John Hiatt’s New Collaboration Album with Jerry Douglas is a Blues-Oriented Americana Gem

In late March, I spotted and covered Mississippi Phone Booth, a tune from John Hiatt’s then-upcoming new collaboration album with Dobro resonator guitar master Jerry Douglas. Leftover Feelings since came out last Friday, May 21. While based on my still relatively limited knowledge of Hiatt’s previous catalog he doesn’t break new ground, I love the sound and high-quality handcrafted feel of the music, and feel confident enough to say if you dig Hiatt you’ll like this album!

As I noted in my previous post, while Hiatt and Douglas had known each other for years, the album marked the first time they recorded music together. Initially, Leftover Feelings was supposed to be released in April of last year. Like in so many other cases, COVID-19 threw a monkey wrench into everything. But there was one upside.

Hiatt and Douglas recorded the album at Nashville’s historic RCA Studio B during the shutdown, which they otherwise couldn’t have done. Usually, the space is used by the Country Music Hall of Fame and Museum for public tours. The cool thing is the storied studio is the very same place where they likes of Elvis Presley, The Everly Brothers and Waylon Jennings once recorded.

From left: Jerry Douglas, Daniel Kimbro & John Hiatt

“The room’s just got a feel to it,” Hiatt told Paste. “My mind started pedaling back to when I was a little boy hearing ‘Blue Christmas’ every Christmas and ‘Love Me Tender,’ and all of the great songs recorded there just kinda blew my mind.”

“The whole time you’re there, when you’re not playing, you’re thinking about who has been in that room and played,” added Douglas. “All these great music producers and musicians walked in and out through that room, and it was their playhouse.” One can only imagine what a thrill it must have been to record in this famous place!

This brings me to the musicians playing on the album. Apart from Hiatt (vocals, acoustic guitar) and Douglas (Dobro, lap steel guitar, backing vocals), they include Jerry Douglas Band members Mike Seal (acoustic and electric guitar), Daniel Kimbro (bass, string arrangements) and Christian Sedelmyer (fiddle). In addition, there’s Carmella Ramsey (backing vocals). ‘So who’s playing the drums?’ you might ask yourself. Well, nobody – frankly, there’s no drummer needed in this case!

Let’s get to some music. Here’s opener Long Black Electric Cadillac. Like all of the 10 other tracks, the song was written by Hiatt. As this review by The Associated Press cleverly observed, the tune introduces “a new musical form — the 12-bar blues gone green.” A little excerpt from the lyrics helps illustrate the point: I got a long black electric Cadillac/She goes a thousand miles on a charge/I got a long black electric Cadillac/She goes a thousand miles on a charge/I’m runnin’ subterranean air conditioning/And a full electron photo array in my backyard…

While Mississippi Phone Booth is one of my early favorite tunes, I’m skipping it here, given I covered it before and go right to All the Lilacs in Ohio. It’s an acoustic stripped back version of a song Hiatt previously recorded for The Tiki Bar is Open, a studio album released on September 11, 2001.

I’m in Ashville is “a song about a guy who’s left his lover in all but his mind and heart,” Hiatt told Relix. “Jerry’s aching steel guitar floating above the rolling fiddle and the pulse of the bass and rhythm just expands on the dubious decision this fellow has made.” I love this tune. The warm sound is just beautiful!

On Little Goodnight things become slightly more electric, which is good for sound variety. It’s another tune Hiatt had released previously, in this case on his 2012 compilation Collected.

Let’s do one additional track: Keen Rambler. The above AP review characterizes the song as “spirited” (agree), comparing it to “a Chuck Berry car song, but it’s about walking.” Less sure about that. What I do know is I like the tune and that’s good enough for me to highlight it in this post.

Leftover Feelings is Hiatt’s 26th album and follows The Eclipse Sessions, his second live album from 2018. It was produced by Douglas and mastered by engineer Paul Blakemore. The album appears on New West Records, Hiatt’s eighth release on that label based in Nashville, Tenn. and Athens, Ga.

Sources: Wikipedia; Paste; Associated Press; Relix; YouTube

Best of What’s New

A selection of newly released music that caught my attention

This week’s Best of What’s New installment brings another nice mix of great new music. From country to blues to soul to singer-songwriter style, it’s all there. Or how about a Boston-based band with a very unique sound they describe as Americana funk? Or a neo soul collaboration’s beautiful cover of a well-known Tracy Chapman tune? I hope I’ve sufficiently whetted your appetite to read on!

