This Musings of the Past revisits a post about the British television music show The Old Grey Whistle Test. It was originally published in July 2017. In case you haven’t seen any previous installments, Musings of the Past is a recurring feature in which I republish posts that first appeared when the blog got less traffic or content I feel otherwise deserves a second exposure.
A key reason for me to republish this post is what I feel are great clips of artists like Neil Young, David Bowie, Joni Mitchell, John Lennon, Bonnie Raitt and Emmylou Harris. It was fun to revisit this content. Hope you enjoy it as much as I did!
The Venues: The Old Grey Whistle Test
The British television music show featured an impressive array of artists
This post and the related new category I’m introducing to the blog was inspired by a dear friend from Germany, who earlier today suggested searching YouTube for “Old Grey Whistle Test,” just for fun! Since he shares my passion for music and always gives me great tips, I checked it out right away and instantly liked the clips that came up. This triggered the idea to start writing about places where rock & roll has been performed throughout the decades.
At this time, I envisage The Venues to include famous concert halls and TV shows. Many come to mind: The Fillmore, The Beacon Theater, The Apollo, The Hollywood Bowl, Candlestick Park, Winterland Ballroom, The Ed Sullivan Show, Rockpalast – the list goes on and on! Given it was my dear friend who inspired me, it feels right to start with The Old Grey Whistle Test.
I admit that until earlier today, I had never heard about The Old Grey Whistle Test. According to Wikipedia, the British television show aired on the BBC between September 1971 and January 1988. The late night rock show was commissioned by British veteran broadcaster Sir David Attenborough and conceived by BBC TV producer Rowan Ayers.
The show aimed to emphasize “serious” rock music, less whether it was chart-topping or not – a deliberate contrast to Top of the Pops, another BBC show that was chart-driven, as the name suggests. Based on the YouTube clips I’ve seen, apparently, this was more the case in the show’s early days than in the ’80s when the music seems to have become more commercial. Unlike other TV music shows, the sets on The Old Grey Whistle lacked showbiz glitter – again, probably more true for the ’70s than the ’80s period.
During the show’s early years, performing bands oftentimes recorded the instrumental tracks the day before the show aired. The vocals were performed live most of the time. After 1973, the show changed to an all-live format. In 1983, the title was abridged to Whistle Test. The last episode was a live 1987/88 New Year’s Eve special, including a 1977 live performance of Hotel California by The Eagles and Meat Loaf’sBat Out of Hell.
So what kind of music did the show feature? Let’s take a look at some of these YouTube clips.
Neil Young/Heart of Gold (1971)
Steppenwolf/Born to Be Wild (1972)
David Bowie/Oh, You Pretty Things (1972; not broadcast until 1982)
Rory Gallagher/Hands Off (1973)
Joni Mitchell/Big Yellow Taxi (1974)
John Lennon/Slippin’ & Slidin’ (1975)
Bonnie Raitt/Angel From Montgomery (1976)
Emmylou Harris/C’est La Vie (1977)
Tom Petty & The Heartbreakers/American Girl (1978)
Joe Jackson/Sunday Papers (1979)
Ramones/Do You Remember Rock ‘n’ Roll Radio?
Los Lobos/Don’t Worry Baby (1984)
Simply Red/Holding Back the Years (1985)
U2/In God’s Country (1987)
This post was originally published on July 1, 2017.The original clip of Ooh Las Vegas by Emmylou Harris has been replaced with C’est La View since the original clip was no longer available on YouTube.
Once asked about Joe Walsh, Eric Clapton said, “I don’t listen to many records, but I listen to his.” Or how about Jimmy Page? “I’ve loved his style since the early James Gang,” noting his “tremendous feel” for the guitar. And, as Walsh’s bio on his website adds, this praise from two of the greatest guitar icons on the planet came even before he joined the Eagles, my introduction to Walsh. I still get goosebumps to this day when listening to the solo with Don Felder on Hotel California, one of the most epic moments in rock music. Do I really need more reasons to justify a Walsh playlist?
