Christian’s Fourth of July Rock Playlist

While I never need a reason to listen to great music, I certainly don’t mind the idea to combine it with a special occasion. Today happens to be the Fourth of July, which undoubtedly means many folks will be hanging out with family and friends, eat burgers and other barbecued foods, and watch some fireworks. Perhaps with the exception of the latter, all of these activities are much more fun with music, in my humble and completely unbiased opinion.

Before we get to the enclosed playlist, I wanted to express my hope that all people celebrating Independence Day remember this country was built by immigrants, based on the principles of life, liberty and the pursuit of happiness, not hate, division and walls. And that’s all I have to say about that, to borrow a line from one of my all-time favorite motion pictures. Time to get to some music!

How to organize a playlist of random rock tunes I found in my music library? Well, how about alphabetically and kicking if off with some Abba? Just kidding! Here’s AC/DC with It’s A Long Way To The Top (If You Wanna Rock ‘n’ Roll. Co-written by Angus Young, Malcolm Young and Bon Scott, the track first appeared as a single in December 1975 and also became the opener to High Voltage, the Aussie rockers’ first internationally released album in April 1976. I suppose many people never looked at bagpipes the same way again. While the visual is a bit blurred, I just couldn’t resist to post the video version of the tune. Fasten your seat belts and let’s go!

What comes after “a”? Well, d’uh, “b”! Though don’t worry, I won’t go through the entire alphabet. But I didn’t want to skip Blue Öyster CultCities On Flame With Rock With Rock And Roll is from their eponymous debut album released in January 1972. I’ve always dug that song, which is credited to Albert Bouchard, Donald “Buck Dharma” Roeser and Sandy Pearlman. It also became the band’s first single.

I’m skipping “c” and jump ahead to “d”. It didn’t take long to figure which band to feature: Deep Purple.  I just love these guys and still believe they’re the ultimate hard rock band. And while Highway Star or Smoke On The Water may have been more obvious choices, I felt like going with Speed King, the opener to their fourth studio album Deep Purple In Rock from June 1970. Like all tracks on the record, the tune was credited to all members of the band at the time: Ritchie BlackmoreIan GillanRoger GloverJon Lord and Ian Paice – their best line-up, in my opinion.

Before Gary Moore started to focus on the blues, the Northern Irish guitarist was more of a straight rocker and in this case a hard rocker. Victims Of The Future is the title track of his fourth studio album that came out in December 1983. It was co-written by Moore, Neil Carter, Ian Paice and Neil Murray – and, yep, that’s Deep Purple drummer Ian Paice, which I didn’t know either until I read up on the tune. Once it kicks into high gear at around the one-minute mark, the track literally feels like fireworks going off!

Okay, I thought a rock playlist has to have some Jimi Hendrix. Given the occasion, Star Spangled Banner it is. And since this year marks the 50th anniversary of Woodstock, here’s Jimi’s legendary rendition from the festival.

Next up is a choice you may find a bit surprising: Carry On Wayward Son by Kansas. In my book, this tune off their fourth studio album Leftoverture from October 1976 features one of the coolest rock guitar riffs I know. Written by Kerry Livgren, the track also became the record’s lead single in November that year.

We’re up to “l” and that means Led Zeppelin. With so many great tunes from this band, the choice was tough. Whole Lotta Love is one hell of a song that includes one of the best Jimmy Page riffs, in my opinion. In addition to all members of the band, the opener to Led Zeppelin II is co-credited to Willie Dixon, since Zep “adapted” parts of Dixon’s 1962 tune You Need Love. Unfortunately, they didn’t give any love to Dixon when the album came out in October 1969. It took a lawsuit and settlement in 1985 to make this happen – not the only example where Zep obviously stole material from other artists. Maybe I’m a bit naive here, but I never got why they engaged in this kind of BS! Proper attribution wouldn’t have diminished them as one of rock’s greatest bands.

Rainbow, the band founded by Ritchie Blackmore in 1975, may not match Deep Purple, but they released some great music, especially during the initial phase with powerhouse lead vocalist Ronnie James Dio. Following is their best known tune, Long Live Rock ‘n’ Roll, the title track to the band’s third studio album from April 1978. Dio wrote all lyrics on the record, his last with Rainbow. Most of the music including for this song was penned by him and Blackmore.

As somebody who grew up in Germany, I felt I had to acknowledge what’s probably the most successful German rock band internationally: Scorpions. While I acknowledge their music has varied quite a bit over the decades, these guys have released some kickass rock. Here’s Loving You Sunday Morning, the opener to Lovedrive. According to Wikipedia, the band’s sixth studio album from January 1979 “cemented the “Scorpions formula” of hard rock songs combined with melodic ballads.” Lead vocalist Klaus Meine and drummer Herman Rarebell co-wrote the tune’s lyrics, while guitarist Rudolf Schenker came up with the music. Scorpions continue to rock to this day, more than 40 years on, with Meine and Schenker still being part of their line-up – amazing!

