My Top 5 Live Albums Turning 50

Three make a charm. Here’s my third and probably last look for now at 1971. Previously, I mused about my top 5 studio records and my top 5 debut albums that appeared during this remarkable year in music. Now it’s time for my top 5 live albums turning 50 this year.

Similar to debuts, narrowing the universe to live albums substantially reduced the choices compared to studio albums. That being said, I was surprised how many live albums appeared in 1971. For the purposes of my fun exercise, I considered 14 live records. Here are my five favorites. This time, I decided to list them according to their release date.

Elton John/17-11-70

This early Elton John album was new to me. Released on April 1, 1971, it was John’s fifth record overall and his first live release – and, boy, what a great album! It captured a live radio broadcast from November 17, 1970 – hence the title. This was an unplanned album, which was triggered by bootlegs. From a strictly commercial perspective, it turned out it didn’t quite work. A 60-minute bootleg, which included 12 more minutes of John’s music than the officially sanctioned live album, is believed to have impacted sales of the latter. An extended 2-LP edition was released for Record Store Day in 2017. Regardless of the original album’s commercial performance, the music is fantastic. Here’s closer Burn Down the Mission, a tune John initially included on his third studio album Tumbleweed Connection from October 1970. As usual, he composed the music while his long-time partner Bernie Taupin provided the lyrics. This is an extended version that incorporates parts of Arthur Crudup’s My Baby Left Me (starting at around 10:30) and The Beatles’ Get Back (starting at about 14:10). At 18 minutes plus, it can compete with prog rock, but listening to John demonstrating his rock piano chops is a lot of fun! BTW, the guy playing that groovy bass is Dee Murray, who was a longtime member of John’s backing band.

Crosby, Stills, Nash & Young/4 Way Street

4 Way Street, released on April 7, 1971, is the first live album by Crosby, Stills, Nash & Young. It includes footage from gigs at Fillmore East (New York), The Forum (Los Angeles) and Auditorium Theatre (Chicago) recorded during CSNY’s 1970 tour. By the time they played these shows, tension between the members had grown to intense levels, and the band dissolved shortly after the double-LP’s appearance – egos in rock! Sides one and two are acoustic and are primarily focused on the individual members, while sides 3 and 4 are electric, featuring the full band playing together. Here’s Ohio, written by Neil Young, and first released as a single by CSNY in June 1970 to protest the Kent State shooting that had occurred on May 4 of the same year.

The Allman Brothers Band/At Fillmore East

At Fillmore East by The Allman Brothers Band is perhaps the ultimate southern and blues rock album and one of the best live albums ever. Released on July 6, 1971, it features music from three of the band’s concerts at the legendary New York City music venue that occurred in March 1971. The Allman Brothers’ third album overall also marked the band’s commercial breakthrough, climbing to no. 13 on the Billboard 200. As of August 1992, At Fillmore East has reached Platinum status. In 2004, it was selected for preservation in the Library of Congress, deemed to be “culturally, historically, or aesthetically important” by the National Recording Registry. Rolling Stone ranked the album at no. 49 in their 2003 list of The 500 Greatest Albums of All Time. In the list’s latest revision from September 2020, it still came in at a respectable no. 105. Here’s Hot ‘Lanta, an instrumental the Allman Brothers debuted on this live album. It is credited to all members of the band at time: Duane Allman (lead guitar, slide guitar), Gregg Allman (organ, piano, vocals), Dickey Betts (lead guitar), Berry Oakley (bass), Jai Johanny Johanson (drums, congas, timbales) and Butch Trucks (drums, tympani). These harmony guitar parts combined with Greg Allman’s Hammond are just out of this world!

Chicago/Chicago at Carnegie Hall

Chicago’s fourth album overall and their first live release, Chicago at Carnegie Hall, released on October 25, 1971, falls into the band’s early period, which is my favorite. As such, it immediately made my list of live albums I considered for my top picks. The 4-LP set was recorded from shows Chicago played at New York’s prominent concert venue for a week in April 1971 during their supporting tour for Chicago III, the band’s third studio album that had come out in January of the same year. “The reason behind the live record for Carnegie Hall is, we were the first rock ‘n’ roll group to sell out a week at Carnegie Hall, and that was worth rolling up the trucks for, putting the mikes up there, and really chronicling what happened in 1971,” co-founding band member Walter Parazaider told William James Ruhlmann, who wrote the liner notes for the 1991 Chicago compilation Group Portrait. Not all members were happy with the outcome. James Pankow, one of three co-founders who remain in the current line-up of Chicago, felt the venue’s acoustics weren’t made for amplified music, comparing the sound of the brass to kazoos. In 2005, a remastered version of the album with improved sound quality appeared. And earlier this month, Rhino Records announced a 50th anniversary 16-CD box set titled Chicago Live At Carnegie Hall Complete. It’s slated for July 16. Meanwhile, here’s the amazing 25 Or 6 To 4. Written by Robert Lamm, the tune first appeared on Chicago’s eponymous second studio album from January 1970 (also known as Chicago II).

