The Sunday Six

Celebrating music with six random songs at a time

Can you believe it’s Sunday morning again? After having done home office for about a year now and also spent most of my other time at my house, I’ve pretty much lost sense of time. On the upside, Sunday morning also means it’s time for another Sunday Six. This new installment, which btw is the sixth of the weekly recurring feature, includes jazz-oriented instrumental music, soul, blues, funky R&B, straight rock and glam rock – in other words, a good deal of variety, and that’s the way uh huh I like it!

Mike Caputo/Space and Time

Let’s kick things off with a beautiful journey through space and time. Not only does this newly produced saxophone-driven instrumental by Mike Caputo feel timely in light of NASA’s recent landing of the Mars rover, but it also represents the kind of smooth music I like to feature to start Sunday Six installments. If you’re a more frequent visitor of the blog, Mike’s name may ring a bell. The New Jersey singer-songwriter, who has been active for more than 50 years, is best known for his incredible renditions of Steely Dan’s music, faithfully capturing the voice of Donald Fagen. His current project Good Stuff also features music of Gino VannelliStevie Wonder and Sting, who have all been major influences. Like many artists have done during the pandemic when they cannot perform, Mike went back into his archives and unearthed Space and Time, which he originally had written as part of a movie soundtrack a few years ago. BTW, that amazing saxophone part is played by Phil Armeno, a member of Good Stuff, who used to be a touring backing musician for Chuck BerryBo Diddley and The Duprees in the ’70s. Check out that smooth sax tone! Vocals? Who needs vocals? 🙂

The Impressions/People Get Ready

Before Curtis Mayfield, one of my favorite artists, launched his solo career with his amazing 1970 album Curtis, he had been with doo-wop, gospel, soul and R&B group The Impressions for 14 years. When he joined the group at the age of 14, they were still called The Roosters. People Get Ready, written by Mayfield, was the title track of the group’s fourth studio album that came out in February 1965, about seven years after they had changed their name to The Impressions. People Get Ready gave the group a no. 3 hit on the Billboard Hot R&B Songs (now called Hot R&B/Hip-Hop Songs). On the mainstream Hot 100, the tune climbed to no. 14. Many other artists like Bob Marley, Al Green, Aretha Franklin and The Staple Singers have covered it. Perhaps the best known rendition is by Jeff Beck, featuring Rod Stewart on Beck’s 1985 studio album Flash. But on this one, I always like to go back to the original and the warm, beautiful and soulful vocals by The Impressions – to me, singing doesn’t get much better!

Peter Green/A Fool No More

I think it’s safe to assume Peter Green doesn’t need much of an introduction. The English blues rock singer-songwriter and guitarist is best known as the first leader of Fleetwood Mac, initially called Peter Green’s Fleetwood Mac featuring Jeremy Spencer, the band he formed following his departure from John Mayall and the Bluesbreakers with former Bluesbreakers members Mick Fleetwood (drums) and Jeremy Spencer (guitar), as well as Bob Brunning (bass) who was subsequently replaced by Green’s first choice John McVie. What’s perhaps less widely known outside of fan circles is Peter Green’s solo career he launched after leaving Fleetwood Mac in May 1970 due to drug addiction and mental health issues. Unfortunately, these demons would stay with him for a long time and impact his career, especially during the ’70s. A Fool No More, written by Green, is a track from his excellent second solo album In the Skies. The record was released in May 1979 after eight years of professional obscurity due to treatment for schizophrenia in psychiatric hospitals in the mid-’70s. Yikes- it’s pretty scary what havoc LSD can cause! Considering that, it’s even more remarkable how amazing Green sounds. Check it out!

