On This Day in Rock & Roll History: June 29

After more than three months, I thought the time was right to do another installment of my irregular music history feature. In case you’re new to these posts, the idea is to capture things that happened on a specific date in rock & roll’s past. It’s an arbitrary but fun way to look at music, since you never know what you are going to dig up. I mostly focus on the ’60s, ’70s and ’80s. These posts are not meant to be comprehensive; in fact, they are highly selective and reflect my music taste. With that being said, let’s take a look at June 29.

1962: Motown singing group The Contours released their third single Do You Love Me. Written by the Detroit soul label’s president Berry Gordy Jr., the tune initially was intended for The Temptations. But after Gordy wasn’t able to locate them and had run into The Contours in the hallway, he spontaneously handed the song to them, confident it would become a hit. It turned out to be a good decision. While The Temptations went on and scored multiple mainstream top 40 hits, Do You Love Me became the only such chart success for The Contours, topping Billboard’s Hot R&B Sides and climbing to no. 3 on the Hot 100 mainstream chart.

1964: The Beatles played their first of two nights at Festival Hall in Brisbane, Australia, as part of their only world tour, which also included Denmark, The Netherlands, Hong Kong and New Zealand. They performed two sold out shows on both nights, which were each seen by 5,500 people. But evidently not everybody loved The Beatles, even before John Lennon’s controversial remark about the band being more popular than Jesus. After their arrival to Brisbane from New Zealand, they were pelted with food and bits of wood by some in the crowd while riding in an open-top truck. At the concerts, eggs were thrown at the stage, though The Beatles played on, and the perpetrators were quickly ejected from the music hall. Here’s another fun fact. John, Paul, George and Ringo stood at a hotel called Lennons Hotel. The day after their second night in Brisbane, The Beatles embarked on their long trip back to England. Don’t take it from me. It’s all documented in The Beatles Bible, the ultimate source of truth about the Fab Four! 🙂

Beatles fans in Brisbane – no egg throwers here!

1968: A Saucerful of Secrets, the sophomore album by Pink Floyd, appeared in the UK. The U.S. release occurred on July 27. Sadly, it turned out to be the final album with co-founder and key early songwriter Syd Barrett whose mental condition declined to a point where the group felt compelled to recruit David Gilmour to help out. Barrett left Pink Floyd prior to the album’s completion. Unlike the band’s debut The Piper at the Gates of Dawn from August 1967, for which Barrett was the major songwriter, his role on Pink Floyd’s second album was much reduced. He only wrote one of the seven tracks and contributed some guitar work to two others. Here’s the aforementioned sole tune written by Barrett, Jugband Blues. He also sang lead vocals and provided acoustic and electric guitar.

1974: Singer-songwriter Gordon Lightfoot hit no. 1 on the Billboard Hot 100 with Sundown. He was the second Canadian artist in 1974 to top the U.S. main chart following Terry Jacks with Seasons in the Sun in early March. Written by Lightfoot, Sundown is the title track from his 10th studio album that had been released in January 1974. While he was also successful with other songs, such as If You Could Read My Mind (1970), Carefree Highway (1974), Rainy Day People (1975) and The Wreck of the Edmund Fitzgerald (1976), Sundown remains Lightfoot’s only no. 1 hit on the Hot 100.

1984: Bruce Springsteen kicked off his Born in the U.S.A Tour at St. Paul Civic Center in St. Paul, Minn. to support his seventh studio album that had come out on June 4. The tour, which ended on October 2, 1985 in Los Angeles and also included Canada, Asia and Europe, would become Springsteen’s longest and most successful tour to date. It was the first since portions of the 1974 Born to Run tours without Steven Van Zandt who had decided to launch a solo career after Born in the U.S.A. had been recorded and was replaced by Nils Lofgren. It was also the first tour to include Patti Scialfa who became Springsteen’s wife in 1991. And then there was the filming of the video for Dancing in the Dark during the opening night, which featured then-unknown actress Courteney Cox who had been planted in the first row, looking adoringly at Springsteen before he pulled her up on stage to dance with him. It would make The Boss an MTV sensation. I wonder how he views of this today. Well, it was the ’80s…

Sources: Wikipedia; Songfacts Music Calendar; The Beatles Bible; YouTube

They Say It’s Your Birthday

Happy birthday to you, Sir Paul!

You say it’s your birthday
It’s my birthday too, yeah
They say it’s your birthday
We’re gonna have a good time
I’m glad it’s your birthday
Happy birthday to you

Today, Paul McCartney is turning 79 years old – wow! He’s one of my greatest music heroes of all time, who continues to inspire me after an incredible close to 60-year recording career. Paul’s biography has been written up countless times, and it’s safe to assume there is nothing new I could reveal. Instead, I’d like to celebrate Macca’s birthday with some of the great music he has given us over the decades.

...Yes we’re going to a party party
Yes we’re going to a party party
Yes we’re going to a party party

Things We Said Today (1964)

A song from The Beatles era I’ve always loved, which appeared on the U.K. version of the A Hard Day’s Night album released in July 1964 but wasn’t part of the movie soundtrack. According to The Beatles Bible, McCartney wrote this tune on a yacht in the Virgin Islands in May 1964, where he vacationed with his girlfriend Jane Asher, as well as Ringo Starr and his future first wife Maureen Cox.

