song was blasting out of a boom box. He couldn’t suppress a brief smile before looking serious again. What happens when you think you don’t need no education is now vividly on display among some young people in the U.S. and other countries, who continue to hang out in the middle of the COVID-19 pandemic as if nothing had happened.
Sources: Wikipedia; The Beatles Bible; This Day In Music; Songfacts Music History Calendar; YouTube
Once asked about Joe Walsh, Eric Clapton said, “I don’t listen to many records, but I listen to his.” Or how about Jimmy Page? “I’ve loved his style since the early James Gang,” noting his “tremendous feel” for the guitar. And, as Walsh’s bio on his website adds, this praise from two of the greatest guitar icons on the planet came even before he joined the Eagles, my introduction to Walsh. I still get goosebumps to this day when listening to the solo with Don Felder on Hotel California, one of the most epic moments in rock music. Do I really need more reasons to justify a Walsh playlist?
Joe Fidler Walsh was born in Wichita, Kan. on November 20, 1947. His mother was an avid piano player who brought music into the family’s humble home before Joe was old enough to discover rock n’ roll on the radio. Though he had played guitar in a high school cover band and a popular Kent, Ohio bar band while in college, Joe really came into his own in 1968, when he joined the Cleveland-based James Gang. In March 1969, they released their debut Yer’ Album, which became a staple on FM radio. The sophomore James Gang Rides Again from July 1970, included Funk #49, which despite initial moderate success has become a rock classic.
In 1972, Walsh left James Gang, finding the band’s trio format too constraining only to form another trio later that year, Barnstorm. In addition to Walsh (guitar, keyboards), the band included his college buddy Joe Vitale (drums, flute, keyboards) and Kenny Passarelli (bass). Their record company decided to market their albums as Joe Walsh solo records, which eventually became a source of increasing frustration for Walsh and one of the reasons Barnstorm disbanded.
In December 1974, Walsh released his first true solo album So What, which featured contributions from Don Henley, Glenn Frey and Randy Meisner of the Eagles, the band Walsh joined the following year to replace founding member Bernie Leadon. Walsh appeared on the Eagles’ studio albums Hotel California (December 1976), The Long Run (September 1979) and Long Road Out Of Eden (October 2007). He was part of the band’s reunion in 1994 and remains a member to this day. In addition to his various band projects, Walsh has also released 12 solo studio albums (including two Barnstorm records) and a live album to date. Time for some music.
What better tune to kick things off than the above mentioned Funk #49, a kick ass rocker co-written by Walsh and fellow James Gang members Jim Fox (drums, vocals, percussion, keyboards) and Dale Peters (bass, vocals, guitars, keyboards, percussion). “I came up with the basic guitar lick,” Walsh said according to Songfacts quoting the book The Guitar Greats. “It was a real good example of how we put things together, bearing in mind that it was a three piece group, and I don’t think that there was any overdubbing. The only thing we really added was the percussion middle part, which the three of us actually played, putting some parts on top of the drums, but that’s the three piece James Gang, and that’s the energy and kind of the symmetry we were all about.”
Rocky Mountain Way appeared on Barnstorm’s second album The Smoker You Drink, The Player You Get, which as previously noted was marketed as Walsh’s second solo record. The song is credited to Walsh, Vitale, Passarelli and Rocke Grace, who had joined the band as a keyboarder. One of the best known Walsh tunes, the track peaked at no. 23 on the Billboard Hot 100.
Next up: Welcome To The Club, the opener to So What, Walsh’s first true solo album from December 1974. This is another nice rocker!
For the aforementioned reasons, I was very tempted to include the title track from Hotel California in this playlist. Instead, I decided to feature Life In The Fast Lane, my second favorite tune from the Eagles’ fifth studio album that appeared in December 1976. Walsh came up with the signature guitar riff, while Henley and Frey co-wrote the lyrics. The song became the record’s third single, reaching no. 11 on the Billboard Hot 100.
In-between Hotel California and the next Eagles album The Long Run, Walsh released another solo record in May 1978. But Seriously, Folks… includes his most successful solo hit: Life’s Been Good. Here’s the full close to 9-minute album version of the hilarious take on the excesses rock stardom. It also appeared as a 4 1/2-minute single, which climbed to no. 12 on the Billboard Hot 100.