Joe Fidler Walsh was born in Wichita, Kan. on November 20, 1947. His mother was an avid piano player who brought music into the family’s humble home before Joe was old enough to discover rock n’ roll on the radio. Though he had played guitar in a high school cover band and a popular Kent, Ohio bar band while in college, Joe really came into his own in 1968, when he joined the Cleveland-based James Gang. In March 1969, they released their debut Yer’ Album, which became a staple on FM radio. The sophomore James Gang Rides Again from July 1970, included Funk #49, which despite initial moderate success has become a rock classic.
In 1972, Walsh left James Gang, finding the band’s trio format too constraining only to form another trio later that year, Barnstorm. In addition to Walsh (guitar, keyboards), the band included his college buddy Joe Vitale (drums, flute, keyboards) and Kenny Passarelli (bass). Their record company decided to market their albums as Joe Walsh solo records, which eventually became a source of increasing frustration for Walsh and one of the reasons Barnstorm disbanded.
In December 1974, Walsh released his first true solo album So What, which featured contributions from Don Henley, Glenn Frey and Randy Meisner of the Eagles, the band Walsh joined the following year to replace founding member Bernie Leadon. Walsh appeared on the Eagles’ studio albums Hotel California (December 1976), The Long Run (September 1979) and Long Road Out Of Eden (October 2007). He was part of the band’s reunion in 1994 and remains a member to this day. In addition to his various band projects, Walsh has also released 12 solo studio albums (including two Barnstorm records) and a live album to date. Time for some music.
What better tune to kick things off than the above mentioned Funk #49, a kick ass rocker co-written by Walsh and fellow James Gang members Jim Fox (drums, vocals, percussion, keyboards) and Dale Peters (bass, vocals, guitars, keyboards, percussion). “I came up with the basic guitar lick,” Walsh said according to Songfacts quoting the book The Guitar Greats. “It was a real good example of how we put things together, bearing in mind that it was a three piece group, and I don’t think that there was any overdubbing. The only thing we really added was the percussion middle part, which the three of us actually played, putting some parts on top of the drums, but that’s the three piece James Gang, and that’s the energy and kind of the symmetry we were all about.”
Rocky Mountain Way appeared on Barnstorm’s second album The Smoker You Drink, The Player You Get, which as previously noted was marketed as Walsh’s second solo record. The song is credited to Walsh, Vitale, Passarelli and Rocke Grace, who had joined the band as a keyboarder. One of the best known Walsh tunes, the track peaked at no. 23 on the Billboard Hot 100.
Next up: Welcome To The Club, the opener to So What, Walsh’s first true solo album from December 1974. This is another nice rocker!
For the aforementioned reasons, I was very tempted to include the title track from Hotel California in this playlist. Instead, I decided to feature Life In The Fast Lane, my second favorite tune from the Eagles’ fifth studio album that appeared in December 1976. Walsh came up with the signature guitar riff, while Henley and Frey co-wrote the lyrics. The song became the record’s third single, reaching no. 11 on the Billboard Hot 100.
In-between Hotel California and the next Eagles album The Long Run, Walsh released another solo record in May 1978. But Seriously, Folks… includes his most successful solo hit: Life’s Been Good. Here’s the full close to 9-minute album version of the hilarious take on the excesses rock stardom. It also appeared as a 4 1/2-minute single, which climbed to no. 12 on the Billboard Hot 100.
In The City is a tune co-written by Walsh and Barry De Vorzon from The Long Run, which appeared in September 1979 and was the Eagles’ final studio album until 2007’s Long Road Out Of Eden. It is one of the few Eagles tunes on which Walsh is also handling lead vocals. He had first recorded the song in 1979 for the soundtrack of the motion picture The Warriors.
In March 1981, Walsh released his next solo album, There Goes The Neighborhood. It featured a smoother sound and would become his final commercial and critical success for more than 25 years. Here’s Rivers (Of The Hidden Funk), a track Walsh originally had co-written with Don Felder for the Eagles’The Long Run album that didn’t make the record. Felder appeared as a guest on talk box guitar.