Sgt. Pepper’s Lonely Hearts Club Band (1967)

The title track and a Macca tune from my favorite Beatles album on most days, which was released in May 1967. The idea of the song and the entire album of an alter-ego band that would perform before an audience came to McCartney in November 1966 on a flight from Nairobi back to England.

Maybe I’m Amazed (1970)

The highlight of McCartney’s debut solo album McCartney from April 1970. Written in 1969, the tune is about his first wife Linda McCartney (née Eastman). Linda who passed away from breast cancer in 1998 undoubtedly had an enormous impact on Paul. Instead of picking the studio track, I’m cheating a bit here and feature what I feel is a superior version that appeared on the great Wings Over America live album from December 1976.

Band on the Run (1973)

The title track from what I think is the Mount Rushmore of Macca’s solo period, released in December 1973. The tune was McCartney’s response to drug laws he believed unfairly criminalized him and his friends. Noting the latter included the Eagles and The Byrds, Songfacts quotes Macca as follows: “We’re not criminals… We just would rather do this than hit the booze – which had been a traditional way to do it. We felt that this was a better move.”

Letting Go (1975)

A nice rocker from Venus and Mars, McCartney’s fourth studio album with Wings, which came out in May 1975. Letting Go is another tune about Linda McCartney, a reflection on Paul’s relationship with her and that she deserved more freedom to pursue her own interests after she had given up her photography career. Linda received a co-credit for the song.

Here Today (1982)

A moving tribute to John Lennon Macca wrote wrote in the wake of Lennon’s senseless murder in December 1980. It appeared on McCartney’s third solo studio album Tug of War from April 1982, another gem from his solo catalog I previously covered here. This song can still make me well up!

Fine Line (2005)

Time to continue the party by jumping to the current century. Fine Line is the opener to Macca’s 13th solo album Chaos and Creation in the Backyard from October 2005. It’s a great piano-driven pop song that also showcases the multi-instrumental talents of Sir Paul. In addition to piano and vocals, he provided guitar, bass and drums – pretty much the track’s entire instrumentation, except for the strings that were played by London-based session players Millennia Ensemble.

I Don’t Know (2018)

A beautiful piano ballad from Egypt Station, McCartney’s 17th solo studio effort from September 2018 – a late career gem in his solo catalog, in my opinion! You can read more about it here. Yes, Paul’s voice is clearly showing some wear and tear, but I think it works very well for this and the other tracks on the album.

Lavatory Lil (2020)

A nice rocker from McCartney III, which is yet another intriguing late career release in my book. I would also say it’s the charm of Macca’s three DIY home-made albums, as I previously wrote here. Check out the cool descending bass line of Lavatory Lil.

Birthday (1968)

A birthday celebration calls for a birthday song, so I’d like to wrap up this post with exactly that. Conveniently, Sir Paul also wrote the perfect tune for the occasion. It first appeared on The Beatles’ White Album from November 1968 as the opener to side three (speaking in vinyl terms here!). Instead of picking the original studio track, let’s up the fun with a live version captured during a performance at New York’s Grand Central Station in September 2018 to celebrate the release of the above noted Egypt Station album. It’s just great to see how much fun Macca continues to have when performing in front of an audience. This absolutely makes me want to see him again!

I would like you to dance, birthday
Take a cha-cha-cha-chance, birthday
I would like you to dance, birthday
Dance

I would like you to dance, birthday
Take a cha-cha-cha-chance, birthday

I would like you to dance, birthday
Dance

You say it’s your birthday
Well it’s my birthday too, yeah
You say it’s your birthday
We’re gonna have a good time

I’m glad it’s your birthday
Happy birthday to you

Rock on, Paul, and here’s to good health and many more years to come!

Sources: Wikipedia; The Beatles Bible; Songfacts; YouTube

Planes, Trains and Automobiles – Part I

A three-part mini series of songs related to the three transportation modes

The other day, the 1987 American comedy picture Planes, Trains and Automobiles randomly came to my mind. It’s about a marketing executive (Steve Martin) and a sweet but annoying traveling sales guy (John Candy) ending up together as they are trying to get from New York home to Chicago for Thanksgiving. Their plane’s diversion to Wichita due to bad weather in Chicago starts a three-day odyssey and one misadventure after the other, while the two, seemingly incompatible men use different modes of transportation to get to their destination.

What does this movie have to do with music? Nothing, except it gave me the idea to put together lists of songs that are related to – you guessed it – planes, trains and automobiles. To be fully transparent, in mid-2017, I published tw0 posts with songs for the road and songs for the train. As such, the theme isn’t really new but, hey, it’s been almost four years. Plus, I feel it’s okay to repeat fun ideas every now and then.

