Song Musings

What you always wanted to know about that tune

Happy Wednesday and I’d like to welcome you to another installment of Song Musings, in which I take a closer look at a tune I’ve only mentioned in passing or not covered at all to date. This week, my pick is Shape of My Heart by Sting, a gem off his fourth studio album Ten Summoner’s Tales. And guess what, today happens to be the 30th anniversary of that very album, which I feel is Sting’s artistic Mount Rushmore. A dear friend reminded me of the anniversary last week after I had earmarked the tune for today’s post – so, yes, I suppose the stars were aligned!

Co-written by guitarist Dominic Miller and Sting (credited with his birthname Gordon Sumner), Shape of My Heart first appeared as the 10th track on Ten Summoner’s Tales. Five months later, on August 23, 1993, it was also released separately as the album’s fifth single. While unlike If I Ever Lose My Faith In You and Fields of Gold, the album’s first and fourth singles, respectively, Shape of My Heart didn’t gain much traction in the charts, Wikipedia notes the tune has become a “pop classic” and one of the songs that are most closely associated with Sting’s solo career.

The official music video for Shape of My Heart (see below), filmed at Sting’s lake house in Wiltshire, southern England, was directed by Doug Nichol. Apart from Sting, the American filmmaker and video director also worked with the likes of David Bowie, Billy Joel, Bruce Springsteen and U2 and was the director of photography on Madonna’s 1991 documentary Truth or Dare. Nichol won the 1994 Grammy Award for Best Long Form Music Video for Ten Summoner’s Tales.

Upon its release as a single, Shape of My Heart reached an underwhelming no. 57 on the UK Official Singles Chart. In Canada, it did somewhat better, climbing to no. 44. Elsewhere, including the U.S., Australia and various European countries other than the UK, the single didn’t chart at all. I find that a bit mind-boggling. Perhaps, audiences felt it was too mellow!

When it comes to the album, fortunately, the picture looks very different. Ten Summoner’s Tales topped the Austrian charts, reached no. 2 in the UK, the U.S., France and Germany, no. 3 in Norway and Switzerland, and no. 5 in The Netherlands, among others. It also became one of Sting’s best-selling albums, gaining 3x and 2x Platinum certifications in the U.S. and the UK, respectively, as well as Platinum status in each Australia, Canada, Spain and Switzerland. The album was also nominated for multiple awards in the U.S. and UK, and won three Grammy Awards and one Brit Award.

Following are additional insights from Songfacts:

Sting talked about “Shape Of My Heart” in a 1993 promotional interview: “I wanted to write about a card player, a gambler who gambles not to win but to try and figure out something; to figure out some kind of mystical logic in luck, or chance; some kind of scientific, almost religious law. So this guy’s a philosopher, he’s not playing for respect and he’s not playing for money, he’s just trying to figure out the law – there has to be some logic to it. He’s a poker player so it’s not easy for him to express his emotions, in fact he doesn’t express anything, he has a mask, and it’s just one mask and it never changes.”

This is one of the rare songs that is co-written by Sting’s longtime guitarist, Dominic Miller. In Lyrics By Sting, the singer remembered Miller bringing him the “beautiful guitar riff” and going for a walk along the riverbank and through the woods to figure out the lyrics. “When I got back, the whole song was written in my head. Dominic now thinks that I find lyrics under a rock somewhere… He could, of course, be right,” Sting wrote.

This song was edited into the end of the 1994 movie Leon: The Professional.

Both the Sugababes and Craig David sampled this and had hit singles with it in 2003 in the UK. The Sugababes’ “Shape” made #11, and Craig David’s “Rise And Fall” made #2. On the latter, Sting even made an appearance in the video and performed the track with Craig David on live music shows.

15 years later, US rapper Juice WRLD had a worldwide hit with “Lucid Dreams (Forget Me)”, which also makes major use of this track.

Renowned harmonica player Larry Adler played on this song. Before collaborating with popular musicians like Sting, Elton John and Kate Bush in his later career, Adler worked with composers like George Gershwin, Ralph Vaughan Williams, and Darius Milhaud – many of whom composed works specifically for him. Unfortunately, he would be blacklisted during the anti-Communist crusade led by Senator Joe McCarthy in the ’50s.

This was featured on the TV crime drama Hustle in the 2011 episode “The Delivery.”

Miller was just warming up his fingers by playing Chopin-style chords on the guitar when he happened to catch Sting’s ear. He explained in a 2018 interview at Jazzklub Divino in Denmark: “I was just playing that in front of the fireplace at Sting’s house in England and he said, ‘What’s that?’ ‘Oh, it’s nothing, it’s just a little movement.’ He said, ‘That’s a song.’ I went, ‘Really? Are you kidding me?’ Then ten minutes later we went into the studio – ’cause we were at his studio anyway in his lake house – and we put a drum machine up, just the two of us. And then he went out in the garden for a walk and he came back with those lyrics. And so we recorded it! It was just an acoustic guitar and it was finished in one day – it was written in one day and recorded.”

He continued: “It’s one of those nice moments that happen in your life when things just fall on top of each other naturally, like nature. It’s not always like that… Sting’s genius with lyrics made it into a very, very ambiguous kind of narrative, which really goes well with that kind of arpeggio, with those Chopin-esque chords, you know? That Chopin-esque harmony kind of lends itself to those kind of lyrics, with Sting’s timbre of his voice and the sound of my guitar and just a little bit of a groove. It was the perfect storm.”

Sources: Wikipedia; Songfact; YouTube

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The Sunday Six

Celebrating music with six random tracks at a time

Happy Sunday morning, afternoon, or evening, wherever you are! Are you ready to embark on another excursion into the great world of music? Six tunes at a time? I am and hope you’ll join me!

