The Sunday Six

Celebrating music with six random songs at a time

It’s Sunday and we’ve made it through another week. This means the time has come for a new installment of The Sunday Six, my weekly recurring feature that randomly explores music, six tunes at a time.

Delvon Lamarr Organ Trio/Call You Mom

This week, I’d like to open the post with groovy instrumental music by Delvon Lamarr Organ Trio. Featuring Hammond B-3 organist Delvon Lamarr, guitarist Jimmy James and drummer Dan Weiss, the group blends organ jazz with funk and soul. I “found” and first covered them in February this year. Here’s an excerpt from their website for additional color: Delvon Lamarr Organ Trio—or as it is sometimes referred to, DLO3—specialize in the lost art of “feel good music.” The ingredients of this intoxicating cocktail include a big helping of the 1960s organ jazz stylings of Jimmy Smith and Baby Face Willette; a pinch of the snappy soul strut of Booker T. & The M.G.’s and The Meters; and sprinkles Motown, Stax Records, blues, and cosmic Jimi Hendrix-style guitar. It’s a soul-jazz concoction that goes straight to your heart and head makes your body break out in a sweat. To date, Delvon Lamarr Organ Trio have released three albums. Call You Mom, co-written by Lamarr (credited as Delvon Dumas) and James (credited as Jabrille Williams), is a track from their most recent one, I Told You So, which came out on January 19, 2021.

Sting & Shaggy/Just One Lifetime

Let’s stay on the groovy side with a reggae tune by Sting and Jamaican pop reggae fusion artist Shaggy. When I learned three years ago the two had teamed up for a collaboration album, 44/876 released in April 2018, I was a bit surprised at first. But given Sting’s versatility and previous reggae groove-influenced Police tunes like Roxanne and Walking On The Moon, it quickly made sense to me. Here’s Just One Lifetime, co-written by Sting, Shaggy (credited as Orville Burrell), Shane Hoosong, Shaun Pizzonia and Rohan Rankine. This is one seductive song that’s perfect for summer.

The Lovin’ Spoonful/Summer in the City

Speaking of summer, here’s one of my favorite summer tunes from the ’60s: Summer in the City by The Lovin’ Spoonful. It must have been 30 or 40 years ago when I first heard this song on the radio in Germany – most likely on an oldies show that aired on Sunday nights on my favorite station SWF3 (now SWR3). While I can’t recall the year, what I surely remember is that I loved this tune right away. Co-written by band members John Sebastian and Steve Boone, together with John’s brother Mark Sebastian, Summer in the City first appeared in July 1966 as the lead single of The Lovin’ Spoonful’s fourth studio album Hums of the Lovin’ Spoonful released in November of the same year. It became their biggest hit, topping the Billboard Hot 100 and the charts in Canada, surging to no. 3 in New Zealand, and reaching no. 8 in the UK. After disbanding in 1969 and a short reunion in 1979, founding members Joe Butler and Steve Boone revived the band with a new line-up in 1991. The Lovin’ Spoonful exist to this day, with Butler and Boone still being part of the current incarnation.

Katrina and the Waves/Walking on Sunshine

And since we’re in the middle of summer, let’s throw in another great tune associated with the season: Walking on Sunshine by Katrina and the Waves. Interestingly, the catchy song went unnoticed when it first appeared as the title track of their debut album in December 1983. Things changed dramatically with a re-recorded version that became the lead single of the band’s eponymous third studio album from March 1985. Walking on Sunshine turned out to be their biggest hit peaking at no. 9 and no. 8 in the U.S. and the UK, respectively. Chart success was even bigger in Ireland (no. 2), Canada (no. 3) and Australia (no. 4). I still remember the tune seemed everywhere on the radio in Germany at the time. Walking on Sunshine was written by Kimberley Rew, the group’s lead guitarist. After 10 albums Katrina and the Waves dissolved in 1999, following the departure of vocalist and rhythm guitarist Katrina Leskanich. This is one fun tune!

Yes/Roundabout

I’ve never gotten very much into prog rock, in part because I found some of it not very accessible. I can also get impatient with tracks that last six, seven or even more than eight minutes because of extended instrumental sections. One of the few exceptions are Yes. Initially, the British band entered my radar screen with Owner of a Lonely Heart, their hit single from October 1983, which of course sounds much more like ’80s pop rock than progressive rock. While I loved that tune right away, it took me some time to explore and fully warm to the band’s earlier output. And, to be fully transparent, my knowledge of their music is still quite spotty. Nowadays, one of my favorite Yes tunes is Roundabout, in all of its 8-minute-plus mighty! 🙂 Co-written by lead vocalist Jon Anderson and guitarist Steve Howe, the track appeared on the band’s fourth studio album Fragile from November 1971. Yes, who were inducted into the Rock and Roll Hall of Fame in April 2017, remain active to this day, with Howe as the only original member. In fact, just a few days ago, Yes announced a new studio album, The Quest, scheduled for October 1 – the first in seven years, as reported by Ultimate Classic Rock and other music news outlets.