In The City is a tune co-written by Walsh and Barry De Vorzon from The Long Run, which appeared in September 1979 and was the Eagles’ final studio album until 2007’s Long Road Out Of Eden. It is one of the few Eagles tunes on which Walsh is also handling lead vocals. He had first recorded the song in 1979 for the soundtrack of the motion picture The Warriors.
In March 1981, Walsh released his next solo album, There Goes The Neighborhood. It featured a smoother sound and would become his final commercial and critical success for more than 25 years. Here’s Rivers (Of The Hidden Funk), a track Walsh originally had co-written with Don Felder for the Eagles’The Long Run album that didn’t make the record. Felder appeared as a guest on talk box guitar.
After five additional solo albums that were not well received, Walsh took a 20-year break before resurfacing in June 2012 with Analog Man, his most recent solo effort. Co-produced by Jeff Lynne, the album features an impressive array of guests, who in addition to Lynne include Ringo Starr, Graham Nash, David Crosby and Little Richard, along with former Barnstorm members Kenny Passarelli and Joe Vitale, and former James Gang members Jim Fox and Dale Peters. In a May 2012 interview with The Huffington Post (now called HuffPost), Walsh said about Lynne, “Gradually, we worked on some stuff and checked out some of his stuff too. It ended up that he really helped me finish it up and ended up producing. He really put his stamp on my music and took it in a direction I never would have gone, and I’m really grateful to him.” The album reached no. 12 on the Billboard 200. Here’s the title track co-written by Walsh, Drew Hester and Gannin Arnold.
To say Joe Walsh has had an eventful life would be an understatement. In addition to a 50-plus-year professional career, he has been married five times. His current wife is Marjorie Bach, sister of Barbara Bach and sister-in-law of Ringo Starr. Walsh battled alcohol and drug addiction for much of his early career but has been sober since 1995. In 1998, Walsh was inducted into the Rock and Roll Hall of Fame as a member of the Eagles. He is currently touring with the band in Europe. Starting in late September, they are playing three gigs at the MGM Grand Garden Arena in Las Vegas, during which they will perform Hotel California in its entirety, the band’s only scheduled dates in North America so far this year.
Sources: Wikipedia, Joe Walsh website, Songfacts, HuffPost, YouTube
One could be forgiven to a bit cynical about the concept: Take three artists who had their prime years in the ’70s, throw ’em together and boldly call it the Stars Align Tour. Admittedly, I couldn’t entirely escape this notion when I saw that Ann Wilson, Paul Rodgers and Jeff Beck announced their tour, which kicked off on July 18 in West Valley City, Utah. Then I read some reviews and watched some clips on YouTube – well, let’s just say I wasn’t turned off by what I saw and just got a ticket for August 12 at my go-to concert venue PNC Bank Arts Center in Holmdel, N.J., and for very reasonable money I should add.
I guess I shouldn’t have been surprised in the first place. After all, the success or failure of the three-in-one concept crucially depends on the featured artists. At 74, Beck seems to continue to defy age, not only with his looks but much more importantly with his guitar-playing. Okay, you might say, compared to 82-year-old Buddy Guy, Beck’s still an adolescent. But let’s not kid ourselves, rock & roll is a brutal business. On top, I can’t imagine Beck lived a particularly healthy life style. Speaking of Guy and Beck, I saw these two guitar dynamos in a double-header in July 2016 at the above venue, and it was a terrific show, so my expectations for the upcoming gig are high – now you better bring it, Beck! 🙂
As for Rodgers, I had actually hoped he and Bad Company would be part of the June 22 Lynyrd Skynyrd farewell show I caught at – yes, you guessed it correctly – PNC. Given how many freaking shows I’ve seen there, perhaps I should apply for an honorary membership! 🙂 Leading up to the Skynyrd gig, I had read somewhere that Bad Company would be among the special guests that night. So I was full of anticipation and quite disappointed when it turned out they weren’t part of the lineup. I suppose that was another good reason to get a ticket for the Stars Align Tour. Looking at setlists from recent gigs, Rodgers is playing a nice mix of Bad Company and Free stuff. And his rock pipes still seem to be working nicely!
