The Sunday Six

Celebrating music with six random tracks at a time

Welcome to another installment of The Sunday Six, my weekly zig-zag excursions celebrating music I dig from different genres, spanning the past 70 years or so. I think I put together another nice and eclectic set of six tracks, including jazz, heartland rock, ’60s British rock, ’80s pop, ’90s alternative rock and some kickass hard rock & roll from 2014. Let’s play ball!

Thelonius Monk/‘Round Midnight

Starting us off today is beautiful soothing jazz by Thelonious Monk. This pick was inspired by fellow blogger Lisa from Tao Talk, who not only impresses me with her poetry writing but her music picks she oftentimes uses to accompany her poems – like in this case, a great jazz piece by Charlie Haden and Chet Baker. When I checked out the corresponding album, I noticed another track called ‘Round Midnight. Instead of taking this rendition, I decided to go with the original composed by jazz pianist Thelonious Monk. The track has become a standard that has been recorded by many jazz musicians. Apparently, there is some debate when Monk wrote it. The earliest noted date is 1936 when he was just 19 years old. Other accounts put it to 1940 or 1941. Trumpeter Cootie Williams was the first artist who recorded the tune in August 1944. Monk’s earliest recording is on a compilation titled Genius of Modern Music Vol. 1 from 1951.

John Mellencamp/A Little Night Dancin’

While it’s safe to assume most readers have heard of John Mellencamp, I imagine this may not necessarily include his pre-1980s music. My entry to the heartland artist was his 1985 Scarecrow album. Only in the ’90s did I begin to explore Mellencamp’s earlier catalog including John Cougar, his third record from July 1979. Prior to the release of Mellencamp’s debut album Chestnut Street Incident in October 1976, his manager Tony Defries had changed his name to Johnny Cougar, convinced an artist with the last name Mellencamp wouldn’t generate much interest. Mellencamp who hated the name kept “Cougar” through Scarecrow before finally adopting his real name John Mellencamp for the follow-on release The Lonesome Jubilee from August 1987. Here’s A Little Night Dancin’, the opener of the John Cougar album. The tune was also released in 1980 as a single but didn’t match the U.S. chart performance of I Need a Lover. While the latter reached no. 28 on the Billboard Hot 100, A Little Night Dancin’ stalled at no. 105. Still, not only do I dig that tune, but I also think it’s much better than I Need a Lover. I can hear a bit of a Van Morrison vibe in this song. Fifteen years later, Mellencamp recorded an excellent cover of Morrison’s Wild Night for his 1994 studio album Dance Naked. Perhaps that’s for a future installment.

Small Faces/Sha-La-La-La-Lee

In last week’s Sunday Six, I did something I rarely do – skip the ’60s, my favorite decade in music apart from the ’70s. I vowed not to repeat it this time, so here’s a tune I’ve loved from the very first moment I heard it during my teenage years back in Germany: Sha-La-La-La-Lee by Small Faces. It’s from the English rock band’s eponymous debut album that came out in May 1966. The song was written by co-producer Kenny Lynch together with Mort Schuman. The band’s initial line-up included Steve Marriott (vocals, guitar, harmonica, keyboards), Ian McLagan (keyboards, vocals, guitar, bass), Ronnie Lane (bass guitar, vocals, guitar) and Kenney Jones (drums, percussion, vocals). In March 1968, the Small Faces disbanded and Marriott went on to form Humble Pie with Peter Frampton. McLagan, Lane and Jones teamed up with former Jeff Beck Group members Ronnie Wood (guitar) and Rod Stewart (vocals) and became Faces. Small Faces reemerged in 1975 after Faces had broken up. They recorded two more albums before disbanding for good in 1978.

Madonna/La Isla Bonita

Here’s a pick that might surprise some folks who visit my blog more frequently. While I’m not a fan of Madonna, there is no denying she’s one of the most influential pop artists of our time. And, yes, while I can’t necessarily say the same for other ’80s tunes I used to dig at the time, I still like some of her songs. This includes the catchy La Isla Bonita, which always puts me in a holiday mood. The track is from Madonna’s third studio album True Blue that came out in June 1986. She co-wrote and co-produced the entire record with Stephen Bray and Patrick Leonard who also collaborated with Madonna on some of her other albums. La Isla Bonita also became the record’s fifth and final single and yet another major hit in the U.S. , Canada, Australia and various European countries.

The Cranberries/Linger

Next let’s jump to the ’90s and Irish alternative pop rock band The Cranberries. Initially, the group was formed as The Cranberry Saw Us in mid-1989 by brothers Noel Hogan (lead and rhythm guitar) and Mike Hogan (bass), together with Fergal Lawler (drums) and Niall Quinn (vocals). Following Quinn’s departure in early 1990, Dolores O’Riordan joined the band as lead vocalist, completing the line-up that in April 1991 became The Cranberries. In March 1993, they released their first full-length album Everybody Else Is Doing It, So Why Can’t We? The record became a major success, topping the charts in Ireland and the UK, and placing in the top 20 in the U.S., Canada, New Zealand and some European countries. After four additional albums, The Cranberries went on hiatus in September 2003. They reunited in 2009 and recorded two more albums until the sudden death of O’Riordan in January 2018, who drowned in a London hotel bathtub due to sedation by alcohol poisoning. In April 2019, The Cranberries released their final album In the End, which featured O’Riordan’s vocals taken from demo tapes that had been recorded prior to her death. Here’s the beautiful Linger from the above mentioned debut album. It was also released as a single and became their first major hit, peaking at no. 3 in Ireland, and reaching no. 4, 8 and 14 in Canada, the U.S. and the UK, respectively.

