Rock The Farm Returns To Jersey Shore

Eleven-hour marathon for a cause features tributes from AC/DC to Zeppelin

While there were no barns and cows, Rock the Farm 2018 didn’t need them. The fifth annual music tribute for a great cause that took place yesterday in Seaside Heights, N.J. rocked anyway and felt even better than last year when I attended the 11-hour marathon for the first time and wrote about it here.

Rock the Farm, a.k.a. Faux-Chella, is a pretty cool idea: Imagine an iconic music festival that could never happen in reality and bring it to life with compelling tribute acts and raise money for a great cause in the process. It sort of mirrors Live Aid on a mini scale, but instead of focusing on starvation in Africa, the fund-raising supports domestic addiction recovery programs. All of the performing bands donated their time to the cause, playing for free. That’s what I call greatness in America that actually deserves the expression!

Rock the Farm 2018 Line-Up

With the U.S. being in the throes of an opioid crisis that according to a fact sheet from CNN claimed more than 63,600 overdose deaths or an average of 115 people a day in 2016, an event like Rock the Farm couldn’t be more timely. And while no amount of money is too small to help address this astonishing loss of human life in one of the richest countries in the world, a staggering $18 billion is spent in the U.S. each year as a result of the opioid crisis. And that’s just opioids, so it doesn’t include alcohol or other drugs!

Rock the Farm is the main annual fundraiser of the non-profit CFC Loud N Clear Foundation, which was established by the Regan family in 2015, after their son Daniel Regan had come out of a rehab center and with the help of his mother Lynn Regan developed a recovery system for himself. Other people noticed it was working for him and started asking how they did it. That’s when the Regan family realized everyone should have access to an aftercare program, sparking the idea of the CFC Loud N Clear Foundation.

According to their website, to date CFC has assisted more than 7,500 families to help overcome addiction by a loved one. Seeing founder Dan Regan and other CFC folks, and even more so, hearing from some other former addicts who had the courage to step on stage was inspiring to say the least. To me it’s the quintessential story of hope that has made America great and attracted immigrants like myself to its shores. I hope the country will never lose that!

All right, now that the “heavy stuff” is out of the way, it’s time for some great music. Since there was so much of it, I’m only going to highlight some of it.

Decade

Readers of the blog may recall I’ve covered this great Neil Young tribute band from New Jersey before. While they’ve only played together for a few years, all of the band’s members are seasoned musicians, and it shows. Decade are John Hathaway (lead vocals, guitar), Joey Herr (guitar, backing vocals), Lou Perillo (bass, backing vocals), Steve Cunniff (keyboards, backing vocals) and Johnny Burke (drums, percussion). Here’s the opener of their set: A cool rendition of Star Spangled Banner a la Jim Hendrix, and Mr. Soul by Buffalo Springfield, which Neil Young co-founded with Stephen Stills, Richie FurayKen Koblun and Dewey Martin in Los Angeles in 1966.

Walk This Way

This terrific tribute band to Aerosmith came all the way from Dallas to support the cause and they kicked ass. While Walk This Way mostly perform in their home state, the show history on the band’s website indicates they also travel nationally and occasionally even beyond. Walk This Way feature Ian Latimer (as Steven Tyler, lead vocals), David Semans (as Joe Perry, guitar & backing vocals), Chris Bender (as Tom Hamilton, bass), Martin Turney (Joey Kramer, drums), Eamonn Gallagher (as Brad Whitford (guitar) and Chris Loehrlein (as Russ Irvin, keyboards). I wasn’t going feature what perhaps is the expected Aerosmith tune, the epic Dream On, but when these guys combined it with Train Kept A-Rollin’, I just couldn’t resist. It was the perfect finish to their great set.

Guns 4 Roses

Walk This Way wasn’t the only band that came all the way from Dallas. They were joined by Guns N’ Roses tribute Guns 4 Roses. Unfortunately, their website and Facebook page only provides the first names of the members (what’s that all about?), and I still had to conduct a bit of research to figure things out: Laz (as Axl Rose, lead vocals), Eamonn (as Slash, guitar), Chris (as Duff McKagan, bass), David (as Dizzy Reed, keyboards), Martin (as Steven Adler, drums) and Chris (Izzy Stradlin, guitar). Hope I got it right. Here’s Sweet Child O’ Mine, one of my favorite Guns N’ Roses tunes.