In order to avoid creating what would be a rather lengthy post, I decided to make it a mini series and break things up in three parts, with each featuring five tracks listed in chronological order. Here’s part I: Songs related to planes, an entirely new idea! 🙂

Jefferson Airplane/Blues From an Airplane

Blues From an Airplane is the opener of Jefferson Airplane’s debut album Jefferson Airplane Takes Off from August 1966. The psychedelic rock tune was co-written by Marty Balin and Skip Spence, Airplane’s lead vocalist/rhythm guitarist and drummer, respectively. The tune also became the b-side of the band’s second single Come Up the Years, which was released ahead of the album in May 1966. Airplane’s actual was take-off, Surrealistic Pillow, was still six months away. The record only reached no. 128 on the Billboard 200, while the single failed to chart altogether.

The Beatles/Back in the U.S.S.R.

Why Back in the U.S.S.R., given the tune doesn’t have “plane” or a related word in the title? Since it’s my bloody list, and it cannot be without my favorite band of all time. Plus, there’s a sound of a jet engine in the beginning and at the very end of the tune, and the first verse prominently includes a rough flight. Written by Paul McCartney and credited to John Lennon and him as usual, is actually a parody to Back in the U.S.A. and California Girls by Chuck Berry and The Beach Boys, respectively, poking fun at their patriotic sentiments about the U.S. The song, included on The White Album from November 1968, was recorded without Ringo Starr who temporarily had left the group after McCartney had criticized his drumming. Instead John, Paul and George Harrison created a composite drum track from numerous takes.

Steve Miller Band/Jet Airliner

Jet Airliner was one of the first tunes that came to my mind when thinking about plane songs. The other two were Jet by Paul McCartney and Wings and John Denver’s Leaving on a Jet Plane. Since I decided to include Back in the U.S.S.R., I skipped Jet. While Leaving on a Jet Plane is a lovely tune, it would have been another pick from the ’60s. Written by Paul Penna in 1973, Jet Airliner was popularized by Steve Miller Band when they released it in April 1977 as the lead single of their 10th studio album Book of Dreams that appeared the following month. It yielded their fourth and last ’70s top 10 hit on the U.S. mainstream chart.

Indigo Girls/Airplane

After three rockers I thought it was time to include something that’s a bit lighter, so I’m glad I found this lovely acoustic, folk-oriented tune by Indigo Girls. Written by Emily Saliers, who together with Amy Ray makes up the duo, Airplane is from their fourth studio album Rites of Passage that appeared in May 1992. I really dig the vocals and the harmony singing on this song.

The Black Keys/Aeroplane Blues

There they are again, The Black Keys. The rock duo of Dan Auerbach and Patrick Carney entered my radar screen recently when I included a tune from their new album Crawling Kingsnake in a Best of What’s New feature. Aeroplane Blues is another edgy blues rock tune, which shall wrap up this first installment. Written by Auerbach and Carney, it appeared on their third studio album Rubber Factory released in September 2004.

Sources: Wikipedia; YouTube

What I’ve Been Listening to: Bettye LaVette/Interpretations: The British Rock Songbook

One thing I love about music blogging is how much I learn about artists I didn’t know or only had heard of by name. Oftentimes, I find myself stepping through one door only to find many others I’ve yet to open. Frankly, I probably would have run out of ideas a long time ago, if it were any different! Plus, I’d get bored if I only wrote about music and artists I know.

The latest example is Bettye LaVette, a versatile vocalist who has been active since 1962. I included her in two previous posts, most recently on Saturday in a piece about artists who have covered songs by The Rolling Stones. LaVette’s great rendition of Salt of the Earth led me to take a closer look at the album that includes her version of the tune. I was quickly intrigued by what else I found on Interpretations: The British Rock Songbook, which was released in May 2010. Her soulful, at times somewhat fragile voice reminds me a bit of Tina Turner and is right up my alley.

Bettye LaVette - Soulful Detroit

While LaVette enjoyed some chart success early in her career, for decades, she was more of a cult figure in soul circles. At least in part that was due to bad luck with record labels. After LaVette recorded what was supposed to become her first full-length album Child of the Seventies, Atlantic Records decided not to move forward with the project, apparently without giving her any explanation. In 1982, Motown’s Lee Young, Sr. signed LaVette to the storied label, which led to the recording of her first released album Tell Me Lie. However, following a corporate shake-up, Young was removed, the label never promoted LaVette’s record, and it failed to chart.

Fast-forward to 2000 when a French collector and label owner called Gilles Petard discovered the tapes for the aforementioned Child of the Seventies album in Atlantic Records’ vaults. He liked what he heard, licensed the tracks and released them under the title Souvenirs in France on his Art & Soul label. Around the same time, Let Me Down Easy – In Concert, a live recording of LaVette in the Netherlands, appeared on the Dutch label Munich. The two near-simultaneous releases created new interest in LaVette as a recording artist and resulted in a contract with label Blues Express.

Bettye LaVette Interview - Blues Matters Magazine

In January 2003, LaVette released A Woman Like Me, only her third full-length studio album. It won the W.C. Handy Award in 2004 for Comeback Blues Album of the Year and the Living Blues critic pick as Best Female Blues Artist of 2004. LaVette’s recording career was finally going somewhere. She has since released eight other studio albums and won additional awards, including a Pioneer Award from the Rhythm and Blues Foundation (2006), Blues Music Award for Best Contemporary Female Blues Singer (2008), Distinguished Achievement Award from The Detroit Music Society (2015) and Blues Music Award for Best Soul Blues Female Artist from The Blues Foundation (2016). LaVette is also in the Michigan Rock and Roll Legends Hall of Fame and has been nominated three times for a Grammy.