After five additional solo albums that were not well received, Walsh took a 20-year break before resurfacing in June 2012 with Analog Man, his most recent solo effort. Co-produced by Jeff Lynne, the album features an impressive array of guests, who in addition to Lynne include Ringo Starr, Graham Nash, David Crosby and Little Richard, along with former Barnstorm members Kenny Passarelli and Joe Vitale, and former James Gang members Jim Fox and Dale Peters. In a May 2012 interview with The Huffington Post (now called HuffPost), Walsh said about Lynne, “Gradually, we worked on some stuff and checked out some of his stuff too. It ended up that he really helped me finish it up and ended up producing. He really put his stamp on my music and took it in a direction I never would have gone, and I’m really grateful to him.” The album reached no. 12 on the Billboard 200. Here’s the title track co-written by Walsh, Drew Hester and Gannin Arnold.
To say Joe Walsh has had an eventful life would be an understatement. In addition to a 50-plus-year professional career, he has been married five times. His current wife is Marjorie Bach, sister of Barbara Bach and sister-in-law of Ringo Starr. Walsh battled alcohol and drug addiction for much of his early career but has been sober since 1995. In 1998, Walsh was inducted into the Rock and Roll Hall of Fame as a member of the Eagles. He is currently touring with the band in Europe. Starting in late September, they are playing three gigs at the MGM Grand Garden Arena in Las Vegas, during which they will perform Hotel California in its entirety, the band’s only scheduled dates in North America so far this year.
Sources: Wikipedia, Joe Walsh website, Songfacts, HuffPost, YouTube
According to my good music blogger friend Music Enthusiast, who only not writes a great blog but also seems to be a pretty good guitarist, I’m the King of the Tribute Band. As such, I thought I have to live up to the kind title and do a piece on tribute bands.
In 1970, Stephen Stills wrote the lyrics, And if you can’t be with the one you love, love the one you’re with. Since this pretty much captures how I generally feel about tribute bands, I used a variation of Stills’ words as the headline for this post.
I know some folks are only mildly excited about the concept. While I acknowledge it’s hard to find tribute bands that sound exactly like the real artists, as long as they don’t sound terrible, I enjoy seeing them. Since I usually do some research before going to a show, I’ve yet to have a bad experience.
Here’s how I look at it. With today’s oftentimes outrageous ticket prices, I simply can’t afford to see everybody I like; and even if I could, many of my favorite artists or bands are no longer around. Some of the best tribute bands I’ve seen performed at free summer-concert-in-the-park type of events, or music festivals with very reasonable cover charges. So for little or no money I can listen to music I dig – not much of a downside here, in my opinion!
Following are some tribute bands I like and have seen over the past couple of years.
Their name already pretty much says it all. Who’s Next is a tribute to The Who. Like The Who, I’ve seen them twice and thought they were dynamite. Their members include Bill Canell as Pete Townshend, Dave McDonald as Roger Daltrey, Mike Conte as John Entwistle and Rich Savarese as Keith Moon. Apart from nicely capturing the sound and energy of the British rockers, these four guys also look a bit like their heroes. All of this is pretty remarkable, given the band doesn’t appear to perform frequently. For more information, check out their website. Here’s The Real Me and 5:15 I captured earlier this year during a British Invasion festival in Atlantic City.
As a huge fan of The Beatles, of course I need to include a tribute band in this post! There are many tribute acts to the Fab Four, and I must have seen at least half a dozen myself. One of the best if not the best is Britain’s Finest. Similar to Who’s Next, their show is about both recreating the sound and the looks – they even mimic The Beatles’ humor. According to their Facebook page, Britain’s Finest were founded in Los Angeles in September 2011. Their lineup features Ruben Amaya (John Lennon), Benjamin Chadwick (Paul McCartney), Robert F. Bielma (George Harrison) and Luis G. Renteria (Ringo Starr). Here’s a clip of She Loves You.
