Clips & Pix: The Doors/Riders on the Storm

My area of Central New Jersey was hit by tropical storm Isaias this afternoon. We got a good deal of fallen tree branches around my property and had a few near misses, but fortunately, nobody got hurt and we didn’t encounter significant damage either. We’re also not among the two million folks in the area who lost electricity, so it’s a happy outcome.

After being exposed to howling wind for a few hours, perhaps it’s not surprising that storm was on my mind. So I cleverly thought I feature one of my favorite storm songs: Riders on the Storm by The Doors.

Credited to all four members of the band, John Densmore (drums), Robby Krieger (guitar), Ray Manzarek (keyboards) and Jim Morrison (vocals), the tune first appeared on their sixth studio album L.A. Woman from April 1971. A shortened version was also released separately as the record’s second single in June of the same year.

Riders on the Storm charted in many countries – hard to imagine from today’s dismal chart perspective! In the U.S. and the UK, the song reached no. 14 and no. 22, respectively. It topped the charts in France. The tune also did well in Canada and the Netherlands where it climbed to no. 7.

Not even a month after the single had come out, Jim Morrison passed away on July 3, 1971 in Paris, France at the age of 27. While the official cause of death was listed as heart failure, there were reports he actually died from an overdose of heroin.

Sources: Wikipedia; YouTube

On This Day in Rock & Roll History: June 6

After having done more than 50 installments of this recurring feature, I still find it intriguing what turns up when you look at a specific date throughout music history. I’ve said it before and I say it again: It’s a rather arbitrary way to do this. But, hey, at the end of the day, it’s all about great music. Without further ado, let’s see what happened on June 6.

1960: Roy Orbison, the rock & roller with an operatic voice, released Only the Lonely, his first big hit peaking at no. 2 in the U.S. and Canada, and topping the charts in Ireland and the U.K. According to Songfacts, it was one of the first tunes Orbison wrote together with Joe Melson. Among others, the two also co-wrote Crying and Blue Bayou. Songfacts also includes the following Orbison told NME in 1980 about writing “sad songs” like Only the Lonely: “I’ve always been very content when I wrote all those songs. By this I’m saying that a lot of people think you have to live through something before you can write it, and that’s true in some cases, but I remember the times that I was unhappy or discontent, and I couldn’t eat, I couldn’t sleep, I couldn’t communicate, and I certainly couldn’t write a song, no way. All the songs I wrote that were successful were written when I was in a contented state of mind.”

1962: The Beatles came together for their first artist test recording session at EMI Studios at 3 Abbey Road, St John’s Wood, London. According to The Beatles Bible, the action went down in studio no. 2, where between 7:00 pm and 10:00 pm they recorded four tracks: Besame Mucho, Love Me Do, P.S. I Love You and Ask Me Why. The session was produced by George Martin with assistant Ron Richards and was the only one to feature Pete Best on drums. Initially, Richards was in charge, and Martin was only brought in after engineer Norman Smith was intrigued with Love Me Do. At the end of the session, which was hampered by quality issues due to the poor equipment The Beatles had brought along, Martin called them to the control room to tell them what they would need to do to become professional recording artists. When none of them reacted, Martin said: “Look, I’ve laid into you for quite a time, you haven’t responded. Is there anything you don’t like?” After an awkward pause, George Harrison responded: “Yeah, I don’t like your tie!” That cracked the ice, and the rest is history. While none of the material recorded at the session was used, four months later, The Beatles featuring Ringo Starr on drums re-recorded Love Me Do with George Martin. Backed by P.S. I Love You, it became their first single (not counting My Bonnie they had recorded with Tony Sheridan in June 1961).

1971: After 23 years on the air, CBS aired the last episode of The Ed Sullivan Show. It was a repeat. The last original telecast, episode no. 1,068, had aired on March 28 of the same year. Originally co-created and produced by Marlo Lewis, the show’s initial title was Toast of the Town. On September 25, 1955, it officially became The Ed Sullivan Show. Countless famous artists performed on the program, such as Elvis Presley, The Beatles, The Supremes, Stevie Wonder, The Beach Boys, The Rolling Stones and The Doors. CBS and Sullivan were quite conservative, and there were some “controversial” performances on the show. One of the most notorious appearances were The Doors on September 17, 1967. For the song Light My Fire, Jim Morrison had been told to alter the line Girl, we couldn’t get much higher. He complied during the rehearsal, but when it came to the live performance, he sang the original line – committing the ultimate sin! The Doors were never invited back on the program. Here’s a short clip documenting the horrible transgression!

