If You Can’t See The One You Love, See The One You Can – Part 2

As more frequent visitors of the blog know, I generally dig tribute bands and wrote a feature about some of them about a year ago. While then I did not plan a part 2, the reality is I’ve seen many more tribute acts than I could ever feature in one post. So, who knows, this may turn into a series of occasional posts with additional parts in the future. For now, I’d like to focus on part 2. Since I couldn’t figure out in which order to lists the acts, I decided to do so alphabetically.

Almost Queen

As their name suggests, this band is a tribute to Queen. While I could not find public information on the backgrounds of the musicians, these guys from New York surely impressed me when I saw them last September at The Stone Pony in Asbury Park, N.J. Almost Queen are Joseph Russo as Freddie MercurySteve Leonard as Brian MayRandy Gregg as John Deacon and John Cappadona as Roger Taylor. Their delivery of four-part harmonies and Queen’s music, combined with their looks, make for a fun live experience. More information on the band and their impressive touring schedule that extends beyond the tri-state area of New York, New Jersey and Connecticut, can be found on their website and Facebook page. Here’s a sample: We Will Rock You and We Are The Champions.

Beginnings

This tribute to Chicago is one of the most compelling tribute bands I’ve seen, and without meaning to brag, I’ve seen many! Another group from New York, Beginnings is a national act, performing over 100 shows each year – great news for Chicago fans. Founded in the fall of 2002, the band consists of Mason Swearingen (bass, vocals), Johnny Roggio (guitar, vocals), Dan Hendrix (trombone, percussion, vocals), Adam Seely (saxophone, percussion), Doug Woolverton (trumpet, percussion), Scott Chasolen (keyboards, vocals) and Chris Milillo (drums, vocals). Beginnings’ impressive member credits include recording and performing with artists like Peter Frampton, Don Henley, Aretha Franklin, The Temptations and Blood Sweat & Tears, and awards like the Billboard Songwriter’s Award and ASCAP Songwriter’s Award – frankly, way too many credits I can list here! Check out their website and Facebook page for more information. Here’s a great rendition of Just You ‘N’ Me I saw during a recent summer concert. BTW, the band mostly focuses on Chicago’s early and in my opinion best work.

Brit Floyd

This amazing tribute to Pink Floyd is the brainchild of musical director Damian Darlington, who also provides vocals and plays guitar and lap steel. Prior to forming the band in Liverpool, England in 2011, he had played for 17 years with long-running Aussie tribute The Australian Pink Floyd Show. The other members of Brit Floyd include Rob Stringer (keyboards, vocals), Ian Cattell (bass, vocals Chapman Stick, trumpet), Edo Scordo (guitar, vocals), Arran Ahmum (drums), Thomas Ashbrook (keyboards, vocals), as well as backing vocalists Ola BienkowskaAngela CervantesRoberta FreemanEmily Jollands and Jacquie Williams – quite a mighty line-up! For more on this band, read my previous post from March of this year when I saw them in Bethlehem, Pa., and visit their website and Facebook page. Here’s Brit Floyd with Pink Floyd classic Comfortably Numb.

Decade

I have mentioned Decade on previous occasions, but as a huge Neil Young fan, I simply couldn’t resist to include this fantastic tribute from New Jersey in this post. The band revolves around singer-songwriter and Neil Young tribute artist John Hathaway. A life-long fan of Young, Hathaway has faithfully studied this artist in and out, and it shows. While he typically focuses on capturing the music, he can also act like Young, which I have witnessed myself. To bring the Canadian artist’s music to life in its full mighty, Hathaway is usually backed by a varying line-up of other long-time musicians. This clip of Old Man was captured during a gig earlier this year at Tim McLoone’s Super Club in Asbury Park. The backing musicians that night included Gordon Bunker Strout (guitar, backing vocals), Pam McCoy (backing vocals), John Dickson (bass), Bob Giunco (drums), Thomas Stevenson (banjo),  Dave O’Brien (pedal steel guitar), Jeff Levine (keyboards) and James Doyle (guitar, banjo). More information about Decade and John Hathaway is available on Facebook here and here.

The Doobie Others

I really dig The Doobie Brothers, so a tribute I came across last month caught my immediate attention. Ingeniously called The Doobie Others, this six-piece band from New York and New Jersey features Pat Montefusco (lead vocals, guitar), Joe Torres (lead vocals, percussion), Eddie Profet Jr. (bass, backing vocals), Allan Korenstein (keyboards, backing vocals), Mike Quadrino (saxophone, keyboards, backing vocals), Ron Lovisa (lead guitar) and Jim Del (lead & backing vocals, drums). While The Doobie Others mostly seem to perform in the New York-New Jersey-Connecticut tri-state area, their current schedule shows they occasionally venture out to other states on the East Coast. For more information, check their website and Facebook page. Here’s the band in action with Jesus Is Just Alright. Captured during a summer concert last month, the footage doesn’t do their high musical caliber full justice, but I feel you still get a good idea.

Free Fallin

This band from Minneapolis is a great tribute to Tom Petty, one of my all-time favorite artists. Founded in September 2007 and named after one of Petty’s songs, Free Fallin  are Tom Brademeyer (as Tom Petty, guitar & lead vocals), Mark Larsen (as Stan Lynch, drums), Russ Lund (as Ron Blair, bass), Karl Swartz (as Mike Campbell, guitar & vocals), Dale Peterson  (as Benmont Tench, keyboards, percussion & vocals) and Craig Volke (as Scott Thurston, guitar, keyboards, harmonica, percussion & vocals). Free Fallin is a full-time tribute band performing throughout the U.S. and even internationally. Check out their website and Facebook page, as well as this cover of Refugee from last year’s Rock The Farm Festival in Seaside Heights, N.J., which I previously covered here.

