A playlist of the singer-songwriter’s tunes covered by other artists
Lately, I’ve been getting more into John Hiatt’s music. Last week, when writing about his excellent ninth studio album Slow Turning, I noted many other artists have covered the singer-songwriter’s tunes over the decades. The man is a true goldmine! This triggered the idea for this post to look at great renditions of Hiatt songs, some of which ended up becoming hits, unlike his originals. For each pick, I’m going to feature both a cover and Hiatt’s original version. I’m also adding a playlist at the end with additional covers and originals.
B.B. King & Eric Clapton/Riding with the King
In 2000, B.B. King and Eric Clapton teamed up for a collaboration album. They cleverly named it Riding with the King, after the title track of Hiatt’s sixth studio release from 1983. Released in June 2000, King’s and Clapton’s record hit no. 1 on Billboard’sTop Blues Albums chart and won the 2000 Grammy Award for Best Traditional Blues Album.
Bob Dylan/The Usual
Here’s a terrific Bob Dylan cover of The Usual. This is from a soundtrack of the 1987 American motion picture Hearts of Fire, in which Dylan also co-starred, alongside Fiona Flanagan and Rupert Everett. I love the soulful vibe of this version! Hiatt recorded the original for his seventh studio album Warming Up to the Ice Age that appeared in January 1985. George Thorogood and the Destroyers also did a nice cover of The Usual on their 10th studio album Rockin’ My Life Away released in March 1997. Since I couldn’t find Dylan’s rendition in Spotify, I included Thorogood’s cover in the below playlist instead.
Bonnie Raitt/Thing Called Love
I suppose one of the best-known John Hiatt renditions is Thing Called Love by Bonnie Raitt. She included the tune on her tenth studio album Nick of Time from March 1989, which after years of personal and professional struggles finally gave her commercial breakthrough and her first no. 1 album in the U.S. on the Billboard 200. The song’s official video featured a flirtatious Dennis Quaid. Bonnie did not seem to mind! I was actually surprised to see the song didn’t make the Billboard Hot 100, though it reached no. 11 on the Mainstream Rock chart. Hiatt included that tune on Bring the Family, his eighth studio record that appeared in May 1987.
Delbert McClinton/Have a Little Faith in Me
Have a Little Faith in Me is one of the most beautiful John Hiatt songs I know. Like Thing Called Love, it appeared on Bring the Family. Delbert McClinton included a great cover on his studio album from April 1992, titled Never Been Rocked Enough. This is just neat!
Emmylou Harris/Icy Blue Heart
The last tune I’d like to highlight in this post is Icy Blue Heart, a powerful track off Hiatt’s above noted Slow Turning album from August 1988. Emmylou Harris recorded a beautiful cover for her 15th studio album Bluebird released in January 1989. It features Bonnie Raitt on background vocals – what an amazing pairing! Frankly, Harris’ angelic voice can make me well up. I also love how her vocals bend with Bonnie’s. This is just stunning!
The below playlist includes some additional Hiatt covers by Aaron Neville (It Feels Like Rain), Iggy Pop (Something Wild), Linda Ronstadt (When We Ran), Willie Nelson (The Most Unoriginal Sin) and Jimmy Buffett (The Tiki Bar is Open). Hope you enjoy it as much, as I did putting together this post and playlist. And, as always, feel free to comment, especially if I missed your favorite John Hiatt cover!
After a longer pause, it’s time again for another installment of my irregular feature where I explore what happened on an arbitrarily picked date throughout rock history. The only rule I have it that it must reflect my music taste and be a date I haven’t covered yet. The good news is I got plenty of choices left, including October 14, so without further ado, let’s get to it!
1957:The Everly Brothers hit no. 1 in the U.S. on the Billboard Hot 100 with Wake Up Little Susie. Written by husband-and-wife country and pop songwriting duo Felice Bryant (born Matilda Genevieve Scaduto) and Diadorius Boudleaux Bryant, the tune became the first of three no. 1 songs Don Everly and Phil Everly scored on the mainstream charts. The Bryants also wrote Bye Bye Love, the previous single by The Everly Brothers, as well as numerous of their other hits. Wake Up Little Susie reached the top of the Billboard country and R&B charts as well, and was included on The Everly Brothers’ 1958 eponymous debut album. It was the first song by them I heard in my early teens when I was still pretty much adoring Elvis Presley. While in my mind back then nobody could ever match Elvis when it came to rock & roll, The Everly Brothers quickly earned my respect.
