Best of What’s New

A selection of newly released music that caught my attention

A lot of cool new music I came across this week made it tough what to include in this latest installment of my recurring feature. That’s actually a nice problem to have, at least in my book. While you may not be a Bon Jovi fan, have you ever heard the Jersey rocker do an outright protest song? I certainly had not. Or how about a cool Byrds-ey-sounding psychedelic garage band called The Reverberations? Or young and amazingly talented bluegrass and Americana artist Molly Tuttle? These are just three of the artists I’m featuring this week. Do I have your attention?

Bon Jovi/American Reckoning

While a band that has sold more than 100 million albums worldwide has probably done more than one thing right, I realize opinions about Bon Jovi are divided. On most of their 14 studio albums that have come out so far over some 37 years, I can at find at least one or two songs I enjoy. American Reckoning, released July 10, will be on the band’s next album Bon Jovi 2020, which has been pushed back until December 31, 2020 due to you know what. Both the single and the album have something in common that’s new for Bon Jovi: Political lyrics. Written by Jon Bon Jovi, American Reckoning is a protest song reflecting on the death of George Floyd caused by reckless police action. “I was moved to write American Reckoning as a witness to history,” Bon Jovi said in a statement on the band’s website, “I believe the greatest gift of an artist is the ability to use their voice to speak to issues that move us.” All net proceeds from downloads of the song will support the Bryan Stevenson’s Equal Justice Initiative through December 31, 2020. Kudos!

Gillian Welch & David Rawlings/Hello in There

For some 28 years, country, folk, bluegrass and Americana singer-songwriter Gillian Welch has been writing and performing with her musical partner David Rawlings. The two first met during a music audition at Berklee College of Music in Boston where Welch majored in songwriting. Following her graduation in 1992, she moved to Nashville. Rawlings soon followed and they started to perform as a duo. After getting a record deal with Almo Sounds, they met T-Bone Burnett who had seen them perform. Burnett produced their debut album Revival, which like most of their records appeared under Welch’s name in April 1996. Welch and Rawlings have since released five additional studio albums. Hello in There is from their most recent release All the Good Times Are Past & Gone, a covers album that came out on July 10. The tune was written by John Prine and included on his 1971 eponymous debut album.

Will Hoge/Midway Hotel

Will Hoge is a singer-songwriter from Nashville, Tenn. According to Wikipedia, which characterizes his music as Americana and southern rock, Hoge grew up in a musical family that influenced him. After enrolling in Western Kentucky University with plans to become a high school history teacher and basketball coach, Hoge realized music was his calling. In 1997, he released an EP with his band at the time Spoonful, but it wasn’t successful and the group disbanded. After self-releasing a live CD and his first studio album Carousel, Hoge managed to get a deal with Atlantic Records in early 2002. While it was short-lived, it resulted in his major label debut Blackbird on a Lonely Wire in March 2003. Hoge has since released seven additional studio records, as well as various EPs and live albums. Midway Motel, co-written by Hoge and Ricky Young, is the opener to Hoge’s most recent studio album Tiny Little Movies that appeared on June 26. I can hear some John Mellencamp in here.

Grace Potter/Eachother (feat. Jackson Browne, Marcus King & Lucius)

Grace Potter is a 37-year-old bluesy, roots rock-oriented singer-songwriter, multi-instrumentalist and actress, hailing from Waitsfield, Vt., who has released various albums solo and with her former band Grace Potter and the Nocturnals since the early 2000s. While studying theater at St. Laurence University, she met drummer Matt Burr. Together with bassist Courtright Beard, they formed the initial lineup of indie rock band Grace Potter and the Nocturnals. In 2004, they self-released their debut album Original Soul. Four additional albums followed. In 2015, Potter’s solo album Midnight appeared. Potter left the band in 2017, shortly after announcing her divorce from Burr with whom she had been married since 2013. Another solo album, Daylight, appeared in October 2019. Eachother is Potter’s latest single released on May 22. Written by her during the early days of the pandemic, the ballad features Jackson Browne, blues artist Marcus King and indie pop band Lucius. Check it out!

Molly Tuttle/Helpless (feat. Old Crow Medicine Show)

Based on what I’ve read and heard, it seems Molly Tuttle is what you could call a wunderkind. It’s virtually impossible to do full justice here to the 27-year-old singer-songwriter, banjo player and guitarist, who is focused on bluegrass and Americana. Tuttle is noted for her outstanding guitar skills, and she can definitely sing as well. She grew up in the San Francisco Bay area in a musical family. Her father Jack Tuttle is a bluegrass multi-instrumentalist and teacher. Her siblings Sullivan and Michael play guitar and mandolin, respectively. Molly started playing guitar as an 8-year-old and three years later already performed on stage with her dad. At age 13, she recorded her first album with Jack. In 2015, she joined the family band The Tuttles with AJ Lee, featuring her father and siblings, along with mandolist AJ Lee. Her debut EP Rise appeared in October 2017, followed by her first full-fledged album When You’re Ready in April 2019, which climbed to no. 5 and no. 11 on the U.S. Billboard Top Heatseekers and Independent Albums charts. Her multiple accolades include Instrumentalist of the Year at the 2018 Americana Music Awards and Guitar Player of the Year from the International Bluegrass Association in 2017 and 2018. Molly who has lived in Nashville, Tenn. since 2015, has a new covers album scheduled for August 28, …but I’d rather be with you. It doesn’t include her beautiful rendition of Neil Young’s Helpless, which she released on May 22 and features Nashville-based Americana band Old Crow Medicine Show. The tune first appeared on Crosby, Stills, Nash & Young’s Déjà Vu album from March 1970.

The Reverberations/Under Your Spell

Let’s wrap things up with some really cool rock. The Reverberations are a five-piece from Portland, Ore. Their Bandcamp profile characterizes their music as “’60s influenced psychedelic jangle.” Based on what I’m hearing on their latest single Under Your Spell, that description hits the nail on the head. Unfortunately, the band has hardly published any information about themselves. Neither their Bandcamp nor their Facebook page provide any background – I don’t get it! Discogs lists two albums, Mess Up Your Mind (2016) and Changes (2019, along with various EPs and singles, dating back as far as 2015. Based on their photos on Facebook and Bandcamp, these guys don’t exactly look like high school kids, and with their Byrds-ey guitars, they certainly don’t sound like it. Whoever is familiar with my music taste knows that’s a sound I never get tired of. On Under Your Spell, which is the B-side of the band’s most recent single Palm Reader, I also love the keyboard work. And check out the lovely psychedelic cover art. Damn, now I feel I’m literally under their spell!