LaVette is an unusual artist. According to her website, she is no mere singer. She is not a song writer, nor is she a “cover” artist. She is an interpreter of the highest order. Bettye is one of very few of her contemporaries who were recording during the birth of soul music in the 60s and is still creating vital recordings today. This certainly becomes obvious when listening to Interpretations: The British Rock Songbook, which brings me back to the album. Let’s get to some intriguing interpretations!

The opener is a funky version of The Word by The Beatles. While the John LennonPaul McCartney co-write, which was included on the Rubber Soul album from December 1965, is barely recognizable, I find LaVette’s take pretty cool. It’s got a bit of a James Brown vibe, and I can almost hear his “uhs” in the background.

How about some Led Zeppelin reimagined? Here’s All My Love, a song I’ve always dug. Co-written by John Paul Jones and Robert Plant, the tune first appeared on Zep’s eighth and final studio album In Through the Out Door released in August 1979. Check this out – damn!

Let’s move on to Pink Floyd and Wish You Were Here. The title track of their ninth studio album from September 1975 was co-written by David Gilmour and Roger Waters. Who would have thought a Floyd track could ever sound so soulful!

Nights in White Satin is one of my favorite songs by The Moody Blues. Written by Justin Hayward, the track appeared on Days of Future Passed, one of the most beautiful concept albums of the ’60s. Here it is in Bettye LaVette style – amazing!

Let’s do two more. First up is another great funky rendition: Why Does Love Got to be So Sad by Derek and the Dominoes. Co-written by Eric Clapton and Bobby Whitlock, the tune appeared on the band’s sole studio album Layla and Other Assorted Love Songs from November 1970. Groovy!

Last but not least, here is the closer Love, Reign O’er Me, a highlight on the album. It captures LaVette’s unedited live performance during the Kennedy Center Honors in December 2008 in tribute to Roger Daltrey and Pete Townshend, who were among the honorees that year. Townshend wrote the tune for The Who’s sixth studio album Quadrophenia that came out in October 1973. Here’s the actual footage from the Kennedy Center. Messrs. Daltrey and Townshend almost seem to have a Led Zeppelin moment. Check this out. This is friggin’ intense!

Interpretations: The British Rock Songbook, which appeared on U.S. label Anti-, was co-produced by Rob Mathes, Michael Stevens and LaVette. It reached no. 1 on the U.S. Billboard’s Top Blues Albums, staying in that chart for 39 weeks. The album also enjoyed some mainstream success in the U.S., climbing to no. 56 on the Billboard 200. Interpretations: The British Rock Songbook became one of the three aforementioned Grammy nominations for LaVette.

Thanks to great images on Discogs, I was able to look at the album’s liner notes that reveal some interesting things about LaVette’s approach to interpretations. “I never think of a song as a record,” she is quoted. “I think of songs as songs. I don’t think of a Rolling Stones recording. I think of the Rolling Stones singing this song and now I’m going to sing it. That helps me tremendously…There’s no process of ‘how can I make this different.’ I hear it immediately differently. It’s very hard for another singer to satisfy me. No matter where a singer went with the vocal, if I can think of somewhere else to go, then wherever they went no longer interests me.”

In addition to the vocal approach, LaVette also took artistic freedom with the lyrics, which she changed significantly on a number of songs. “I think the most difficult thing about putting the album together was that many of the words didn’t make sense to me,” she said. “These songs belong to white fans who are now in their fifties…The biggest hang-up was I didn’t want to disrespect them because I knew that there are people who have altars built to many of these songs…When I got into them I realized there were things worth saying but I had to make them things I could sing about.”

So what do some of the artists who wrote the original songs think of LaVette’s renditions? Following are some quotes from a sticker on the CD’s jewel case. Again, I have Discogs to thank for featuring some great images. “A great record. Put me in the Bettye LaVette fan club” (Keith Richards). “Bettye is reinventing and reclaiming a soul singing tradition all at once” (Pete Townshend). “Bettye is blessed with an instantly recognizable voice full of power & emotion” (Steve Winwood). “Bettye has recorded an amazing version of ‘Don’t Let the Sun Go Down on Me'” (Elton John).

Sources: Wikipedia; Discogs; YouTube

The Sunday Six

Celebrating music with six random songs at a time

Boy, have I been looking forward to this Sunday! While spring doesn’t officially start until March 20, to me, the switch from standard to daylight savings time here in New Jersey and most U.S. states marks the unofficial beginning. Oh, in case I just reminded you and you had forgotten to adjust your watches, you’re welcome! 🙂 Sunday is fun day, so if you’re like me and in the mood for some music, I’ll invite you to read on and check out the clips. I think I put together a nice and diverse set of tracks.