George Harrison & Friends/The Concert for Bangladesh

I trust The Concert for Bangladesh doesn’t need much of an introduction. This 3-LP album captured the pioneering music charity event that had been organized by George Harrison to raise money for war-ravaged and disaster-stricken Bangladesh and took place at New York’s Madison Square Garden on August 1, 1971. The two concerts conducted for UNICEF, which raised from than $243,000 at the time, featured an incredible line-up of artists, who in addition to Harrison included Ravi Shankar, Bob Dylan, Leon Russell, Ringo Starr, Billy Preston and Eric Clapton, among others. The event brought Harrison and Starr together on stage for the first time since 1966 when The Beatles had stopped to tour. It also marked Dylan’s first major concert appearance in the U.S. for five years. I recall reading somewhere Harrison literally didn’t know whether Dylan would show up until he walked out on stage. Here’s Harrison’s While My Guitar Gently Weeps, which was first appeared on The Beatles’ White Album from November 1968.

Sources: Wikipedia; YouTube

The Sunday Six

Celebrating music with six random songs at a time

It’s a gray and rainy Sunday morning in New Jersey, at least in my neck of the woods. But I’m determined not to let that bring me down. Plus, we’ve had plenty of sunshine over the past couple of weeks, so there’s no good reason to complain and every reason to expect the sun will come back. Most importantly, bad weather isn’t a deterrent to listen to great music. In fact, one could argue a rainy day is a perfect opportunity to do just that. And, guess what, I have some suggestions! 🙂

ShwizZ /Clock Tower

Let’s get into the mood with an amazing brand new rock instrumental by ShwizZ. I had never heard of the group until Friday when I spotted the below clip on Facebook. I’m not even sure how to properly pronounce that name! According to their website, ShwizZ is a one of a kind powerhouse from Nyack, New York. Drawing a substantial influence from classic progressive rock and funk, they consistently put their musical abilities to the test to deliver a high intensity and musically immersive show. ShwizZ call out Frank Zappa, Yes, P-Funk and King Crimson as their influences – notably, all artists I essentially don’t listen to, except for Yes. Still, Clock Tower grabbed me right away! The band’s members include Ryan Liatsis (guitar), Will Burgaletta (keyboards), Scott Hogan (bass) and Andrew Boxer (drums). I know Scott who is a very talented bassist. Frankly, when I see him play, sometimes, I ask myself ‘what’s the point’ of me trying. But while skill is great, at the end of the day, playing an instrument should be about fun first and foremost. Anyway, after I watched the video, I messaged Scott with a few inquisitive questions. I think he has no idea I’m writing about him – sneaky, huh? Anyway, he told me ShwizZ have been around for about 10 years. He joined them 1.5 years ago. Most of their music is instrumental. Their website lists a few albums and singles, including Clock Tower, which was released as a single on Friday, April 8. Apparently, they’re working on other new music. Meanwhile, let’s give this cool-sounding tune a listen!

Gerry Rafferty/Baker Street

From the very first moment I heard Baker Street by Scottish singer-songwriter Gerry Rafferty, I loved that tune. The saxophone part by Raphael Ravenscroft and the guitar solo by Hugh Burns still give me the chills. Rafferty wrote Baker Street for his second studio album City to City that came out in January 1978. The song was also released separately as a single and became Rafferty’s biggest hit, peaking at no. 2 and no. 3 in the U.S. and the UK, respectively, and charting within the top 10 in various other European countries. In Australia, it went all the way to no. 1. Rafferty had a complicated relationship with fame and the music industry, and unfortunately, he struggled with alcoholism and depression. On January 4, 2011, Rafferty passed away from liver failure at the untimely age of 63. Primarily fueled by Baker Street, City to City ended up to become his most successful album. Altogether, Rafferty released 10 albums during his solo recording career from 1971 to 2009. He also gained popularity as co-founder of Scottish folk rock band Stealers Wheel and their hit Stuck in the Middle with You.