The Glimmer Twins
Adopting the nickname of the songwriting partnership of Mick Jagger and Keith Richards, the Glimmer Twins hail from Philadelphia. The band is led by Keith Call (vocals, harp) and Bernie Bollendorf (guitars, vocals), who bring to life the sound and looks of Jagger and Richards in the ’70s. While the band’s remaining musicians don’t resemble the other members of The Rolling Stones, they sound pretty awesome: Michael Rubino (guitars), Bobby Corea (drums), Rob Ekstedt (Bass), Rocco Notte (keyboards), Valorie Steel (vocals), Bobby Michaels (saxophone, flute, organ) and Carl Crabtree (saxophone, organ, acoustic guitar). For more information, check out their website. Here’s their rendition of Jumpin’ Jack Flash.
STARMAN: The Bowie Tribute
Formed in 2014, STARMAN is a tribute band to David Bowie. While Bowie obviously was a very well-known artist, I was still intrigued when I learned about these guys recently. Unlike The Beatles, I don’t think there are many Bowie tributes out there, which was in part why I decided to catch one of their recent gigs. In addition to Bowie’s songs, this Jersey band captures the looks and stage shows during different times of his career. STARMAN are Johwie Bowie (lead vocals), David Citron (keyboards, vocals), Tom Coughlin (saxophone, guitar, vocals), Jody Lynn Lisa (vocals, percussion), Mark Christopher (lead guitar), Dan D’Elia (drums) and Phil Liebergall (bass, vocals). Additional information can be found on their website. Here’s a clip of Ziggy Stardust and Suffragette City from the above mentioned show I attended.
TUSK, another band from New Jersey, is an excellent tribute to Fleetwood Mac I’ve seen a couple of times. While their website and Facebook page don’t mention when they were founded, it’s clear their members are longtime artists. The band, which captures Fleetwood Mac during their most commercially successful phase, features Kathy Phillips (vocals) as Stevie Nicks, Kim Williams (keyboards, vocals) as Christine McVie, Scott McDonald (guitars, vocals) as Lindsey Buckingham, Randy Atiglere (bass) as John McVie, and Tom Nelson (drums) as Mick Fleetwood. According to their website, TUSK has a packed schedule and tours nationally. What struck me the most about them was how well they capture Mac’s harmony vocals. Check out this clip of The Chain.
To recreate the music of the Eagles, especially the harmony vocals, is a formidable task. While I’ve seen a few Eagles tribute bands, Hotel California from Toronto, Canada has been the most compelling thus far. Undoubtedly, at least in part this must be the result of their longtime experience – the band was founded in 1986. The current lineup includes Andy Lapointe (bass, vocals), Mike Dimoulas (electric guitar, acoustic guitar, keyboards, double-neck guitar, Talk Box, vocals), Rick Spyder (electric guitar, vocals) and Kevin O’Donnell (drums, vocals). The band’s website reveals that they tour heavily throughout Canada and the U.S. Here’s a nice highlights reel. While it’s a few years old, this is how I recall they sounded when I saw them last September.
Get The Led Out
Get The Led Out, another band from Philadelphia, are an amazing Led Zeppelin tribute that got together in 2003. Rather than aiming to look like Robert Plant, Jimmy Page, John Paul Jones and John Bonham or sound like they did in concert, these guys are all about bringing Zeppelin’s studio sound live to the stage. And that takes more than four musicians – six to be precise: Paul Sinclair (lead vocals, harmonica), Paul Hammond (electric and acoustic guitars, mandolin), Jimmy Marchiano (electric and acoustic guitars), Phil D’Agostino (bass, vocals), Andrew Lipke (keyboards, electric and acoustic guitars, vocals, percussion) and Adam Ferraiolo (drums, percussion). In addition, Diana DeSantis serves as guest vocalist for The Battle Of Evermore. I saw GTLO last November, and boy did they kick ass! The band’s current national tour schedule is on their website. Here’s a clip of Whole Lotta Love.
This Pink Floyd tribute band from Delaware was founded in 1991. I’ve had the fortune to experience the real Pink Floyd (minus Roger Waters) twice and was really impressed how well Echoes recreated their complex music when I saw them last September. The band includes John Cassidy (drums, vocals), Kyle Frederick (bass), Dan Long (keyboards, sound effects, vocals), John Ratcliffe (vocals, guitar), William (Bill) Swezey (guitar, vocals), David Fox (guitar, lap steel), Andrew Bedell (saxophone), Michelle Sumler Hover (backing vocals), Chris Tuminello Duncan (backing vocals, keyboards) and Kat Pigliacampi (backing vocals). Here’s a highlights reel from their website.