Good Stuff

Good Stuff is another outstanding tribute act I covered before here, but similar to Decade, I did not want to leave them out – how could I as a huge Steely Dan fan? Formed about a year ago and named after a Donald Fagen tune, Good Stuff features Mike Caputo (lead vocals), Don Regan  (guitar), Axel Belohoubek  (keyboards), Jay Dittamo  (drums), Scott Hogan (bass), Phil Armeno (saxophones, flute) and vocalists  Deanna Carroll and Linda Ferrano. Among them, these professional musicians have very impressive credits, such as tour pre-production for Madonna and David Bowie, and touring musicians for Chuck BerryBo DiddleyThe Duprees , The Les Paul TrioJose Feliciano and  Keith Emerson – yep, that Keith of ELP. Similar to Beginnings, there is too much to list. I should also mention that in addition to Steely Dan, the band performs music by Gino Vannelli, Sting and Stevie Wonder. While this may look somewhat arbitrary, combining music from these four artists works pretty well. The key is selecting songs that have a common denominator, which is a jazz influence. Check out more about this unique tribute act on their website and Facebook page. Oh, and here’s My Old School.

Kiss The Sky

With the 50th anniversary of Woodstock going on, I’d like to close this post with a compelling tribute act to Jimi Hendrix. Again, if you are a frequent reader of the blog, the name Kiss The Sky may sound familiar, since I covered them before here. The band revolves around Jimi Hendrix tribute artist Jimy Bleu, who actually met Hendrix in 1968 as a teenager. The following year, Bleu attended Woodstock and got one of the guitar straps Hendrix used during his performance there. You can read more about his cool background story in the above post. Kiss The Sky covers music from both the Jimi Hendrix Experience and Band of Gypsys. Bleu’s excellent backing musicians for The Experience include bassist A.J. Hager as Noel Redding and drummer Ted Edwards as Mitch Mitchell. The Band of Gypsys tribute features Jay Powerz as Billy Cox (bass) and James Jaxon as Buddy Miles (drums). You can find more information about this tribute act on their Facebook page. I also encourage you to check out this clip of Voodoo Child I took last October. Filming conditions weren’t ideal, but I think the footage still gives a good impression about this outstanding band.

Pictured in the image on top of the post are (clockwise from upper left corner) Almost Queen, Beginnings, Brit Floyd and Jimy Bleu/Kiss The Sky.

Sources: Almost Queen website and Facebook page; Beginnings website and Facebook page; Brit Floyd website and Facebook page; Decade and John Hathaway Facebook pages; The Doobie Others website and Facebook page; Free Fallin website and Facebook page; Good Stuff website and Facebook page; Kiss The Sky Facebook page; YouTube

 

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They All Went Down To Yasgur’s Farm, And Everywhere There Was Song And Celebration

…By the time we got to Woodstock/We were half a million strong/And everywhere was a song and a celebration/And I dreamed I saw the bomber death planes/Riding shotgun in the sky/Turning into butterflies/Above our nation… (excerpt from Joni Mitchell tune Woodstock)

Next week is the 50th anniversary of Woodstock, which took place from August 15-18, 1969. Much has been written about this festival, which officially was titled the Woodstock Music & Art Fair. The initiators Michael LangArtie KornfeldJoel Rosenman and John P. Roberts. The selection of the venue, which ended up being Max Yasgur’s 600-acre dairy farm in Bethel, N.Y. The acts who were not invited or and those who were but chose to decline or didn’t make it there. The artists who performed at the event. The overcrowding with an audience exceeding 400,000 people, more than twice the 200,000 that had been expected, based on advance sales of 186,000 tickets. The mud bath conditions resulting from bad weather.

Woodstock Poster

As a huge fan of music from that era, it felt natural to commemorate this extraordinary moment in 20th Century entertainment history. At the same time, I did not want to create yet another write-up that recaps the history. Instead, this post focuses on what my blog is supposed to be all about: Music I love and therefore like to celebrate. Following are some performance highlights from Woodstock. Since I didn’t have strong feelings about a particular order, I decided to go chronologically.

Let’s kick it off with Richie Havens, the opening act on the first day, Friday, August 15, in the late afternoon, and his riveting performance of Freedom. It was an improvised encore based on the traditional spiritual Motherless Child. “When you hear me play that long intro, it’s me stalling. I was thinking, ‘What the hell am I going to sing?'” he later explained, according to Songfacts. “I think the word ‘freedom’ came out of my mouth because I saw it in front of me. I saw the freedom that we were looking for. And every person was sharing it, and so that word came out.” Sounds like a cool story.

Sweet Sir Galahad is a tune by Joan Baez. Like in other cases at Woodstock, her performance predated the actual recording and release of the song, which first appeared on her 1970 studio album One Day At A Time. BTW, when Baez played it at the festival, it was already past 1:00 am on Saturday, August 16. In order to squeeze the 32 acts into the three days, many artists ended up performing after midnight. As you might imagine, some weren’t exactly happy about it.