Neil Cowley/Berlin Nights

Let’s kick it off with some beautiful ambient music by English contemporary pianist and composer Neil Cowley. Cowley was born in London in November 1972. He began as a classical pianist and already at the age of 10 performed a Shostakovich piano concerto at Queen Elizabeth Hall. In his late teens, he played keyboards for various soul and funk acts I don’t know, including Mission Impossible, The Brand New Heavies, Gabrielle and Zero 7. It looks like his first album Displaced appeared in 2006 under the name of Neil Cowley Trio. He has since released 14 additional records as a band leader or co-leader. Cowley has also worked as a sideman for various other artists, most notably Adele. Berlin Nights, composed by Cowley, is from his new solo album Hall of Mirrors that appeared on March 5. I find it super relaxing and can literally see a city nightscape before my eyes while listening.

Randy Newman/Guilty

Randy Newman needs no introduction, though he certainly deserves more of my attention. Based on my relatively limited knowledge of his catalog, here is one of my favorites, Guilty, from his fourth studio album Good Old Boys released in September 1974. Written by Newman, the tune was first recorded by Bonnie Raitt for her third studio album Takin’ My Time from October 1973, an excellent cover!

Rosanne Cash/Good Intent

There is lots of talent in the Johnny CashJune Carter Cash family. This includes Rosanne Cash, the eldest daughter of Johnny and his first wife Vivian Liberto Cash Distin. Sadly, I’ve yet to explore Rosanne Cash who started her recording career in 1978 with her eponymous solo album and has since released 13 additional studio albums. Good Intent, co-written by Cash and her longtime collaborator John Leventhal, is included on her 12th studio album Black Cadillac from January 2006. I absolutely love the warm sound of that song and Cash’s vocals. This is a true gem!

The Byrds/Goin’ Back

The Byrds have written so many amazing songs. I also don’t get tired of Rickenbacker maestro Roger McGuinn and his jingle-jangle guitar sound. While it’s perhaps not as well known as Mr. Tambourine Man, Turn! Turn! Turn!, I’ll Feel a Lot Better and Eight Miles High, Goin’ Back has become one of my absolute favorite tunes by The Byrds. It was wo-written by the songwriting powerhouse of Carole King and Gerry Goffin and is yet another reason why Carole King who is nominated for the Rock & Roll Hall of Fame this year should be inducted! Goin’ Back was first released by Dusty Springfield in July 1966, giving her a top 10 hit in the UK and Australia. The Byrds included their rendition on their fifth studio album The Notorious Byrd Brothers from January 1968. It was less successful, peaking at no. 89 in the U.S. on the Billboard Hot 100 and missing the charts in the UK altogether. Regardless, I think it’s a terrific tune with a beautiful atmosphere.

Kim Carnes/Mistaken Identity

Kim Carnes is best known for her cover of Bette Davis Eyes, her international smash hit from 1981. The American singer-songwriter’s recording career started 10 years earlier with her first release Rest on Me. More Love, a cover of a Smokey Robinson tune, brought Carnes her first successful U.S. single in 1980, hitting no. 10 on the Billboard Hot 100. Bette Davis Eyes the following year became the biggest hit of her career. It was part of Carnes’ sixth studio album Mistaken Identity from April 1981. Here’s the title track written by Carnes. I’ve always dug her husky vocals. BTW, now 75 years old, she still appears to be active.

The Beatles/I Saw Her Standing There

This Sunday Six installment has been on the softer side, so as I’m wrapping up, it’s time to step on the gas with a great rock & roll song by my favorite band of all time: I Saw Her Standing There by The Beatles. Primarily written by Paul McCartney, but as usual credited to him and John Lennon, I Saw Her Standing There was the opener of The Beatles’ UK debut album Please Please Me that came out in March 1963. In December of the same year, Capitol Records released the tune in the U.S. as the B-side to I Want to Hold Your Hand, the label’s first single by The Beatles. Ready? One, two, three, four…

Sources: Wikipedia; YouTube

On This Day in Rock & Roll History: March 9

This is the 60th installment of my music history feature, which explores select happenings on a specific date over time, mostly focusing on the ’60s and ’70s. While not surprisingly by now I have a well-defined system in place how I go about gathering facts for these posts, I still enjoy writing them. So let’s embark on another time travel journey and take a look back at some of the events on March 9 throughout rock and pop music history. As always, the selections reflect my music taste and, as such, are not meant to be a complete list.

1967: The Beatles began work on Getting Better in Studio 2 of Abbey Road’s EMI Studies as part of the recording sessions for their next studio album Sgt. Pepper’s Lonely Hearts Club Band. The song was mainly written by Paul McCartney with some lyrical input from John Lennon. During the late evening session, the tune’s rhythm track was recorded: McCartney’s rhythm guitar and Ringo Starr’s drums on track one; McCartney’s guide vocals on track two; a pianette (type of electric keyboard) played by George Martin on track three; and some additional drums on track four. Subsequently, a so-called reduction mix was created to free up additional tracks on the tape (eight-track recording would only start to become available in 1968). The Beatles and the studio crew called it a night, or I guess I should rather say an early morning, at 3:30 am (March 10). They devoted three additional sessions to the tune, evidently figuring it was getting better all the time. How do I know all of that? I don’t! Wait, what?! Well, there’s The Beatles Bible that captures all these details for the music geeks among us. 🙂