Sources: Wikipedia; Bon Jovi website; Apple Music; Grace Potter website; Molly Tuttle website; The Reverberations Facebook and Bandcamp pages; YouTube

Ringo Starr to Throw Virtual Charity Concert For Upcoming Big Birthday

You just gotta love Ringo Starr. He may not be the most sophisticated drummer or songwriter, but he’s just an awesome guy! As reported by Rolling Stone earlier today, Ringo is planning a virtual charity concert for his 80th birthday on July 7. The one-hour event will be broadcast on YouTube starting at 8:00 pm ET, and feature Paul McCartney, Sheryl Crow, Gary Clark, Jr., Sheila E and Ben Harper, among others. Appropriately called Ringo’s Big Birthday Show, the event will benefit Black Lives Matter Global Network, The David Lynch Foundation, MusiCares and WaterAid.

“…for 12 years, we have celebrated it by at noon going ‘peace and love’, wherever you are,” said Ringo during a more than 30-minute video interview with Rolling Stone senior writer Brian Hiatt. “We’re still doing it, but this year is going to be a little different…there’s no big get-together, there’s no brunch for 100, and there’s no gangs of people outside.” Below is a clip of the entire interview. If you dig Ringo, I can highly recommend it. BTW, I do agree with Hiatt, he doesn’t look like 80!

As further reported by Rolling Stone, the event will also debut a special version of Give More Love, the title track of Ringo’s 2017 studio album, featuring guests like Jackson Browne, Jeff Bridges, Elvis Costello and Willie Nelson. Ringo will also launch a series of tribute performances on his YouTube channel, including artists like Steve Earle, Peter Frampton and Judy Collins. Last but not least, he is asking fans to “say, think, or post #peaceandlove at noon their local time on July 7th.” 

Here’s the official video of the above noted Give More Love. Co-written by Ringo and Gary Nicholson, the tune is the title track of Ringo’s 19th studio release, which appeared in September 2017. His most recent album What’s My Name came out in October 2019. I previously wrote about it here.

Sources: Wikipedia; Rolling Stone; YouTube

Best of What’s New

A selection of newly released music that caught my attention

This latest installment of the recurring new music feature must acknowledge two albums that dropped today by two of the most influential music artists of our time: Bob Dylan and Neil Young. I already covered Young’s record in my previous post, so I’m skipping him here. There is also a new band of veteran session musicians who recently released their first single in the U.S., a great rock tune by an Australian band and a song from a German blues singer-songwriter and guitarist.

Bob Dylan/Goodbye Jimmy Reed

Goodbye Jimmy Reed is a tune from Rough and Rowdy Ways, the new and widely anticipated album by Bob Dylan. It’s his 39th studio record and the first with original material since Tempest from September 2012. In-between, the great music poet put out three cover albums with standards from the American Songbook. I was going to add all that’s missing is a Christmas collection when I just noticed Dylan already checked off that box in October 2009 with Christmas in the Heart. If you’re frequent visitor of the blog, you probably know my sentiments about Dylan range from outstanding to less than brilliant and everything in-between. Regardless, there’s no doubt Dylan is one of the most important singer-songwriters of our time. I also give him huge credit that age 79 instead of releasing yet another cover album, he dropped a collection with brand new songs. Goodbye Jimmy Reed is a tribute to the American electric blues guitarist who influenced Elvis Presley, Hank Williams Jr., The Rolling Stones and many other artists who I have no doubt include Dylan.

The Immediate Family/Cruel Twist

The Immediate Family is what you could call a super group featuring five veteran session musicians: Danny Kortchmar (guitar), Waddy Wachtel (guitar), Leland Sklar (bass), Russ Kunkel (drums) and Steve Postell (guitar). Between them, they have worked individually and together with artists like Jackson Browne, Carole King, Neil Young, Linda Ronstadt, Stevie Nicks, Keith Richards, James Taylor, Bob Dylan, Joe Walsh – and the list goes on and on. It’s yet another illustration that great musicians like to play with great musicians. But throwing together a group of top-notch musicians doesn’t automatically guarantee the outcome is as great as their skills. In this case I have to say I really like what I’m hearing! Cruel Twist is the group’s first U.S. single released on June 12. As reported by Rolling Stone, an EP is planned for October, followed by a full-length album next year.

Datura4/Give

According to their website, Datura4 are a Western Australian band combining full-tilt boogie, heavy psychedelia, blues and classic rock’n’roll for a sound heavy on riffage and mind-bending wig-outs – okey dokey. Founded in 2009, the band includes Dom Mariani (guitar), Bob Patient (keyboards), Stu Loasby (bass) and Warren “Wazza” Hall (drums). They released their debut album Demon Blues in 2015, followed by sophomore Hairy Mountain in 2016. Give is a great rocker from Datura4’s most recent album West Coast Highway Cosmic, which appeared on April 17. I dig the harmony guitar playing and the keyboard work. These guys are cooking – check it out!

Michael van Merwyk/We’re Human

Michael van Merwyk is a blues singer-songwriter and guitarist from Germany. According to this biography, he has become famous as one of only a few lap steel guitar players in the blues business. Michael performs and entertains fans at large festivals and also smaller clubs throughout Europe, either together in an acoustic duo with a blues harp player and singer Gerd Gorge as Delta Boys or his own band called Bluesoul. The (German) website of Bluesoul also notes van Merwyk started playing guitar at the age of 15 and has been an active musician for almost 35 years. I had never heard of him before. We’re Human is from what appears to be his most recent CD The Bear released on May 8. According to Discogs, the CD was recorded live in studio in December 2019 and January 2020.