And then there’s Wilson. While I don’t want to pretend I’m a Heart expert, based on their music I know, I’m well aware of Wilson’s vocal capabilities. Barracuda is a nice showcase of what she can do. As an aide, Ann’s older sister Nancy Wilson is a kick-ass guitarist, but she’s not part of the tour. Interestingly, as reported by Ultimate Classic Rock and other media outlets, Ann’s set only includes one Heart tune, the aforementioned Barracuda. The remainder are all covers, and there’s some great stuff there, such as The Who’sThe Real Me, The Black Crows’She Talks To Angels and the Eagles’Life In The Fast Lane.
Okay, time for a few clips. Here’s Wilson’s rendition of Life In The Fast Lane. She took some creative liberties with the tune, which was co-written by Joe Walsh, Glenn Frey and Don Henley and appeared on the Eagles’ Hotel California album from December 1976. It’s quite different from the original, but I think it’s a cool take.
As noted above, Rodgers’ set nicely draws from Bad Company and Free. Here’s the latter band’s signature tune All Right Now. Penned by Rodgers with Free bassist Andy Fraser, the song is from their third studio album Fire And Water, released in June 1970. It also appeared separately as a single. It’s one of these timeless straight rockers with a cool guitar riff that still sound great to this day!
Last but not least, here’s a cool black & white clip of Beck performing one of the few originals from his set, Brush With The Blues, which he co-wrote with Tony Hymas. The tune appeared on his seventh studio album Who Else! from March 1999.
Wilson, Rodgers and Beck are playing Boston tonight. Next they are taking the Stars Align Tour to Camden, N.J. (Aug 4), Cincinnati (Aug 8) and Indianapolis (Aug 10). The tour will wrap up in Tampa, Fla. on Aug 26.
Jackson Browne must have a secret, and I wanna know what it is. While the man supposedly has been running on empty for the past 40 years, he doesn’t show any signs of slowing down. After I had heard the song for the first time on the radio in Germany in the late ’70s, Browne quickly became one of my favorite artists. Not surprisingly, I was really psyched when I finally saw him for the first time Sunday night at Sands Bethlehem Event Center in the former steel town of Bethlehem, Pa.
After a 45-year-plus recording career, Browne’s voice still sounded just as great as it did back in the days of Running On Empty. Heck, he even largely looked the same with the same hairstyle – okay, now with grey hair and glasses, but overall, time has been relatively kind to Browne. And what an ace backing band! But let’s start from the beginning.
Have you ever been to a rock & roll show that started on time? I don’t recall any, but this one actually did! At 7:30 PM on the dot, Browne walked out on stage to personally introduce his opening act: American singer-songwriter Vonda Shepard. Frankly, I had never heard of her before. Browne called her a great songwriter who for sometime had been part of his band. Oh, and he also allowed her to use his current backing band – what a class act!
I have to say I was impressed with Shepard, who reminded a bit of Sheryl Crow. Her voice has a nice soulful vibe. She also is a musician, playing the piano, bass and guitar. Shepard started out as a backing singer, eventually got a record contract, and released her eponymous debut album in 1989. After her third record had appeared in 1996, she was hired for the TV sitcom Ally McBeal, for which she recorded two companion soundtrack albums. She scored a hit with Searchin’ My Soul, a catchy pop rock tune she co-wrote with Paul Howard Gordon. To date Shepard has released 14 albums. Here is a clip of Searchin’ My Soul, which was the closer of her 25-minute set.
Then the time had finally come for Jackson Browne. From the opening bars of Before The Deluge to the final notes of the encore, I was amazed by Browne’s voice and his musicianship. With a 45-year-plus recording career, he certainly had an enormous catalog he could pull from and he did. I wasn’t familiar with all of the tunes he performed, but with the help of Setlist.fm, I figured out the entire set except for one song.
The first tune I’d like to call out is The Long Way Around, a track from Browne’s last studio album Standing In The Breach, which appeared in October 2014. One thing I liked about the song was the great solo by Browne’s lead guitarist Val McCallum, whose guitar work shined throughout the evening. I just dig the clear and transparent sound he got out of his Fender Telecaster. Here’s a nice clip.