Yes, I’ve seen many tribute bands, and the king is ready to see more! One event I particularly look forward to in this context is Rock The Farm in Seaside Heights, N.J. at the end of September. This annual one-day music festival features an impressive amount of tribute bands. In addition to Decade and TUSK, the 2018 lineup includes tributes to AC/DC, Tom Petty & The Heartbreakers, Aerosmith and Guns ‘N Roses, among others. Best of all, the CFC Loud N Clear Foundation, which puts on Rock The Farm, leverages the event to raise money for addiction recovery programs and other related services. For more information, visit https://rockthefarmnj.com/
Sources: Who’s Next website, Britain’s Finest Facebook page; The Glimmer Twins website; STARMAN website; TUSK website; Hotel California website; Get The Led Out website; Echoes website; YouTube
Ten records I continue to enjoy after more than three decades
Earlier this week, I got nominated on Facebook to name 10 music albums that have made an impact on me and that I continue to enjoy today. The task was to post one album cover daily, and each time when doing so to nominate somebody else to do the same. Usually, I don’t participate in these types of chain activities, so initially, I ignored it. But since it was a close relative, who had nominated me, and music is my passion after all, I decided to go along. The exercise of identifying the 10 records inspired this post.
Because I found it impossible to limit myself to just 10 albums, I decided to narrow the field to only those records I started listening to as a teenager and in my early 20s. This explains why some of my favorite artists like The Allman Brothers Band, Buddy Guy and even The Rolling Stones are “missing.” It was only later that I started exploring them and many other artists I like today in greater detail. Without further ado, here is the list in no particular order, together with one song from each album.
As frequent readers of the blog know, I’m a huge fan of The Beatles.Sgt. Pepper’s Lonely Hearts Club Band, their 8th studio album from May 1967, is my favorite among their records.
Here’s the great closer A Day In The Life, which except for the middle section was mainly written by John Lennon, though as usually was credited to him and Paul McCartney.
Tapestry by Carole King was one of the earliest albums I listened to when I was 10 years old or so. Back then, I didn’t understand the lyrics but liked the music. Today, I dig the record for both the music and the lyrics. There is a timeless beauty in King’s tunes, and to me Tapestry is perhaps the ultimate singer-songwriter record.
There are so many great songs on this gem from February 1971, so it’s hard to chose one. Here’s Way Over Yonder. King’s soulful singing and the saxophone solo are two of the tune’s features I’ve always liked.
The Eagles’Hotel California is an album I’ve owned on vinyl since I guess the early ’80s. It was released in December 1976 as the band’s fifth studio record.
Here’s a live version of the epic title song, which is included in the album’s 40th anniversary deluxe edition that appeared in November last year. The tune was co-written by Don Felder, Don Henley and Glenn Frey. The distinct extended guitar interplay at the end featured Felder and Joe Walsh. This tune just never gets boring!
It was the Born In The U.S.A. album from June 1984, which put Bruce Springsteen on my radar screen.
Here’s Bobby Jean, one of the album’s few tunes that wasn’t also released separately as a single. On this one, I particularly love the saxophone solo by Clarence Clemons, who was such an ace player.
Deep Purple to this day remains my first choice when it comes to hard rock, and Machine Head from March 1972 is the crown jewel in their catalog. The band’s sixth studio album featured their best line-up that included Ian Gillan (vocals), Ritchie Blackmore (guitar), Jon Lord (keyboards), Roger Glover (bass) and Ian Paice (drums, percussion).
Here’s Pictures Of Home, which like all tracks on the album were credited to all members of the band. In addition to Lord’s great keyboard work, one of the tune’s characteristic features is a cool bass solo by Glover (starting at 3:40 minutes).
My introduction to John Mellencamp was Scaregrow, his eighth studio album from August 1995, but it was the follow-up record The Lonesome Jubilee, released in August 1987, that turned me into a fan.
Here is the great opener Paper In Fire, which also became the album’s lead single. Like all tunes except one, it was written by Mellencamp.