Sources: Wikipedia; Rolling Stone; Last.fm; Bluesoul; YouTube

My Playlist: Jackson Browne

“…The Pretender, These Days, For Every Man, I’m Alive, Fountain of Sorrow, Running On Empty, For a Dancer, Before the Deluge. Now, I know the Eagles got in first; but let’s face it it – and I think Don Henley would agree with me – these are the songs they wish they had written. I wish I had written them myself, along with Like a Rolling Stone and Satisfaction…”

The above words were spoken by Bruce Springsteen in 2004 as part of his Rock & Roll Hall of Fame induction speech for Jackson Browne. Springsteen also recalled when he first met Browne in New York City at The Bitter End, a storied Greenwich Village performance venue, he knew the singer-songwriter from California was “simply one of the best”. Coming from somebody who has written so many great songs himself and during that same speech also admitted to be “a little competitive”, I think these remarks speak volumes.

The first Jackson Browne record I listened to in its entirety was what I still consider a true ’70s gem: Running On Empty. If I recall it correctly, my brother-in-law had it on vinyl, and I initially copied it on music cassette. I was spending countless hours at the time taping music from records, CDs and certain radio programs. I still have hundreds of tapes floating around. While it’s safe to assume the quality of most is less than stellar at this time, I just cannot throw them out!

Back to Browne with whom I happen to share one fun fact: We were both born in Heidelberg, Germany, though close to 18 years apart. Browne’s dad was stationed in Germany, working for American military newspaper Stars and Stripes. Two of his three siblings were born there as well. In 1951 when Browne was three years old, his family relocated to Los Angeles.

During his teenage years, Browne started performing folk songs at local L.A. venues like The Ash Grove and The Troubador Club. After graduating from high school in 1966, he joined country rockers Nitty Gritty Dirt Band, which would later record some of his songs. After a few months, Browne left and moved to New York City where he became a staff writer for Elektra Records’ publishing company Nina Music.

In 1967, Browne met and became romantically involved with singer Nico of The Velvet Underground. He became a significant contributor to her debut solo album Chelsea Girl. After they broke up in 1968, Browne returned to Los Angeles where he met Glenn Frey soon thereafter. Before he started recording his own songs, Browne’s music was recorded by other artists such as Tom Rush, Gregg Allman, Eagles, Linda Ronstadt and of course the aforementioned Nico and Nitty Gritty Dirt Band.

In 1971, Browne finally managed to get a deal with Asylum Records, and in January 1972, he released his eponymous debut album. Thirteen additional studio records have since appeared, as well as seven compilation and live albums and more than 40 singles. And this brings us to the most fun part of the post: Some of Browne’s music he has released during his close to 50-year recording career.

I’d like to kick things off with Song for Adam from Brown’s above noted eponymous debut album. The mournful memory of Adam Saylor, a friend of Browne who died in 1968 – possibly by suicide – was covered by various other artists, including Gregg Allman, who included a moving rendition with Browne singing harmony vocals on his final studio album Southern Blood from September 2017.

By the time Browne recorded Take It Easy for his sophomore album For Everyman, which appeared in October 1973, the Eagles had released the tune as their first single in May 1972. It gave them their first hit peaking at no. 12 on the Billboard Hot 100 and one of their signature songs. Originally, Browne began writing the tune for his eponymous debut album. But he got stuck with it, so played it to his friend Glenn Frey, who ended up finishing it. When Browne finally recorded the song, he also released it as a single, but it didn’t chart – perhaps it sounds pretty similar to the Eagles‘ version.

Fountain of Sorrow is a great track from Browne’s third studio Late for the Sky. Released in September 1974, it was his first top 20 record in the U.S., climbing to no. 14 on the Billboard 200. Like Take It Easy, the tune also appeared separately as a single but did not chart either.

In November 1976, Browne released The Pretender, his fourth studio album. It was his first major album chart success, climbing to no. 5 on the Billboard 200, and marking his first record to chart in the U.K., where it reached no. 26. Here’s the title track, which also became the second single. It did moderately well, reaching no. 58 on the Billboard Hot 100 – love that tune!

Next is the album that started my Jackson Browne journey: The amazing Running on Empty from December 1977. Frankly, I could list each tune on that record, so let’s go with one that is a less obvious choice: The Road, written by American singer-songwriter Danny O’Keefe. Themed around life on the road as a touring musician, Running on Empty was an unusual record featuring live recordings on stage and in other locations associated with touring, such as hotel rooms, tour buses or backstage. The first 2:28 minutes of The Road were captured in a hotel room in Columbia, Md., while the remainder was recorded live at Garden State Arts Center in Holmdel, N.J., which nowadays is known as PNC Bank Arts Center and a venue where I’ve seen many great shows.

In June 1980, Browne released Hold Out, his sixth studio album. While the record received poor reviews from music critics, ironically, it became his only no. 1 album in the U.S. It also was Browne’s second record to chart in the U.K. Here’s Of Missing Persons, a beautiful tribute to Little Feat co-founder Lowell George, a collaborator and longtime friend of Browne’s who had passed away the year before. The tune was specifically written for George’s then six-year-old daughter Inara George who since became a music artist as well.

For many years, Jackson Browne has been a political activist, e.g., speaking up against the use of nuclear power and supporting environmental causes. But it wasn’t until the ’80s that political themes starting to play a more dominant role in Browne’s lyrics. The album that comes to my mind first in that context is Lives in the Balance, which came out in February 1986. Here’s the catchy opener For America. It also became the lead single and reached no. 30 on the Billboard Hot 100.

For the next tune, I’m jumping to the ’90s, specifically to February 1996 and Browne’s 11th studio album Looking East. Like many of his previous records, it featured various notable guests, such as Bonnie Raitt, David Crosby, Ry Cooder and Mike Campbell. Here is Baby How Long, for which Cooder provided a great slide guitar part and Raitt sang harmony vocals, together with Australian singer Renée Geyer.

Let’s do two more from the current millennium. First up: The title track from The Naked Ride Home, Browne’s 12th studio album from September 2002, which my streaming music provider served up as a listening suggestion that in turn triggered the idea to do this post.

