On This Day in Rock & Roll History: August 8

It’s been more than two months since my last installment of this recurring music history feature. And while I’ve already covered 53 different dates since I started the series in 2016, this didn’t include August 8. As always, the idea here is to highlight select events based on my music preferences, not to provide a full listing.

1964: Bob Dylan released his fourth studio album Another Side of Bob Dylan. Th title was appropriate, since the record marked a departure from the more socially conscious songs on predecessor The Times They Are A-Changin’ that had appeared seven months earlier in January 1964. Some critics were quick to complain Dylan was selling out to fame. But Robert Zimmerman rarely seems to care much what others think about his music. Here’s My Back Pages. The tune has been covered by various other artists, including The Byrds, Ramones and Steve Earle, to name a few.

1969: An ordinary pedestrian crossing in London’s City of Westminster inner borough would never be same after it became part of the iconic cover photo of Abbey Road, the actual final studio album by The Beatles from September 1969, even though it was released prior to their official final record Let It Be. The famous shot was taken by Scottish photographer Iain Macmillan, who was then a freelancer. For any photographers, he used a Hasselblad camera with a 50mm angle lens, aperture f22, at 1/500 seconds, according to The Beatles Bible. Following the shoot, Paul McCartney reviewed the transparencies and chose the fifth one for the album cover. After the band’s breakup, Mcmillan also worked with John Lennon and Yoko Ono for several years. Here’s one of my favorite tunes from that album: George Harrison’s Here Comes The Sun.

1970: The third studio album by Blood, Sweat & Tears, ingeniously titled Blood, Sweat & Tears 3, hit no. 1 on the Billboard 200, following its release in June that year. After the success of their preceding eponymous second album from December 1968, which also topped the U.S. charts, the record had been widely anticipated. Here’s Lucretia Mac Evil, a great tune written by the band’s lead vocalist David Clayton-Thomas. The song, which was also released separately as a single, was one of just a handful of original tracks on the album, which mostly included cover versions of tunes from artists like James Taylor, The Rolling Stones and Traffic – apparently part of the reason why it received lukewarm reviews.

1987: I Still Haven’t Found What I’m Looking For, the second single off U2’s fifth studio album The Joshua Tree, topped the Billboard Hot 100, marking the Irish rock band’s second no. 1 song in the U.S. after the record’s lead single With Or Without You. The Joshua Tree, which also topped the charts in Canada, Australia, New Zealand and various European countries, catapulted U2 to international superstardom. Like all other tracks on album, the lyrics of the tune were written by Bono, while the music was credited to U2. Here’s the official video filmed in Las Vegas in April 1987 after the band’s first show in the city.

Sources: Wikipedia; This Day in Rock; The Beatles Bible; Billboard; YouTube

Good Stuff Celebrates Great Music of Steely Dan, Gino Vannelli, Sting And Stevie Wonder

At first sight, Steely Dan, Gino Vannelli, Sting and Stevie Wonder don’t seem to have many things in common. Of course, each are distinguished artists who became successful during an era when you could easily find great music, even on mainstream radio. Music that involved true craftsmanship. Music that had soul. Music that would grab you. Music that would want you to learn how to play an instrument yourself. At least, that’s what it did to me when I was in my young teens!

While I’m afraid the days when great music was part of the top 40 charts and all you really needed to do find it was switching on the radio are largely gone, there’s something very powerful about great music: It’s here to stay, in some cases even for more than 200 years, when you think about classical composers. And it should be celebrated. Enter Good Stuff, a unique tribute band to the above noted artists.

Mike Caputo
Mike Caputo, founder and lead vocalist of Good Stuff

As regular visitors of the blog know, I enjoy going to tribute shows and have done so quite frequently in recent years. This has included truly outstanding bands, and I’ve written about many of them in the past. Because of that my good blogger buddy Music Enthusiast has even jokingly called me The King of Tribute Bands. And why not? After all, there’s a king of pop, a king of rock & roll, a queen of soul, etc., so wouldn’t you agree it’s appropriate to have a king of tribute bands?😀

Most tribute acts I’ve seen focus on one particular artist or band. So when vocalist Mike Caputo, whom I’ve known for a couple of years, told me he was putting together a tribute band to celebrate the music of Steely Dan, Gino Vannelli, Sting and Stevie Wonder, frankly, I was a bit skeptical at first. Steely Dan made total sense to me. Mike has been a singer, songwriter and musician for more than five decades. From his previous longtime tenure as lead vocalist of a Steely Dan tribute band, I knew he nails the voice of Donald Fagen. But adding three other artists to the mix? Well, it may not be a common concept, but Good Stuff surely pull it off beautifully. And once you listen to their setlist, you realize these songs really work well together.