1982: The Peace Sunday: We Have a Dream concert took place at The Rose Bowl in Pasadena, Calif., which attracted a crowd of 85,000 people. The six-hour event to promote nuclear disarmament featured artists like Tom Petty, Crosby, Stills & Nash, Bob Dylan, Stevie Nicks and Jackson Browne. It was partly broadcast on ABC Television’s Entertainment Tonight program on the same day. Here’s a clip of Bob Dylan and Joan Baez performing the Dylan tune With God On Our Side. Dylan first recorded the song for his third studio album The Times They Are a-Changin’ from January 1964.

Sources: Wikipedia; Songfacts: Music History Calendar; Songfacts; The Beatles Bible; YouTube

Memorable Rock & Roll Hall Of Fame Induction Performances

Last evening’s HBO broadcast of the 2018 Rock & Roll Hall Of Fame induction ceremony gave me the idea to take a look at previous inductions and highlight some of the performances there. I’m not getting into the nomination and selection process, the judges, which artists who currently aren’t in should be inducted, etc. – topics that undoubtedly will continue to be discussed. This post is about some of the great music that was performed at the induction festivities over the years.

I’d like to start with the 1999 induction ceremony that featured a great performance of In The Midnight Hour by Wilson Pickett and Bruce Springsteen, one of the inductees that year. They were backed by The E Street Band. Springsteen, a huge fan of Pickett, frequently performs some of the soul legend’s tunes during his shows. Recorded at Stax studios in Memphis, the song was initially released in June 1965 and became Pickett’s first hit for Atlantic Records. He co-wrote the tune with Stax session guitarist Steve Cropper.

In 1993, The Doors were inducted into the Hall. The band’s then-living original members Ray Manzarek (keyboards), Robbie Krieger (guitar) and John Densmore (drums) teamed up with Pearl Jam lead vocalist Eddie Vedder, who did a fine job singing the parts of the charismatic Jim Morrison. Here’s Light My Fire, one of my favorite Doors tunes that appeared on their eponymous debut album from January 1967. Like each of the original songs on the band’s first two records, the tune was credited to all members.

The 1993 inductees also included another legendary band: Cream. Jack Bruce (lead vocals, bass), Eric Clapton (guitar) and Ginger Baker (drums) reunited for the occasion. One of the songs they played was the terrific Sunshine Of Your Love from Cream’s second studio album Disraeli Gears, released in November 1967. The tune was co-written by Bruce, Clapton and Pete Brown. To this day I think Sunshine has one of the coolest guitar riffs in rock.

Among the 2018 inductees were The Moody Blues, a band whose second studio album Days Of Future Passed became one of the first successful concept albums and put them on the map as pioneers of progressive rock. They played the mighty Nights In White Satin from that record, but the first tune they performed was I’m Just A Singer (In A Rock & Roll Band). That song is from their seventh studio album Seventh Sojourn, which appeared in October 1972. It was written by John Lodge (vocals, bass, guitar), who together with Justin Hayward (lead vocals, guitar) and Graeme Edge (drums) is one of the remaining original members who performed at the induction.

Last but not least, here is a clip of what may be the best Rock & Roll Hall Of Fame performance to date: While My Guitar Gently Weeps, played during the induction of George Harrison as a solo artist in 2004. The performance featured Tom Petty, Jeff Lynne, Steve Winwood, Dhani Harrison and Prince, among others. It will forever be remembered for Prince’s incredible guitar solo. While My Guitar Gently Weeps appeared on the “White Album,” the ninth studio album by The Beatles from November 1968.

Source: Wikipedia, Legacy.com, YouTube

When Covers Are Just As Much Fun As Originals

A playlist of some of my favorite remakes

Lately, I’m somehow in the mood of compiling lists: first car songs, then train tunes and now remakes. Given how much I enjoy listening to great covers, it’s a surprise I didn’t do this list first!

In general, remakes I like fall into two categories: A version that changes the character of a song, essentially turning it into a new tune. Perhaps the best example I can think of is Joe Cocker’s version of The Beatles’ With a Little Help From My Friends. Or it simply can be a remake of a tune that stays true to its original – nothing wrong with that, especially if it’s a great song! One terrific example I came across recently is Roger McGuinn’s cover of If I Needed Someone, one of my favorite Beatles tunes. I know, again the Fab Four – I just can’t help it!

Obviously, it won’t come as a big surprise that both of the above tunes are on my list. Here is the entire compilation.