Another highlight was Lives In The Balance, the title song from Browne’s eighth studio album released in February 1986. The stripped back version prominently featured his terrific backing vocalists Alethea Mills and Chavonne Stewart, who added a dose of gospel and soul. Check it out.
Amid all his songs, Browne also threw in a cover of I’m A Patriot, a tune written by Little Steven for his second solo album Voice Of America from May 1984. Again, backing singers Mills and Stewart featured prominently in the laid back tune and did a beautiful job.
In addition to being a great songwriter and vocalist, Browne is a pretty decent guitarist. One standout in this context was Your Bright Baby Blues from his fourth studio album The Pretender released in November 1976. It featured some nice slide guitar work by Browne. You can watch it here.
Speaking of The Pretender, here is the great title track of the album. It was one of the tunes Browne played on the piano.
Running On Empty was the last track of the regular set. I still love this song after all these years. Greg Leisz did a beautiful job on pedal steel guitar. Like the amazing David Lindley, this guy is an impressive multi-instrumentalist.
Browne waited to the encore to play one of his other major hits: Take It Easy, which he co-wrote with Glenn Frey. It became the first single for the Eagles in May 1972. Browne included the tune on his sophomore album For Everyman, which came out in October 1973. On Sunday night, he blended it into Our Lady Of The Well, the second tune on that record. Leisz provided more beautiful pedal steel guitar. It’s all nicely captured in the following clip.
In addition to McCallum, Leisz, Mills and Stewart, Browne’s excellent backing band included Bob Glaub (bass), Mauricio Lewak (drums) and Jeff Young (keyboards). Here is the entire set list.
Four coinciding releases from Roger Daltrey, Ry Cooder, John Mellencamp and Glenn Fry
Yesterday was a great day in music as far as I’m concerned. When was the last time you can remember new releases from four great artists coming out the same day? While admittedly sometimes I don’t recall what I did the previous day, I really couldn’t tell you. Sadly, when checking iTunes for new music, I usually see stuff I don’t care about, so why even bother? Well, part of me refuses to give up hope that amid all the mediocre crap that dominates the charts these days, I might find something I actually dig. This time I surely did, with new releases from Roger Daltrey, Ry Cooder, John Mellencamp and Glenn Frey.
Since I just wrote about Daltrey’s new single How Far from his upcoming solo album As Long As I Have You, I’m only briefly acknowledging it in this post. Based on this tune and the previously released title track, his new record surely looks very promising. It’s set to come out June 1, tough I have a feeling we might see a third single leading up to its release – really looking forward to this one!
Ry Cooder’s new album The Prodigal Son is his 17th solo record and first new release in six years. I’m not going to pretend to be an expert on his music – in fact, I know far too little about it. But here’s what I know. I’ve yet to hear bad music from this virtuoso multi-instrumentalist and I know good music when I hear it. And this it, baby, great music – plain and simple – no need to over-analyze!
The Prodigal Son is a beautiful collection of roots and gospel music. Eight of the 11 tunes are covers from artists like Blind Willie Johnson, Blind Alfred Reed and Carter Stanley. All of the reviews I read noted the album represents a return all the way to the beginning of Cooder’s 50-year recording career. Asked by the Los Angeles Times why he decided to make a gospel-focused record, Cooder said, “In these times, all I can say, empathy is good, understanding is good, a little tolerance is good. We have these dark forces of intolerance and bigotry that are growing back…The gospel music has a nice way of making these suggestions about empathy…Plus I like the songs, I have to admit.” Well said!
Here’s a nice clip of the Blind Willie tune Everybody Ought To Treat A Stranger Right – sadly, this couldn’t be more timely! Watching the maestro at work live in the studio is a real treat. By the way, the drummer is Cooder’s son Joachim, who has collaborated with him on several records and tours in the past and apparently was an important catalyst for the new record.
More frequent readers of the blog know that I’m a huge fan of John Mellencamp. His new release Plain Spoken: From The Chicago Theatre is a companion to a concert film that debuted on Netflix on February 1st. It captures a show Mellencamp performed at the landmark venue on October 25, 2016. The set features country singer Carlene Carter, with whom he has been on the road for several years and recorded the excellent 2017 collaboration album Sad Clowns & Hillbillies.