While it was pretty clear to me that a Pink Floyd album needed to be among my longtime top 10 records, the decision which one to pick wasn’t easy. I decided to go with The Dark Side Of The Moon but also could have gone with Wish You Were Here. I started listening to both albums at around the same time during the second half of the ’70s.
I’ve chosen to highlight The Great Gig In The Sky. I’ve always liked the incredible part by vocalist Clare Torry.
I believe the first Steely Dan song I ever heard was Do It Again on the radio. By the time I got to Aja, I already knew the band’s debut record Can’t Buy A Thrill and, because of Rikki Don’t Lose That Number, their third album Pretzel Logic. While I liked both of these records, the Aja album from September 1977 became my favorite, after a good friend had brought it to my attention.
Here is Deacon Blues, which also was released separately as the album’s second single. Like all tunes on the record, it was co-written by Walter Becker and Donald Fagen.
I was hooked to Live Rust the very first time I listened to it. Neil Young’s album from November 1979 pretty much is a live compilation of his greatest ’70s hits.
My, My, Hey, Hey (Out Of The Blue) is among the record’s highlights. The song was co-written by Young and Jeff Blackburn.
Led Zeppelin wasn’t exactly love at first sight. My first exposure was Led Zeppelin IV, the band’s fourth studio album from November 1971. I bought the record because of Stairway To Heaven.
I had listened to Stairway on the radio where they always faded it out before the heavy rock section at the end of the tune. I still remember the shock when I listened to the song in its entirety for the first time. I had just started taking classic guitar lessons and was very much into acoustic guitar. I simply couldn’t understand how Zep could have “ruined” this beautiful song by giving it a heavy metal ending. Well, today it is exactly because of its build why this track has become one of my favorite tunes. But instead of Stairway, I’d like to finish this post with Going To California, a beautiful acoustic ballad co-written by Jimmy Page and Robert Plant.
Collection includes original remastered studio album and 10 live tracks from 1976 show
The first Eagles tune I ever heard must have been Hotel California sometime in the late ’70s when I started listening to music on the radio. In my opinion, the song and the album count among the absolute highlights of ’70s rock. Today, the band released a 40th anniversary deluxe edition of their landmark album – almost one year after the actual anniversary.
The original album appeared on December 8, 1976. Recently asked about the timing by the Los Angeles Times, Don Henley noted, “Actually, it came out in December of 1976, but nothing really hit the charts until ’77, so we’re not really that late. We’re fudging it a little bit.”
I suppose it depends on how you look at it. The same LA Times story notes the album’s first single New Kid In Town entered the Billboard Hot 100 on December 18, 1976. But it took until Feb 28, 1977 before the song peaked at no. 1. The record’s two other singles, Hotel California and Life In The Fast Lane, were released in February and May that year, respectively. Hotel California became another no. 1 hit on the chart.
Since the studio versions of the original album are well-known and not new, I’m highlighting some of the live tracks, which are released for the first time. According to an official Eagles announcement, they were recorded prior to the album’s release during the band’s three-night stand at the Los Angeles Forum in October 1976. Among others, the tracks feature one of the first live performances of Hotel California and New Kid In Town.
The live collection kicks off with Take It Easy. Written by Jackson Browne and Glenn Frey, the song was included on the band eponymous debut album, which appeared in June 1972. It was also released separately as the record’s first single in May that year.
Good Day In Hell is a great rocker written by Frey and Henley, and my kind of tune. It is from On The Border, the Eagles’ third studio album released in March 1974. Compared to their earlier more country rock-oriented music, the song has an edgier rock sound. Asked about that during a Rolling Stoneinterview last year, Henley explained, “Although Glenn was fascinated by the new “country rock” movement, and though he never forgot his Motown roots, his first love was rock & roll. Possibly through the influence of his friend and mentor, Bob Seger.”
Another excellent rock tune from the live set is Funk #49. Co-written by Joe Walsh, Jim Fox and Dale Peters, the track was first recorded in 1970 by James Gang, one of the bands in which Walsh played before joining the Eagles in December 1975.