1973: American blues and boogie rockers Canned Heat released their ninth studio album The New Age. It was the first to feature guitarist James Shane and keyboarder Ed Beyer. At that time, Canned Heat had already lost key co-founder Alan “Blind Owl” Wilson who had died from a drug overdose in September 1970. Wilson had written and co-written the band’s biggest U.S. hit singles Going Up the Country and On the Road Again, respectively, and sung lead vocals on both. Here’s the opener Keep Clean written by Bob Hite, the band’s other key co-founder who since passed away as well in April 1981, also due to drugs. Unfortunately, Canned Heat has been hit hard with drug-related deaths. Fun fact: According to Wikipedia, renowned rock critic Lester Bangs was fired by Rolling Stone for writing a “disrespectful” review of the album at the time it came out.

1987: Irish rock band U2 released their fifth studio album The Joshua Tree. Fueled by hit singles With or Without You, I Still Haven’t Found What I’m Looking For and Where the Streets Have No Name, it topped the charts in more than 20 countries and became U2’s all-time top-seller. With over 25 million copies sold, it’s also one of the world’s best-selling albums. Produced by Brian Eno and Daniel Lanois, The Joshua Tree yielded two 1988 Grammy awards for Album of the Year and Best Rock Performance by a Duo or Group with Vocal. While it undoubtedly created over-exposure for U2, I feel The Joshua Tree is holding up pretty well to this day. Here’s one of the tunes that wasn’t released as a single, which I’ve come to dig over the years as one of my favorites: Red Hill Mining Town. Like all other tracks on the album, Bono provided the lyrics, while the music was credited to the entire band.

1993: Sting put out his fourth solo album Ten Summoner’s Tales, which remains my all-time favorite by the ex-Police front man. If I see this correctly, it became Sting’s best-selling album. It also received six 1994 Grammy nominations and won three: Best Engineered Album, Non-Classical, Best Music Video, Long-Form, and Best Vocal Performance, Male (for If I Ever Lose My Faith in You). Here’s the beautiful Shape of My Heart, co-written by Sting and his longtime sideman, guitarist Dominic Miller.

Sources: Wikipedia; Songfacts Music History Calendar; The Beatles Bible; YouTube

Some Wise Words From Sir Paul

This morning, I came across a recent tweet from Paul McCartney. It links to a blog post on his website. When asked by a woman via Twitter whether he had any advice how to deal with difficult situations where everything in the news paints a bleak picture of the future, Paul said the following:

I’ve always been an optimistic person, because I don’t like the alternative! I find that even when you go through crisis after crisis, you still come out the other end, and no matter how bad you’re feeling it can often work out OK.

Something I’ve learned is that life’s good, really, but we often screw it up. So I try to tell myself and other people that if we can just work on not screwing it up, it’s going to be better for us and everyone else. I always try and see the good side – the silver lining – and if you’re lucky, it arrives.

I remember as a kid, I would hear old women on the housing estate where we used to live saying ‘ohh me rheumatism, ohh me arthritis, ohh it’s killing me, it’s terrible!’ And I thought well, it’s not going to get any better if you talk like that! I know life’s difficult for a lot of people, but I think a positive thought is often a great help. You’ve got to train yourself not to think the worst.

With Covid, it’s awful. You’ve got to look for the good side, and even though we’re all restricted right now, you’ve got to say – ‘well, on the other hand it gives me loads of time to do all the stuff I wanted to do’. And even though we can’t hug our friends like we wish we could, there will come a time when we’ll be able to, and I have a feeling it’ll be even better than ever.

Also asked whether music could lift up humanity’s spirit and perseverance, he added:

Yeah, definitely. I think music is a great healer. I think that you can be feeling terrible, then put on a piece of music you like and get swallowed up by it. You can go in into the mood of the music and it’s a magical thing. I remember once, again when I was a kid, I was hanging out with my mate from school and I had a headache, and we put on an Elvis record – ‘All Shook Up’ – and at the end of the record I didn’t have the headache! So, I’ve always believed in that power.

Sure, I can see some folks being a bit cynical about the blog post and dismiss it as a gimmick to stay engaged with fans. The intro of the post also mentions Paul’s new album McCartney III. Plus, saying COVID gives you plenty of time to do things you had wanted to do but couldn’t do could come across as being a bit tone-deaf, especially to people who don’t have the luxury of a job that allows them to work from home. I view it differently.

To start with, given Paul’s mega success, he really doesn’t need to resort to any gimmicks to stay connected to his audience. It’s safe to assume his financial wellbeing doesn’t depend on sales of McCartney III. When noting extra time for things because of the pandemic, Paul is really talking about himself. In fact, he likely wouldn’t have done a new album, had it not been for COVID. To me, there’s also no question music can have a positive impact on how you feel. It has done so time and again in my case! But most importantly, I believe Paul when he says he’s a positive guy. It’s very much reflected in many of his songs. Here’s one that comes to mind.

While John Lennon contributed some of the lyrics and the tune was credited to Lennon-McCartney, wrote most of Getting Better. The Beatles recorded the song for their eighth studio album Sgt. Pepper’s Lonely Hearts Club Band released in May 1967.