TUSK

This outstanding tribute to Fleetwood Mac, which mirrors the Rumours lineup, is another band from New Jersey. Their members include Kathy Phillips (as Stevie Nicks, vocals), Kim Williams (as Christine McVie, keyboards & vocals), Scott McDonald (as Lindsey Buckingham, guitar & vocals), Tom Nelson (as Mick Fleetwood, drums) and Randy Artiglere (as John McVie, bass). Like Walk This Way, TUSK is a national band, as indicated by the tour schedule on their website. Here’s Dreams and Say You Love Me from the Rumours (1977) and Fleetwood Mac (1975) albums, respectively.

Free Fallin’

Another band that took a long trip for Rock The Farm was Free Fallin’, a Minneapolis-based tribute to Tom Petty. He is yet another longtime favorite artist of mine, and with their execution of the music and Petty’s distinct vocals, I think Free Fallin’ would have made him proud. The band are Tom Brademeyer (as Tom Petty, guitar & lead vocals), Mark Larsen (as Stan Lynch, drums), Russ Lund (as Ron Blair, bass), Karl Swartz (as Mike Campbell, guitar & vocals), Dale Peterson (as Benmont Tench, keyboards, percussion & vocals) and Craig Volke (as Scott Thurston, guitar, keyboards, harmonica, percussion & vocals). While I think looks are secondary when it comes to tribute acts, it doesn’t hurt when they have visual similarity with the artists they capture. I should add that’s also the case for at least one member of each of the other tribute bands I’ve highlighted in this post. I was tempted to feature Stop Draggin’ My Heart Around, for which Kathy Phillips of TUSK joined Free Fallin’, but I just couldn’t resist highlighting my favorite Petty tune instead: Refugee, from the excellent Damn The Torpedos album (1979). Just like Stop Draggin’ My Heart Around, it was spot on.

Live/Wire

What better way to close out a great all-day festival than with the hard charging rock & roll of AC/DC – and, boy, did Live/Wire kick ass! This band from New York, which has been around since 2000, includes Mike Hughes (as Angus Young, lead guitar), Bill Voccia (as Malcolm Young, rhythm guitar), Chris Antos (as Bon Scott and Brian Johnson, lead vocals), Bill ‘Daytona’ Bowden (as Cliff Williams, bass) and Billy Rauff (as Phil Rudd, drums). While most tribute acts like to call themselves the “ultimate experience” or variations of the claim, I could imagine that Live/Wire are indeed “the ultimate AC/DC experience.” Based on their current 2018 schedule, the band’s touring radius appears to span the eastern half of the U.S. Here’s It’s A Long Way To The Top (If You Wanna Rock ‘N’ Roll). While there were apparent problems with the microphone for the bagpipes, frankly, it didn’t matter much. Instructions for the clip: To be played on a decent sound system at maximum volume!😜

Yes, an 11-hour festival is a marathon, and I can’t deny by back and feet were aching when it was all over, but it was worth each and every moment. So guess what? Come next September, and if I’m still alive, I’ll be back!

Sources: Wikipedia; CNN opioid crisis fast facts (June 2018); CFC Loud N Clear Foundation website; Decade Facebook page;  Walk This Way Facebook page and website; Guns 4 Roses Facebook page and website; TUSK website; Free Fallin’ Facebook page; Live/Wire website; YouTube

The Hardware: Gibson Les Paul

Just like the Fender Stratocaster, Gibson’s Les Paul is one of the defining electric guitars

As Jim, who writes the excellent Music Enthusiast blog, pointed out a couple of weeks ago after I had published my post about the Fender Stratocaster, I could just as well have called the Gibson Les Paul the model that embodies the electric guitar. I couldn’t agree more; in fact, I had planned all along to do a post on the Les Paul as well, so let’s get to it!

Obviously, the legendary guitar is closely associated with American guitarist, songwriter and inventor Les Paul. The origins of the electric guitar that would bear his name date back to 1940 when Paul built the so-called “Log” at the Epiphone guitar factory. The crude instrument, which consisted of a 4″ × 4″ chunk of pine wood with strings and a pickup, was one of the first solid-body electric guitars. To improve the look, Paul took the wings of an Epiphone archtop body and added them to the pine body.

Les Paul Log

When Paul offered his idea to the Gibson Guitar Corporation in 1941, they initially turned him down. That changed when rival Fender started marketing their Esquire model in 1950, a solid-body electric guitar that later turned into the Broadcaster and eventually the Telecaster.

After Gibson Guitar president Ted McCarty realized the enthusiasm about the Esquire and the Broadcaster, he asked Paul to become a consultant to the company. In 1951, Paul, McCarty and his team started developing a solid-body. While apparently there are differing recollections who contributed what, the result was the first Gibson Les Paul, introduced in 1952. Paul used it for the first time in public in June that year during a live performance at the Paramount Theatre in New York.