With a Little Help From My Friends/Joe Cocker

Not only credited to John Lennon and Paul McCartney by actually also written collaboratively by the two, With a Little Help From My Friends first appeared in May 1967 on Sgt. Pepper’s Lonely Hearts Club Band. It was one of only a handful of Beatles tunes featuring Ringo Starr on lead vocals. Cocker’s version came out two years later as the title song of his debut album.

Love Hurts/Nazareth

Written by American songwriter Boudleaux Bryant, Love Hurts was first recorded by The Everly Brothers in July 1960. In 1975, Scottish hard rock band Nazareth turned the tune into an epic power ballad, including it on their sixth studio album Hair of the Dog. It’s another great example of a remake that completely changed the character of the original tune.

Under the Boardwalk/John Mellencamp

Under the Boardwalk was first recorded by The Drifters and released as a single in June 1964. The song was created by songwriters Kenny Young and Arthur Resnick. Perhaps the best known cover of the tune is from The Rolling Stones, which was included on their second U.S. record 12 X 5 released in October 1964. While I like the Stones version, I think John Mellencamp did an even better remake for his 1999 studio album Rough Harvest.

Pinball Wizard/Elton John

Pinball Wizard is one of my all-time favorite tunes from The Who. Written by Pete Townsend, it was released as a single in March 1969 and also included on the Tommy album that appeared two months thereafter. The one thing I always felt about The Who’s version is that it ended somewhat prematurely. Enter Elton John and his dynamite, extended cover for the rock opera’s 1975 film adaption.

Stand By Me/John Lennon

One of the most beautiful ballads of the 60s, Stand By Me was written by Ben E. King, together with the songwriter powerhouse of Jerry Leiber and Mike Stoller. The tune was first released by King as a single in 1961 and also later included on his 1962 studio album Don’t Play That Song. One of my favorite remakes is John Lennon’s version, which he included on his sixth studio album Rock ‘n’ Roll released in February 1975.

If I Needed Someone/Roger McGuinn

Written by George Harrison, If I Needed Someone was included on The Beatles’ sixth studio album Rubber Soul from 1965. Harrison played his Rickenbacker 360/12 to record the tune, which he had first used the previous year during the motion picture A Hard Day’s Night. That’s where Roger McGuinn for the first time heard the beautiful sound of the 12-string electric guitar. He decided to use it for his own music, which resulted in The Byrds’ signature jingle jangle sound. Given this inspiration, it’s perhaps not a big surprise that McGuinn ended up recording a cover of the tune. It was included on his 2004 studio record Limited Edition.

Proud Mary/Ike & Tina Turner

Proud Mary was written by the great John Fogerty and first released by Creedence Clearwater Revival in early 1969, both as a single and on their second studio album Bayou Country. Then in 1971, Ike & Tina Turner recorded an amazing remake. It appeared as a single and was included on the album Working Together. The cover, which became their biggest hit, is another great example of how a remake can become a completely new song.

Light My Fire/José Feliciano

Credited to all four members of The Doors – Jim Morrison, Robbie Krieger, John Densmore and Ray Manzarek – Light My Fire appeared on the band’s eponymous debut album from January 1967. It was also released as a single in April that year. I’ve always loved the organ part on that tune. And then there is of course the cover from José Feliciano, which as a guitarist I appreciate in particular. It appeared on 1968’s Feliciano!, his fourth studio record. Feliciano’s laid-back jazzy style to play the tune is exceptionally beautiful.

Runaway/Bonnie Raitt

Runaway is one of my favorite early 60s pop tunes. Written by Del Shannon and keyboarder Max Crook, it was first released as a single by Shannon in February 1961. The song was also included on his debut studio album Runaway with Del Shannon, which appeared in June that year. Bonnie Raitt, who I’ve admired for many years as an exceptional guitarist and songwriter, recorded a fantastic remake for her 1977 studio album Sweet Forgiveness.  I was fortunate enough to see this amazing lady last year. She is still on top of her game!

Hard to Handle/The Black Crowes

Hard to Handle is one of the many great tunes from Otis Redding, who co-wrote it with Al Bell and Allen Jones. It was released in June 1968, six months after Redding’s untimely death at age 26 in a plane crash. In 1990, The Black Crowes recorded a fantastic rock version of the song for their debut studio album Shake Your Money Maker, scoring their first no. 1 single on the Billboard Album Rock Tracks. It is perhaps the tune’s best known cover.

Sources: Wikipedia; The Beatles Bible; YouTube