Hurry/It’s Dangerous

Let’s wrap up things with some melodic contemporary indie rock by a band from Philadelphia I recently discovered as part of my Best of What’s New new music feature: It’s Dangerous by Hurry. The band originally started as a solo project by principal songwriter Matt Scottoline. Borrowing from my previous post, according to his Apple Music profile, Scottoline, the bassist of Philly EMO band Everyone Everywhere, spent his free time writing and recording songs on his own, delving further into power pop and ’90s guitar rock than his main band ever did…In 2012, he released an eight-song self-titled record under the Hurry name, playing all the instruments himself. When Everyone Everywhere began to cut back on their schedule in the early 2010s, Scottoline decided to form an actual band, recruiting drummer Rob DeCarolis and a rotating cadre of friends on bass to play live shows. In addition to Scottoline and DeCarolis, Hurry’s current line-up includes DeCarolis’ brother Joe DeCarolis (bass) and Justin Fox (guitar). It’s Dangerous, co-written by Scottoline and Chris Farren, is the opener of the band’s new album A Fake Idea released on June 25.

Sources: Wikipedia; Delvon Lamarr Organ Trio website; Ultimate Classic Rock; YouTube

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Best of What’s New

A selection of newly released music that caught my attention

After a week with record temperatures in my neck of the woods and other parts of the U.S., it looks like central New Jersey is getting a bit of a break for the weekend, though by Tuesday and Wednesday, the temperatures are supposed to hit the ’90s again. I can’t believe July has arrived. To me it feels like we’re already in the middle of summer. What does any of this have to do with newly released music? Nothing, so let’s get to this week’s Best of What’s New installment!

Tom Petty and the Heartbreakers/105 Degrees

Until I checked Apple Music for new releases this week, I had no idea about the “new” album by Tom Petty and the Heartbreakers. Released yesterday (July 2), Angel Dream: Songs From The Motion Picture “She’s The One“, is what Petty’s website called a “reimagined reissue” to honor the 25th anniversary of Songs and Music from the Motion Picture “She’s the One”, the band’s ninth studio album that originally appeared in August 1996. As reported by NME, the remixed and remastered reissue adds four previously unreleased tracks and includes an extended version of Supernatural Radio. It also removes several tunes from the Wildflowers sessions that were included in the Wildflowers & All the Rest collection from last year. Here’s the nice rocker 105 Degrees (I guess we just can’t escape the high temperatures! 🙂 ), one of the previously unreleased tracks written by Tom Petty and the album’s lead single.

Hurry/A Fake Idea

Hurry are an indie rock band from Philadelphia, originally started as a solo project by principal songwriter Matt Scottoline. According to his Apple Music profile, Scottoline, the bassist of Philly EMO band Everyone Everywhere, spent his free time writing and recording songs on his own, delving further into power pop and ’90s guitar rock than his main band ever did…In 2012, he released an eight-song self-titled record under the Hurry name, playing all the instruments himself. When Everyone Everywhere began to cut back on their schedule in the early 2010s, Scottoline decided to form an actual band, recruiting drummer Rob DeCarolis and a rotating cadre of friends on bass to play live shows. In addition to Scottoline and DeCarolis, the band’s current line-up includes DeCarolis’ brother Joe DeCarolis (bass) and Justin Fox (guitar). A Fake Idea is a melodic track from Hurry’s fourth and new studio album Fake Ideas that came out on June 25.

Joseph of Mercury/Pretenders

Joseph W. Salusbury, who performs as Joseph of Mercury, is a Canadian singer-songwriter and producer from Toronto. His profile on Apple Music notes he creates stylish, brooding pop that merges austere electronic habitats with emotive pop crooning. Initially making the rounds in 2013 under the name Joseph & the Mercurials, he scored a taste of success with the single “I Want What I Want.” Salusbury spent the next several years working behind the scenes, co-writing songs for artists like Majid Jordan and Illangelo, and racking up a number of production credits, all the while privately honing his own new material. Rebranded as Joseph of Mercury, he reemerged in February 2017 with “Without Words,” a song that unified his love of classic crooner pop and dreamy electronic-oriented production. Additional singles followed throughout the year, each building on this style. Pretenders is the opener of Mercury’s new EP Wave III released on June 25. Apparently, the groovy tune first appeared as a single on June 2019. Technically, this means it’s the EP that’s new, not the song, so I’m cheating a little bit here.

K.C. Jones/Beginnings and Ends

K.C. Jones is a singer-songwriter from Lafayette, La. According to her website, Jones’ influences include “everything from classic country to psychedelic rock to contemporary indie roots singer-songwriters.” Jones’ bio also acknowledges her love of late 60s/early 70s rock. Beginnings and Ends is the first track of Jones’ debut studio album Queen of the in Between, which came out on June 18. Her backing band is made up of musicians from the local Lafayette scene, featuring Chris Stafford (pedal steel, guitars, keys, vocals), Trey Boudreaux (bass) and Jim Kolacek (drums, percussion). The album was produced by Joel Savoy, a notable Cajun musician. Beginnings and Ends has a cool sound, which includes what the website calls a “signature psych-twang baritone guitar sound throughout, sprinklings of Hammond B3 organ, even fuzzed-out, garage rock-esque guitar lines” – I couldn’t have said it any better! 🙂

Sources: Wikipedia; Tom Petty website; NME; Apple Music; K.C. Jones website; YouTube