The Sunday Six

Celebrating music with six random tracks at a time

Happy Sunday and welcome to another Sunday Six where I embark on time travel into the great world of music, six tracks at a time. If you’re in the U.S., celebrated Thanksgiving and had a long weekend, hope you had a great time with family and friends with no stress while traveling or cooking. Regardless of your situation, music can work its magic on pretty much any occasion, so I invite you to join me on yet another excursion.

Lester Young & Harry Edison/Red Boy Blues

Today, our journey starts in 1955 when two American jazz musicians, saxophonist Lester Young and trumpeter Harry Edison, teamed up for an album titled Pres & Sweets. Young, nicknamed “Pres” or “Prez”, was active between 1993 and 1959. He first gained prominence with the Count Basie Orchestra, in which he played from 1933 until 1940. After the Second World War, Young joined Norman Granz’s Jazz at the Philharmonic and frequently toured with the troupe for the next 12 years. Harry Edison who started playing the trumpet as a 12-year-old became a member of the Jeter-Pillars Orchestra in 1933 before joining Basie’s orchestra in 1937. That’s where he played first with Young who nicknamed him “Sweets”. In the ’50s, he also toured with the Jazz at the Philharmonic and played with other orchestras, in addition to leading his own groups. This brings me back to Pres & Sweets, and Red Boy Blues, a composition by Young. He and Edison got a little help from some formidable friends: Oscar Peterson (piano), Herb Ellis (guitar), Ray Brown (bass) and Buddy Rich (drums).

The Wild Feathers/The Ceiling

My recent post for Thanksgiving reminded me of The Wild Feathers, a country rock band I first came across two years ago when featuring a tune from their then-latest album Medium Rarities. The group was founded in 2010 in Nashville. Their current line-up includes founding members Ricky Young (guitar, vocals), Taylor Burns (guitar, vocals) and Joel King (bass, vocals), as well as Ben Dumas (drums). The Wild Feathers began touring frequently in 2013, sharing bills with the likes of Bob Dylan, Willie Nelson and ZZ Ward. Since the release of their eponymous debut in August 2013, they have released four additional studio albums, most recently Alvarado (October 2021), which I reviewed here. The Ceiling, co-written by King, Young and Burns, is a great tune from the band’s aforementioned first album.

Stevie Wonder/Sir Duke

Next, let’s pay a visit to the ’70s with an absolute soul gem by Stevie Wonder who I trust needs no further introduction. Sir Duke, off Wonder’s 1976 masterpiece Songs in the Key of Life, is a beautiful tribute to jazz great Duke Ellington who had passed away in 1974. The lyrics also mention Count Basie, Glenn Miller, Louis Armstrong and Ella Fitzgerald. Sir Duke was Wonder’s first tribute to people he admired. In the early 1980s, he also recorded Master Blaster, dedicated to Bob Marley, and Happy Birthday, which pleaded for what would eventually become the Martin Luther King Jr. Day holiday in the United States. Sir Duke is one of these tunes that immediately put me in a great mood and make me move. Feel free to groove along!

Chuck Prophet/Credit

Are you ready for a stop-over in the ’90s? Ready or not, here we go with great music by Chuck Prophet. The singer-songwriter and multi-instrumentalist is a relatively recent discovery for me. Blending rock, country, blues and folk, Prophet has released 16 solo albums since 1990, according to Wikipedia. Before launching his solo career in 1990, he was a member of rough-edged Paisley Underground band Green on Red and can be heard on 10 of their albums. He also been a guest musician on more than 20 albums by other artists, such as True West, Cake, Warren Zevon and Kim Carnes. Most recently, he worked with songwriter Jenifer McKitrick for her forthcoming album Road Call scheduled for December 1. Credit, penned by English singer-songwriter Pete Shelley, co-founder of early punk band Buzzcocks, is the opener of Prophet’s 1997 solo album Homemade Blood. The more I hear of Prophet, the more I like him!