The new DVD-CD set includes the original version of the Netflix film with commentary from Mellencamp throughout, a “non-commentary” version of the film, and a live CD of the concert. While I’ve only listened into some of the tunes from the CD via Apple Music, I certainly like what I’ve heard so far. Here’s a clip of Cherry Bomb, a track from the 1987 studio album The Lonesome Jubilee, one of my favorite Mellencamp records.
Last but not least, there’s Above The Clouds: The Collection, a new four-disc box set capturing the solo career of Glenn Frey. The set combines well known tunes like The Heat Is On, Smuggler’s Blues and You Belong To City with lesser known, deeper cuts and, perhaps most intriguingly, a copy of Longbranch Pennywhistle, a pre-Eagles 1969 album Frey recorded with J.D. Souther. The set also includes a DVD capturing footage from Frey gig in September 1992.
Admittedly, I had not been aware of Longbranch Pennywhistle, which according to Ultimate Class Rock until now had only been available on CD as an import. Frey and Souther also performed as a duo under that name, though it was a short-lived venture. Frey went on to co-found the Eagles in 1971, together with Don Henley, Bernie Leadon and Randy Meisner. Souther ended up co-writing some of the band’s best known tunes, such as Best Of My Love, Heartache Tonight and New Kid In Town. Here’s a clip of Run Boy, Run, one of the tracks from the Longbranch Pennywhistle album, which was written by Frey.
While Daltrey’s upcoming album is something to look forward to, I’m under no illusion that yesterday was an aberration. The days when great music releases were part of the mainstream are long gone. Still, why not enjoy the nice moment while it lasts!
Sources: Wikipedia, Los Angeles Times, Rolling Stone, American Songwriter, NPR, John Mellencamp official website, USA Today, Ultimate Classic Rock, YouTube
Just take my way, it’s the highway, it’s the best…
Get your kicks on Route 66. These lines of course are the beginning of the opening verse from the well-known R&B standard composed by American songwriter Bobby Troup in 1946. Frequent readers of the blog may notice it’s not the first time I write about this tune. So what’s going on here?
To me Route 66 simply is one of the best car songs I know, along with Highway Star, Born To Be Wild (wait, isn’t that from a famous picture about bikers?) and Radar Love, to name a few others. And, yes, I also enjoy driving and believe a road trip is the best way to explore the U.S., even though it sounds so 20th century! Heck, most of the music I like is from that period as well, so I guess I’m living in the wrong century!
Now that my slight obsession with Route 66 and car travel is out of the way, I thought it would be fun to put together a playlist of different versions of the song. The tune has been covered by numerous artists over the decades. In fact, if I would look long enough, it might even be possible to find 66 versions. While perhaps that may be clever, it would be a bit of overkill, even for a Route 66 fan like me. Therefore, I’d like to keep this post to six versions.
Let’s kick things off from the beginning with the first recording of the tune by the King Cole Trio. BTW, the song’s full title is (Get Your Kicks) On Route 66. This first recorded version was released in 1946, some 72 years ago! I love that jazz groove and how relaxed the musicians are playing in this clip. It shows that great music stands the test of time.
Next up is the excellent cover by Chuck Berry. He included it on his fifth studio LP from March 1961 New Juke Box Hits. Unlike many of his other tunes he had released before then, it didn’t become a hit. Neither did the record, which came out while Berry was in legal trouble that led to 1.5 years of incarceration starting in 1962 – not good for PR!
Perhaps one of the best known covers is the version by The Rolling Stones, which appears on both their 1964 UK and US debut records The Rolling Stones and The Rolling Stones (England’s Newest Hit Makers), respectively. Instead, I’m highlighting the 1965 cover by Them from that band’s debut The Angry Young Them. I like this take even better than the Stones, and I say this as a Stones fan. The musicians are giving a killer performance here, including great piano and guitar solos, while Van Morrison’s voice is a bit reminiscent of Mick Jagger. They don’t call him Van the Man for nothing!
Another cool hard-charging cover of Route 66 is by British pub rockers Dr. Feelgood. They included the tune on their 1975 debut Down By The Jetty. I’d go see these guys in a bar!