Stevie Wonder/I Wish

Let’s speed things up with the groovy I Wish, a tune by Stevie Wonder from his 18th studio album Songs in the Key of Life released in September 1976. Frankly, I could have selected any other track from what’s widely considered Wonder’s magnum opus. It’s the climax of his so called classic period, a series of five ’70s albums spanning Music of My Mind (1972) to Songs in the Key of Life. I Wish, which like most other tracks on this double-LP were solely written by Wonder, also became the lead single in December 1976 – and his fourth no. 1 ’70s hit in the U.S. on the Billboard Hot 100. The song also topped the charts in Canada, and was a top 10 in Belgium, Ireland, The Netherlands and the UK. Take it away, Stevie!

John Mellencamp/Melting Pot

Here’s what you might call an out-of-left-field pick from John Mellencamp, one of my long-time favorite artists. Melting Pot is a great rocker from his 11th studio album Whenever We Wanted that appeared in October 1991. It marked a bit of a departure from Mellencamp’s two previous albums Big Daddy (1989) and The Lonesome Jubilee (1987), on which he had begun incorporating elements of roots music. Instead, Whenever We Wanted is more reminiscent of the straight rock Mellencamp had delivered on earlier albums like American Fool (1982), Uh-Huh (1983) and Scarecrow (1985). Like all other tunes except for one on the album, Melting Pot was written by Mellencamp. While Whenever We Wanted didn’t do as well on the charts as the aforementioned other albums, it still placed within the top 20 in the U.S., reaching no. 17 on the Billboard 200. The album performed best in Australia where it peaked at no. 3.

David Bowie/Suffragette City

Time to wrap up this installment of The Sunday Six. Let’s go with another great rocker: Suffragette City by David Bowie. If you’ve read my blog, you probably know I really dig Bowie’s glam rock period. As such, it’s perhaps not surprising that his fifth studio album The Rise and Fall of Ziggy Stardust and the Spiders from Mars is my favorite. It was released in June 1972. Suffragette City also became the B-side of lead single Starman that appeared ahead of the album in February that year. Eventually and deservedly, Suffragette City eventually ended up on the A-side of a 1976 single that was backed by Stay to promote the fantastic compilation Changesonebowie. This is one kickass rock & roll song. Bowie said it best, or I should say sang it best: Ohhh, wham bam thank you ma’am!

Sources: Wikipedia; YouTube

Best of What’s New

This is the 30th installment of Best of What’s New. When I started the new music feature 30 weeks ago, I wasn’t sure I’d find enough material I dig to blog on a weekly basis. So far it’s been a rewarding experience, and I’m optimistic I can get going at that rate.

Usually, I keep the installments to four tunes. This time, however, before I knew it, I found eight songs I could have featured. I decided to cut down the selection to the following six tunes. The set is quite rock-oriented, but there’s also a great jazz tune that just makes me happy and a beautiful guitar instrumental.

Black Stone Cherry/Again

Black Stone Cherry are a hard rock band formed in Edmonton, Ky. in 2001. Chris Robertson (lead vocals, lead and rhythm guitar) and John Fred Young (drums, percussion, piano, backing vocals) had played together since they were young teenagers. They were soon joined by Ben Wells (rhythm and lead guitar, backing vocals) and Jon Lawhon (bass, backing vocals) to complete the band’s lineup. In May 2006, they released their eponymous debut album. Again is a track from the band’s upcoming 7th studio album The Human Condition scheduled for October 30. Black Stone Cherry announced the album on August 6 and debuted the tune and music video. “There was a real urgency and fear of the unknown during those sessions – it was a scary time,” Young told Louder.  “Every song on this album tells a story of the experiences we all go through – our happiness, our struggles, and how we have to adapt.” I hardly listen to present day hard rock, but this tune got something.

Puscifer/The Underwhelming

Puscifer is a project from rock singer-songwriter and producer Maynard James Keenan, who also is the lead vocalist and primary lyricist of rock bands Tool and A Perfect Circle. Between these bands, Keenan has released 12 albums over the past 30 years. Other members of Puscifer, which is currently a trio, include Carina Round (vocals, guitar, ukelele, tambourine) and Mat Mitchell (lead guitar). The Underwhelming is a tune from Puscifer’s upcoming fourth studio album Existential Reckoning due out October 30. The tune became the album’s second single on September 17.