The Impressions/It’s All Right

I don’t know about you, but I’m in the mood for some more soul, and I got a true beauty that takes us back to August 1963: It’s All Right by The Impressions. Written by the amazing Curtis Mayfield, the tune first appeared on the eponymous debut album by The Impressions. The gospel, doo-wop, R&B and soul group was co-founded by Mayfield and Jerry Butler in 1958 as Jerry Butler & the Impressions, along with Sam Gooden, Arthur Brooks and his brother Richard Brooks, who all had been members of doo-wop group the Roosters. After releasing 12 additional albums with The Impressions, Mayfield left them in 1970 to launch a solo career. The group went on without Mayfield until their retirement in 2018, after a 60-year career. It’s All Right was also released as a single in October 1963 and became The Impressions’ biggest hit, topping Billboard’s Hot R&B Sides chart and climbing to no. 4 on the mainstream Billboard Hot 100. In my book, it’s one of the most beautiful and uplifting songs I know. The tune also shows the magic music can do. Listening to it instantly makes you feel okay.

Pat Benatar/Hit Me With Your Best Shot

Once again, we’re reaching the final destination of yet another Sunday Six. My proposition for this week is a great rocker by 2022 Rock and Roll Hall of Fame inductee Pat Benator. I was glad to see this great lady inducted. Hit Me With Your Best Shot, penned by Canadian musician Eddie Schwartz, first appeared on Benatar’s sophomore album Crimes of Passion, released in August 1980. It also became the album’s second single in September of that year and Benatar’s first top 10 U.S. hit on the Billboard Hot 100. Of her songs I know, I think it’s my favorite. Pat Benator, now 69 years and in the 50th year of her career, is still going strong. I happened to catch her recent Rock Hall induction performance and she was still kicking butt showing the younger cats how it’s done. So was her longtime partner in crime lead guitarist Neil Giraldo who also has been her husband since 1982.

This post wouldn’t be complete without a Spotify playlist featuring all of the above tunes. Hope there’s something you dig!

Sources: Wikipedia; YouTube; Spotify

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The Hump Day Picker-Upper

Cheering you up for a dreadful Wednesday, one song at a time

For those of us taking care of business during the regular workweek, I guess it’s safe to assume we’ve all felt that dreadful Wednesday blues. Sometimes, that middle point of the workweek can be a true drag. But help is on the way!

Today, the music doctor prescribes sweet soul music. Directions: If you are seated and having your morning coffee, put the cup aside. Get up, snap your fingers and start groovin’ and movin’ nice and easy. And, yes, it’s all right to sing, which may yield additional benefits, though you may want to make you’re all by yourself, just in case!

It’s All Right first appeared on the eponymous debut album by Chicago soul outfit The Impressions, released in August 1963. The tune, written by the group’s lead vocalist Curtis Mayfield, also appeared separately as a single in October that year. It reached no. 4 on the Billboard Hot 100, the first of the group’s two top ten hits on the U.S. mainstream chart.

According to Songfacts, A conversation between lead singer Curtis Mayfield, baritone Sam Gooden, and tenor Fred Cash in between performances in Nashville served as inspiration for the song. The trio had recently teamed up with producer Johnny Pate and were excitedly talking about future possibilities for The Impressions when Fred Cash exclaimed that “it’s all right!” Mayfield picked up on the phrase and wrote this tune.

Perhaps not surprisingly, the uplifting song has been covered by many other artists, such as jazz pianist Wynton Kelly, Tommy James and the Shondells, Etta James, Steve Winwood and the band that with an amazing a cappella rendition brought It’s All Right to my attention first many years ago: Huey Lewis and the News.

The following playlist features the original and some of the great covers that have subsequently appeared.

Happy Hump Day, and always remember George Harrison’s wise words: All things must pass!

Sources: Wikipedia; YouTube; Spotify

My Playlist: Huey Lewis And The News

In the ’80s when I was still living in Germany, you couldn’t switch on the radio without encountering Huey Lewis And The News. By the end of that decade, I think it’s fair to say their popularity had significantly decreased. Just recently, I was reminded of the band when it was, well, back in the news, revealing a new single and their upcoming 10th studio album scheduled for next year. That announcement came after Huey Lewis revealed last April he was suffering from hearing loss as a result of Ménière’s disease. According to Wikipedia, it’s an incurable disorder of the inner ear, which leads to a variety of symptoms, including vertigo, ringing in the ears (tinnitus), hearing loss and a fullness in the ear. The condition forced Lewis to cancel all upcoming tour dates.