And how about a largely a cappella version by The Manhattan Transfer? If I see it correctly, the jazz vocal group first recorded Route 66 for their eighth studio album Bop Doo-Wopp, released in 1984. The clip below apparently was captured during a 2008 live performance. There is just something special about a vocal band, particularly if they can sing like these guys!
The last Route 66 cover I’m including here is another nice jazzy version by an unexpected artist: Glenn Frey. I also like the touch of country created by the pedal steel guitar. This version appears on Frey’s final studio album After Hours from May 2012, a collection of tunes from the Great American Songbook. It proves what a versatile artist Frey was. Here’s the official video – makes me want to snip my fingers right along with the groove.
While I understand there is very little left of the Mother Road, one of these years, I’d like to take that California trip from Chicago to LA, more than 2,000 miles all the way – according to Wikipedia, the original Route 66 covered a total of 2,448 miles. Maybe something for my 66th birthday? Okay, I guess I’m starting to overthink it now!
Following are my favorite memories of five exceptional music personalities we lost in 2016.
Other than briefly acknowledging some of the big music personalities who passed away in this year, I had not planned to further cover this rather sad subject. Yesterday’s news about the untimely death of George Michael at age 53 made me change my mind. But instead of writing a traditional obituary type of post, I’d like to celebrate each personality’s life by recalling my favorite memories of them.
The Eagles are among my all-time favorite 70s rock band. Not only was Glenn Frey one of the founding members, but he also wrote, co-wrote and sang lead on many of their tunes. One such gem is Already Gone, the opener to the Eagles’ 1974 album On the Border. Written by Jack Tempchin and Robb Strandlund, this rocker features Frey on lead vocals and sharing lead guitar responsibilities with Don Felder. I had the great fortune to see the Eagles as part of their History tour in Atlantic City in July 2015, six months prior to Frey’s death. Here is a nice clip of Already Gone, which apparently was captured during an Eagles gig in New Zealand in late 1995. It definitely brings back memories of that unforgettable show in Atlantic City.
While I immediately liked Purple Rain when I listened to it for the first time, other Prince songs were more of an acquired taste. But one thing that impressed me from the very beginning about Prince is that he was a multi-instrumentalist. In fact, I read he played almost all instruments on his first five studio albums, including an incredible 27 instruments on his debut! Undoubtedly, his signature instrument was the guitar, and nothing illustrates his mastery better than the killer solo he played on While My Guitar Gently Weeps during his 2004 induction into the Rock & Roll Hall of Fame. Here is a clip of this unbelievable performance, together with a pretty cool band that includes Tom Petty, Jeff Lynne, Steve Winwood and Dhani Harrison, among others.
The first David Bowie song I ever heard on the radio was Space Oddity, and it continues to be one of my favorite songs. The tune is the opener of his 1969 album David Bowie, which was his second studio album. I always thought one of the song’s cool features is how Bowie is harmonizing with himself. Another aspect that immediately attracted me is the acoustic guitar part – I guess in part because I was learning to play the guitar myself at the time. Here is a clip of the song’s official video from 1972.
The founder of Earth, Wind & Fire was instrumental for the band’s success, especially between 1970 and his official retirement in 1994 due to Parkinson’s disease. He was the band’s main song writer and producer, and sang co-lead with Philip Bailey. In addition to their amazing voices, the thing I’ve always loved about Earth, Wind & Fire is that their music makes you want to dance. The band has recorded so many great songs, but if I would have to name one in particular, it would be September. Co-written by White, Al McKay and Allee Willis and produced by White, the tune was initially released as a single in Sep 1978. It was also included on the band’s The Best of Earth, Wind & Fire, Vol. 1, which appeared in Nov that year. Here is an audio clip.
While he was not a performing artist, what would The Beatles have been without their great producer, Sir George Henry Martin? There is a reason why he was called the “Fifth Beatle,” including by Paul McCartney. Martin had extensive involvement in all of The Beatles 12 original albums. His musical expertise proved particularly valuable for orchestral arrangements on the band’s later albums. In addition to The Beatles, Martin produced recordings for many other artists, such as America, Jeff Beck, Cheap Trick, Elton John and Little River Band. In my opinion, one of his greatest accomplishments with The Beatles was the stings arrangement for Eleanor Rigby. Here is a clip of this gem from the 1969 album Yellow Submarine.