The final song I’d like to highlight is from Browne’s most recent 14th studio album Standing in the Breach, which was released in October 2014. Here is the nice opener The Birds of St. Marks. Originally, Browne wrote that tune in 1967 after his breakup with Nico and return from New York to California. While first released on his 2005 live album Solo Acoustic, Vol. 1., it wasn’t until this 2014 studio album that Browne properly recorded the tune. “This is a song I always heard as a Byrds song, and that was even part of the writing of the song,” Brown told Rolling Stone in an August 2014 interview. Standing in the Breach became a remarkable late-stage career chart success, reaching no. 15 on the Billboard 200 and no. 31 in the U.K.

Earlier this year, in the wake of testing positive for COVID-19 (though luckily with relatively light symptoms), Browne released A Little Soon to Say, a song from his next studio album scheduled for October 9, which I featured in this previous Best of What’s New installment. To date Browne has sold more than 18 million albums in the U.S. alone. Apart from the above mentioned Rock & Roll Hall of Fame induction, Browne has also been inducted into the Songwriters Hall of Fame in June 2007. He is ranked at no. 37 in Rolling Stone’s 2015 list of 100 Greatest Songwriters of All Time.

Sources: Wikipedia; Rolling Stone; YouTube

On This Day in Rock & Roll History: June 6

After having done more than 50 installments of this recurring feature, I still find it intriguing what turns up when you look at a specific date throughout music history. I’ve said it before and I say it again: It’s a rather arbitrary way to do this. But, hey, at the end of the day, it’s all about great music. Without further ado, let’s see what happened on June 6.

1960: Roy Orbison, the rock & roller with an operatic voice, released Only the Lonely, his first big hit peaking at no. 2 in the U.S. and Canada, and topping the charts in Ireland and the U.K. According to Songfacts, it was one of the first tunes Orbison wrote together with Joe Melson. Among others, the two also co-wrote Crying and Blue Bayou. Songfacts also includes the following Orbison told NME in 1980 about writing “sad songs” like Only the Lonely: “I’ve always been very content when I wrote all those songs. By this I’m saying that a lot of people think you have to live through something before you can write it, and that’s true in some cases, but I remember the times that I was unhappy or discontent, and I couldn’t eat, I couldn’t sleep, I couldn’t communicate, and I certainly couldn’t write a song, no way. All the songs I wrote that were successful were written when I was in a contented state of mind.”

1962: The Beatles came together for their first artist test recording session at EMI Studios at 3 Abbey Road, St John’s Wood, London. According to The Beatles Bible, the action went down in studio no. 2, where between 7:00 pm and 10:00 pm they recorded four tracks: Besame Mucho, Love Me Do, P.S. I Love You and Ask Me Why. The session was produced by George Martin with assistant Ron Richards and was the only one to feature Pete Best on drums. Initially, Richards was in charge, and Martin was only brought in after engineer Norman Smith was intrigued with Love Me Do. At the end of the session, which was hampered by quality issues due to the poor equipment The Beatles had brought along, Martin called them to the control room to tell them what they would need to do to become professional recording artists. When none of them reacted, Martin said: “Look, I’ve laid into you for quite a time, you haven’t responded. Is there anything you don’t like?” After an awkward pause, George Harrison responded: “Yeah, I don’t like your tie!” That cracked the ice, and the rest is history. While none of the material recorded at the session was used, four months later, The Beatles featuring Ringo Starr on drums re-recorded Love Me Do with George Martin. Backed by P.S. I Love You, it became their first single (not counting My Bonnie they had recorded with Tony Sheridan in June 1961).

1971: After 23 years on the air, CBS aired the last episode of The Ed Sullivan Show. It was a repeat. The last original telecast, episode no. 1,068, had aired on March 28 of the same year. Originally co-created and produced by Marlo Lewis, the show’s initial title was Toast of the Town. On September 25, 1955, it officially became The Ed Sullivan Show. Countless famous artists performed on the program, such as Elvis Presley, The Beatles, The Supremes, Stevie Wonder, The Beach Boys, The Rolling Stones and The Doors. CBS and Sullivan were quite conservative, and there were some “controversial” performances on the show. One of the most notorious appearances were The Doors on September 17, 1967. For the song Light My Fire, Jim Morrison had been told to alter the line Girl, we couldn’t get much higher. He complied during the rehearsal, but when it came to the live performance, he sang the original line – committing the ultimate sin! The Doors were never invited back on the program. Here’s a short clip documenting the horrible transgression!

1982: The Peace Sunday: We Have a Dream concert took place at The Rose Bowl in Pasadena, Calif., which attracted a crowd of 85,000 people. The six-hour event to promote nuclear disarmament featured artists like Tom Petty, Crosby, Stills & Nash, Bob Dylan, Stevie Nicks and Jackson Browne. It was partly broadcast on ABC Television’s Entertainment Tonight program on the same day. Here’s a clip of Bob Dylan and Joan Baez performing the Dylan tune With God On Our Side. Dylan first recorded the song for his third studio album The Times They Are a-Changin’ from January 1964.

Sources: Wikipedia; Songfacts: Music History Calendar; Songfacts; The Beatles Bible; YouTube

Best of What’s New

A selection of newly released music that caught my attention

There’s a good deal of recently released new music I came across today for this 10th and latest installment of the recurring feature. Two longtime acts, Alice Cooper and Scorpions, join four artists who are entirely new to me. From shock rock to bluegrass to blues rock, it’s all here. That kind of variety is exactly how I envisaged these posts to be when I started the series. Let’s get to it!

Alice Cooper/Don’t Give Up

While I don’t listen frequently to Mr. Shock Rock, I dig classics like School’s Out and No More Mr. Nice Guy. Alice Cooper’s latest single Don’t Give Up, which was released on May 15, certainly isn’t comparable to these aforementioned tunes, but I still find it sufficiently enjoyable. “”Don’t Give Up” is a song about what we’ve all been going through right now and about keeping our heads up and fighting back together,” Cooper stated on his website. This video wouldn’t have been possible without you – and who knows, you might be in it!And whatever you do – “Don’t Give Up”” – okey dokey!