Ray Wylie Hubbard/Bad Trick (featuring Ringo Starr, Don Was, Joe Walsh & Chris Robinson)

While Ray Wylie Hubbard has been active for more than 50 years, I don’t believe I had heard of him before, but I simply couldn’t skip a tune featuring Ringo Starr and Joe Walsh among the guests! Hubbard’s online bio states he is the secret handshake amongst those who know, which to me suggests he may not exactly be a household name. Hubbard was born in Soper, OK on November 13, 1946. Beginning in 1965, during semester breaks from his studies at the University of North Texas, he spent the summers in Red River, N.M., where he started playing music in a folk trio called Three Faces West. During that time period, he wrote a tune with the lovely title Up Against the Wall, Redneck Mother, which was first recorded by country artist Jerry Jeff Walker in 1973. It helped Hubbard sign with Warner Bros. Records and release his debut Ray Wylie Hubbard and the Cowboy Twinkies in 1976. Seventeen additional country, folk and blues-oriented albums have since appeared. This includes Co-Starring, which came out on July 10 and features the above tune, which was co-written by Hubbard and his wife Judy. Hubbard told Apple Music he had met Ringo about five or six years ago. When Ringo learned about Hubbard’s new album, not only did he offer to play drums on Bad Trick but also ask his brother-in-law Joe Walsh and Don Was to join on guitar and bass, respectively. The fourth guest is Black Crowes co-founder and lead vocalist Chris Robinson. Check out the fun video!

Black Pumas/Fast Car

Based on sampling a few tunes, Black Puma sound like a really cool, relatively new band. According to Apple Music, it’s a collaboration between producer and multi-instrumentalist Adrian Quesada and singer-songwriter Eric Burton, who fuse cinematic neo-soul, light psychedelia, and a touch of urban grit. No matter how you characterize their music, it simply sounds great. Quesada and Burton joined forces in 2018 and released their eponymous debut album in June 2019. Their latest single Fast Car is a cover of the Tracy Chapman tune that appeared on her eponymous debut record in April 1988. I’ve loved that tune from the very first time I heard it when it came out. Things around Chapman seem to have been quiet for a long time. Perhaps this great remake will help bring her back on the radar screens of folks who dig but have forgotten about her.

Twisted Pine/Don’t Come Over Tonight

Don’t Come Over Tonight is a track from Right Now, the forthcoming sophomore album by Twisted Pine, a Boston-based band with a unique sound that’s hard to describe. Here’s how a short bio from their web site puts it: Praised by NPR for their “upbeat, poppy vibe; energetic, driving rhythms; and virtuosic solos,” Twisted Pine will release their sophomore full-length Right Now on August 14, 2020 (Signature Sounds). Exploring a sound they call Americana funk, Twisted Pine takes traditional music in exhilarating directions. Bassist Chris Sartori writes, “This album is easier to feel than describe. We’re rooted in bluegrass, continually inspired by explorers like Bela Fleck, Jerry Douglas, and Sierra Hull. Right Now takes this heritage into a new dimension. Our bluegrass is jazzy, our indie folk is poppy, our grooves are funky.” Twisted Pine [Kathleen Parks, fiddle; Dan Bui, mandolin; Chris Sartori, bass; Anh Phung, flute] grooves with fearless improvisation and intricate arrangements. The band has been around since 2013. Their eponymous debut album appeared in July 2017, followed by the EP Dreams in January 2019. Don’t Come Over Tonight was written by Parks. It’s quite unusual, yet pretty cool, in my opinion. These guys are virtuoso musicians and great vocalists. Check it out!

Ruston Kelly/Rubber

Ruston Kelly is a 31-year-old singer-songwriter who was born in Georgetown, S.C. and grew up in Wyoming, Ohio. He got into music at a young age and, according to Wikipedia, had a full album in high school with songs like “Bluebird” and “I’m Leavin’”. After signing a publishing deal with BMG Nashville in 2013, he co-wrote the song Nashville Without You Tim McGraw recorded for his studio album Two Lanes of Freedom, which appeared in February that year. In 2017, Kelly released his debut EP Halloween. His first full-length album Dying Star came out the following year. Released on June 10, Rubber is a track from Kelly’s forthcoming sophomore album Shape & Destroy scheduled for August 28. In October 2017, he married singer-songwriter Kacey Musgraves, who as reported by Rolling Stone also performs on the album. Apparently, they since filed for divorce.

Mick Hayes/Autumn Romance

Mick Hayes is another great sounding artist with relatively little publicly available information, even though the blues guitarist and vocalist has a website and a Facebook page – I just don’t get it! At least his website links to various reviews of his most recent album My Claim to Fame, which was recorded at the legendary FAME Studio in Muscle Shoals, Ala., appeared on May 29 and includes the above tune. According to American Blues Scene, Hayes’ love affair with Muscle Shoals began when he was a young man growing up in upstate New York, where he would browse record shops with wall to wall music from Ray Charles to Aretha Franklin to Duane Allman to Wilson Pickett and Solomon Burke.  Rock and Blues Muse notes Hayes and his band have spent the last decade playing up to 200 festival and club gigs a year and have opened for Duke Robillard, Samantha Fish, and Delbert McClinton. AllMusic also lists a 2016 album, Segue, by Mick Hayes Band. The cool thing about My Claim to Fame is that not only did Hayes record it at FAME but, as American Blues Scene pointed out, he also worked with studio musicians who recorded with artists like Ray Charles, Etta James and B.B. King. Oh, and Hayes co-produced the record with John Gifford III, who assisted with engineering Gregg Allman’s final studio album Southern Blood – sounds like the stars truly aligned for Hayes!

Sources: Wikipedia; Ray Wylie Hubbard website; Twisted Pines website; Rolling Stone; American Blues Scene; Rock & Blues Muse; YouTube