Undoubtedly, one of Woodstock’s highlights I’ve seen is Soul Sacrifice by Santana. The band played on Saturday afternoon. Credited to Carlos Santana (guitar), Gregg Rolie (keyboards), David Brown (bass) and Marcus Malone (congas), Soul Sacrifice was included on the band’s eponymous studio debut album, released two weeks after their iconic appearance at the festival. I’ve watched this clip many times, and it continues to give me goosebumps. These guys were lightening up the stage. Live music doesn’t get much better than that. This appearance in and of itself already would have justified Santana’s place in music history. Of course, there was much more to come.

Moving on to Saturday evening brings us to blues rockers Canned Heat and their great tune On The Road Again. Co-credited to the band’s vocalist Alan Wilson, who also played harmonica and guitar, and blues artist Floyd Jones, the track was adapted from earlier blues songs. It first appeared on Canned Heat’s second studio album Boogie With Canned Heat released in January 1968. At Woodstock, it was the band’s closer of their set – what a way to wrap things up!

Next up: Born On The Bayou, one of the killer tunes by Creedence Clearwater Revival. Written by John Fogerty, the song was included on CCR’s sophomore album Bayou Country from January 1969. The band was among the acts performing in the wee wee hours of Sunday morning, August 17. I recall reading that Fogerty wasn’t happy with that time slot, saying the audience was half asleep. That’s why he refused CCR’s inclusion in the 1970 Woodstock documentary, something this band mates felt was a mistake, but John was the undisputed boss. However, footage of CCR is featured in an expanded 40th anniversary edition of the film, which came out in June 2009.

Another highlight of the early hours of Sunday was Janis Joplin with The Kozmic Blues Band. Here’s Try (Just A Little Bit Harder), the opener of Joplin’s third studio album I Got Dem Ol’ Kozmic Blues Again Mama! from September 1969. The song was co-written by Jerry Ragovoy and Chip Taylor. I don’t feel there was any way Joplin could have tried any harder to sing that song than she did. Similar to Santana, the energy of her performance was through the roof. And all of this after 2:00 am in the morning – whatever substance she was on, it apparently worked!

If I see this correctly (based on Wikipedia), the set with the most songs at Woodstock  belonged to The Who with 22 tracks. They kicked their gig off at 5:00 am on Sunday. Again, what a crazy thought to play at that time! Still, the kids certainly were alright. Here’s We’re Not Gonna Take It/See Me, Feel Me, the final track from Tommy, the band’s fourth studio album that appeared in May 1969. Like most tunes on the record, it was written by Pete Townshend.

Apart from Jimi Hendrix’s rendition of The Star-Spangled Banner, perhaps the most iconic performance at Woodstock was With A Little Help From My Friends by Joe Cocker, the first act who officially opened the festival’s final day on Sunday afternoon. To me, Cocker’s version of The Beatles’ tune is the best rock cover I know. He truly made it his own. In fact, The Beatles were so impressed with it that they allowed him to cover more of their songs like She Came Into The Bathroom Window. With A Little Help From My Friends was the title track of Cocker’s debut album from May 1969. What an amazing performance!

On to 3:00 am on Monday, August 18 and Crosby, Stills, Nash & Young. For the most part, including set opener Suite: Judy Blue Eyes, it was actually David Crosby, Stephen Stills and Graham Nash only. Neil Young skipped most of the acoustic songs but joined the band during the electric set. Neil being Neil, he also refused to be filmed, feeling it was distracting to both the performers and the audience. Written by Stills, Suite: Judy Blue Eyes was the opening track of CSN’s debut album from May 1969.

A post about Woodstock’s musical highlights wouldn’t be complete without the closing act: Jimi Hendrix. Playing on Monday from 9:00 to 11:00 am, it looks like he had the longest set. Here is his unforgettable rendition of the aforementioned The Star-Spangled Banner. Hendrix effectively used heavy guitar distortion, feedback and sustain to imitate the sounds from rockets and bombs. He truly gave it all he got and collapsed from exhaustion while leaving the stage after his encore Hey Joe.

Woodstock’s original co-creator Michael Lang also helped organize a planned 50th anniversary festival. However, after a series of production issues, venue relocations and artist cancellations, it was canceled on July 31, 2018. A second Woodstock anniversary festival was planned at Bethel Woods Center for the Arts, but in February, the Center announced that instead it will focus on “A Season of Song & Celebration” for the entire summer. The anniversary dates coincide with concerts from Ringo Starr and His All Starr Band (Aug 16), Santana with The Doobie Brothers (Aug 17) and John Fogerty with Tedeshi Trucks Band & Grace Potter (Aug 18).

I’ll leave you with a little fun fact: Tickets for Santana with The Doobies start at about $128.00 (including fees). By today’s standards, sadly, this is fairly normal. But, to be clear, these tickets are the cheapest and will only get you the lawn, the area farthest away from the stage. By comparison, tickets for the entire Woodstock festival in 1969, which as noted above included 32 acts, sold for $18.00 in advance and $24.00 at the gate. That’s the equivalent of approximately $123.00 and $164.00 today. Once again, we see the times they are a changin!

Sources: Wikipedia, Songfacts, Syracuse.com, Bethel Woods Center for the Arts website, YouTube

Christian’s Fourth of July Rock Playlist

While I never need a reason to listen to great music, I certainly don’t mind the idea to combine it with a special occasion. Today happens to be the Fourth of July, which undoubtedly means many folks will be hanging out with family and friends, eat burgers and other barbecued foods, and watch some fireworks. Perhaps with the exception of the latter, all of these activities are much more fun with music, in my humble and completely unbiased opinion.