1967: Of course, no music history post can be without The Beatles or related topics. In this case, it’s an artist who managed to knock out The Fab Four from the top of the charts. The great Bobbie Gentrie, who later became a woman of mystery, hit no. 1 in the U.S. on the Billboard 200 with her debut album Ode to Billie Joe, ending the 15-week reign of The Beatles with Sgt. Pepper’s Lonely Hearts Club Band. According to Wikipedia, it was the only record that managed to displace Sgt. Pepper from the top spot. Released on August 21 that year, Gentry’s debut album had been quickly assembled following her successful single with the same title. This is such a great tune!
1968: Next let’s turn to The Beatles themselves to see what they were up to. The year was 1968 and the location was Studio 2 at EMI Studies, Abbey Road, London. John, Paul and George were working on eight songs for the White Album – of course, The Beatles Bible had to count them all! The ultimate record of Beatles truth further notes Ringo Starr had left for a two-week family vacation to Sardinia and as such was absent. In fact, he had no further involvement in the album’s mixing and sequencing. The recording session saw the completion of work on one the tunes: Savoy Truffle, a song by George Harrison, which had been inspired by Eric Clapton. Eric has “got this real sweet tooth and he’d just had his mouth worked on,” Harrison explained. “His dentist said he was through with candy. So as a tribute I wrote, ‘You’ll have to have them all pulled out after the Savoy Truffle’. George’s sense of humor could be peculiar!
1971:Specialty Records, the company that held the rights to Little Richard’s songs, sued John Fogerty, charging the Creedence Clearwater Revival song Travelin’ Band plagiarized Richard’s Good Golly, Miss Molly. Here’s Richard’s tune. The CCR track is below. Great gosh a’mighty, if this is plagiarism, then pretty much all classic rock & roll songs are! I feel this is very different from Zep’s rip-off of Spirit’sTaurus or the similarity between George Harrison’sMy Sweet Lord and The Chiffons’ record of He’s So Fine. Eventually, the case was settled out of court. Travelin’ Band first appeared in January 1970 as the B-side to Who’ll Stop the Rain, the lead single of CCR’s fifth studio album Cosmo’s Factory released in July of the same year.
1977:David Bowie released his 12th studio album Heroes. The second installment of Bowie’s so-called Berlin Trilogy only came nine months after predecessor Low. The third album in the series, Lodger, would appear in May 1979. Bowie recorded all three albums in West Berlin, Germany, in collaboration with Brian Eno and co-producer Tony Visconti. Bowie was quite busy in 1977. The making of Heroes followed his participation as keyboarder during a tour of his friend Iggy Pop and co-producing Pop’s second studio album Lust for Life. Heroes incorporated elements of art rock and experimental rock, and built on Low’s electronic and ambient approaches. In general, I’m more fond of Bowie’s late ’60s and glam rock period. That being said, I always liked the album’s title track that was co-written by Bowie and Eno. The record did pretty well in the charts, reaching no. 3 in the UK, the top 20 in various other European countries, no. 6 in Australia and no. 35 in the U.S. – overall largely matching the performance of Low.
1983: Let’s finish this little history post with another album release: She’s So Unusual, the solo debut by Cyndi Lauper. The record became a huge chart success and Lauper’s best-selling album with more than 16 million units sold worldwide as of 2008. It certainly was welcome news for Lauper who only a few years earlier had found herself forced to file for bankruptcy, a fallout from the aftermath of her previous band Blue Angel, a failed debut album and a lawsuit the band’s manager Steven Massarsky had brought against her and the band. Beware of hiring a lawyer as your manager! She’s So Unusual yielded several hit singles. Here’s the most successful and my favorite, Time After Time, co-written by Lauper and Rob Hyman who is best know as a founding member of American band The Hooters. The tune topped the mainstream charts in the U.S. and Canada, climbed to no. 3 in New Zealand, reached no. 5 in Australia, and became a top 10 hit in various European countries, including Austria (no. 6), Ireland (no. 2), France (no. 9), Germany (no. 6), The Netherlands (no. 8) and the UK (no. 3).