Sources: Wikipedia; Paul McCartney website; YouTube

When Covers Are Just As Much Fun As Originals

A playlist of some of my favorite covers part II

Recently, I remembered a post from July 2017, which featured some of my favorite cover versions of songs I dig. This triggered the idea to put together a second part. Rather than focusing on covers I already knew, this time, I decided to take a slightly different approach. Except for one instance, I picked some of my all-time favorite songs and checked whether they have been covered and, if yes, by whom. Not only did I find some intriguing renditions, but there were also a couple of real surprises.

Ella Fitzgerald/Sunshine of Your Love

Did you know that one of the greatest voices in jazz, Ella Fitzgerald, covered Cream? I had absolutely no idea! Not only did she do so, but she even named a live album after the tune: Sunshine of Your Love, released in 1969. Composed by Jack Bruce and Eric Clapton with lyrics by Pete Brown, the original was included on Cream’s sophomore album Disraeli Gears from November 1967. Fitzgerald’s orchestral version is really cool. Obviously her singing is amazing. Check it out!

Richie Havens/Won’t Get Fooled Again

Richie Havens performing The Who’s Won’t Get Fooled Again was another unexpected find. He recorded the tune for his final studio album Nobody Left to Crown that appeared in March 2008. The original, written by Pete Townshend, was included on my favorite album by The Who, Who’s Next, their fifth studio release from August 1971. Haven’s acoustic guitar-driven taken is great. I also like the violin. He really made the epic rocker his own.

Townes Van Zandt/Dead Flowers

Townes Van Zandt wrote almost all tunes that are on his 10 studio albums, and many of them have been recorded by the likes of Bob Dylan, Willie Nelson, Emmylou Harris, Steve Earle and Gillian Welch. One exception is the live album Roadsongs, a collection of live covers from the mid-’70s through the early ’80s, which was released in 1994. It includes a fantastic take of Dead Flowers, which has become my favorite song by The Rolling Stones, at least on most days! Co-written by Mick Jagger and Keith Richards, Dead Flowers was included on Sticky Fingers, which also happens to believe is the best Stones album that appeared in April 1971. It’s almost a bit painful to listen to Van Zandt’s version, considering he had struggled with drug addiction for most of his short life.

Noah Guthrie/Whipping Post

Noah Guthrie is a 27-year-old South Carolina-based singer-songwriter. According to his website, he taught himself to play guitar and began writing songs at 14. Here’s a “quarantine” cover version of Whipping Post Guthrie recorded with his band Good Trouble in April 2020. Written by Gregg Allman, Whipping Post appeared on the eponymous debut album of The Allman Brothers Band from November 1969. While this cover stays close to the original, these guys are doing a great job, giving this classic a nice build.

Heart/Stairway to Heaven

This cover of the Led Zeppelin gem is the exception I noted above. In other words, I had known about it. Just the other day, I watched this footage again from the 2012 Kennedy Center Honors, during which Heart with Jon Bonham’s son Jason Bonham on drums honored the surviving members of Led Zeppelin. This is one of the most amazing renditions of Stairway to Heaven, co-written by Jimmy Page, Robert Plant (and Randy California of Spirit!), and included on Led Zeppelin IV from November 1971. Messrs. Page, John Paul Jones and Plant were visibly touched. Yes, it’s a bit bombastic but still so good!

Kenny Lattimore/While My Guitar Gently Weeps

Here’s a great soulful version of While My Guitar Gently Weeps by Kenny Lattimore, an R&B and gospel singer-songwriter who has released seven studio albums to date. This cover of the George Harrison tune – one of his best during his period with The Beatles, IMO – is included on his sophomore album From the Soul of Man that came out in October 1998. While My Guitar Gently Weeps was first recorded for the White Album from November 1968. Thank goodness John Lennon and Paul McCartney didn’t reject all of Harrison’s songs!

Green Day/Like a Rolling Stone

In case you’ve ever asked yourself how Bob Dylan would sound grunge style, here’s one possible answer. Green Day’s eighth studio album 21st Century Breakdown from May 2009 includes this version of Like a Rolling Stone as a bonus track. The maestro first recorded the tune for his sixth studio album Highway 61 Revisited released in August 1965.

Willie Nelson/Have You Ever Seen the Rain (feat. Paula Nelson)

The last cover I’d like to call out is a breathtakingly beautiful rendition of my favorite Creedence Clearwater Revival song: Have You Ever Seen the Rain, written by John Fogerty and included on CCR’s sixth studio album Pendulum from December 1970. Willie Nelson recorded this rendition with his daughter Paula Nelson for his 62nd studio album To All the Girls…, which appeared in October 2013. Nelson, who at age 87 remains active, has a new album coming out on February 26, his 71st! In April 2019, Nelson told Rolling Stone weed had “saved his life,” adding, “I wouldn’t have lived 85 years if I’d have kept drinking and smoking like I was when I was 30, 40 years old.”