As one of my favorite ’70s rock songs, of course, I must highlight the live version of Hotel California. The song was written by Don Felder, Henley and Frey. The epic guitar part at the end is played by Felder and Walsh.
The last song I’d like to call out from the live set is the excellent closer Already Gone. Written by Jack Tempchin and Robb Strandlund, it’s another tune from the On The Border album, which also appeared as the record’s lead single in April 1974.
According to Wikipedia, Hotel California became the Eagles second best-selling album after Their Greatest Hits (1971-1975), with sales of over 32 million copies worldwide, of which the U.S. accounts for half. The album was ranked at no. 37 on Rolling Stone’s 500 Greatest Albums Of All Time. The title track was ranked at no. 49 in Rolling Stone’s500 Greatest Songs of All Time and best of the Top 100 Guitar Solos of All Time in a January 1998 Guitar Magazine readers poll.
Listening to the live set reminds me of a great Eagles show in Atlantic City in July 2015 – the only time I saw the band. The gig was part of the History of the Eagles Tour and one of the last concerts with Frey prior to his untimely death in January 2016 at the age of 67. On Tuesday, the Eagles announced initial dates for a 2018 North American Tour. As during their most recent performances, Vince Gill and Deacon Frey will share responsibilities for singing Glenn’s parts.
The tour is set to kick off in Chicago on March 14. The last current date is Philadelphia on July 28. On some of the dates, the Eagles will play together with Jimmy Buffet and the Coral Reefer Band, James Taylor & His All-Star Band and Chris Stapelton. Philly, one of the dates where the band plays with Taylor who is another artist I admire, is only a 1.5-hour drive from my house. I went there to see John Mellencamp. I’m very tempted…
Sources: Wikipedia, Los Angeles Times, Billboard Eagles chart history, Eagles website, Rolling Stone, Guitar Magazine, You Tube
Fourth Annual Rock the Farm brings 10 hours of rock & roll and tributes from Beatles to Young to Jersey Shore
In addition to seeing my rock & roll heroes live in action, I enjoy concerts featuring tribute bands to the music I love. While I wish I could go to shows of all the original acts, there are way too many music artists, not enough time and, let’s face it, not enough money – in particular nowadays with ticket prices oftentimes being out of control! To me tribute bands can be a great and very affordable way to address this conundrum. Yesterday, I got ten hours of exactly that, at the fourth annual Rock the Farm festival in Seaside Heights, N.J.
Also called Faux-Chella, an apparent clever allusion to the Coachella Music and Arts Festival, the event brought together an impressive lineup of tribute bands: One Fine Tapestry (Carole King), Mike Martin & The Beautiful Mess (Johnny Cash), Decade (Neil Young), Rainbow Full of Sound (Grateful Dead), The Weeklings (The Beatles), Light My Fire (The Doors), Hotel California (Eagles), Glimmer Twins (The Rolling Stones), TUSK (Fleetwood Mac) and Echoes (Pink Floyd). Apart from these tribute acts, who performed on two main stages set up right next to each other, there were a few other bands playing on a side stage.
The festival, which also featured food trucks and some merchandise stands, was organized by the CFC Loud N Clear Foundation, a New Jersey nonprofit community organization that provides support to individuals and families struggling from addiction to opioids, alcohol and other substances. All festival proceeds went to the group; in fact, over the course of the afternoon and evening, they raised more than $10,000 to support their programs! So it really was all about combining great music and a great cause – what’s not to love about it?
Following I’d like to highlight four of the above bands. In June, I already posted about the Glimmer Twins, an excellent Rolling Stones tribute, which is why I’m not including them here.
This New Jersey band primarily pays tribute to Neil Young. According to their Facebook page, the group includes John Hathaway (lead vocals, 6 and 12-string acoustic guitars, electric guitar, harmonica), Joey Herr (lead and rhythm guitar, backing vocals), Lou Perillo (bass, backing vocals), Steve Cunniff (keyboards, backing vocals) and Johnny Burke (drums, percussion). Hathaway, whose voice sounds remarkably similar to Young and who also has some visual resemblance, has studied his idol for the last 30 years.