Sources: Wikipedia; Songfacts Music History Calendar; This Day in Rock; The Beatles Bible; YouTube
The Sunday Six has become my favorite recurring feature of the blog. Highlighting six tunes from any genre and any time gives me plenty of flexibility. I think this has led to pretty diverse sets of tracks, which I like. There’s really only one self-imposed condition: I have to truly dig the music I include in these posts. With that being said, let’s get to this week’s picks.
Lonnie Smith/Lonnie’s Blues
Let’s get in the mood with some sweet Hammond B-3 organ-driven jazz by Lonnie Smith. If you’re a jazz expert, I imagine you’re aware of the man who at some point decided to add a Dr. title to his name and start wearing a traditional Sikh turban. Until Friday when I spotted the new album by now 78-year-old Dr. Lonnie Smith, I hadn’t heard of him. If you missed it and are curious, I included a tune featuring Iggy Pop in yesterday’s Best of What’s Newinstallment. Smith initially gained popularity in the mid-60s as a member of the George Benson Quartet. In 1967, he released Finger Lickin’ Good Soul Organ, the first album under his name, which then still was Lonnie Smith. Altogether, he has appeared on more than 70 records as a leader or a sideman, and played with numerous other prominent jazz artists who in addition to Benson included the likes of Lou Donaldson, Lee Morgan, King Curtis, Terry Bradds, Joey DeFrancesco and Norah Jones. Here’s Lonnie’s Blues, an original from his above mentioned solo debut. Among the musicians on the album were guitarist George Benson and baritone sax player Ronnie Cuber, both members of the Benson quartet. The record was produced by heavyweight John Hammond, who has worked with Bob Dylan, Bruce Springsteen, Billie Holiday, Aretha Franklin, Leonard Cohen, Mike Bloomfield and Stevie Ray Vaughan, to name some.
John Hiatt/Have a Little Faith in Me
Singer-songwriter John Hiatt’s songs are perhaps best known for having been covered by numerous other artists like B.B. King, Bob Dylan, Bonnie Raitt, Emmylou Harris, Eric Clapton, Joe Cocker, Linda Ronstadt, Ry Cooder and Nick Lowe. While his albums received positive reviews from critics, it took eight records and more than 10 years until Hiatt finally had an album that made the Billboard 200: Bring the Family, from May 1987, which reached no. 107. The successor Slow Turning was his first to crack the top 100, peaking at no 98. If I see this correctly, his highest scoring album on the U.S. mainstream chart to date is Mystic Pinball from 2012, which climbed to no. 39. Hiatt did much better on Billboard’s Independent Chart where most of his albums charted since 2000, primarily in the top 10. Fans can look forward to Leftover Feelings, a new album Hiatt recorded during the pandemic with the Jerry Douglas Band, scheduled for May 21. Meanwhile, here’s Have a Little Faith in Me, a true gem from the above noted Bring the Family, which I first knew because of Joe Cocker’s 1994 cover. Hiatt recorded the album together with Ry Cooder (guitar), Nick Lowe (bass) and Jim Keltner (drums), who four years later formed the short-lived Little Village and released an eponymous album in 1992.
Robbie Robertson/Go Back to Your Woods
Canadian artist Robbie Robertson is of course best known as lead guitarist and songwriter of The Band. Between their July 1968 debut Music from Big Pink and The Last Waltz from April 1978, Robertson recorded seven studio and two live albums with the group. Since 1970, he had also done session and production work outside of The Band, something he continued after The Last Waltz. Between 1980 and 1986, he collaborated on various film scores with Martin Scorsese who had directed The Last Waltz. In October 1987, Robertson’s eponymous debut appeared. He has since released four additional studio albums, one film score and various compilations. Go Back to Your Woods, co-written by Robertson and Bruce Hornsby, is a track from Robertson’s second solo album Storyville from September 1991. I like the tune’s cool soul vibe.