Before we get to the enclosed playlist, I wanted to express my hope that all people celebrating Independence Day remember this country was built by immigrants, based on the principles of life, liberty and the pursuit of happiness, not hate, division and walls. And that’s all I have to say about that, to borrow a line from one of my all-time favorite motion pictures. Time to get to some music!

How to organize a playlist of random rock tunes I found in my music library? Well, how about alphabetically and kicking if off with some Abba? Just kidding! Here’s AC/DC with It’s A Long Way To The Top (If You Wanna Rock ‘n’ Roll. Co-written by Angus Young, Malcolm Young and Bon Scott, the track first appeared as a single in December 1975 and also became the opener to High Voltage, the Aussie rockers’ first internationally released album in April 1976. I suppose many people never looked at bagpipes the same way again. While the visual is a bit blurred, I just couldn’t resist to post the video version of the tune. Fasten your seat belts and let’s go!

What comes after “a”? Well, d’uh, “b”! Though don’t worry, I won’t go through the entire alphabet. But I didn’t want to skip Blue Öyster CultCities On Flame With Rock With Rock And Roll is from their eponymous debut album released in January 1972. I’ve always dug that song, which is credited to Albert Bouchard, Donald “Buck Dharma” Roeser and Sandy Pearlman. It also became the band’s first single.

I’m skipping “c” and jump ahead to “d”. It didn’t take long to figure which band to feature: Deep Purple.  I just love these guys and still believe they’re the ultimate hard rock band. And while Highway Star or Smoke On The Water may have been more obvious choices, I felt like going with Speed King, the opener to their fourth studio album Deep Purple In Rock from June 1970. Like all tracks on the record, the tune was credited to all members of the band at the time: Ritchie BlackmoreIan GillanRoger GloverJon Lord and Ian Paice – their best line-up, in my opinion.

Before Gary Moore started to focus on the blues, the Northern Irish guitarist was more of a straight rocker and in this case a hard rocker. Victims Of The Future is the title track of his fourth studio album that came out in December 1983. It was co-written by Moore, Neil Carter, Ian Paice and Neil Murray – and, yep, that’s Deep Purple drummer Ian Paice, which I didn’t know either until I read up on the tune. Once it kicks into high gear at around the one-minute mark, the track literally feels like fireworks going off!

Okay, I thought a rock playlist has to have some Jimi Hendrix. Given the occasion, Star Spangled Banner it is. And since this year marks the 50th anniversary of Woodstock, here’s Jimi’s legendary rendition from the festival.

Next up is a choice you may find a bit surprising: Carry On Wayward Son by Kansas. In my book, this tune off their fourth studio album Leftoverture from October 1976 features one of the coolest rock guitar riffs I know. Written by Kerry Livgren, the track also became the record’s lead single in November that year.

We’re up to “l” and that means Led Zeppelin. With so many great tunes from this band, the choice was tough. Whole Lotta Love is one hell of a song that includes one of the best Jimmy Page riffs, in my opinion. In addition to all members of the band, the opener to Led Zeppelin II is co-credited to Willie Dixon, since Zep “adapted” parts of Dixon’s 1962 tune You Need Love. Unfortunately, they didn’t give any love to Dixon when the album came out in October 1969. It took a lawsuit and settlement in 1985 to make this happen – not the only example where Zep obviously stole material from other artists. Maybe I’m a bit naive here, but I never got why they engaged in this kind of BS! Proper attribution wouldn’t have diminished them as one of rock’s greatest bands.

Rainbow, the band founded by Ritchie Blackmore in 1975, may not match Deep Purple, but they released some great music, especially during the initial phase with powerhouse lead vocalist Ronnie James Dio. Following is their best known tune, Long Live Rock ‘n’ Roll, the title track to the band’s third studio album from April 1978. Dio wrote all lyrics on the record, his last with Rainbow. Most of the music including for this song was penned by him and Blackmore.

As somebody who grew up in Germany, I felt I had to acknowledge what’s probably the most successful German rock band internationally: Scorpions. While I acknowledge their music has varied quite a bit over the decades, these guys have released some kickass rock. Here’s Loving You Sunday Morning, the opener to Lovedrive. According to Wikipedia, the band’s sixth studio album from January 1979 “cemented the “Scorpions formula” of hard rock songs combined with melodic ballads.” Lead vocalist Klaus Meine and drummer Herman Rarebell co-wrote the tune’s lyrics, while guitarist Rudolf Schenker came up with the music. Scorpions continue to rock to this day, more than 40 years on, with Meine and Schenker still being part of their line-up – amazing!

We’re up to the tenth and last tune. Let’s finish it with some early Van Halen, when they were still great: Runnin’ With The Devil, off their eponymous studio debut in February 1978. Like most of the record’s tracks, the song is credited to all members of the band at the time:  Eddie Van HalenAlex Van HalenDavid Lee Roth and Michael Anthony.

And that’s a wrap. Hope everybody who is celebrating it has a great Fourth of July. And please be safe and don’t do anything silly, such as drinking and driving!

Sources: Wikipedia, YouTube

What I’ve Been Listening To: Jimmie Vaughan/Baby, Please Come Home

Lately, I’ve been listening to blues music quite a lot. In part, it’s thanks to fellow music blogger Music Enthusiast and his recent New Music Review that featured two excellent artists, Christone “Kingfish” Ingram and Big Daddy Wilson. The other part is my own curiosity, which led me back to the Billboard Blues Albums chart where the other day I had spotted a surprising entry: a collection of Fats Domino and Chuck Berry covers by George Benson. This time, I came across Baby, Please Come Home, another great covers album by an old hand of Texas blues: Jimmie Vaughan.