We’re up to the tenth and last tune. Let’s finish it with some early Van Halen, when they were still great: Runnin’ With The Devil, off their eponymous studio debut in February 1978. Like most of the record’s tracks, the song is credited to all members of the band at the time:  Eddie Van HalenAlex Van HalenDavid Lee Roth and Michael Anthony.

And that’s a wrap. Hope everybody who is celebrating it has a great Fourth of July. And please be safe and don’t do anything silly, such as drinking and driving!

Sources: Wikipedia, YouTube

My Playlist: Deep Purple

Deep Purple has been my favorite hard rock band pretty much since the time I started listening to music 40-plus years ago. When this morning Apple Music served up Machine Head, one of my longtime favorite albums, I listened to it again for what must have been the one millionth time or so – it just doesn’t get boring! While undoubtedly best known for Smoke On The Water, which features one of the most iconic guitar riffs in rock, and the kick ass Highway Star, the record has much more to offer than these two tracks. It gave me the inspiration to put together this post and playlist.

The origins of Deep Purple date back to 1967 when ex-Searchers drummer Chris Curtis envisaged forming a “supergroup” he wanted to call Roundabout. Jon Lord, a classically trained organ player, Nick Simper (bass) and Carlo Little (drums), who were all performing in the backing band for The Flower Pot Men, became Roundabout’s first members. The next to join was guitarist Ritchie Blackmore, after Simper and Little had suggested him.

Deep Purple Mark I
Deep Purple Mark I (left to right): Back: Blackmore, Lord & Simper; front: Paice & Evans

Following Curtis’ was firing due to drug-induced erratic behavior, Blackmore and Lord took over artistically and replaced Little with Bobby Woodman on drums. An extended search for a lead vocalist led to Rod Evans in March 1968, who brought along drummer Ian Paice. This forced Woodman out and completed the band’s lineup. Roundabout soon became Deep Purple, a name suggested by Blackmore. The so-called Mark I formation of Blackmore, Lord, Paice, Simper and Evans went into the studio to record the band’s debut album Shades Of Deep Purple. It was first released in the U.S. in July 1968, followed by the UK in September that year.

The Mark I lineup released two additional records: The Book Of Taliesyn (U.S.: October 1968; UK: June 1969) and Deep Purple (U.S.: September 1969). In June 1969, Evans and Simper were fired and replaced by Ian Gillan and Roger Glover, respectively. The beginning of the Mark II lineup brought a change from progressive-oriented rock to a heavier sound, and the band’s commercial breakthrough with their fourth studio album Deep Purple In Rock. Mark II, which is my favorite lineup, issued three more records: Fireball (July 1971); Machine Head (March 1972), which became the band’s most commercially successful record; and Who Do You Think We Are (January 1973).

Deep Purple_Machine Head Gatefold
Deep Purple: Machine Head (March 1972) Gatefold

Following Who Do You Think We Are, Deep Purple went through various additional lineup changes and an eight-year hiatus from 1976 to 1984. The members of the Mark II lineup reunited twice, from 1984 to 1989, and from 1992 to 1993. Deep Purple, which have been on The Long Goodbye Tour since May 2017, continue to rock to this day. Last month, they announced a 25-city North American co-headliner with heavy metal outfit Judas Priest, which will kick off August 21 in Cincinnati and wrap up on September 30 in Wheatland, Calif.

Paice remains the only founding member in Deep Purple’s present lineup (Mark VIII), which also includes Glover, Gillan, Steve Morse (guitar, since 1994) and Don Airey (keyboards, since 2001). The current formation has been in place since 2001, making it the band’s most stable lineup. To date, Deep Purple have released 20 studio albums, the most recent being Infinite from April 2017, as well as numerous live and compilation records. Time to get to the playlist!

While Shades Of Deep Purple is best known for Hush, a song I’ve always liked, I’ve decided to highlight a different track called And The Address. This cool instrumental, which was co-written by Blackmore and Lord, is the album’s opener.

Why Didn’t Rosemary is another great early Deep Purple tune from the Mark I lineup. It appeared on the band’s eponymous third studio record from June 1969 and was credited to all members. On this tune, I particularly dig Blackmore’s guitar playing and Lord’s work on the Hammond.