Elvis Costello/Hey Clockface/How Can You Face Me?

I believe Hey Clockface/How Can You Face Me? is the first jazz tune I ever heard by Elvis Costello. When I came across it yesterday, I immediately knew I had to include it in this installment of Best of What’s New. According to a review in Stereogum, Costello recorded it together with a small jazz ensemble in Paris about a month before Covid-19 changed the world. It also turns out the tune and Costello’s other singles he has released over the past few months are all part of a new studio album titled Hey Clockface scheduled for October 30. According to Wikipedia’s count, it should be Costello’s 33rd studio release. Hey Clockface/How Can You Face Me? first appeared as the album’s fourth upfront single on September 11. This tune just has an infectious groove. Check it out!

Ben Harper/Paris

American singer-songwriter and multi-instrumentalist Ben Harper has been a recording artist since 1992. He began playing guitar as a child and had his first gig at the age of 12. During his teenage years in the ’80s, Harper began playing slide guitar, influenced by Delta blues artist Robert Johnson. In 1992, he recorded the album Pleasure and Pain with Tom Freund. This was followed by his solo debut Welcome to the Cruel World from February 1994. Since then, he has released 13 additional studio albums. In 2010, Harper formed folk rock-oriented band Fistful of Mercy, together with George Harrison’s son Dhani Harrison and singer-songwriter Joseph Arthur. Harper has also collaborated with Charlie Musslewhite and various other artists. Paris is a beautiful, sparse instrumental featuring only Harper on his lap steel guitar. It’s on an upcoming new all-instrumental album, Winter Is For Lovers, set to appear on October 23. Two other tunes, Inland Empire and London, from the 15-track collection are already out as well, and they sound just as great!

Blue Öyster Cult/The Alchemist

While Blue Öyster Cult is a very familiar name, the rock band that was founded all the way back in 1967 in Stony Brook, N.Y. had not released new music since Curse of the Hidden Mirror from June 2001. That changed yesterday (October 9) with The Symbol Remains, their 15th studio album. Of course, Blue Öyster Cult have had numerous line-up changes over the decades, though founding member and lead guitarist Donald Roeser, known as Buck Dharma, is still around. As is Eric Bloom, who joined BÖC as lead vocalist, guitarist and keyboarder in April 1969, replacing Les Braunstein. Like Dharma, Bloom has been on all of the band’s albums released to date. Here’s The Alchemist, written by Richie Castellano, who has been part of Blue Öyster Cult since 2004. This makes The Symbol Remains his first studio with the band after 16 years – remarkable! The Alchemist may not be Cities On Flame With Rock and Roll, (Don’t Fear) the Reaper or Burnin’ For You, but it still sounds pretty cool to me. Check out the sweet harmony guitar playing featuring Dharma and Castanello, which starts at about 3:33 minutes. These guys are still rockin’!

Greta Van Fleet/My Way, Soon

Speaking of rockin’, what could be a better way to end this installment than with the latest single by Greta Van Fleet, one of the most exiting contemporary bands, in my opinion: May Way, Soon, which was also released just yesterday. “This song was inspired by what three years of touring did by opening so many doorways,” vocalist Josh Kiszka told Louder. “This is my truth, how I feel about all of our travels, but I know it echoes the experiences and changes of perspectives for [his GVF bandmates] Jake, Sam, and Danny as well.” May Way, Soon is the first tune from Greta’s next studio album (title and release date still to be announced). “The definition of ’normal’ has very much broadened over the past couple of years, and it has affected us as musicians, especially in the writing and recording of this new album,” added drummer Danny Wagner. While My Way, Soon delivers the energetic type of rock fans of the band have come to dig, it sounds less influenced by Led Zeppelin. I think only does this show Greta is evolving musically, but it’s also a good thing from a longevity perspective.

Sources: Wikipedia; Louder; Stereogum; YouTube