Good Stuff 2
Good Stuff (clockwise): Mike Caputo, Don Regan, Axel Belohoubek, Deanna Carroll, Jay Dittamo, Scott Hogan, Phil Armeno and Linda Ferrano

Of course, it’s not only about selecting the “right” music from four different artists; it also takes great musicians to implement the concept. Which brings me to the band: Don Regan (guitar), Axel Belohoubek (keyboards), Deanna Carroll (vocals), Jay Dittamo (drums), Scott Hogan (bass), Phil Armeno (saxophones, flute) and Linda Ferrano (vocals). Linda is a recent addition to Good Stuff and alternates vocal duties with Deanna. All of these guys are professional musicians; most of them have been for more than three decades with impressive accomplishments.

For example, Alex’s credits include tour pre-production for Madonna and David Bowie. Phil was a touring backing musician for Chuck Berry, Bo Diddley and The Duprees in the 70s. Chuck Berry and Bo Diddley? Only the thought of playing with these rock & roll pioneers would give me acid reflux. And Phil is so moderate about it! Or take Jay. He has performed nationally and internationally with artists like The Les Paul Trio, Jose Feliciano and Keith Emerson (yep, that Keith of ELP). Scott, the youngest member of the band and a student of Don, has toured with pop group Hanson, Bernie Worrel Orchestra and The Shirelles, among others. In addition to Good Stuff, almost all members also play solo or in other bands. Not surprisingly, all this impressive experience shows!

Time to get to some music! Half of Good Stuff’s show features Steely Dan tunes. As such, the band appropriately selected a name that not only reflects the music they play but is also related to Steely Dan, or more precisely to Donald Fagen. Good Stuff is a Fagen tune from his fourth studio album Sunken Condos released in October 2012. The song I’d like to highlight here is My Old School. Co-written by Fagen and Walter Becker, the tune appeared on Steely Dan’s second studio album Countdown to Ecstasy from July 1973.

Gino Vannelli is the one artist in the mix I’m much less familiar with than the others. Among the handful of his tunes I know and dig is Brother To Brother, the title track of his sixth studio record from September 1978. It’s a jazzy and pretty complex tune, which I think measures up nicely to the Aja album, the gem in Steely Dan’s catalog.

Next up: Sting. Good Stuff has decided to focus on featuring material from the ex-Police man’s fourth solo effort: the excellent Ten Summoner’s Tales, which happens to be my favorite Sting album. Here’s Heavy Cloud No Rain. Like the majority of the album’s tracks, the tune was entirely written by Sting.

The last song I’d like to call out is Don’t You Worry ‘Bout A Thing by Stevie Wonder. This great tune is from his 16th studio album Innervisions, which is widely considered to be one of the highlights of Wonder’s long catalog. He is one of my all-time favorite artists, and I would have loved to see him last year in Atlantic City during his short summer tour. But with ticket prices starting at $350, it was simply impossible.

It’s still relatively early days for Good Stuff. So far, they haven’t ventured beyond New Jersey. In fact, next Saturday, March 23, they will play Tim McLoone’s Supper Club, a great performance venue in Asbury Park, the hotbed of Jersey’s music scene. Mike told me he is starting to receive an increasing amount of queries from agents, including from out of state. As such, folks who do not reside in the Garden State may get a chance to see the band in the future. In case you’d like to further check them out, visit their website or Facebook page.

Sources: Wikipedia, Good Stuff website, YouTube

“Steely Don” Turns 70 And Is Feeling Great

Donald Fagen has no intention to retire anytime soon

I’m a huge Steely Dan fan. If anything, last year brought them closer to me than ever before and not just because of the untimely death of Walter Becker. I also attended a couple of shows of an excellent Steely Dan tribute band called Royal Scam. On Wednesday, Donald Fagen turned 70, so doing a post on the man felt right. Since I previously covered Steely Dan including their history here, I’d like to primarily focus on Fagen’s solo music.

But first a bit of history. Donald Jay Fagen was born in Passaic, N.J. on January 10, 1948. He grew up in South Brunswick, N.J. According to Wikipedia, he didn’t like the suburban setting, feeling it was trapping him like a prison. These sentiments and Fagen’s love of late-night radio were inspirations for his first solo album The Nightfly.