Joni Mitchell/Refuge of the Roads
Joni Mitchell possibly is the greatest songwriter of our time I’ve yet to truly explore. Some of her songs have very high vocals that have always sounded a bit pitchy to my ears. But I realize that’s mostly the case on her early recordings, so it’s not a great excuse. Plus, there are tunes like Big Yellow Taxi, Chinese Café/Unchained Melody and Both Sides Now I’ve dug for a long time. I think Graham from Aphoristic Album Reviews probably hit the nail on the head when recently told me, “One day you’ll finally love Joni Mitchell.” In part, his comment led me to include the Canadian singer-songwriter in this post. Since her debut Song to a Seagull from March 1968, Mitchell has released 18 additional studio records, three studio albums and multiple compilations. Since I’m mostly familiar with Wild Things Run Fast from 1982, this meansbthere’s lots of other music to explore! Refuge of the Roads is from Mitchell’s eighth studio album Hejira that came out in November 1976. By that time, she had left her folkie period behind and started to embrace a more jazz oriented sound. The amazing bass work is by fretless bass guru Jaco Pastorius. Sadly, he died from a brain hemorrhage in September 1987 at the age of 35, a consequence from severe head injuries inflicted during a bar fight he had provoked.
Los Lobos/I Got to Let You Know
Los Lobos, a unique band blending rock & roll, Tex-Mex, country, zydeco, folk, R&B, blues and soul with traditional Spanish music like cumbia, bolero and norteño, have been around for 48 years. They were founded in East Los Angeles in 1973 by vocalist and guitarist David Hildago and drummer Louis Pérez who met in high school and liked the same artists, such as Fairport Convention, Randy Newman and Ry Cooder. Later they asked their fellow students Frank Gonzalez (vocals, mandolin, arpa jarocha), Cesar Rosas (vocals, guitar, bajo sexto) and Conrad Lozano (bass, guitarron, vocals) to join them, completing band’s first line-up. Amazingly, Hidalgo, Pérez, Rosas and Lozano continue to be members of the current formation, which also includes Steve Berlin (keyboards, woodwinds) who joined in 1984. Their Spanish debut album Los Lobos del Este de Los Angeles was self-released in early 1978 when the band was still known as Los Lobos del Este de Los Angeles. By the time of sophomore album How Will the Wolf Survive?, their first major label release from October 1984, the band had shortened their name to Los Lobos and started to write songs in English. In 1987, Los Lobos recorded some covers of Ritchie Valens tunes for the soundtrack of the motion picture La Bamba, including the title track, which topped the Billboard Hot 100 for three weeks in the summer of the same year. To date, Los Lobos have released more than 20 albums, including three compilations and four live records. I Got to Let You Know, written by Rosas, is from the band’s aforementioned second album How Will the Wolf Survive? This rocks!
Booker T. & the M.G.’s/Green Onions
Let’s finish where this post started, with the seductive sound of a Hammond B-3. Once I decided on that approach, picking Booker T. & the M.G.’s wasn’t much of a leap. Neither was Green Onions, though I explored other tunes, given it’s the “obvious track.” In the end, I couldn’t resist featuring what is one of the coolest instrumentals I know. Initially, Booker T. & the M.G.’s were formed in 1962 in Memphis, Tenn. as the house band of Stax Records. The original members included Booker T. Jones (organ, piano), Steve Cropper (guitar), Lewie Steinberg (bass) and Al Jackson Jr. (drums). They played on hundreds of recordings by Stax artists during the ’60s, such as Wilson Pickett, Otis Redding, Bill Withers, Sam & Dave, Carla Thomas, Rufus Thomas and Albert King. In 1962 during downtime for recording sessions with Billy Lee Riley, the band started improvising around a bluesy organ riff 17-year-old Booker T. Jones had come up with. It became Green Onions and was initially released as a B-side in May 1962 on Stax subsidiary Volt. In August of the same year, the tune was reissued as an A-side. It also became the title track of Booker T. & the M.G.’s debut album that appeared in October of the same year. In 1970, Jones left Stax, frustrated about the label’s treatment of the M.G.’s as employees rather than as musicians. The final Stax album by Booker T. & the M.G.s was Melting Pot from January 1971. Two additional albums appeared under the band’s name: Universal Language (1977) and That’s the Way It Should Be (1994). Al Jackson Jr. and Lewie Steinberg passed away in October 1975 and July 2016, respectively. Booker T. Jones and Steve Cropper remain active to this day. Cropper has a new album, Fire It Up, scheduled for April 23. Two tunes are already out and sound amazing!
A selection of newly released music that caught my attention
Another week has flown by, which means it’s time again to take a look at newly released music. After some digging, I think I’ve found a decent and diverse set of tunes. This installment of Best of What’s New features a great Hammond B-3 jazzy rendition of a popular Donovan song, melodic indie rock, pop folk-oriented alternative country and soulful Americana. All tunes appear on albums that came out yesterday (March 26). Sounds intriguing? Let’s get to it!