Other than the fact that Jimmie is the older brother of electric blues dynamo Stevie Ray Vaughan, one of my long-time favorite blues guitarists, admittedly, I knew next to nothing about Jimmie, so had to read up a little. But that happens to be one of the aspects I particularly enjoy about music blogging – learning about new artists and their music. Yes, this can be time-consuming, but I’m not in a hurry. Most importantly, it would be far less fun if I would only write about stuff I knew!

Jimmy Vaughan

Jimmie Vaughan was born on March 20, 1951 in the Dallas area, about three and a half years prior to his brother Stephen Ray. He started playing the guitar as a child and in fact inspired his younger brother to pick up the instrument as well. At the age of 19, Jimmie moved to Austin and played in different blues bar bands for some time. In 1972, he formed his own group, The Storm, which backed many touring blues artists. Two years later, he co-founded The Fabulous Thunderbirds with harmonica player Kim Wilson. While the T-Birds gained a strong fan base in Texas, their first four albums didn’t sell well, and by the end of 1982 their record company Chrysalis had dropped them.

Meanwhile, Stevie Ray Vaughan broke through and became a dominating force in the Texas and national blues scene. It took the T-Birds until 1986 to score a success with their fifth studio album Tough Enuff. The record featured more of a mainstream sound, an approach the band replicated on their next two albums. Unhappy about the commercial direction the T-Birds had taken, Jimmie left in 1990 and recorded an album with his brother, Family Style. It came out one month after Stevie Ray’s untimely death in a helicopter crash under the name The Vaughan Brothers.

Jimmie & Stevie Ray Vaughan
Jimmie Vaughan (left) with his brother Stevie Ray Vaughan

Jimmie’s solo debut Strange Pleasure appeared in 1994. He hasn’t been exactly prolific since then, sometimes leaving many years in-between releasing new studio records and focusing on touring and guest-appearing on albums by other artists. Baby, Please Come Home, which was mostly recorded at Fire Station Studio in San Marcos, Texas, came out on May 17 on the Last Music Co. label. It features deeper cuts from a variety of different artists, such as Lloyd Price, T-Bone Walker, Etta James, Fats Domino and Jimmy Reed. Let’s get to some music.

Here is the opener and title track of the album. The tune was written by Lloyd Price and released as a single in 1955. Often called “Mr. Personality,” after his 1959 million-seller Personality, the R&B singer from Louisiana is also known for Lawdy Miss Clawdy, a song he recorded in 1952, featuring Fats Domino on piano. I just dig the horn section and the cool retro sound on Baby, Please Come Home, which is present throughout this 11-tune collection.

No One To Talk To (But The Blues) is a song by country music singer-songwriter Lefty Frizzell, which he recorded in 1957 as a single with country and rockabilly vocalist  Shirley Caddell, who later became known as Shirley Collie Nelson. From 1963 until 1971, she was married to Willie Nelson.

Another great tune, and frankly I could have selected any other track, is What’s Your Name?  That song was written by blues, R&B and rock & roll singer Chuck Willis and appeared as a single in 1953.

Next up: I’m Still In Love With You by T-Bone Walker, one of Vaughan’s guitar influences. Co-written by Walker and Charles Glenn, the ballad was released by Walker with Marl Young And His Orchestra in 1945. From what I have heard thus far, Jimmie is more of an old-style pre-Jimi Hendrix type blues guitarist whereas his younger brother clearly embraced the virtuosity and sound of Hendrix.

The last track I’d like to highlight is So Glad by Fats Domino, which first appeared on his 1963 album Walking To New Orleans. The song was co-credited to Domino and his musical collaborator Dave Bartholomew.

In addition to playing guitar, Vaughan is also handling all lead vocals, something I understand he hasn’t always done. While I think it’s fair to say he’s a better guitar player than a singer, his vocals go well with the music. Vaughan is backed by outstanding musicians, with some of whom he has worked for a long time: George Rains (drums), Ronnie James (bass), Billy Pittman (rhythm guitar), Mike Flanigan (Hammond B3), T. Jarrod Bonta (piano), Greg Piccolo (tenor saxophone), Doug James (baritone saxophone), Randy Zimmerman (trombone) and Jimmy Shortell (trumpet), as well as the Texas horns: Kaz Kazanoff (tenor saxophone), John Mills (baritone saxophone) and Al Gomez (trumpet). The record also features guest vocalists Georgia Bramhall and Emily Gimble.

Commenting on the eclectic mix of tracks, Vaughan told Guitar World, “When I was young, I didn’t really pay much attention to categories of music. I just heard what I liked and decided to explore that. And that’s really what I’m still doing.” The result is a great-sounding. old style blues record I find very enjoyable. I also agree with one review I read that it was not Vaughan’s goal to make a hit record but simply play music he loves. That being said, the album is currently at no. 2 on the Billboard Blues Albums chart. No. 1, by the way, is Christone “Kingfish” Ingram with his eponymous debut – that 20-year-old blues guitarist and singer from Clarksdale, Miss is just dynamite!