Scorpions/Sign of Hope

I’ve been meaning to write again about the German rock/pop metal band and guess I was looking for an occasion. Now I got one: Don’t Give Up, a new single that came out on May 14. Scorpions first entered my radar screen in 1984 with their ninth studio album Love at First Sting. Various songs from that record received heavy radio play in Germany, especially Rock You Like a Hurricane, Big City Nights and Still Loving You. While I don’t listen much to metal, what I always liked about Scorpions is how they blended heavy guitar rock with pop and catchy melodies. “We are working on lot’s of Hard‘n Heavy Rockers for our new album these days,” reads a short statement from the band on their website. “…but because of the dramatic Covid-19 pandemic, we want to give you a little Sign of Hope that came straight from the heart in troubled times … stay healthy and safe … we love you … Scorpions.”

Margo Price/Twinkle Twinkle

This 37-year-old country singer-songwriter from Nashville is new to me. Based on Wikipedia, Margo Price grew up in Aledo, Ill. and moved to Nashville at age 20 in 2003 after dropping out of school. Her debut studio album Midwest Farmer’s Daughter appeared in March 2016. Twinkle Twinkle, a nice scorching rocker, is the second single from Price’s upcoming third album That’s How Rumors Get Started, produced by Sturgill Simpson. The song appeared on March 11. The release of the new album has been pushed back to July 10 due to COVID-19.

Brian Fallon/When You’re Ready

Brian Fallon is a 40-year-old singer-songwriter from Red Bank, N.J. While that’s only 30 miles from my house, I had never heard of this artist before either. It looks like he has been active since 1997 and released three studio albums and one EP to date. When You’re Ready is a pretty, soothing tune from his most recent album Local Honey released on March 27. Are you ready? 🙂

Watkins Family Hour/Miles of Desert Sand

According to Wikipedia, Watkins Family Hour is a bluegrass musical collaborative led by Sara and Sean Watkins. The group began in 2002 as a monthly, informal musical  variety show with the Watkins siblings and their friends in the Los Angeles nightclub Largo. Their eponymous debut album, which consists entirely of covers, was released on July 24, 2015…and was produced by Sheldon Gomberg. Among others, Gomberg has worked with Charlie Musselwhite, Rickie Lee Jones, Kenny Wayne Shepherd, Jackson Browne and Steve Forbert– quite impressive credentials! Miles of Desert Sand is from their most recent album Brother Sister from April 10, which based on Discogs appears to be their sophomore album. I really dig the warm sound of the fiddle and the harmony singing. Check it out!

Shawn Pittman/There Will Be a Day

Let’s end this post with some funky blues. There Will Be a Day is a hot groovy tune from Make It Right!, which according to Wikipedia is the 13th album by blues rock singer-songwriter Shawn Pittman, another artist I don’t believe I had heard of before. But I can tell you one thing: Based on the few songs I’ve sampled from that album, I’m ready for more! Pittman who was born and grew up in Oklahoma moved to Dallas at age 17. He had picked up the guitar in his early teens and got involved in the music scene at Schooners, a Dallas local club. In 1996 as a 22-year-old, Pittman self-recorded his debut album Blues From Texas, which was retitled Burnin’ Up for his national debut in 1997. Pittman has worked with musicians from Double Trouble, the former backing band of Stevie Ray Vaughan, as well as Kim Wilson, Gary Clark Jr. and Susan Tedeschi, to name a few others. Make It Right! was released on April 10. Pittman certainly embraced the title!

Sources: Wikipedia; Alice Cooper website; Scorpions website; Discogs; YouTube

In Appreciation of Healthcare Professionals

Not a day goes by that you don’t see stories on TV and in other news outlets, reporting about the incredible work healthcare professionals are doing around the U.S. to care for people who are sick from the coronavirus. Last night, I caught a segment on CNN, which really got to me. For a change, I wished it was fake news, but it wasn’t!

A CNN anchor interviewed two women who are working as hospital nurses in New York City: A 20-year-old and another nurse who I guess was in her ’50s – hard to tell! Both looked extremely exhausted. The older nurse was working despite having some COVID-19 symptoms herself. Why was she still coming to work? ‘Because that’s what we do,’ she said. In the beginning, the 20-year-old tried to put on an optimistic face as best as she could, but it was obvious she was scared to death. She had just written her will and admitted she had cried a lot over the past week.

Twenty years old and feeling compelled to write her will? That’s only two years older than my son! And this is happening in America in the 21st century?

Both women pleaded with government officials that healthcare workers be provided with the protective equipment they need to continue caring for patients while reducing the risk of getting sick themselves. I have to say I never thought I would witness something like this in the U.S., one of the richest countries in the world. WTF!

It’s beyond my comprehension why certain so-called leaders at the state and federal level don’t use their full authorities to help contain the spread of the virus and fight it with all means they have at their disposal. This is not a time to question scientists or view things through an ideological lens. People are dying all around us, for crying out loud!

I’ll stop the rant here to get to the essence of the post – music, more specifically songs that in a broader sense are about doctors. Admittedly, I have to stress the word “broader” here. In any case, the idea is to give a shoutout and honor the selfless work healthcare professionals are doing across the U.S. every day. Typically for lousy pay!

Steely Dan/Dr. WuDonald FagenWalter Becker; Katy Lied (1975)

Bruce Springsteen/The Lady and the DoctorBruce Springstein; Before the Fame (1997)

Jethro Tull/Doctor to My DiseaseIan Anderson; Catfish Rising (1991)

Robert Palmer/Bad Case of Loving You (Doctor, Doctor)Moon Martin; Secrets (1979)

Jackson Browne/Doctor, My EyesJackson Browne; Jackson Browne (1972)

Blue Öyster Cult/Dr. MusicJoe Bouchard, Donald Roeser & Richard Meltzer; Mirrors (1979)

Counting Crows/HospitalCoby Brown; Underwater Sunshine (Or What We Did On Our Summer Vacation) (2012)

Doobie Brothers/The DoctorTom Johnston, Charlie Midnight & Eddie Schwartz; Cycles (1989)

Black Sabbath/Rock ‘n’ Roll DoctorTony Iommi, Geezer Butler, Bill Ward & Ozzy Osbourne; Technical Ecstasy (1976)

The Fray/How to Save a LifeIsaac Slade & Joe King; How to Safe a Life (2005)

Sources: Wikipedia; Ultimate Classic Rock; YouTube

Best of What’s New

A selection of new music I like

This is the third installment of my new series in as many weeks. While I’m not sure I can keep it up at that rate, I’m happy that lately more newly released music makes it on my radar screen. Best of all, three of the five artists featured in this post are entirely new to me, while I had not heard from one of the remaining two in 35 years. It also turns out the fifth and most famous artist and I were born in the same town in Germany.