Oscar Peterson Trio/Got It Bad (And That Ain’t Good)

There’s just something about jazz and Sunday mornings, which makes them a perfect match. Chances are you’ve heard of Oscar Peterson, even if you’re like me, meaning you’re not a jazz expert. In my case, I believe it was at my brother-in-law’s place where I first encountered the Canadian jazz pianist many moons ago. Over a 60-year-plus active career spanning the years 1945-2007, Peterson released more than 200 recordings and received many honors and awards, including seven Grammys, among others. None other than Duke Ellington called Peterson the “Maharaja of the keyboard.” Evidently, the admiration was mutual. Here’s I Got It Bad (And That Ain’t Good), originally released in 1942, with music by Sir Duke and lyrics by Paul Francis Webster. Ellington covered the tune on an album titled Night Train, which appeared in 1963 as the Duke Ellington Trio. He was backed by Ray Brown (double bass) and Ed Thigpen (drums).

Sting/If I Ever Lose My Faith In You

Next, let’s travel to May 1993 and another great artist who I trust needs no introduction: Sting. Born Gordon Matthew Thomas Sumner, the British musician and actor first gained prominence as the frontman, songwriter and bassist of The Police. By the time the group played their last gig in June 1986 prior to their break-up, Sting had already launched his solo career with the album The Dream of the Blue Turtles from June 1985. My pick is from his fourth solo effort, Ten Summoner’s Tales, which I think is his Mount Rushmore: If I Ever Lose My Faith In You. Sting remains active to this day and in November 2021 released his 15th solo album The Bridge. He’s currently on the road for what looks like a fairly extensive international “My Songs” tour, which includes the U.S. and Europe. The schedule is here.

David Bowie/Rebel Rebel

While David Bowie was a pretty versatile artist, I’ve always been particularly drawn to his glam rock-oriented phase. You give me the Ziggy Stardust album any day, and I’m a happy camper! By the time Bowie released his eighth studio album Diamond Dogs in May 1974, his glam rock phase was largely over. His backing band The Spiders From Mars had disbanded. Mick Ronson’s absence prompted Bowie to take over guitar duties himself. On Rebel Rebel, he proved that worked out quite well!…Rebel, rebel, you’ve torn your dress/Rebel, rebel, your face is a mess/Rebel, rebel, how could they know?/Hot tramp, I love you so!

Patricia Bahia/Hold On

Our next stop takes us to the present with a compelling tune by a contemporary artist you may not have heard of: Patricia Bahia. I had not been aware of this Los Angeles-based singer-songwriter myself until recently. From her website: An award-winning songwriter, singer, cancer survivor, and coach, Patricia Bahia (pronounced bah-HEE-yah) is a multi-dimensional artist and songwriter-in-service who lives her bucket list and helps others to do the same. “Though I was always a singer, I didn’t write my first song until after receiving a cancer diagnosis in 2003. I’d spent my life doing what was expected of me, pursuing a career as a lawyer, living out someone else’s dream, while secretly harboring a dream of writing songs.”…Patricia encourages others to follow their own dreams, saying, “I am living proof that it is never too late to start living your dream. My mission is to spread love, healing, joy, and peace through the power of words and music, and to inspire others to follow their own dreams.” Here’s Hold On, a beautiful and powerful song Bahia released in September 2021.

John Cafferty & The Beaver Brown Band/On the Dark Side

Time to throw in some ’80s music. This next pick is from the soundtrack of the 1983 American musical drama picture Eddie and the Cruisers. The tale about the mysterious disappearance of cult rock star Eddie Wilson and his group Eddie and the Cruisers featured music by John Cafferty & The Beaver Brown Band, a group from Rhode Island that had started out as a bar band in 1972. The soundtrack, most of which was written by Cafferty and his band, gave them their international breakthrough. Despite some success with a self-released single in 1980, they were largely ignored by major record labels due to frequent critical comparisons of their music to Bruce Springsteen & The E Street Band. When listening to On the Dark Side, the similarities are obvious. The tune sounds like a blend of Springsteen and John Mellencamp’s R.O.C.K. in the U.S.A. That being said, On the Dark Side preceded Mellencamp’s hit by two years! In any case, it’s a cool song, and the Springsteen flavor doesn’t bother me at all!

Jefferson Airplane/Somebody to Love

Let’s take off one last time for today and go back to February 1967 and Surrealistic Pillow, the sophomore album by Jefferson Airplane. At that time, they had been around for approximately two years and released their debut Jefferson Airplane Takes Off in August 1966. While that record made the U.S. charts, climbing to no. 128, it was Surrealistic Pillow that actually made them take off. It also was Airplane’s first record with vocalist Grace Slick and drummer Spencer Dryden, who together with Jorma Kaukonen (lead guitar, vocals), Marty Balin (rhythm guitar, vocals), Paul Kantner (rhythm guitar, vocals) and Jack Casady (bass) completed their line-up at the time. The album’s second single Somebody to Love became the band’s biggest U.S. hit, surging to no. 5 on the pop chart. Penned by Darby Slick, Grace’s brother-in-law and originally titled Someone to Love, the tune first had been released by Darby’s band The Great Society in February 1966. At that same time, Grace was a member of the group as well and also sang lead on the original recording.

Last but not least, here’s a Spotify playlist of the above tracks. Hope you enjoyed today’s trip! The journey shall continue next Sunday!

Sources: Wikipedia; Sting website; Patricia Bahia website; YouTube; Spotify