My Playlist: The Boss

Before getting to The Boss, I’d like to acknowledge the untimely death of Eddie Money who passed away yesterday (Sep. 13) at the age of 70 from complications from heart valve surgery in a Los Angeles hospital, only three weeks after he had revealed his diagnosis of stage 4 esophageal cancer. The first thing that came to my mind when I saw the news was his 1986 studio album Can’t Hold Back. I got it on CD at the time, primarily because of Take Me Home Tonight, a nice pop rock tune I dig to this day. I always liked his vocals. In my view, Money deserves more than a paragraph, so I’m planning to do a post on him in the near future.

Turning to Bruce Springsteen, I feel I never really need a particular reason to write about The Boss. As frequent visitors know, I’ve done so numerous times on these pages since I’ve started the blog in June 2016. It ain’t rocket science and all comes down to this: I just love Springsteen – his music, his lyrics, his down-to-earth personality, his amazing live shows. He’s the total package! I’ve been fortunate to see him twice over the past 30 years or so – undoubtedly, these concerts will stay with me forever. I think at least when it comes to live music, Springsteen truly is in a league of his own. Name another notch present day artist who plays 3 to 4-hour shows with seemingly endless energy – pretty remarkable at any age, but even more so for a guy who is about to turn 70!

Bruce Springsteen

To be clear, while music is both my passion and my therapy that more than once has helped me keep my shit together, I’m a fan, not a fanatic – not even when it comes to my all-time favorite band The Beatles. A phenomenon like Beatlemania actually scares me more than anything else. Had John Lennon or Paul McCartney asked their audience to go out and kill somebody, sadly, I have no doubt some lunatic would have acted on that. Obviously, this didn’t happen. My point here is that out of control fandom isn’t healthy, neither for fans nor music artists. With that being said, I still like to celebrate music artists I dig. But similar to drinking alcohol or driving, let’s do so in a responsible way!

The reason why Springsteen has been on my mind for the past few days is his upcoming 70th birthday on September 23rd. Obviously, countless pieces have been written about The Boss. In fact, Springsteen himself released his acclaimed autobiography Born To Run in September 2016. As such, there is really is no need for yet another write-up about his life! Instead, I’d like to focus on Springsteen’s music with a playlist of songs, which I haven’t featured in the blog before. This means leaving out gems like Born To Run, Tenth Avenue Freeze-Out and Bobby Jean, to name a few of my all-time favorite Springsteen tunes. Of course, the good news is The Boss has a mighty catalog to choose from, so let’s get to it in chronological order.

I’d like to kick things off with a track that according to Songfacts was one of the tunes that convinced Columbia Records to sign Springsteen in 1972: Growin’ Up. The lyrics about adolescence were inspired by his own troubles in school and frequent quarrels with his old man during his teenage ages. The track was included on Springsteen’s debut album Greetings From Asbury Park, N.J., which appeared in January 1973. One of the things I learned when researching this post was that David Bowie recorded a version of the song in 1974 during the sessions for his Diamond Dogs studio album, featuring Ronnie Wood on lead guitar. While it’s actually pretty cool, apparently the take wasn’t released until 1990, when it was included as a bonus track on a reissue of Bowie’s Pin Ups album.

Of course, there’s no way I can leave out my favorite Springsteen record from this playlist: Born To Run, a pivotal album for The Boss, who at that time badly needed a commercially viable record. Well, he hit the mark, and the rest is history. In addition to the title track, the album includes other classics like Thunder Road, Tenth Avenue Freeze-Out, Jungleland and the tune I’d like to feature here: Backstreets. According to Songfacts, Springsteen told Rolling Stone in 2016 the song is about “Just youth, the beach, the night, friendships, the feeling of being an outcast and kind of living far away from things in this little outpost in New Jersey. It’s also about a place of personal refuge. It wasn’t a specific relationship or anything that brought the song into being.”

The River has become one of my other favorite Springsteen records. I listened intensely to his fifth studio album from October 1980, leading up to my second and most recent Springsteen gig I saw in August 2016 during The River Tour – ironically, only to realize that by the time The Boss hit New Jersey’s MetLife Stadium, the setlist hardly included any tracks from the record. Here’s Ramrod, a great garage rocker! Come on, come on, come on little sugar, Dance with your daddy and we’ll go ramroddin’ tonight…

Another album I can’t skip is the one that brought Springsteen on my radar screen back in Germany in the ’80s: Born In The U.S.A. Obviously, it did the same for millions of other folks around the world. With hits like the title track, Dancing In The Dark and I’m On Fire, it became Springsteen’s most commercially successful release and one of the highest selling records of all time. Here is one of the few tunes I believe were not released as a single: Downbound Train. The Boss first recorded this song as an acoustic demo in May 1982 during the sessions for his Nebraska album, along with several other tracks that ended up on Born In The U.S.A.

For the next selection, I’m jumping to the early ’90s: Lucky Town, Springsteen’s 10th studio album that was released at the end of March 1992, simultaneously with Human Touch. I still remember I bought both on CD at the same time. Here is the opener Better Days, which also became the lead single released 10 days ahead of the album. “With a young son and about to get married (for the last time) I was feelin’ like a happy guy who has his rough days rather than vice versa,” commented Springsteen, according to Songfacts. It’s a fairly simple track with a straightforward chord progression, but I just love the sound.