One of my favorite Deep Purple songs to this day is Black Night, the first single released by the Mark II lineup and the band’s second overall. It came out in June 1970 just a few days after Deep Purple In Rock had appeared. It’s puzzling to me that the tune wasn’t included on the album. Like all of the songs released by the Mark II lineup, it was credited to all members of the band. The tune became a major hit for Deep Purple, climbing to no. 2 on the UK charts – their highest peaking UK single to this day.

Speaking of Deep Purple In Rock, here is the epic Child In Time. To me Gillan’s singing and Lord’s keyboard work are the outstanding features of the tune. It gives me goosebumps every time I listen to it.

When it comes to Machine Head, I find it hard to pick a tune. Sure, Highway Star or Smoke On The Water would be obvious choices, and I certainly dig both of these songs – and tortured my poor parents playing along on the electric guitar as a teen – of course, with full distortion and the volume of my tiny home amp put to the max! But instead, I’d like to highlight Pictures Of Home. Why? Because I think Blackmore’s guitar riff is pretty cool, plus I dig Glover’s bass solo. I also like Paice’s intro. I think these are more than enough reasons.

Who Do You Think We Are was the final album of Mark II’s initial run. Here’s the great opener Woman From Tokyo – love that honky tonk piano solo starting at around 4:12 minutes.

Burn was Deep Purple’s eighth studio album and first of the Mark III formation featuring David Coverdale and Glenn Hughes on vocals and bass, respectively, replacing Gillan and Glover. Coverdale, who in 1978 became the lead singer of Whitesnake (and still is to this day after several departures and returns), is a fine rock vocalist but Gillan will always remain my favorite Deep Purple lead vocalist. Anyway, here is the album’s title track.

Perfect Strangers marked the triumphant return of Deep Purple after their 1976-1984 hiatus. It was also the first reunion of the Mark II lineup. Here’s the album’s title track. Portions of the instrumental parts are a bit reminiscent of Led Zeppelin’s Kashmir.

In my opinion, Perfect Strangers was the last great Deep Purple album. I still want to acknowledge some of the band’s music that followed. First up: the title track of their 14th studio record The Battle Rages On, which came out in July 1993. It was the first and only record released during the second reunion of the Mark II lineup. During the tour that followed in support of the album, Blackmore left the band for good.

For the last tune of this playlist I’d like to jump to Deep Purple’s most recent record Infinite. Here is the opener Time For Bedlam, which also became the album’s lead single. While clearly not being Machine Head caliber, it proves the band still knows how to kick ass. Airey and Morse do a fine job on keyboards and guitar, respectively.

Deep Purple have sold more than 100 million albums worldwide, making them one of the most commercially successful rock bands. In 2016, the band (Blackmore, Lord, Paice, Gillan, Glover, Coverdale, Evans and Hughes) was inducted into the Rock & Roll Hall of Fame. Among their other accolades is a listing in the 1975 Guinness Book of World Records as the “globe’s loudest band,” based on a 1972 concert at the Rainbow Theatre in London, England.

Sources: Wikipedia, Deep Purple official website, YouTube

 

In Appreciation of the Drummer

My top 10 favorite rock drummers, from Baker to Watts

I learned the guitar and also used to be a bass player. The first additional instrument I’d pick up if I had the time would be the drums – and, yes, also after soundproofing a room in my basement!

I’ve always been fascinated with the drums. I have a fairly good feel for rhythm and might actually be good at it – at least that’s what I’m telling myself! Since the drums and the bass form the core rhythm section of a rock band, I also think it would make sense for me to learn the drums next.

But this post is not about my crazy drumming dreams. It’s about professional drummers who are masters of their craft. More specifically, it’s about drummers playing rock, blues, soul and pop, which are the genres I’m most familiar with. Undoubtedly, there must be incredible jazz drummers out there, but since I essentially don’t know jazz, I’m purposely leaving them out.

Here are some of the drummers I find pretty cool, in alphabetical order.

Ginger Baker

Best known as the founder of power rock trio Cream, Ginger Baker is widely considered to be one of the most influential rock drummers and a pioneer in jazz fusion, heavy metal and world music. Born Peter Edward Baker, he began playing the drums at the age of 15. He met bassist Jack Bruce and infamously started clashing with him for much of the time ever since when he joined Alexis Korner’s Blues Incorporated. Despite their clashes, Baker and Bruce continued playing together in the Graham Bond Organization and, of course, in Cream, which they co-founded with Eric Clapton in 1966. After briefly playing with Clapton in Blind Faith and heading his own band Ginger Baker’s Air Force, Baker lived and recorded for several years in Africa. In the mid-70s, he co-headed the Baker Gurvitz Army, a hard rock band. He has also recorded 18 solo albums throughout his career, starting in the early 1970s, and collaborated with various other artists, including Gary Moore. Here is a clip of Cream instrumental Toad from one of the band’s 2011 reunion shows at London’s Royal Albert Hall, featuring an extended drum solo.