I started paying attention to Huey Lewis And The News when they released their third studio album Sports in September 1983. The record, which yieled four top 10 hits in the U.S. on the Billboard Hot 100, catapulted the band to international stardom. I got the album on vinyl at the time and really dug it. I like the group to this day and saw them first in the ’80s in Germany and a second time in July 2011 at a local theatre in New Brunswick, N.J. The second show was in the wake of their last studio from 2010,  Soulsville, a nice tribute to artists and music of Stax Records. The band still sounded great. I thought it would be fun putting together a playlist featuring some their songs.

I’d like to kick things off with Do You Believe In Love, the first top 10 hit for Huey Lewis And The News on the Billboard Hot 100. Written by Robert John “Mutt” Lange, it appeared on their sophomore album Picture This from January 1982.

On to the aforementioned hugely successful Sports. How successful? How about seven times Platinum! Records selling like this simply no longer exist these days. Here is the great opener The Heart of Rock & Roll. Co-written by Huey Lewis and the band’s co-founding member, guitarist and saxophone player Johnny Colla, the uptempo pop rocker showcases Colla’s nice sax chops.

Next up is The Power Of Love, which gave the band their first no. 1 on the Billboard Hot 100. Co-written by Lewis, Colla and lead guitarist Chris Hayes, it’s probably their best known song, largely because it was featured in the 1985 blockbuster motion picture Back To The Future staring Michael J. Fox. Here’s a clip with footage from the film, one of the most memorable of that decade, in my opinion.

In August 1986, Huey Lews And The News released their fourth studio album Fore! Not only did the album top the Billboard 200, but it also gave the band two additional no. 1 hits: Jacob’s Ladder and tune I’d like to feature here: Stuck With You, a co-write by Lewis and Hayes. In addition to Lewis’ lead vocals, the song nicely illustrates the News’ great harmony singing.

The band’s next album Small World from 1988 featured a full-blown horn section, giving it a nice soulful vibe. But while the record climbed into the top 20 on the Billboard 200, it wasn’t as successful as Fore! and Sports. Here’s Perfect World, a tune written by Alex Call, guitarist, vocalist and founding member of a country rock band called Clover, in which Lewis had played with Call from 1972 until 1979, prior to forming Huey Lewis And The News.

In 1993, the band recorded a beautiful a cappella cover of the Curtis Mayfield tune It’s All Right for a tribute album titled People Get Ready: A Tribute to Curtis Mayfield. It’s another impressive illustration of the News’ vocal harmony abilities. Mayfield wrote the song in 1963 and recorded it with his band The Impressions for their eponymous debut record that came out in August that year. Feel free to snip along!

For the next tune, I’d like to jump to the News’ most recent album, the aformentioned Soulsville that was released in October 2010. Here’s the band’s great take of Respect Yourself. It features gospel singer Dorothy Combs Morrison who is sharing vocals with Lewis. Co-written by Luther Ingram and Mack Rice, the song was first recorded by The Staple Singers for their 1972 album Be Altitude: Respect Yourself.

The last track I’d like to highlight is the band’s new single Her Love Is Killing Me, a nice rocker with a bluesy touch, featuring a great sounding Lewis on vocals and harmonica, the band’s first new tune in more than a decade. According to a story in the San Francisco Chronicle, the song was recorded and produced by the News at their own studio in San Rafael, Calif. In addition to Lewis, the band still includes three co-founding members: Colla, Bill Gibson (drums) and Sean Hopper (keyboards). The title and exact timing for the new album have not been announced yet.

Will fans be able to see Huey Lewis And The News on the road again? While Lewis, who is 69 years old, obviously was able to record the song and sounds well, the prospects for doing concerts look less certain. “My hearing fluctuates episodically from bad to almost deaf,” Lewis told the Chronicle. “When it’s simply ‘bad,’ with the use of my earpieces, I can hear speech. I’m hoping fluctuating is a good sign and I can improve enough to hear music and sing.” He also said, “I haven’t sung with the band in a year and 10 months.”

Sources: Wikipedia, San Francisco Chronicle, YouTube