Hope everybody is enjoying their Sunday and has had a good week. Time again to embark on another music journey where the only thing that’s certain is that nothing is certain. In other words, anything goes as long as I like it. Oftentimes, these posts are pretty eclectic, and this installment is no different, featuring country rock, progressive rock, rockabilly, synth pop, folk rock and Chicano garage rock.
Poco/What a Day
A recent post about Rusty Young and Paul Cotton by fellow blogger Mike from Ticket 2 Ride brought country rock pioneers Poco back on my radar screen – and the realization I’ve yet to take a deeper dive into their music. My first encounter with Poco was in the ’80s when a dear longtime music friend introduced me to the band with their excellent 11th studio album Legend from November 1978. After they had released records for nearly a decade, it finally gave them a top 20 on the Billboard 200, reaching no. 14. Poco were formed in 1968 by former Buffalo Springfield members Richie Furay (vocals, rhythm guitar) and Jim Messina (lead guitar, vocals), together with Rusty Young (pedal steel guitar, banjo, dobro, guitar, mandolin, vocals), Randy Meisner (bass, vocals) and George Grantham (drums, vocals). In addition to 19 studio albums, the band’s catalog includes multiple compilations and live recordings. Poco have continued to perform with many different line-ups, though with the death of Young from a heart attack at age 75 in April this year, their current status is uncertain. Here’s a tune I love off their debut album Pickin’ Up the Pieces that came out in May 1969: What a Day, written by Furay. You can read more about that album here.
Genesis/The Lamb Lies Down on Broadway
Let’s move to the ’70s and a dose of prog rock, a genre I’ve never really embraced with a few exceptions. One of them are Genesis. I began exploring the British group in the mid ’80s back in Germany when getting access to many of their albums through my best friend whom I’ve known since the second school grade. Genesis were formed in 1967 by Peter Gabriel (lead vocals, flute), Tony Banks (organ, piano, backing vocals), Anthony Phillips (lead guitar), Mike Rutherford (bass, guitar, backing vocals) and Chris Stewart (drums), who all attended a boarding school in the English town of Godalming. By the time their debut album From Genesis to Revelation appeared in March 1969, Stewart had been replaced on drums by Jonathan Silver. After a hiatus following their last studio album …Calling All Stations… from September 1997 and occasional reunions, Genesis reformed in March 2020 and announced The Last Domino? Tour set to kick off in mid-September Dublin, Ireland, and currently including 40 dates across Ireland, the UK, U.S. and Canada. The line-up features Banks, Collins and Rutherford, along with various touring musicians. Here’s the title track from the band’s sixth studio album The Lamb Lies Down on Broadway, which was released in November 1974 and was the last to feature Gabriel. Like the remaining tracks, the tune was credited to all members of the band, which at the time included Banks, Collins, Gabriel, Rutherford and guitarist Steve Hackett who had replaced Phillips on lead guitar in late 1970. For some additional thoughts on the album, you can check here.
After nearly 5 minutes of prog rock, I’m sure y’all are ready for some great rockabilly, a genre I’ve been digging the first time I heard it. Most likely, that was sometime during the second half of the ’70s when I started listening to the radio more frequently, in particular an oldies show that aired on Sunday evenings on my favorite station SWF3 (now SWR3). And it may well have been Carl Perkins or Bill Haley or Elvis Presley – frankly, I don’t remember. Perkins, a rockabilly pioneer, started his recording career in 1954 at Sam Phillips’ Sun Records. In February 1957, he released Matchbox as the B-side to Your True Love. Matchbox shares some lyric phrases with Blind Lemon Jefferson’s 1927 recording of Match Box Blues, though musically the tunes are different. Matchbox and Your True Love also appeared on Dance Album Of Carl Perkins, his debut full-length record from 1957. It’s probably best remembered by the classic Blue Suede Shoes, another Perkins song that became his only no. 1 on Billboard’s country chart. It also surged to no. 2 on the mainstream Billboard Hot 100, his best-performing single there as well. Carl Perkins who passed away in January 1998 at the age of 65, was inducted into the Rock Roll Hall of Fame in 1987 by Sam Phillips.
Prince needs no further introduction. While I wouldn’t call myself a fan, I’ve admired him for many years because of his incredible musicianship and remarkable versatility. And I definitely like some of his songs. I was tempted to pick Purple Rain, the title track of Prince’s 1984 album, which brought him on my radar screen, and a tune I love to this day. Instead, I decided to go with another title track, 1999, from Prince’s fifth studio album that appeared in October 1982. To me, it’s one of the most infectious dance tunes I know. According to Songfacts, Prince wrote the party-like jam during the height of the Cold War. But while acknowledging Everybody’s got a bomb/We could all die any day, he resorted to an optimistic stance, telling people to enjoy their remaining time on earth: But before I’ll let that happen/I’ll dance my life away.
Mumford & Sons/I Will Wait
After some country rock, prog rock, rockabilly and a synth pop party tune about nuclear Armageddon, I think we’re ready for a dose of English folk rock, don’t you agree? Mumford & Sons were formed in London in late 2007 by multi-instrumentalists Marcus Mumford (lead vocals, guitars, drums), Ben Lovett (vocals, piano, keyboards, accordion), Winston Marshall (vocals, guitars, banjo, bass) and Ted Dwane (vocals, bass, double bass, drums). After their successful debut album Sigh No More from October 2009, which topped the charts in Australia, New Zealand and the Netherlands and hit no. 2 in the UK and the U.S., the band gained even greater prominence with their sophomore release Babel that appeared in September 2012. The record debuted at no. 1 on the UK Albums Chart and the U.S. Billboard 200 and also reached the top of the charts in many other countries. Babel became the fastest selling record of 2012 in the UK and was the biggest selling debut of any album in the U.S. that year. Mumford & Sons have since continued to enjoy success with two additional albums. Marshall left earlier this year, leaving Mumford & Sons as a trio for now. Here’s I Will Wait from the above noted Babel album. Written by Marcus Mumford, it’s the band’s most successful single to date and I assume the song most people have heard. Here’s the official video with footage captured at the breathtaking Red Rocks Amphitheatre near Morrison, Col.
Thee Midniters/Empty Heart
And, once again, this brings me to the sixth tune that will conclude this week’s musical excursion. Let’s go back to the ’60s where the post started with a pick inspired by my recent review of Los Lobos’ great new album. Native Sons, which largely features covers by bands and artists from L.A. or who ended up there, celebrates the city’s rich musical heritage. The covers include a tune by Thee Midniters, another Chicano rock band who like Los Lobos were from East Los Angeles. Formed in the mid ’60s, their members included Willie Garcia (lead vocals), George Dominguez (lead guitar), Roy Marquez (rhythm guitar), Ronny Figueroa (organ), Larry Rendon (saxophone), Romeo Prado (trombone), Jimmy Espinoza (bass) and George Salaza (drums). After releasing a few albums, the band split in the early ’70s. According to Wikipedia, The Midniters have continued to perform over the decades, led by original members Espinoza and Rendon. I haven’t been able to verify the group’s current status. Here’s their cover of The Rolling Stones’ Empty Heart. Co-written by Mick Jagger and Keith Richards, the Stones first recorded the tune for their second EP Five by Five released in August 1964. Check out this cooking rendition by Thee Midniters.
Sources: Wikipedia; Songfacts; Discogs; YouTube