AC/DC/Play Ball

Is it really time to wrap up things again? It is since I’d like to keep these installments to six tunes; otherwise, I could go on forever! But there’s always the next installment! I trust Australian rockers AC/DC need no further introduction. After much drama, including the death of co-founding member and rhythm guitarist Malcolm Young in November 2017 and vocalist Brian Johnson’s forced departure in April 2016 during the band’s tour that year due to hearing loss, against all odds, AC/DC officially reunited in September 2020 and released their 17th studio album Power Up in November that year. There are so many great AC/DC tunes to pick from. I haven’t even mentioned Bon Scott, their original lead vocalist! I decided to go with what I consider a true late career gem: Play Ball, off AC/DC’s 16th album Rock or Bust from November 2014. It was the first record without Malcolm Young who had been forced to retire in 2014 due to dementia and been replaced by his nephew Stevie Young. This is classic AC/DC – tight kickass rock & roll!

Sources: Wikipedia; YouTube

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Best of What’s New

A selection of newly released music that caught my attention

As another busy week that left little opportunity for blogging is drawing to a close, the time has come again to take a look at newly released music. The selections in this latest Best of What’s New installment all fall into the pop rock and blues areas. Artists include a rock band from England teaming up with a U.S. rock singer-songwriter, two blues artists from down under, a gothic blues singer-songwriter from Nashville and Sheryl Crow with her latest single.

The Struts with Albert Hammond Jr./Another Hit of Showmanship

The Struts are a British rock band from Derby, England, which was founded in 2012. According to their website, In just a few years, The Struts have found themselves massively embraced by some of the greatest icons in rock-and-roll history. Along with opening for The Rolling Stones, The Who, and Guns N’ Roses, the U.K.-bred four-piece was hand-picked by Mötley Crüe to serve as the supporting act for their last-ever performances, while Dave Grohl praised them as the best band to ever open for Foo Fighters. To date, The Struts have released two full-fledged studio albums, 3 EPs and numerous singles. For their latest single Another Hit of Showmanship, which appeared today, they teamed up with singer-songwriter Albert Hammond Jr., who is best known as guitarist in American rock band The Strokes. “‘Another Hit of Showmanship’ reminds me of being at a club night called Ramshackle years ago at the O2 Academy in Bristol, where they’d play bands like the Libertines and Razorlight and Scissor Sisters, and of course the Strokes,” Struts vocalist Luke Spiller stated, as reported by Rolling Stone. “I hit up Albert out of the blue and told him, ‘We’ve got this song, and I’m so excited to see what you would do with it.’ As soon as he got his hands on it, he took it to a whole different level — it really just shows why he’s so brilliant at what he does.” It’s quite a catchy tune!

Josh Teskey & Ash Grunwald/Thinking ‘Bout Myself

Vocalist and guitarist Josh Teskey is a co-founding member of The Teskey Brothers, an Australian blues rock band formed in 2008. Ash Grunwald is a blues musician who hails from down under as well and has been active for 20 years. What do you get when you combine the two? Josh Teskey and Ash Grunwald, and an album, Push the Blues Away, scheduled for November 13. NME reported Thinking ‘Bout Myself is the first single released August 24. The two artists have worked together before. In 2019, they recorded a single, Ain’t My Problem, and while filming a clip for the song ended up jamming. “Somebody filmed our little jam,” Grunwald stated. “And it became the seed of a great idea: Why don’t we do an acoustic blues album? No bells and whistles, something from the heart.” All except two of the eight tracks were written either by Teskey or Grunwald. Well, based on this single, it certainly sounds promising.

Adia Victoria/South Gotta Change

Adia Victoria is a Nashville-based singer-songwriter, who according to Wikipedia is known for her “gothic blues” musical style. After a friend had given Victoria a guitar for her 21st birthday, she got into blues music. In 2010, she moved to Nashville and began performing locally. Her debut single Stuck in the South appeared in early 2015. Rolling Stone included her in a 10 New Artists You Need to Know feature, calling the tune a “swampy, bluesy track that put Adia Victoria on the map.” Her debut studio album Beyond the Bloodhounds came out in May 2016, followed by her sophomore release Silences from February 2019. South Gotta Change is Victoria’s new single released today and produced by none other than veteran T-Bone Burnett. Victoria’s compelling vocals and a great sound make this tune a real gem. Check out the official video.

Cheryl Crow/In The End

Threads may have been Cheryl Crow‘s final full-fledged album, as she stated when it came out a year ago. I previously reviewed it here. Luckily, Crow also said she’s not retiring from touring or releasing new music. Going forward, she added, she wanted to focus on singles or perhaps EPs. Apparently, Crow is following through. After releasing a cover of Bill Withers’ Lonely Town, Lonely Street in April and the original Woman in the White House on August 10, Crow is out with another single today: In the End. An excerpt from the lyrics leaves no doubt what’s on her mind these days. There’s a fly on the wall in the house on the hill/Where the king of the world watches TV/And the people await for his latest mandate/To a nation of angry believers/His words are a trap while his loyal band of thugs/Cover up all his many transgressions/The fly lands on his ear and whispers, “What’s there to fear/As long as you’re still the obsession?/As long you’re still the obsession”… Co-written by Crow and her long-time collaborator Jeff Trott, the nice pop rocker is classic Sheryl Crow.

Sources: Wikipedia; The Struts website; Rolling Stone; NME; YouTube