Jackson Browne/A Little Soon to Say

It’s safe to assume Jackson Browne needs no introduction. Ever since I listened to the Running on Empty album in the late ’70s or early ’80s, I’ve loved the singer-songwriter. By the way, while researching the post, I realized Brown was born in Heidelberg, Germany, which also happens to be my place of birth. That’s where the commonalities end! 🙂 Browne released his latest song last Friday shortly after he had learned a test for COVID-19 had come back positive – yikes! While he had written A Little Soon to Say prior to the pandemic, Browne told Rolling Stone he decided, “Just put it out now while these things are so uncertain.” Fortunately, his symptoms appear to be mild and he is currently at home in quarantine.

Kendall Rucks/Bloom

From her website: With her powerful vocals and sultry sound, Kendall Rucks fuses elements of rock, blues and dream pop to create music that is both provocative and captivating. A Florida native now based in Los Angeles, Kendall has recently released her latest single SKIN THE SUN while also juggling multiple writing and recording projects. With her band, The Zodiac Mafia, Kendall is preparing for a US tour in 2020 as well as the release of multiple new singles…With artist inspirations such as Fiona Apple, Lana Del Rey, and Cat Power as well as groups like Nirvana, Radiohead and Garbage, Kendall makes music that is deep, thought-provoking and has soul with a sultry edge. Apparently, her bio is slightly outdated. Released March 6, Bloom is Rucks’ most recent single. Pretty good – reminds me a bit of Tanita Tikaram.

Cory Vincent/I’d Love to Change the World

With that title, how could I not have selected this tune during these crazy times? From Vincent’s website: What do you get when you combine the hard edged, dreary sounds of the Pacific Northwest with the soulful, southern themed voicings of the blues? The fans of Cory Vincent have appropriately coined it, “Grunge Blues.” Drawing inspiration from genre-blending trailblazers like Neil Young, Jimi Hendrix, and Jack White; Cory’s songwriting is a throwback to an era where the song was the king…Born and raised in the small town of Sedro-Woolley, Cory’s passion for music and songwriting began at young age, with a heavy influence of Country music from legends like Hank Williams, Willie Nelson, Waylon Jennings, and Garth Brooks. It wasn’t until the age of 13, when his father brought home the Stevie Ray Vaughan album “Texas Flood,” that Cory decided to pick up the guitar. Often saying that there are way too many influences to list, Cory sums up his guitar background as follows- “I play guitar because of Stevie Ray Vaughan, Tony Iommi (Black Sabbath) changed the way I thought about guitar, and Warren Haynes confirmed it all!” All sounds good to me! I’d Love to Change the World is his latest single that came out on March 15. Written by Alvin Lee, the song was first recorded by British blues rock band Ten Years After for their sixth studio album Space in Time from October 1971.

Kings Ransome/Solo

From the band’s website: Kings Ransome started years ago as Vannare when future rock icon Porter Dowdy realized his dream of holding a guitar every day for the rest of his life. He teamed up with longtime friend, shampoo model candidate, and bassist Davis Huggins to do this band thing. Funk/fusion drummer Matt Malphrus joined the gang with a charming smile and a stellar high school football career. Not long after – enter guitarist Leo Santana. With hair that contains more rock’n’roll than most people have in their whole body, Leo upped the band’s sound and image. The guys created a kickin’ EP, but the singer quit during recording. Luckily Porter knew a guy. Trey Duncan had quit his job and was trying to pay the bills as a solo artist. Porter called him the day he told his girlfriend he needed a band to boss around, and the rest, as they say, is history. Credited to all members of the band, Solo is their most recent single that came out on January 1. Nice guitar-oriented rock – check it out!

Heinz Rudolf Kunze/Die Zeit Ist Reif

Wow, the last time I had heard from Heinz Rudolf Kunze was some 35 years ago when the German singer-songwriter and book author suddenly was everywhere on the radio with Dein Ist Mein Ganzes Herz (rough translation: You’re my everything). Some critics called Kunze “Oberlehrer” (secondary schoolteacher) for his often didactic lyrics. Including his 1981 debut, he has released 28 albums to date. Cowritten by Kunze and Heiner Lürig, Die Zeit Ist Reif (the time is now) is from his most recent album Der Wahrheit Die Ehre (pay attention to the truth), which was released on February 21. It’s a nice pop rock ballad.

Sources: Wikipedia; Kendall Rucks website; Cory Vincent website; Kings Ransome website; YouTube

James Taylor Releases American Songbook Cover Album

I suppose if you’re a cynic you could point out that when an artist releases a cover album of American standards or Christmas tunes for that matter, it’s a sign they’ve run out of ideas and may consider retirement, or they simply are trying make a quick buck. While in some cases this notion may not be unfounded, I feel differently when it comes to James Taylor. To me, his just-released new album American Standard is a legitimate undertaking by an artist who wants to highlight songs that have played an important role in his musical journey.

I’ve admired James Taylor for many years for his warm and soothing vocals and his impressive acoustic guitar chops. I wish I could play like that! His cover of Carole King’s You’ve Got a Friend is one of my all-time favorite tunes. And, yes, Taylor has also written beautiful songs like Carolina in My Mind, Sweet Baby James and of course the amazing Fire and Rain. I realize this may make me a bit biased when it comes to his latest release.

So why come out with a cover album of American standards? Do we really need another version of Moon River and God Bless the Child? Here’s what the album’s liner notes say, as reported by American Songwriter: “These are songs I have always known. Most of them were part of my family’s record collection, the first music I heard as a kid growing up in North Carolina…Before I started writing my own stuff, I learned to play these tunes, working out chord changes for my favorite melodies. And those guitar arrangements became the basis for this album.”

James Taylor in this studio
James Taylor in his barn studio in Western Mass.

“My collaborator, John Pizzarelli, is a living encyclopedia of the best popular music that the West has ever produced. Like his father, Bucky, he is a master guitarist and a casual, matter-of-fact genius. I asked John to come out to Western Massachusetts, where I live and do my recording in a big barn in the middle of the forest, to help me put down some tracks. I’d show him what changes I had found for a handful of songs and we’d work up the arrangements.”