Sources: Wikipedia; Noah Guthrie website; Rolling Stone; YouTube

Clips & Pix: Larkin Poe/If I Fell

I’ve said it before and I’ll say it again: I think watching covers performed by sister act Rebecca Lovell and Megan Lovell, aka Larkin Poe, is always fun. Their energy and enthusiasm draw you in. Plus, they’re really talented musicians. Check out how Megan’s lap steel harmonizes with Rebecca’s vocals – really neat!

It also doesn’t hurt these ladies take on a song by The Beatles, my favorite band of all time. Primarily written by John Lennon and credited to him and Paul McCartney, If I Fell was included on both the US and UK versions of the studio album A Hard Day’s Night released in June and July of 1964, respectively. The tune also appeared as a single in both countries: In the US as the B-side to And I Love Her, in the UK as an A-side backed by Tell Me Why.

Sources: Wikipedia; YouTube

The Sunday Six

Celebrating music with six random songs at a time

This is the inaugural post of a new feature I spontaneously decided introduce to the blog. The Sunday Six is going to present random collections of six songs I like. They can be new or old and include different types of genres. In fact, I hope these posts are going to be eclectic and at least occasionally also venture beyond my core wheelhouse. The determining factor is going to be, well, me and what music comes to my mind when writing these posts.

The introduction of a new feature may come as a surprise, especially to more regular visitors of the blog, who probably recall my repeated comments about lack of time to focus on blogging, particularly over the past several weeks. Since this is unlikely going to change anytime soon, unlike the weekly recurring Best of What’s New, I think The Sunday Six is going to appear less frequently. With that being said, let’s get to the inaugural installment.

Matthew Sweet & Susanna Hoffs/And Your Bird Can Sing

Folks who read my most recent installment of Best of What’s New may have picked up I’m quite excited about my “discovery” of Matthew Sweet – well, better late than never! I totally love this cover of And Your Bird Can Sing, which Sweet recorded with Susanna Hoffs of The Bangles for Under the Covers, Vol. 1. While they didn’t reinvent the tune, I think the voices of Sweet and Hoffs perfectly blend. Released in April 2006, it’s their first of four collaboration albums that celebrate music they both love. Vol. 1 mostly focuses on ’60s tunes. Given they are fans of The Beatles, the inclusion of a Fab Four tune isn’t a shock. I also like they selected what I would consider to be a deep cut. Mainly written by John Lennon and credited to him and Paul McCartney, And Your Bird Can Sing was recorded for the UK version of the Revolver album from August 1966. In the U.S., it was included on Yesterday and Today, a record that became infamous for its original cover showing The Beatles in white coats with decapitated baby dolls and pieces of raw meat – yikes!

Travis/Waving at the Window

I really dig this mellow pop tune and think it’s perfect for a Sunday. Until yesterday, I had never heard of Travis, a Scottish rock band founded in 1990 in Glasgow. Written by their lead singer Fran Healy (a guy), Waving at the Window is the opener from Travis’ most recent album 10 Songs that was released in October 2020. The pick of this song isn’t as random as it may look. Yesterday’s start of my Matthew Sweet exploration led to Suzanna Hoffs and my curiosity what she’s been up to. It turned out Hoffs appeared as a guest on one of the other tracks on 10 Songs.

Van Morrison/Moondance

Since I “chatted” with Max from PowerPop about his post on Van Morrison tune Astral Weeks earlier today, my favorite Morrison album Moondance has been on my mind. So here’s the title track to get it out of my system! I just totally dig the laid back and jazzy feel of Morrison’s third studio record from January 1970. Like all tracks on the album, Moondance was written by him.

Bob Seger & The Silver Bullet Band/Turn the Page

This one you can blame on Cincinnati Babyhead, who earlier today posted on Bob Seger’s album Against the Wind. You see where I’m going with this feature – blaming others! 🙂 Turn the Page, one of my favorite Seger songs, was first recorded for the amazing Live Bullet album released by Bob Seger & The Silver Bullet Band in April 1976. It features terrific sax work by Alto Reed, who sadly passed away from colon cancer on December 30, 2020 at the age of 72 years. According to the clip description, this is the official video. While like Live Bullet it was captured at Cobo Hall in Detroit in 1975, based on Seger’s announcement, I think the take on the video is different from the album. According to setlist.fm, Seger and his longtime backing band played two back-to-back dates at Cobo (September 4 and 5, 1975), so I assume the take of Turn the Page in the video was captured from “the other show,” i.e., the one that’s not on the album. Are you still with me? 🙂

Sting/Fields of Gold

Fields of Gold is another beautiful and mellow tune that’s just perfect for a Sunday. It also happens to be one of my favorite tunes by Sting. The ex-Police frontman wrote and recorded this gem for his third solo album Ten Summoner’s Tales from March 1993, which I’d probably consider to be his Mount Rushmore as a solo artist.

Cream/White Room

Let’s wrap up this inaugural installment with a bang: Cream and White Room, from their amazing reunion live album Royal Albert Hall London May 2-3-5-6, 2005, which came out in October 2005. So good! Written by the amazing Jack Bruce with lyrics by British poet Pete Brown, White Room first appeared on Cream’s third album Wheels of Fire from August 1968. It was the opener of the first record on this majestic double-LP.

Sources: Wikipedia; setlist.fm; YouTube