What I’ve Been Listening To: The J. Geils Band/The J. Geils Band

Ultimate party band’s studio debut went largely unnoticed

At first sight it’s somewhat puzzling. When The J. Geils Band released their eponymous studio debut in November 1970, they already had established themselves as a dynamic live act opening shows all around the country for top-notch artists like B.B. King, Johnny Winter and The Allman Brothers Band. Yet this dynamite album went largely unnoticed, barely making the Billboard 200 at no. 195, and not charting at all in other countries.

I was reminded how great this record is when Apple Music served it up to me as a listening suggestion. I also think this observation from their bio of the band is spot on: While their muscular sound and the hyper jive of frontman Peter Wolf packed arenas across America, it only rarely earned them hit singles. Seth Justman, the group’s main songwriter, could turn out catchy R&B-based rockers like “Give It To Me” and “Must Of Got Lost,” but these hits never led to stardom, primarily because the group had trouble capturing the energy of its live sound in the studio.

J. Geils Band 1970
The J. Geils Band (promotional photo from 1970)

The J. Geils Band started out as an acoustic blues trio in the mid-’60s, calling themselves Snoopy and the Sopwith Camels (clearly a ’60s name!) and consisting of J. Geils (guitar), Danny Klein (bass) and Richard Salwitz, known as “Magic Dick” (harmonica). In 1968, the band adopted an electric sound, hired Stephen Bladd (drums) and Peter Wolf (vocals), and became The J. Geils Blues Band. They completed their line-up when Seth Justman (keyboards) joined later that year. By the time they signed with Atlantic Records in 1970, the band had dropped “Blues” from their name and become The J. Geils Band.

Time for some music. Here’s the great opener Wait. One of the album’s five original tunes, it was co-written by Justman and Wolf.

Next up: Icebreaker (For The Big “M”), an excellent instrumental composed by Geils. Check out the cool guitar and harmonica harmony playing. This tune is cooking, even without Wolf’s vocals!

Hard Drivin’ Man is another terrific original track. It was co-written by Wolf and Geils.

I’d like to conclude this post with two covers by The J. Geils Band I’ve always liked. The first is called Homework, a tune co-written by Otis Rush, Al Perkins and Dave Clark. I believe the song was first recorded and released as a single in 1965 by Perkins and soul singer Betty Bibbs.

Last but not least, here’s First I Look At The Purse. Initially recorded by Motown act The Contours in 1965, the tune was co-written by Smokey Robinson and Bobby Rogers. It’s perhaps the example on the album, which best illustrates the above observation from the Apple Music bio. While it’s a great take, it feels a bit timid compared to the live version that can be found on the excellent Live Full House album from September 1972.

The J. Geils Band would go and record 10 additional studio albums and three live records, and release various compilations. Only one of their ’70s studio records, Bloodshot, charted in the top 10 on the Billboard 200 at no. 10. Ironically, shortly after the band finally hit commercial success with Freeze-Frame from October 1981, fueled by the singles Centerfold and the title track, The J. Geils Band started to fall apart.

Peter Wolf left in 1983. The band released one more album in October 1984, You’re Gettin’ Even While I’m Gettin’ Odd, and called it quits the following year. The J. Geils Band has since reunited for various tours. In 2012, J. Geils who after the 1985 breakup had gotten into auto racing and restoration, sewed the other band members, charging they had planned a tour without him. He quit permanently thereafter and sadly passed away in April 2017 at the age of 71.

Sources: Wikipedia, Apple Music, YouTube