An important album in Springsteen’s catalog is The Rising from July 2002. Not only did it mark his first record in seven years, it also was the first with the E Street Band since Born In The U.S.A. Hitting the right mood in the aftermath of 9/11, the album debuted at no. 1 on the Billboard 200, selling more than 500,000 copies in just the first week. While not all the tracks dealt directly with the terrorist attacks, here’s one that did: Into The Fire, a dedication to the firefighters who were lost that day: The sky was falling and streaked with blood/I heard you calling me, then you disappeared into the dust/Up the stairs, into the fire/Up the stairs, into the fire/I need your kiss, but love and duty called you someplace higher/Somewhere up the stairs/Into the fire…

In January 2009, Springsteen released his 16th studio album Working On A Dream. “Towards the end of recording Magic [his preceding studio record from September 2007], excited by the return to pop production sounds, I continued writing,” Springsteen stated about the album. “When my friend producer Brendan O’Brien heard the new songs, he said, ‘Let’s keep going.’ Over the course of the next year, that’s just what we did, recording with the E Street Band during the breaks on last year’s tour. I hope ‘Working on a Dream’ has caught the energy of the band fresh off the road from some of the most exciting shows we’ve ever done. All the songs were written quickly, we usually used one of our first few takes, and we all had a blast making this one from beginning to end.” Here’s the official video for the title track.

I’d like to conclude this playlist with Springsteen’s latest record Western Stars, which appeared in June this year. It’s his first album of solo material since Devils & Dust from April 2005. While I don’t dislike the record, I have to admit I’m still getting used to both Springsteen’s singing and the sometimes lush sound – not many edges here. Here’s Tucson Train, the tale of a construction worker who left San Francisco and a difficult relationship to start a new life in Arizona, only for him and his woman to realize they miss each other, so she’s coming there to see him again.

Sources: Wikipedia, Songfacts, YouTube

On This Day In Rock & Roll History: January 5

Earlier today, fellow bloggers Intogroove and Slicethelife reminded me of Creedence Clearwater Revival’s sophomore album Bayou Country, which was released today 50 years ago. Then I spotted a Rolling Stone story about Greetings From Asbury Park, N.J., the Bruce Springsteen debut, which appeared on January 5, 1973. Last but not least, Ultimate Classic Rock wrote about the 40th anniversary of Look Sharp!, Joe Jackson’s first record – three great reasons to do another installment of my music history series, and there’s more!

1962: English rock & roll singer Tony Sheridan released his debut album My Bonnie as Tony Sheridan and The Beat Brothers. The Beat Brothers, Sheridan’s backing band at the time, actually were an early incarnation of The Beatles. Their line-up included John Lennon (guitar), Paul McCartney (guitar), George Harrison (guitar), Stuart Sutcliffe (bass) and Pete Best (drums). While there are different versions of the story, the release of the album’s title track as a single appears to have played a role in getting The Beatles on the radar screen of a man who at the time ran the record department of the family’s music store NEMS. His name? Brian Epstein.

1969: Bayou Country, the sophomore album by Creedence Clearwater Revival, came out, the first of three records the band released that year. Unlike their debut, which included three covers, all except one tune on Bayou Country were written by John Fogerty. Looking at the band’s sudden success with Proud Mary and the rapid succession of additional records, one could forget they had actually struggled for a decade, initially performing as the Blue Velvets and then the Golliwogs before adopting the name Creedence Clearwater Revival in January 1968 ahead of the release of their eponymous debut album in May that year. Here’s Bayou Country’s strong opener Born On The Bayou.

1973: Bruce Springsteen released his debut Greetings From Asbury Park, N.J.  As the above Rolling Stone story notes, while the album wasn’t a huge commercial success, it included various tunes that would become staples during Springsteen’s live performances. One of them is the only Springsteen song that ever topped the Billboard Hot 100, though not in its original version: Blinded By The Light, which Manfred Mann’s Earthband turned into a major chart success in 1976. The record also featured five musicians who eventually became part of the E Street Band: Vini “Mad Dog” Lopez (drums), Garry Tallent (bass), David Sancious (keyboards) and Clarence Clemons (saxophone). Initially, Blinded By The Light and Spirit In The Night weren’t part of the record that was submitted to Columbia. At the insistence of label president Clive Davis, who felt the album lacked a hit, Springsteen wrote both songs. Here’s Spirit In The Night, another tune that was also covered by Manfred Mann.

1979: Joe Jackson made his studio debut with Look Sharp! Jackson was remarkably successful right out of the gate, with the record peaking at no. 20 on the Billboard 200 and climbing to no. 40 on the UK Albums Chart. The lead single and one of his signature tunes Is She Really Going Out With Him? climbed to no. 13 on the UK Singles Chart and reached no. 21 on the Billboard Hot 100. I think the above UCR story put it nicely: “Thin and balding, Jackson wasn’t exactly born for the looming video revolution, but he had an impeccable sense of style reflected by the distinctive Look Sharp! album cover, graced with a striking shot of white dress shoes shining in a beam of light on a city sidewalk. Simple and elegant, it summed up Jackson’s early recordings perfectly, evoking all the sleek musical lines and bracing urban wit throughout the album’s 36-minute running time.” Here’s the great opener One More Time, which like all other tracks on the album was written by Jackson.

Sources: Wikipedia, Rolling Stone, Ultimate Classic Rock, This Day In Rock, This Day In Music, YouTube