Muddy Magnolias/Broken People

In December 2016, about seven months after I had started the blog, I named Muddy Magnolias “my new discovery for 2016 I’m most excited about.” Then the now-defunct duo of African American singer-songwriter Jesse Wilson from Brooklyn, New York, and Kallie North, a white pianist from Beaumont, TX, kind of fell off my radar screen until I remembered them out of the blue the other day. They got together in 2014 and released an amazing album titled Broken People in October 2016. The music represents an intriguing blend of each artist’s background. Wilson’s influences include Aretha FranklinSmokey RobinsonLauren HillMary J. Blige and The Notorious B.I.G., while North grew up listening to artists like The CarpentersAlison KraussJames Taylor and Eagles. Unfortunately, the duo dissolved at the end 0f 2017. Wilson went on by herself and released her debut solo album Phase in May 2019, which was produced by Patrick Carney, the drummer of The Black Keys. No idea what happened to North who apparently initiated the duo’s breakup. While Muddy Magnolias only released one album, they certainly made it count. Here’s the cool title track.

Tom Faulkner/Lost in the Land of Texico

A few weeks ago, my longtime music buddy from Germany recommended that I check out Tom Faulkner and his 1998 album Lost in the Land of Texico. Usually, he has a good idea what will appeal to me, and once again he was right! While the singer-songwriter and producer, who was born in New Orleans, already at the age of five knew music was his calling, unfortunately, it appears he never quite broke through as a music artist. To date, decades into his career, Faulkner has only released two albums: Lost in the Land of Texico (1997) and Raise the Roof (2002). For the most part, he has made his living with commercial music for radio and TV. As his bio on last.fm notes, Faulkner has created hundreds of national jingles and scores, including some of the most memorable commercial music on television and radio. Most notably, he composed and sang the wildly popular “I Want My Baby Back” for Chili’s, a jingle that has since found its way into motion pictures (Austin Powers) and over a dozen major network TV shows. He also created the multi-award winning music theme for Motel 6 and Tom Bodett, the longest running commercial campaign in the history of advertising (23 years, 5 CLIOs, and counting). As of June 2019, when his bio was last updated, Faulkner was working on his third CD. Here’s the bluesy title track, which has a nice musical New Orleans flavor.

The Subdudes/Light in Your Eyes

Let’s stay with New Orleans and The Subdudes, another great tip from my German music friend. This band from The Big Easy blends folk, swamp pop, New Orleans R&B, Louisiana blues, country, cajun, zydeco, funk, soul and gospel into a tasty musical gumbo. They have been around since 1987 with breaks from 1996-2002 and 2011-2014. The band’s current members include Tommy Malone (vocals, guitar), John Magnie (vocals, accordion, keyboards), Steve Amedée (tambourine, drums, other percussions, vocals), Tim Cook (percussion, bass, vocals) and Jimmy Messa (bass, guitar), which is almost still their original line-up. Since their eponymous debut from 1989, The Subdudes have released nine additional studio and two live albums. Light in Your Eyes is a track from the band’s first album. It was co-written by Malone and Johnny Ray Allen, the band’s former bassist. The Subdudes’ harmony singing and the warm sound of their music are sweet. Check it out!

Chicago/Free

As has sort of become a Sunday Six tradition, the last tune I’d like to highlight is a rocker: Free by Chicago. Formed as The Chicago Transit Authority in The Windy City in 1967, a name that after the threat of legal action from Chicago’s actual transit authority was shortened to Chicago, the band doesn’t need much of an introduction. They started out as a rock group with horns before moving to an easy listening sound that was dominated by ballads, especially in the late ’70s and ’80s. Over their nearly 55-year career, Chicago have seen numerous line-up changes, as you’d expect. Notably, the current 10-piece still includes original members Robert Lamm (keyboards, lead vocals), Lee Loughnane (trumpet, flugelhorn, backing vocals) and James Pankow (trombone, backing vocals). Free dates back to a period when Chicago were rockin’ and on a true roll: Chicago III, the group’s third consecutive double album in less than two years. Written by Lamm, Free is part of the so-called Travel Suite of tunes that make up side 2 of the double LP. Featuring amazing lead guitarist Terry Kath on lead vocals, the tune also became the album’s lead single in February 1971. It’s hard for me to say and I’m sorry, while Chicago’s ’80s ballads were popular, it’s the rock & horns songs like Free where the band truly shines.

Sources: Wikipedia; ShwizZ website; last.fm; YouTube