Vaughan is going on the road starting June 19 in Atlanta, and playing what mostly look like smaller venues. Now, that could be fun – I know I’ve been saying I need to restrain myself investing in concerts, but seeing Vaughan up and close in some intimate venue probably would be a great experience! Some of the other dates include Cleveland (Jun 26); Austin, Texas (Jul 6); Boston (Jul 16); Washington, D.C. (Jul 20); Los Angeles (Aug 7); and San Francisco (Sep 11). The last current gig is in Dallas on Sep 21. The full schedule is here.

Sources: Wikipedia, Apple Music, Jimmie Vaughan website, Guitar World, YouTube

What I’ve Been Listening To: Bonnie Raitt/Slipstream

I think Slipstream is one of the gems in Bonnie Raitt’s close to 40-year recording career. I hadn’t heard the album in a while until this morning. Afterwards, I spontaneously decided to cover it.

Raitt is one of my favorite music artists, and I’ve written about her before. If you’re curious about her background, you can read more here. In this post, I’d like to focus on the music from Slipstream, Raitt’s 16th studio album released in April 2012. It came seven years after the predecessor Souls Alike, the last album for her longtime record company Capitol Records. The album is the first issued on her independent label Redwing Records, which she launched in 2011.

Slipstream kicks off strongly with the groovy Used To Rule A World. The tune also became one of two tracks that appeared separately as a single. It was written by singer-songwriter and session multi-instrumentalist Randall Bramblett. In addition to Raitt, he has played with the likes of Gregg Allman, Robbie Robertson and Steve Winwood. Apart from Raitt’s funky guitar, I particularly dig the Hammond B3 part performed by Mike Finnegan. He’s another session musician with an impressive resume, including Jimi Hendrix, Joe Cocker, Buddy Guy, Etta James and Crosby, Stills and Nash, to name some.

Right Down The Line, the second single off the album, is a nice cover of a tune by Gerry Rafferty. The Scottish singer-songwriter included it on his sophomore album City To City from January 1978. That record is best known for the mega hit Baker Street, which makes me want to listen to the song and other music from Rafferty. I haven’t done that in a long time either – could become a separate blog topic in the future!

Down To You is another tune for which Bramblett got a credit. The other co-writers are George Marinelli, who also plays guitar, as well as Raitt who wrote the lyrics – her only credit on the album. But if you interpret songs, sing and play slide guitar like Raitt, I think it becomes a minor detail whether or not you actually write the songs. Marinelli, a founding member of Bruce Hornsby and The Range, has been part of Raitt’s band since 1993.

Raitt slows things down on Not Cause I Wanted To, a ballad about the breakup of a relationship. I wonder whether the tune, which was co-written by Al Anderson and Bonnie Bishop, has some autobiographic connection. According to Wikipedia, Raitt’s marriage to actor Michael O’Keefe ended in divorce in late 1999, apparently because their careers caused them to spend much time apart.

The last tune I’d like to call out is Standing In The Doorway, another track on the quieter side. It was written by Bob Dylan, who included it on this 30th studio album Time Out Of Mind from September 1997. Interestingly, Slipstream also features another Dylan cover from the same record, Million Miles. When covering songs, Raitt oftentimes makes them her own, but in this case, she chose to stay closely to the original – in any case, a beautiful take!

Slipstream entered the Billboard 200 at no. 6, making it Raitt’s highest-charting album in the U.S. in 18 years since 1994’s chart-topper Longing In Their Hearts. She also won Best Americana Album for Slipstream at the 2013 Grammy Awards.

Sources: Wikipedia, Bonnie Raitt website, YouTube

Tumultuous Path Of A Journeyman And Survivor

For more than 50 years, Eric Burdon has been one of rock’s most distinctive vocalists

Oftentimes, I feel the best blog ideas are inspired by a previous post. In this case, it was my writing about great covers performed by Tom Petty and the Heartbreakers, which included I’m Crying by The Animals. The tune reminded me of Eric Burdon and a voice I’ve always felt was made for singing the blues. Just like many other blues artists or more generally those who started out during the ’60s and ’70s, Burdon has experienced it all, from the highest high to the deepest low and everything else in-between. Unlike many fellow artists, he’s still there, which I think makes him one of the ultimate survivors.

Eric Victor Burdon was born on May 11, 1941 in the northeastern English industrial town of Newcastle upon Tyne. His upbringing in a lower class working family was rough. Burdon started smoking at the age of 10 and skipping school with friends to drink beer. He described his early school years as a Dickens novel-like “dark nightmare,” which included bullying, sexual molestation and sadistic teachers hitting kids with a leather strap. While his father Matt Burdon struggled as an electric repairman, this allowed the family to have a TV by the time Eric was 10. Yet again the TV sparking it all!

Seeing Louis Armstrong on the tube triggered Burdon’s initial interest in music, first in the trombone, then in singing. The next decisive stage in his life was secondary school and a teacher named Bertie Brown who helped him get into the local art college. There he met John Steele, the original drummer of The Animals. They ended up playing in a band called The Pagan Jazzmen. By early 1959, keyboardist Alan Price had joined. After a few iterations and name changes, the band evolved into The Animals in 1962.

The Animals
The Animals (from left): John Steele, Eric Burdon, Hilton Valentine, Alan Price and Chas Chandler

The initial lineup featured Burdon (lead vocals), Steele (drums), Price (keyboards), Hilton Valentine (guitar) and Chas Chandler (bass), who later became the manager of Jimi Hendrix. Between September and December 1963, The Animals developed a following in Newcastle by playing local clubs there. During that period, Burdon met some of his blues heroes, including John Lee Hooker and Sonny Boy WilliamsonThe Animals also backed Williamson during a local gig.