Gibson Les Paul 1952

The initial Les Paul featured a mahogany body and neck, two P-90 single coil pickus and a one-piece, trapeze-style bridge/tailpiece with strings fitted under a steel stop-bar. In 1953, a second Les Paul model called the Les Paul Custom was introduced. A more important development happened in 1957, when Gibson introduced humbucker pickups on the Les Pauls. According to Wikipedia, a humbucker is a double-coil pick-up to cancel out the interference picked up by single-coil pickups, i.e., bucking the hum.

While the Les Paul models were formidable instruments, they were pretty heavy, which is why initially they weren’t widely embraced by guitarists. As a result, in 1961, Gibson introduced the Gibson SG, a lighter solid-body guitar that became the company’s best-selling model of all time. The company also stopped producing the traditional Les Paul.

Gibson SG 1961

Initially, Gibson launched the SG as the new Gibson Les Paul. But since the model had been developed without Paul’s knowledge and he was unhappy with the design, he requested that his name be removed from the headstock. Gibson agreed and Paul remained as a consultant with the company. Personally, I’ve always found the SG is a really cool looking guitar.

Ironically, a few years after production had been discontinued, Les Paul models started to become en vogue when guitarists like Keith Richards and Eric Clapton discovered and began using them. Other guitarists followed, such as Mike Bloomfield from the Paul Butterfield Blues Band and the Grateful Dead’s Jerry Garcia. Again reacting to popularity trends, Gibson reintroduced the Les Paul single cutaway guitar in July 1968. While there have been some tweaks over the years, the model remains in production to this day.

As indicated above, many guitarists have used Les Pauls. Following is a list of some of them.

Duane Allman

The legendary session musician and lead guitarist of the Allman Brothers Band has used various Les Paul models. Here’s a great clip of the band’s epic live performance of Whipping Post at the Fillmore East in 1970. I believe Allman was playing a 1957 Les Paul Goldtop.

Eric Clapton

While Clapton is better known for Fender Stratocaster guitars, he has also used Gibson models, including a 1960 sunburst Les Paul and a 1957 goldtop Les Paul Custom. In 2010, Gibson announced the Clapton 1960 Les Paul Standard signature model, also known as the “Beano Burst.” Here’s a clip of Clapton playing his 1960 Les Paul.

Jimmy Page

Page has used various Les Paul models, including from 1959 and 1973. He also owned a modified 1960 Les Paul Custom “Black Beauty,” which was stolen in 1970 and has never been found. Gibson has produced three Jimmy Page signature models. In this clip from Led Zeppelin’s live performance of We’re Gonna Groove at London’s Royal Albert Hall in 1970, Page can be seen using a Les Paul.

Slash

Slash has used many different Les Paul models including his own custom shop Les Paul. Altogether, he has collaborated with Gibson on eight signature models. Here’s a clip of a 1988 Guns N’ Roses’ live performance of Sweet Child O’ Mine, featuring Slash on a Les Paul.

Joe Perry

The Aerosmith lead guitarist has used many Gibson guitar models, including various Les Pauls. Gibson has released two Joe Perry signature Les Pauls, the first in 1996, the second in 2004. The latter is known as the Boneyard Les Paul. In the following clip of a live performance of Toys In the Attic, Perry is playing the Boneyard.

Gary Moore

Moore played a Les Paul Standard. There were also two Gibson Gary Moore signature Les Pauls. Here’s the blues rocker and his Les Paul in action live with Walking By Myself.

Pete Townshend

Among other Gibson models, The Who guitarist used various customized Les Pauls from 1973 to 1979. In 2005, Gibson introduced three Townshend signature Les Paul Deluxe guitars, based on his heavily customized “#1” Wine Red 1976 Les Paul Deluxe, “#3” Gold top 1976, and “#9” Cherry Sunburst 1976. Here is a great clip of a 1978 live performance of Won’t Get Fooled Again, in which Townshend plays one of his customized Les Pauls. Based on the date, this must have been one of the last performances of Keith Moon, who died in September that year.

Of course, this post would not be complete without a clip of the maestro himself, Les Paul. Not only does it show Paul perform one of his biggest hit singles, How High the Moon (1951), but he also demonstrates one of his inventions called “Les Paulverizer.” According to Wikipedia, the little device attached to his guitar allowed Paul to access pre-recorded layers of songs during live performance so he could replicate his recorded sound on stage.

Sources: Wikipedia, Premier Guitar, YouTube