Planes, Trains and Automobiles – Part III

A three-part mini series of songs related to the three transportation modes

This is the third and final part of this mini-series featuring songs related to planes, trains and automobiles. Parts I and II focused on planes and trains. This leaves automobiles.

In case you missed the two previous installments, the theme of the mini series was inspired by the 1987 American comedy picture Planes, Trains and Automobiles. The film is about a marketing executive (Steve Martin) and a sweet but annoying traveling sales guy (John Candy) ending up together as they are trying to get from New York home to Chicago for Thanksgiving. Their plane’s diversion to Wichita due to bad weather in Chicago starts a three-day odyssey and one misadventure after the other, while the two, seemingly incompatible men use different modes of transportation to get to their destination.

Chuck Berry/Maybellene

I couldn’t think of a better way to start this final installment of the mini-series than with a car chase told by Chuck Berry in a classic rock & roll tune. Credited to him, Russ Fratto and Alan Freed, and partially adapted from a Western swing fiddle tune titled Ida Red, the song tells the tale of a guy in a V8 Ford, chasing after his unfaithful girlfriend Maybellene who is driving a Cadillac Coupe de Ville. Initially released as a single in July 1955, Maybellene became Berry’s first hit, reaching no. 1 on Billboard’s Rhythm & Blues chart and no. 5 on the mainstream Hot 100 chart. The tune is an early example of Berry’s gift to write lyrics that appealed to both young African American and young white people. Maybellene also became part of the soundtrack of the motion picture Rock, Rock, Rock! from December 1956, and was included on Berry’s third studio album Chuck Berry Is on Top. The latter might as well have been titled “The Greatest Hits of Classic Rock & Roll.”

The Beach Boys/409

The Beach Boys released various car-related tunes in the ’60s. I guess hot rods and surfing made for good friends. Here’s one of my favorites: 409. Songfacts notes 409 refers to a Chevrolet Bel Air 409 sport coupé, a 360-horsepower beast that with some tuning could be boosted to more than 400 horsepower. If you’re into cars, you can view some images here. Co-written by Brian Wilson, Mike Love and Gary Usher, the tune first appeared in June 1962 as the B-side to the band’s second single Surfin’ Safari. It was also included on two studio albums: Surfin’ Safari, The Beach Boys’ debut record from October 1962, and Little Deuce Coupe, their fourth studio release that came out in October 1963 and featured car songs. Giddy up, giddy up 409!

Wilson Pickett/Mustang Sally

The first time I heard Mustang Sally and fell in love with the tune was in the 1991 music comedy picture The Commitments, which not only is hilarious but also features outstanding Stax style soul – a film I can highly recommend. Originally, the song was written and first recorded by Mack Rice in 1965. But it wasn’t until the following year when Wilson Pickett released a cover that popularized the song, taking it to no. 6 and no. 23 on the U.S. Billboard R&B and Hot 100 charts, respectively. The tune was also included on Pickett’s 1967 studio album The Wicked Pickett.

Golden Earring/Radar Love

When it comes to ’70s car songs, the ones that always come to my mind first are Deep Purple’s Highway Star and Golden Earring’s Radar Love. I decided to go with the Dutch rock band, which included the tune on their ninth studio album Moontan from July 1973. Co-written by their guitarist and lead vocalist George Kooymans and Barry Hay, respectively, Radar Love became Golden Earring’s most successful song. It hit no. 1 in the Netherlands, reached the top 10 in the UK and various other European countries, and climbed to no. 13 in the U.S. If you’re stickler, the one thing that isn’t clear is whether the driver in the song is in a car or in a truck. For the purposes of this post, let’s assume it’s the former. And since I’m not fooling around with any single edits, here’s the 6:26-minute LP version. It’s a hell of a rock tune that deserves to be heard in its full length.

Bruce Springsteen/Ramrod

Let finish with The Boss and what I feel is more of a deep cut from The River, especially when considering this album also includes tunes like The Ties That Bind, Sherry Darling, Independence Day, Hungry Heart and, of course, the title track. This doesn’t change the fact that Ramrod is a great song. There’s a reason why it has remained a staple during Bruce Springsteen concerts. Springsteen originally wrote and recorded Ramrod for Darkness on the Edge of Town but didn’t use it until The River album, which was released in October 1980. I dig the tune’s 60s garage rock vibe. Let’s go ramroddin’!