In December 1963, The Animals recorded their first single Baby Let Me Take You Home. It climbed to a respectable no. 22 on the UK singles chart. But it was the second single, The House Of The Rising Sun from June 1964, which brought the big breakthrough, topping the charts in the UK, U.S., Canada and Sweden. It also started the beginning of the band’s demise when the arrangement of the traditional was only credited to Price who collected all the songwriting royalties.

The band’s first studio album The Animals appeared in the U.S. in September 1964. Their British debut record followed two months later. As was quite common at the time, the track listing between the two versions differed. Altogether, the original incarnation of The Animals released five U.S. and three U.K. studio albums. Here’s the above mentioned I’m Crying, which was included on the second U.S. record The Animals On Tour, a peculiar title for a studio album. Co-written by Burden and Price, it’s one of only a few original tracks by the band that was mostly known for fiery renditions of blues and R&B staples by the likes of John Lee Hooker, Jimmy Reed and Ray Charles.

In May 1966, The Animals released Don’t Bring Me Down. Co-written by songwriter duo Gerry Goffin and Carole King, the tune became Burdon’s favorite single, he told Louder/The Blues during a long interview in April 2013. The song also became the opening track to the band’s fourth U.S. album Animalization released in July 1966. The great tune is characterized by a distinct Hammond B3 sound played by Dave Rowberry, who had replaced Alan Price  following his departure in late 1965, and Hilton Valentine’s fuzz guitar.  Burdon recalled the song’s recording in a hotel in the Bahamas. “There was an old record player in the room where we were recording and it had this strange, thin electrostatic speaker. Dave Rowberry connected it to his Hammond B3 and that’s where the sound comes from on that track.”

By September 1966, The Animals had dissipated and Burdon started work on his first solo album Eric Is Here, which wouldn’t appear until the following year. Meanwhile, in December 1966, he formed Eric Burdon & The Animals. In addition to him, the band included Barry Jenkins, who had replaced John Steel on drums during the first incarnation of The Animals, John Weider (guitar, violin, bass), Vic Briggs (guitar, piano) and Danny McCulloch (bass). The band subsequently relocated from the U.K. to San Francisco. By that time, Burdon had become a heavy user of LSD.

In October 1967, Eric Burdon & The Animals released their debut. Appropriately titled Winds Of Change, it featured mostly original tracks and psychedelic-oriented rock, a major departure from the past. But, as Louder/The Blues noted, except for San Franciscan Nights, “the British public were reluctant to accept Eric’s transformation from hard-drinking Geordie bluesman to LSD-endorsing, peace and love hippy.” Three more albums followed before this second incarnation of The Animals dissolved in late 1968. Here’s Monterey, the opener to their second record The Twain Shall Meet from May 1968. Reflecting the band’s drug-infused experiences at the Monterey Pop Festival, where they also had performed, the tune is credited to all five members.

Disillusioned with the music business, Burdon went to LA to try acting. But after one year, he returned to music, fronting a Californian funk rock band that would be called War. Together they recorded two original albums in 1970. Here’s Spill The Wine from the first, Eric Burden Declares “War”, which appeared in April 1970. Credited to the members of War, the tune became the band’s first hit, peaking at no. 3 on the Billboard Hot 100. It also marked Burdon’s last major chart success.

Burdon’s relationship with War abruptly unraveled after the band had decided to record their next album without him. It was around the same time his friend Jimi Hendrix passed away. Burden was devastated. “That became the end of the parade because it affected us so much,” he stated during the above Louder/The Blues interview. “It was tough for me. It was tough for everybody.” Unfortunately, one of Burdon’s answers was drugs and more drugs.

During the ’70s and ’80s, Burdon had numerous drug excesses. In 1983, this lead to an arrest in Germany where he had lived since 1977. Subsequently, he returned to the U.S. Yet despite all the upheaval, Burdon still managed to continue recording albums and touring. In 1971, he teamed up with American jump blues artist Jimmy Witherspoon for a record titled Guilty! Here’s Home Dream, a great slow blues tune written by Burdon.

In August 1977, the first incarnation of The Animals released the first of two reunion albums, Before We Were So Rudely Interrupted, billed as The Original Animals. Despite positive reviews, the record only reached no. 70 on the Billboard 200. Lack of promotion, no supporting tour and most importantly appearing at a time when punk and disco ruled were all factors. Here’s the great opener Brother Bill (The Last Clean Shirt), a tune co-written by Jerry Leiber, Mike Stoller and Clyde Otis.

Next up: Going Back To Memphis, a song co-written by Burdon and Steve Grant. It appeared on Burdon’s 1988 album I Used To Be An Animal. Released in the wake of his autobiography I Used To Be An Animal, But I’m Alright Now,  it was Burdon’s first new album in almost four years.

In April 2004, My Secret Life appeared, Burdon’s first new solo record in almost 16 years. Here’s the opener Once Upon A Time, a nice soulful tune co-written by Burdon and Robert Bradley.

‘Til Your River Runs Dry is Burdon’s most recent studio release, which came out in January 2013. His website calls it his “most personal album to date.” Here’s Old Habits Die Hard, co-written by Burdon and Tom Hambridge. “This song is dedicated to the people in Egypt and Libya trying to throw off the shackles of all those centuries of brutality,” Burdon told Rolling Stone a few days prior to the record’s release. “It reminds me of Paris in 1968 when I saw the kids going up against the brutal police force or the L.A. uprising. I went through these experiences and they’re still with me today. The struggle carries on. I wrote this song so I won’t forget and to say, even though I’m older now, I am still out there with you.”