Call me naive, but to me Taylor doesn’t sound like some artist who is just out there to cash in on his big name late in his recording career. I won’t pretend I’m an expert on the American songbook. I’m not. It’s simply not the kind of music I typically listen to. I also doubt this will change all for a sudden. What I do know is that I love how Taylor and Pizzarelli arranged these tunes. I think it’s time to let the music do some of the talking or writing.

Teach Me Tonight was written in 1953 by pianist Gene De Paul with lyrics by Sammy Cahn. This jazz standard has been covered by Dinah Washington, Count Basie, Sammy Davis Jr., Aretha Franklin, Al Jarreau and Stevie Wonder, among other countless artists. I dig the beautiful arrangement, including the trumpet solo and percussion played by Walt Fowler and Luis Conte, respectively. Here’s the official video.

Another beautiful tune is Almost Like Being in Love. The music and the lyrics were written by Frederick Loewe and Alan Jay Lerner, respectively, for the score of their 1947 musical Brigadoon. The song was first performed on Broadway by David Brooks. Gene Kelly sang the 1954 film version. The tune was also recorded by Nat King Cole, Frank Sinatra and Shirley Bassey. As a fan of old James Bond movies, she entered my radar screen with Goldfinger, perhaps the best 007 tune.

My Heart Stood Still was composed by Richard Rodgers in 1927, with lyrics by Lorenz Hart. It was written for a British musical revue by Charles Cochran, which opened in London in May 1927. It was also featured later that same year in the American Broadway musical A Connecticut Yankee. Like with most other tracks on the album, it’s a tune that was recorded by many artists over the decades, including Chet Baker, Ella Fitzgerald, Frank Sinatra and Bing Crosby. The lovely violin part is played by Stuart Duncan.

The last tune I’d like to call out is It’s Only a Paper Moon, which I previously only knew from the 1973 motion picture Paper Moon. But the song’s origin dates all the way back to 1932, when it was titled If You Believed in Me and first performed by Claire Carleton during a Broadway play called The Great Magoo. The music was composed by Harold Arlen, with lyrics by Yip Harburg and Billy Rose. According to Wikipedia, the song’s lasting fame stems from its revival by popular artists during the last years of World War II, with hit recordings being made by Nat King ColeElla Fitzgerald, and Benny Goodman.

American Standard, which was released yesterday (Feb 28), is Taylor’s 20th studio album. It was co-produced by Dave O’Donnell, Taylor and Pizzarelli. O’Donnell has worked in different capacities (engineering, mixing, producing) with an impressive array of artists, who in addition to Taylor include Sheryl Crow, Keith Richards, Eric Clapton and John Mayer, among others. Pizzarelli, a jazz guitarist and vocalist, isn’t exactly obscure either. According to Wikipedia, apart from recording more than 20 solo albums, he has appeared on more than 40 albums, including Paul McCartney, Rickie Lee Jones and Natalie Cole.

Taylor will be touring Canada and the U.S., starting in mid-April and featuring special guests. In Canada, it is going to be Bonnie Raitt, while for most U.S. gigs Jackson Browne will be his special guest. This surely does sound tempting to me. If Raitt would be the special guest in the U.S., I’d probably get a ticket right away. Don’t get me wrong, I dig Jackson Browne as well but saw him relatively recently in May 2018. My previous and so far only Bonnie Raitt show, on the other hand, dates back to August 2016. And, yes, I admit it, I do have a weak spot for her – she’s just an amazing lady!

Sources: Wikipedia; American Songwriter; James Taylor website; Dave O’Donnell website; YouTube

You’re So Good, Baby, You’re So Good

A tribute to the amazing voice and versatility of Linda Ronstadt

The other night, I caught the great documentary Linda Ronstadt: The Sound of My Voice on CNN. While I had been well aware of Linda Ronstadt’s amazing vocals, I had not fully appreciated her musical versatility. I’d like to focus this post on the latter, since it’s safe to assume her biography has been covered a million times.

Yes, Ronstadt “only” performed music written by others, which perhaps in part explains why it took me so long to write about her. But it would be a serious mistake to underappreciate her. You don’t need to take it from me.

Let’s start with a few comments from other artists I dig, who are featured in the documentary. “Linda could literally sing anything” (Dolly Parton). “Linda was the queen. She was what Beyoncé is right now” (Bonnie Raitt). “Linda was a very determined woman” (Don Henley). “There’s just no one that will have a voice like Linda’s” (Emmylou Harris). “Try following Linda Ronstadt every night” (Jackson Browne).

Linda Ronstadt Feb 2019
Linda Ronstadt in Feb 2019

And then there’s Ronstadt’s sheer success. The documentary noted she “was the only female artist with five platinum albums in a row:” Heart Like a Wheel (November 1974), Prisoner in Disguise (September 1975), Hasten Down the Wind (August 1976), Simple Dreams (September 1977) and Living in the USA (September 1978). I assume that statement refers to the ’70s only. According to Wikipedia, Mad Love from February 1980 also hit platinum, which would actually make it six such albums in a row. Plus, there’s another series of five platinum records in a row Ronstadt released between September 1983 and October 1989.

Let’s get to some music. I’d like to kick things off with Rescue Me, from Ronstadt’s eponymous album, released January 1973, her third record. Co-written by Raynard Miner and Carl Smith, this nice rocker was recorded live at The Troubador in Los Angeles. In addition to Ronstadt’s great vocals, I’d like to call out her impressive backing band: Glenn Frey (guitar, backing vocals), Don Henley (drums, backing vocals) and Randy Meisner (backing vocals), along with Sneaky Pete Kleinow (pedal steel guitar), Moon Martin (guitar), Michael Bowden (bass). Among the album’s many other guests was Bernie Leadon. Following the record’s release and with Ronstadt’s approval Frey, Henley, Leadon and Meisner formed that other band called the Eagles.