Dr. Lonnie Smith/Sunshine Superman (feat. Iggy Pop)
An artist calling himself Dr. Lonnie Smith who teams up with the godfather of punk Iggy Pop to cover a great Donovan tune was sure to get my attention. Born in Buffalo, N.Y. in July 1942, Smith is a jazz Hammond B3 organist who first came to prominence in the mid-60s when he joined the quartet of jazz guitarist George Benson. After recording two albums with Benson, Smith released his solo debut Finger Lickin’ Good Soul Organ in 1967. Twenty-six additional records have since appeared under his name. According to his website, Smith has recorded everything from covers of the Beatles, the Stylistics and the Eurythmics, to tribute albums of Jimi Hendrix, John Coltrane and Beck-all by employing ensembles ranging from a trio to a fifteen-piece big band. He also appeared on close to 80 albums by other artists, such as Lou Donaldson, Marvin Gaye, Jimmy Ponder, Ron Holloway, Eric Gale and Nora Jones. His artist profile on Apple Music notes Smith at some point became Dr. Lonnie Smith (for “no particular reason,” the same reason he gives for why he always wears a traditional Sikh turban). His rendition of Sunshine Superman, the title track of Donovan’s third studio album from August 1966, is the closer of the doctor’s new album Breathe. Iggy Pop provides vocals on this tune, as well as album opener Why Can’t We Live Together. This is just cool stuff!
Real Estate/Half a Human
Real Estate are an indie rock band from Ridgewood, N.J. According to their artist profile on Apple Music, Real Estate’s core members were childhood friends, but the band didn’t take shape until 2008, after they’d all completed college and returned to their hometown of Ridgewood, New Jersey. Arriving in 2009, the group’s self-titled debut album earned a Best New Music tag from Pitchfork—a distinction that was also given to their next two LPs. Days, their 2011 sophomore LP, hit No. 11 on Billboard’s Alternative Albums chart, and 2014’s Atlas did even better, reaching No. 7. Following the departure of guitarist Matthew Mondanile in 2016, lo-fi pop specialist Julian Lynch—another childhood friend from New Jersey—took his place in the band. In addition to Lynch, Real Estate’s current lineup includes co-founders Martin Courtney (vocals, guitar) and Alex Bleeker (bass, vocals), along with Matt Kallman (keyboards) and Sammi Niss (drums). Half a Human, co-written by Bleeker, Lynch, Courtney, Kallman and the band’s former drummer Jackson Pollis, is the title track of their sixth and new album. The melodic and laid back sound of this tune drew me in right away.
Esther Rose/Songs Remain
Esther Rose is a country artist from New Orleans, La. She began her career by collaborating with her then-husband and guitarist Luke Winslow-King. In 2017, Rose released her solo debut album This Time Last Night. Songs Remain is a track from her third and latest album How Many Times. On this record, Rose expands her alt-country sound into a blossoming world of folk pop and tender harmonies, notes her website. A collection of complete takes recorded live to tape with rich instrumentation, soul-tugging hooks, and resonating vocal melodies, How Many Times carries you into the room in which it was made. There to help realize this was co-producer Ross Farbe of synthpop band Video Age, who Rose also credits for bringing a stereo pop glow to these new songs. I like what I’m hearing here!
Miko Marks & The Resurrectors/Ancestors
Let’s wrap up things with African American country singer Miko Marks who was born in Flint, Mich. In 2005, she released her debut single Freeway Bound, which also was the title track of her first studio album that appeared in September that year. The sophomore It Feels Good followed in August 2007. In 2006, Marks was named Best New Country Artist by U.S. trade magazine New Music Weekly. She also won various awards at the Independent Music Awards in 2006, 2007 and 2008. After a pretty successful looking early career, it appears things slowed down for Marks. Ancestors is the opener of Our Country, her first album since It Feels Good. She’s backed by The Resurrectors, the impressive sounding house band of Redtone Records. Well, it may have been more than 13 years since Marks’ last release, but it surely looks like the wait was worth it. I just love the soulful southern rock sound of Ancestors, which first appeared as a single in December 2020.
Sources: Wikipedia; Dr. Lonnie Smith website; Apple Music; YouTube