It’s fair to say Fagen’s life changed forever when he met Becker in 1967 when they were both students at Bard College in Annandale-on-Hudson, N.Y. Fagen was impressed with Becker’s guitar skills. They soon discovered they liked similar music and decided to write songs together. They also started playing together in various local bands.

Donald Fagan & Walter Becker

The seeds for Steely Dan were sown in the summer of 1970, when Fagen and Becker responded to a Village Voice ad by guitarist Denny Dias, looking for a bassist and keyboard player with jazz chops. Becker was playing the bass at the time and would switch to the electric guitar later.

Steely Dan’s first lineup was assembled in December 1971, after Becker, Fagen and Dias had moved to Los Angeles. The additional members included Jeff “Skunk” Baxter (guitar), Jim Hodder (drums) and David Palmer (vocals). Earlier, Gary Katz, a staff producer at ABC Records, had hired Becker and Fagen as staff song writers. It was also Katz who signed the band to the label.

Between 1972 and 1980, Steely Dan released seven studio albums: Can’t Buy A Thrill (1972), Countdown To Ecstasy (1973), Pretzel Logic (1974), Katy Lied (1975), The Royal Scam (1976), Aja (1977) and Gaucho (1980). While I dig all of these records, to me the gem is Aja, which I previously covered here.

Following Steely Dan’s breakup in June 1981, Fagen started to work on his solo debut The Nightfly. Released in October 1982, this record remains the highlight of his solo catalog to date, in my opinion. It included various production staff and musicians who had been involved in Steely Dan records, for example producer Katz, bassist Anthony Jackson and lead guitarist Larry Carlton, something Fagen would continue on his future solo efforts. The opener I.G.Y., which according to Wikipedia stands for International Geophysical Year, “an international scientific project promoting collaboration among the world’s scientists.”

While it took Fagen 12 years to release his second solo album Kamakiriad in May 1993, he kept busy on other fronts, contributing to soundtracks and writing a column for Premiere magazine. He also worked together with Becker and Katz on Zazu, the 1986 debut album by American model and singer-songwriter Rosie Vela. In the early ’90s, he toured with The New York Rock and Soul Revue, a musical project directed by Fagen’s future wife Libby Titus. In addition to Becker, it included other prominent musicians, such as Michael McDonald, Boz Scaggs and blues singer Charles Brown.

Kamakiriad was produced by Becker. Revolving around the concept of a journey in a high-tech car, the album illustrates Fagen’s attraction to futuristic themes, similar to I.G.Y. Though oftentimes, one cannot be sure whether he means things seriously or is being ironic. Following the release, he reunited with Becker for a tour to support the album. While the record received a Grammy nomination and peaked at no. 10 on the U.S. Billboard 200 and at no. 3 on the UK Albums Chart, its commercial performance was poor. That’s a pity, since it’s actually a pretty good album. Here’s the opener Trans-Island Skyway – just love the groove of this tune!

Following his reunification with Becker, Fagen co-produced Becker’s 1994 solo debut 11 Tracks Of Whack. He also played keyboards on the album. In 2000, Fagen and Becker released Two Against Nature, their first studio album as Steely Dan in two decades. The follow-up Everything Must Go appeared in June 2003. It was Steely Dan’s last studio album.

In March 2006, Fagen released his third solo record Morph The Cat, in which Becker had no involvement. The record was generally well received and won a Grammy Award For Best Surround Sound Album. Here’s a clip of H Gang. The guitar work and the tenor sax solo by Steely Dan’s Jon Herrington and Walt Weiskopf, respectively absolutely shine.

Following the appearance of Morph The Cat, Steely Dan resumed regular touring. In June 2008, Becker’s second studio album Circus Money came out. Sunken Condos, Fagen’s fourth and most recent studio record, was released in October 2012. Another well-received album, Sunken Condos peaked at no. 12 on the Billboard 200. Here’s what’s probably my favorite tune from that album, Weather In My Head. Love the blues groove of that tune!

During an in-depth interview with Rolling Stone’s podcast Music Now last month, Fagen confirmed he wants to continue touring as long as possible. He added, “It keeps you young, for sure, touring. I noticed when I’m off, I don’t feel as good as when I’m on. I got to be either recording or touring. I especially enjoy live performing more than I used to. We have a fantastic band. I got a couple of fantastic bands. It’s just so much fun to be with these guys and to play.”