“The guitar work and vocals have to be dead on or we will be dismissed as just another bunch of hacks,” Hathaway notes on the band’s Facebook page. “I want people to leave thinking they just saw the best thing next to Neil Young in person.” To this he could have added the reenactment of typical Young postures during live performances.
In addition to recreating Young’s music, Decade also plays select songs from other ’70s bands, such as America, Crosby, Stills & Nash, Eagles and The Allman Brothers. Yesterday was all focused on Young, more specifically his rock side – I assume in part because of time constraints. Some of the tunes they played included Like A Hurricane, The Loner, Ohio, Southern Men and Cinnamon Girl. To paraphrase the maestro, I was getting blown away! Here’s a clip of Decade I could find on YouTube.
Hotel California is an outstanding Eagles tribute band from Toronto, Canada. According to their website, they have done this for almost three decades and it definitely shows – the harmonies, the music, it’s all spot on! The current lineup includes Andy Lapointe (bass, vocals), Mike Dimoulas (electric guitar, acoustic guitar, keyboards, double-neck guitar, Talk Box, vocals), Dean Young (drums, vocals) and Rick Spyder (electric guitar, vocals).
The 60-minute set was packed with Eagles gems, such as One Of These Nights, Take It Easy, In The Long Run and, of course, Hotel California including the epic double lead guitar solo. They also threw in a couple of solo tunes from Joe Walsh (Rocky Mountain Way) and Don Henley (Dirty Laundry). The following statement from the band’s website nicely sums it up: “If you love the Eagles, then welcome to the Hotel California – you’ve just found the next best thing.” Think it’s an exaggeration? Take a look at this highlights reel. This is how they sounded yesterday as well.
Hailing from Hunterdon County, N.J., TUSK is another true tribute labor of love. Similar to Hotel California and Decade, these guys have been faithfully capturing the music of Fleetwood Mac for a long time. According to the band’s website, their five members “have been making music together in various combinations and styles, from complete originals to covers, for over 30 years themselves.” TUSK is comprised of Kathy Phillips (vocals) as Stevie Nicks, Kim Williams (keyboards, vocals) as Christine McVie, Scott McDonald (guitars, vocals) as Lindsey Buckingham, Randy Atiglere (bass) as John McVie and Tom Nelson (drums) as Mick Fleetwood.
In just over an hour, the band managed to play 10 Fleetwood Mac classics like The Chain, Rhiannon, Go Your Own Way and Don’t Stop, as well as Steve Nicks’Seventeen. I have to say, their execution was pretty impressive, especially the harmonies, making TUSK one of the festival’s standouts. Again, a picture, or I should better say a clip, is worth more than a 1,000 words.
Echoes, “the American Pink Floyd,” is a tribute band that according to their Facebook page is from Delaware and was founded in 1991. While recreating Pink Floyd’s music must be an ambitious undertaking, to say the least, I have to say it upfront: These guys did an amazing job! The band’s current lineup includes John Cassidy (drums, vocals), Kyle Frederick (bass), Dan Long (keyboards, sound effects, vocals), John Ratcliffe (vocals, guitar), William (Bill) Swezey (guitar, vocals), David Fox (guitar, lap steel), Andrew Bedell (saxophone), Michelle Sumler Hover (backing vocals), Chris Tuminello Duncan (backing vocals, keyboards) and Kat Pigliacampi (backing vocals).
The close to 90-minute set featured Shine On You Crazy Diamond, Welcome To The Machine, Pigs (Three Different Ones) and what I thought was an interesting, less obvious choice I had to look up, since I didn’t recall the song’s title: Keep Talking, from The Division Bell album. But the highlight of the set was a performance of the entire Dark Side of the Moon, from the first note to the last.
While everybody on that stage was shining, the true standout moment came when backing vocalist Hover launched into the wordless vocal part of The Great Gig In the Sky, sung on the original by Clare Torry. Hover’s rendition of the part literally sent shivers down my spine, and I clearly wasn’t the only audience member who was wowed. Here’s a nice highlights reel from the band’s website.
Sources: Decade Facebook page, Hotel California website, TUSK website, Echoes Facebook page and website, YouTube