Cindy Blackman

The inclusion of Cindy Blackman in my list is solely based on the fact that she is a kick-ass drummer. That being said, how many high-profile non-white female drummers do you know? When I saw a clip of Blackman sometime ago, playing live with Lenny Kravitz, I was truly blown away by her furious drumming. Before becoming part of his live band in 1993, Blackman had focused on jazz. She returned to her roots when she left Kravitz’s touring band in 2004. Blackman joined forces with Kravitz again in 2014 to support the tour for his 10th studio album Strut. In 2010, she got involved with another well-known guitarist, Carlos Santana, and got married to him in December that year. Currently, Blackman, now Cindy Blackman Santana, is part of his touring band and also appears on Power of Peace, Santana’s just-released collaboration album with The Isley Brothers. Here is an awesome clip of Blackman’s live days with Kravitz. The entire band is absolutely killing it.

John Bonham

Modern Drummer magazine and others have called John Bonham the best rock drummer of all time. He is also no. 1 in Rolling Stone’s 100 Greatest Drummers of All Time list. While I’m not sure it’s possible to determine the best drummer, I think Bonham’s drumming on Stairway to Heaven is one of the coolest drum parts in rock music I know. According to Wikipedia, Bonham was self-taught and began playing when he was five years old, using containers and coffee tins. He would imitate his idols Max Roach, Gene Krupa and Buddy Rich. At the age of 15, he received his first drum set and started playing in bands only a couple of years thereafter. In 1966, Bonham met Robert Plant when joining a blues group called Crawling King Snakes. When Plant formed Band of Joy in 1967, he chose Bonham as the drummer. After the breakup of the Yardbirds in 1968, guitarist Jimmy Page was putting together another band and recruited Plant who brought in Bonham. Bassist and keyboarder John Paul Jones completed the line-up of the band that soon thereafter became Led Zeppelin. After Bonham’s untimely death in September 1980 at age 32, the band decided to disband. Here is a clip of Stairway to Heaven from 1975.

Sheila E.

Born Sheila Escovedo, Mexican-American percussionist, drummer, singer, author and actress Sheila E. was influenced and inspired by her musical family since her early childhood. Since the late 60s, her father Pete Escovedo, a percussionist, was influential in the Latin music scene, touring with Santana from 1967 to 1970. Her uncles were musicians as well, and her godfather was none other than Tito Puente. Already at the age of 5, E. gave her first live performance. By her early 20s, she had already played with the likes of George Duke, Marvin Gaye and Herbie Hancock. In 1978, she met Prince and worked with him until 1989. Meanwhile, she also launched her own solo career in 1984 with her debut album The Glamorous Life. E. reunited with Prince several times and also worked with many other artists, including Ringo Starr, performing with his All-Starr Band in 2001, 2003 and 2006. Her most recent release in June 2016 was Girl Meets Boy, a song in honor of Prince. Here is a clip of E. showcasing her drum skills during and appearance on David Letterman in 2011.

Al Jackson Jr.

As a founding member of Stax Records‘ session band Booker T. & the M.G.’s, Al Jackson Jr. performed on countless classics produced by the legendary soul, blues and jazz label, such as Sam & Dave, Otis Redding, Wilson Pickett and Albert King. He was known as “The Human Timekeeper” for his drumming ability. Jackson started playing the drums at an early age and began performing in his father’s jazz dance band when he was just five years old. Later, he played in the band of trumpeter Willie Mitchell, where he met Booker T. Jones who convinced him to come to Stax. Booker T. & M.G.’s were formed in 1962. In addition to backing up the label’s artists in the studio and working on Booker T. & the M.G.’s own music, Jackson co-wrote many Stax hits, such as Otis Redding’s Respect and Al Green’s Let’s Stay Together. Additionally, he worked as a session drummer outside of Stax with artists, such as Eric Clapton, Rod Stewart and Bill Withers. On October 1, 1975, Jackson was shot to death by a home intruder. He was only 39 years old. Jackson was inducted in the Memphis Music Hall of Fame in 2015 and ranked No. 9 in Rolling Stone’s 100 Greatest Drummers of All Time. Sam Moore of Sam & Dave had this to say about Jackson: “I put him in the same bag with Ray Charles or Billy Preston, in a class all his own.” Following is a cool clip of Sam & Dave’s Hold On I’m Coming, featuring Jackson as part of Booker T. & the M.G.’s.