Sources: Wikipedia; Songfacts; YouTube

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The Boss Rocks MetLife

Bruce Springsteen delivered four hours of non-stop rock & roll to an ecstatic New Jersey audience.

Yesterday (Aug 30) finally was the night I had been waiting for all summer long: Bruce Springsteen and The E Street Band were playing MetLife Stadium in East Rutherford, NJ – the third performance of their three-show run at the venue as part of 2016 River Tour.

From the first song, New York City Serenade, to the final tune, Jersey Girl, The Boss gave it his all, delivering four hours and one minute of non-stop rock & roll – I did not stop the time but actually read that on Springsteen’s official web site. The duration of the concert meant Bruce broke his own record from the previous week in the same venue yet another time!

In many regards, it was as if time would have stopped since 1988/1989 when I saw Bruce for the first time in Frankfurt, Germany in a comparable size stadium. He had not lost any of his intensity in almost 30 years, and you could be forgiven for not noticing he is now well into his 60s! The Boss also clearly seemed to be energized to play in front of a home crowd that knew all of his songs by heart.

The setlist included 34 songs and drew heavily from Bruce’s first two albums from 1973 and Born in the U.S.A., the 1984 album that became his most commercially successful record and one of the best-selling albums ever with more than 30 million copies sold.

Songs from Greetings from Asbury Park, N.J. included Blinded By The Light, Does This Bus Stop at 82nd Street, It’s Hard to be a Saint in the City and what I thought was one of the highlights of the show – a particularly spirited version of Spirit in the Night. From The Wild, The Innocent & The E Street Shuffle Bruce played the strong show opener, New York City Serenade, as well as 4th of July Asbury Park (Sandy), Kitty’s Back, Incident of 57th Street and Rosalita, which remains a big crowd-pleaser.

I’m Going Down, Darlington County, Working on the Highway, Downbound Train, I’m on Fire and Glory Days were songs from the Born in the U.S.A. album, as was Dancing in the Dark – another highlight of the show. During the performance of the song, Bruce invited various people from the audience on stage to, well, dance with him! I thought it was telling that Bruce did not play the title song of the album. I once read he had gotten tired of the song and how many people completely misunderstood or ignored the lyrics.

There were only two songs from The River album, Hungry Heart and Out in the Street, which I felt was remarkable for a tour billed The River Tour. That being said, I had read that Bruce had started to deviate from the original tour concept to play all or most of the album’s songs. Still, I wish he at least would have performed the title song, which remains one of my favorite Springsteen tunes.

Other songs that stood out to me were Born to Run and Tenth Avenue Freeze-Out. During the latter, historic footage was shown on the large stage video screens of the amazing Clarence Clemons, The E Street Band’s former saxophonist who sadly passed in June 2011.

Just as he did back in 1988/89, Springsteen also played terrific cover versions of various great songs, which most notably included Twist & Shout, Shout and Summertime Blues.

This blog post wouldn’t be complete without acknowledging the amazing E Street Band. Steven Van Zandt (guitar, background vocals), Nils Lofgren (guitar, background vocals), Patti Scialfa (acoustic guitar, background vocals), Max Weinberg (drums), Garry Tallent (bass, background vocals) and Roy Bittan (keyboards) all did an outstanding job to back up the Boss.

Among the additional musicians, Jake Clemons, the nephew of Clarence Clemons, must be mentioned. He literally had big shoes to fill playing Clarence’s saxophone parts and did so beautifully. I’m sure his uncle would have been proud of him!

The Springsteen concert was my last (commercial) summer concert. It was a great way to end my series of summer shows this year. Just like the previous Springsteen concert in Germany in the late 80s, I have no doubt this show will stay in my memory.

Note: The video clips were added to the post on April 11, 2020. All of the footage is from Springsteen’s three-show run at MetLife in August 2016, mostly from the August 30 gig I attended.

Sources: Wikipedia; Setlist.fm; YouTube