When Will I Be Loved is one of the gems on Ronstadt’s breakthrough album Heart Like a Wheel from November 1974. The Phil Everly tune nicely illustrates her ability to select great songs and make them her own. I dig the original by The Everly Brothers, but Ronstadt took it to another level. Apart from beautiful harmony singing, it’s the guitar work by Andrew Gold that stands out to me. Similar to her eponymous album, Heart Like a Wheel features an impressive array of guests, including Frey, Henley, J.D. Souther, Timothy B. Schmidt, Russ Kunkel, David Lindley and Emmylou Harris, among others. Once again, it goes to show great artists like to play with other great artists.

In September 1977, Ronstadt released her eighth studio album Simple Dreams, which became one of the most successful records of her entire career. Among others, it includes Blue Bayou, one of her best-known songs. And then there’s this fantastic version of Rolling Stones classic Tumbling Dice. Check out that great slide guitar solo by Waddy Wachtel, who in addition to electric also played acoustic guitar and provided backing vocals, together with Kenny Edwards. According to It Came With The Frame, Ronstadt at the time had a fling with Mick Jagger who helped her overcome challenges in mastering the song’s lyrics. That little help from her friend came to end when Bianca Jagger flew straight to California to confront her husband. Apparently, she actually liked Ronstadt as long as she didn’t get too cozy with Mick!

After having become one of the biggest female music artists on the planet and having firmly established herself in the country, pop and rock genres, Ronstadt took the gutsy decision to turn to Broadway in the summer of 1980. She became the lead in the New York Shakespeare Festival production of Gilbert and Sullivan’s The Pirates of Penzance, alongside actor and vocalist Kevin Kline. While people in the music industry tried to talk her out of it, saying it would be the end of her career, it all made perfect sense to Ronstadt. Her grandfather Fred Ronstadt had once created a musical arrangement of The Pirates of Penzance. Ronstadt also co-starred in the 1983 film version of the operetta, for which she won several Tony Awards and earned a Golden Globe nomination. Here’s Poor Wandering One.

During her Broadway and operetta phase and beyond, Ronstadt continued to release studio albums and took excursions into new musical territory.First up: An album of pop standards, ironically titled What’s New and featuring songs by the likes of George Gershwin, Irving Berlin and Sammy Kahn. It was the first in a trilogy of jazz-oriented albums. Again, Ronstadt’s record company Asylum and her manager Peter Asher were quite reluctant to produce such a record. But Don Henley didn’t call her “a very determined woman” for nothing, and in the end, the record label and Asher knew they couldn’t talk Ronstadt out of it. The album actually turned out to be a success, peaking at no. 3 on the Billboard 200 and spending 81 weeks on the chart. Here’s Ronstadt’s take of I’ve Got a Crush On You, co-written by George Gershwin and his older brother Ira Gershwin.

In 1987, Ronstadt took yet another musical turn. Inspired by her Mexican heritage (her father Gilbert Ronstadt was of German, English and Mexican ancestry) and her exposure to Mexican music, which was sung by her family throughout her childhood, she recorded Canciones De Mi Padre, an album of traditional Mariachi music. Released in November 1987, it became the first of four Spanish language albums Ronstadt released. It also remains the biggest-selling non-English language album in American record history, with 2.5 million copies sold in the U.S. and nearly 10 million worldwide as of 2012. According to Wikipedia, it also is the only recording production that used the three best Mariachi bands in the world: Mariachi Vargas, Mariachi Los Camperos and Mariachi Los Galleros de Pedro Rey. Ronstadt simply didn’t do anything half-ass! Here’s Tú Sólo Tú.

If you’re new to Linda Ronstadt, I suppose by now, nothing would really surprise you. Plus country isn’t perhaps as big a leap as operetta and Mariachi music. Here’s a tune from Trio II, the second country collaboration album Ronstadt recorded with Dolly Parton and Emmylou Harris: Neil Young’s After the Gold Rush. The album appeared in February 1999. I have to say I’ve rarely heard such beautiful harmony vocals. It’s like angels singing. And dare I add it as a huge Neil Young fan, I like Ronstadt’s take better than the original, which is one of my favorite Young tunes.

I’d like to wrap things up with one more song: Back in the U.S.A. Ronstadt’s cover of the Chuck Berry tune was the opener of Living in the USA, released in September 1978, her third and last record to peak the Billboard 200. Back in the U.S.A. also became the album’s lead single in August of the same year. Dan Dugmore and Waddy Wachtel on guitar and Don Grolnick on the piano do a beautiful job. Russ Kunkel (drums), Kenny Edwards (bass, backing vocals) and Peter Asher (backing vocals) round out the backing musicians.

Linda Ronstadt has had an exceptional career. In addition to having released more than 30 studio albums, including three no. 1 records on the Billboard 200, she has appeared on approximately 120 albums by other artists. According to her former producer and manager Peter Asher, Ronstadt has sold over 45 million albums in the U.S. alone. She has also produced for other artists like David Lindley, Aaron Neville and Jimmy Webb. In April 2014, Ronstadt was inducted into the Rock and Roll Hall of Fame. She also became a Kennedy Center Honoree last year.

In a February 2019 interview with CBS Sunday Morning, Ronstadt said that it was in 2000 when she started noticing something was wrong with her voice. “I would start to sing and it would start clamp up. It was like a cramp. It was like a freeze…It’s very slow-moving this disease, so it took a really long time to fully manifest.” After these first signs, Ronstadt recorded one more album, Hummin’ to Myself, released in November 2004. During an April 2011 interview with the Arizona Daily Star, she said, “I’m 100 percent retired and I’m not doing anything any more. I’m at the ripe old age of getting to be 65 and I find that I don’t have the power that I had and that’s not worth inviting people to spend their money.”

While Parkinson’s is a bad disease, especially for a vocalist, Ronstadt is very gracious about it. “You know, I’m grateful for the time I had,” she said in the documentary. “I got to live a lot of my dreams and I feel lucky about it…Another person with Parkinson’s said that life after death isn’t the question. It’s life before death. So how you gonna do it? How you gonna live?” BTW, in good old CNN fashion to repeat content, the documentary airs again tonight at 9:00 pm ET and tomorrow (January 5, 12:00-2:00 am ET). If you like Linda Ronstadt, I highly recommend it.

Sources: Wikipedia; It Came With The Frame; CBS Sunday Morning; Arizona Daily Star; YouTube