Keith Moon

I think it’s safe to say there is no other drummer like Keith Moon and perhaps never will be. According to Drum! magazine, “His drumming style was tribal, primitive, and impulsive, with him often stomping the bass drums and pounding his wall of toms like a madman. Yet his drumming was often surprising and always made an impression.” I think the following quote in Rolling Stone from Ahmir Khalib Thompson, aka Questlove – the drummer and joint frontman of The Roots, sums it up nicely: “Often drummers are supposed to be the line on the paper where you write the sentence, but Keith Moon is the exclamation point.” Perhaps no other tune by The Who illustrates Moon’s raw energy better than My Generation – and Pete Townshend’s! Here’s an awesome clip.

Ian Paice

Ian Paice is best known as the drummer of Deep Purple. In fact, he is the only member of the band who played on each of their albums. After Deep Purple disbanded in 1976, Paice formed a supergroup called Paice Ashton Lord. From August 1979 to January 1982, he played in Whitesnake and then in Gary Moore’s band. In April 1984, he rejoined Deep Purple and remains with the band to this day. Pictures Of Home from 1972’s Machine Head album features on of my favorite Paice drum parts. It also happens to include a terrific bass solo by Roger Glover.

Jeff Porcaro

In addition to being the drummer of Toto from the band’s inception in 1977 until his death in 1992, Jeff Porcaro was one of the most sought-after session drummers. Pocaro took up the drums when he was seven years old. He received lessons from his father Joe Porcaro, a jazz drummer, and later from Robert Zimmitti and Richie Lepore. At 17, Porcaro got his first professional engagement with Sonny & Cher’s touring band. He has also collaborated with numerous other artists, such as Paul McCartney, Dire Straits, Steely Dan, Michael Jackson and Elton John, to name a few. Porcaro died from a heart attack at age 38 in August 1992. Here is a 1982 clip of Toto performing Rosanna, one of their biggest hits. It features Porcaro’s so-called “half-time shuffle groove,” a beat he explained to Drum! magazine he created by combining Bernard Purdie’s shuffle on Steely Dan songs Babylon Sister and Home Alone with John Bonham’s groove on Fool In the Rain.

Ringo Starr

While Ringo Starr may not be the first who comes to mind when thinking about The Beatles and got less attention than some of his ’60s compatriots like Keith Moon or the Jimi Hendrix Experience’s Mitch Mitchell, he has received accolades from may other drummers. Prior to joining The Beatles in 1962, Starr had played in Rory Storm and The Hurricanes, which had become one of Liverpool’s leading bands in early 1960. After the break-up of The Beatles in early 1970, Starr launched a solo career, which to date has included 18 studio albums. In 1989, he put together a live rock supergroup called The All-Starr Band, which has since consistently toured with various line-ups. Starr’s 19th solo album Give More Love is scheduled for September 15 and will be supported with a tour by the All-Starr Band starting in October. In 2015, Starr became the last Beatle to be included as a solo artist in the Rock & Roll Hall of Fame. He is ranked no. 14 in Rolling Stone’s 100 Greatest Drummers of All Time. The accompanying write-up quotes Dave Grohl who said, “Ringo was the king of feel.”  In Modern Drummer, Jim Keltner called Ringo “the epitome of a feel-good drummer, with just the right amount of chops needed!” According to Wikipedia, Journey’s Steve Smith said, “His parts are so signature to the songs that you can listen to a Ringo drum part without the rest of the music and still identify the song.” A drum part frequently mentioned by other drummers is A Day In the Life from the Sgt. Pepper album. Here’s a clip.

Charlie Watts

Charlie Watts received his first drum set from his parents in 1955 at the age of 14. At the time, he was into jazz and practiced the drums listing to jazz records. In the late 50s, he joined a local jazz band, together with his neighbor and friend Dave Green, who went on to become a jazz bass player. In 1961, Alexis Korner invited Watts to join his band Blues Incorporated. Watts met Brian Jones, Ian “Stu” Stewart, Mick Jagger and Keith Richards the following year. But it wasn’t until January 1963 that he agreed to join The Rolling Stones. In addition to recording music with the Stones ever since, Watts has also released various jazz albums since the 80s. According to Rolling Stone, drum compatriot Jim Keltner told Drum! magazine, “Charlie can rush like mad and still make it feel great. That’s his style…He can’t explain it and I don’t necessarily like going into too much detail with him about it. I just marvel at it.” Here’s a cool clip of Get Off My Cloud, captured in 2012 from the Stones’ 50th anniversary show.

Sources: Wikipedia, Modern Drummer, Rolling Stone, Modern Drummer, Drum!, Sheila E. website, YouTube