One of these bands is called The Nightflyers, four young musicians Fagen has worked with over the past few years. They are Connor Kennedy (guitar, vocals), Lee Falco (drums, vocals), Brandon Morrison (bass, vocals) and Will Bryant (keyboards, vocals). Here’s a clip of them performing the title track of The Nightfly album, captured during a concert in Cincinnati last year.

Last Saturday, Steely Dan and The Doobie Brothers announced a co-headlining 37-gig North American 2018 summer tour. It’s scheduled to kick off in Charlotte, N.C. on May 10 and conclude on July 14 in Bethel, N.Y. One of the shows (July 6) is right in my backyard at PNC Bank Arts Center in Holmdel, N.J. Unfortunately, I haven’t seen Steely Dan and imaging them without Becker is still hard. The Doobies, which I also really dig, have had many changes in their lineup since their heyday in the ’70s. Still, I’m very tempted!

Sources: Wikipedia, Rolling Stone, Steely Dan website, YouTube

Bringing to Life the Magic of Steely Dan

An evening with The Royal Scam at Trumpets Jazz Club in Montclair, N.J.

To people who know me and readers of the blog, it won’t come as a big surprise that Steely Dan is one of my all-time favorite bands. The amazing writing and craftsmanship of Donald Fagen and Walter Becker created timeless music that is simply in a league of its own. While unfortunately I never got a chance to catch one of their shows, I probably came as close to it as possible last night at the Trumpets Jazz Club in Montclair, N.J. with The Royal Scam. It was actually the second time I saw this outstanding Steely Dan tribute band.

Named after Steely Dan’s fifth studio album from 1976, The Royal Scam have been faithfully playing the music of Fagen and Becker for 25 years. Lead vocalist Michael Caputo, who does a beautiful job of capturing Fagen’s smooth voice, told the audience they spent the first year with rehearsals before going on the road. This careful prep and the band’s long-time live experience clearly showed. Their attention to the details of the music was incredible, a true labor of love. Another Steely Dan fan who was sitting close to me and has actually seen them put it this way: “They are spot on.” I couldn’t have said it better!

The Royal Scam

The intimate setting of the Trumpets Jazz Club was a perfect venue to enjoy the music of Steely Dan up close, and there was plenty of it. Between two sets, each lasting more than 90 minutes, The Royal Scam played a great mix of Steely Dan classics like Rikki Don’t Lose That Number, Reelin’ In the Years, Hey Nineteen and Deacon Blues, as well as some deeper cuts I wasn’t as familiar with.

Since smartphone videos oftentimes have mediocre sound quality, I didn’t try to take any footage last night. Fortunately, there are some nice clips of the band on YouTube. Following is a selection.

First Up: Hey Nineteen, from 1978’s Gaucho album. It appears this clip was captured during a gig a few months ago in Linden, N.J., where I saw The Royal Scam for the first time.

Here’s another tune from the same concert: Rikki Don’t Lose That Number from Pretzel Logic (1974), which became Steely Dan’s biggest hit climbing all the way to no. 4 on the Billboard Hot 100 in the summer of 1974.

The Aja album clearly is The Royal Scam’s favorite Steely Dan record, and who can blame them! They usually perform all or most of the tracks from this 1977 gem during their shows. Here is a very cool clip of the band playing side 1 of the album in its entirety: Black Cow, Aja and Deacon Blues!

Next up: Dirty Work from Steely Dan’s 1972 debut Can’t Buy A Thrill – a stellar rendition of one of my favorite early tunes from Becker and Fagen.

And what could be a nicer last clip then more songs from Aja. In fact, how about all of side 2? Here it is, also taken from the band’s website: Peg, Home At Last, I Got The News and Josie.

In addition to Caputo, the band’s current line-up consists of Gino Amato (keyboards and synth programming), Don Regan (guitar), Keith Droz (drums), Larry Chavana (bass), Joe Montini (saxophone) and vocalists Carla Culkin and Wendi Gordy. The Royal Scam will be back at Trumpets on March 10, 2018. Their schedule of upcoming shows is here on the band’s website, along with news and other info.

After they had played their final song of the night, Do It Again from Can’t Buy A Thrill, Caputo thanked folks for coming out and supporting live music. He rightly pointed out that nowadays there are fewer and fewer places like Trumpets where people can enjoy great music up close. While I’ve been to many music events, typically, they haven’t been in an intimate setting. Last night was a great reminder that the music club experience is something that should be cherished.

Sources: Wikipedia, The Royal Scam website, YouTube

Note: This post was updated on November 19, 2017 with some new YouTube videos of the band to replace previous clips that are no longer available.