Burdon’s most recent recording is a nice cover of For What It’s Worth, written by Stephen Stills and originally released by Buffalo Springfield in December 1966. He commented on his website: The whole idea of recording this song came as a result of a conversation I had with a young fan backstage, when she asked me, “Where are the protest songs today?” Right then and there, I wanted to write something about the brutality that’s going on in the world today but I couldn’t find any better way to say it than Buffalo Springfield did in “For What It’s Worth.

In 1994, Eric Burdon was inducted into the Rock & Roll Hall Of Fame as part of The Animals, along with the other original members of the band. He did not attend the induction ceremony. Burdon remains active to this day and uses the name The Animals for his backing band, which includes Evan Mackey (trombone), Davey Allen (piano), Dustin Koester (drums), Johnzo West (guitar), Justin Andres (bass) and Ruben Salinas (saxophone).

While Burdon’s website currently does not list any upcoming gigs for this year, according to Consequence of SoundEric Burdon & The Animals are part of the lineup for the KAABOO Festival in Arlington, Texas, May 10-12. The band is also scheduled to perform on May 26 at Avila Beach Blues Festival in California.

Asked by Louder/The Blues during the above interview how he would sum up the past 50 years, Burdon said, “I’d been screwed by [War], I’d been screwed by The Animals. All use Burdon because he’s a great front guy and then come payday where’s the money? A lot of people had a great ride off me being on stage and I didn’t get much of it.” With a little chuckle he added, “I’m not bitter. I’m bittersweet.”

Sources: Wikipedia, Louder/The Blues, Deutsche Welle, Eric Burdon website, Rolling Stone, Consequence of Sound, Eventbrite, YouTube

On This Day In Rock & Roll History: January 23

Even though I’ve already done numerous installments for this recurrent feature, many of the 365 dates remain to be explored. Let’s take a look at some of the events on January 23 in rock & roll history.

1956: Cleveland, Ohio banned rock & roll fans under the age of 18 from dancing in public unless accompanied by an adult, after the Ohio police had re-introduced a law dating back to 1931. Music bans rarely work, and there was no way young people could be kept away from rock & roll. Ironically, 27 years later, the very same city saw the founding of the Rock & Roll Hall of Fame. The times they are a-changin’.

50s dance ban

1965: Petula Clark hit no. 1 on the Billboard Hot 100 with Downtown, the first female singer from the U.K. to reach the top of the U.S. chart since Vera Lynn in 1952. The tune, which peaked at no. 2 in the U.K., was written by Tony Hatch, who also produced it for Clark. The song’s recording session on October 16, 1964 at Pye Studios in London was attended by a popular studio guitarist. His name: Jimmy Page. That same year, his session work also included As Tears Go By (Marianne Faithfull), Heart Of Stone (The Rolling Stones) and Baby, Please Don’t Go (Them), among others.

1969: The Beatles were working at Abbey Road Studios as part of the Get Back/Let It Be sessions. They spent a great deal of time on Get Back, recording an impressive 43 takes of the Paul McCartney tune, none of which was officially released. Their efforts eventually would pay off during their rooftop concert. And, yes, they passed the audition!

1971: George Harrison reached no. 1 on the Official Singles Chart in the U.K. with My Sweet Lord, becoming the first former member of The Beatles to top the charts as a solo artist. The tune appeared on All Things Must Pass, Harrison’s first solo album following the band’s breakup. My Sweet Lord peaked at no. 1 in many other countries as well, including the U.S., Canada and Australia. It also made Harrison the first and only ex-Beatle to find himself embroiled in major copyright infringement litigation. The lawsuit alleged My Sweet Lord plagiarized He’s So Fine, a tune Ronnie Mack had written for The Chiffons, giving them a no. 1 single in the U.S. in 1963. In September 1976, a New York judge ruled that Harrison had “subconsciously copied” Mack’s tune. Subsequent litigation over damages dragged on until 1998.

1976: David Bowie released his 10th studio album Station To Station. It became his highest-charting record in the U.S. during the ’70s, climbing to no. 3 on the Billboard 200. The record also catapulted the Thin White Duke into the top 10 in various other countries, including the U.K. (no. 5), Australia (no. 8), The Netherlands (no. 3), Norway (no. 8) and New Zealand (no. 9). In 2012, Rolling Stone ranked Station To Station at no. 324 on their list of 500 Greatest Albums of All Time. Here’s the closer Wild Is The Wind, which like all tracks was written by Bowie.

1978: Terry Kath, best known as a founding member of Chicago, accidentally shot himself dead. Following a party, he started playing around with guns, held a pistol he thought was empty to his temple and pulled the trigger. The freak accident happened only a few days prior to what would have been his 32nd birthday. Referring to Kath, Jimi Hendrix reportedly once told Chicago’s saxophone player Walter Parazaider that “your guitar player is better than me.” Regardless whether Hendrix meant it or not, there’s no question that Kath was an ace guitarist. Here’s I Don’t Want Your Money, which was co-written by him and Robert Lamm, and appeared on Chicago’s third studio album Chicago III from January 1971.

Sources: Wikipedia, This Day in Music.com, The Beatles Bible, YouTube