One man come in the name of love/One man come and go/One man come here to justify/One man to overthrow…
As the U.S. observes Martin Luther King Jr. Day today, I decided to repost a piece I published on that occasion last year. It has been slightly edited. I also added a clip and some images.
Pride (In the Name of Love) may have been over-exposed. It’s certainly been criticized for its lyrics, as have U2 for their grandiose concerts. I can also see why Bono’s frequent political activism for hunger, the poor and other causes while becoming a very wealthy man in the course of it all can rub people the wrong way. Yet I’ve always loved this song. And, call me naive, I also feel that being a force for good while being rich don’t have to be mutually exclusive.
Bono’s vocals are simply amazing, while The Edge provides a cool and unique guitar sound that’s truly signature. Meanwhile, bassist Adam Clayton and drummer Larry Mullen Jr. keep the rhythm going. The lyrics may not teach a lot about Dr. King, but I still believe the words are powerful.
…In the name of love/One more in the name of love/In the name of love/ One more in the name of love…
Pride (In the Name of Love), composed by U2 with lyrics by Bono, is a tribute to Martin Luther King Jr. The lyrics were inspired by U2’s visit of the Chicago Peace Museum in 1983, which featured an exhibit dedicated to the civil rights leader. Initially, Bono had intended to write a song criticizing then-U.S. President Ronald Reagan for his pride in America’s military might.
…One man caught on a barbed wire fence/One man he resist/One man washed up on an empty beach/One man betrayed with a kiss…
But as Songfactsnotes, Bono came to the conclusion lyrics condemning Reagan weren’t working. “I remembered a wise old man who said to me, don’t try and fight darkness with light, just make the light shine brighter,” he told NME. “I was giving Reagan too much importance, then I thought Martin Luther King, there’s a man. We build the positive rather than fighting with the finger.”
…In the name of love/One more in the name of love/In the name of love/One more in the name of love…
The melody and chords to Pride were conceived during a soundcheck in November 1983 prior to a U2 show in Hawaii. It was a gig during the band’s supporting tour for their third studio album War that had been released in February of the same year. Like all U2 soundchecks, it was recorded. U2 continued work on the track after the tour and it was subsequently finished as part of the recording sessions for their next album The Unforgettable Fire.
…Early morning, April four/Shot rings out in the Memphis sky/Free at last, they took your life/They could not take your pride…
Pride erroneously suggests Dr. King was shot in the early morning of April 4, 1968. The murder actually occurred just after 6:00 pm local Memphis time – a surprising mistake for Bono who seems to be well-read. He later acknowledged his error and in concerts sometimes sings “early evening, April 4.” Why he simply didn’t make that a permanent adjustment beats me – rhythmically, I don’t see an issue.
…In the name of love/One more in the name of love/In the name of love/One more in the name of love…
Pride was first released in September 1984 as the lead single of The Unforgettable Fire, appearing one month ahead of the album. It was U2’s first major international hit, topping the charts in New Zealand; climbing to no. 2 and no. 3 in Ireland and the UK, respectively; and becoming the band’s first top 40 hit in the U.S.
…In the name of love/One more in the name of love/In the name of love/One more in the name of love.
Despite initially getting mixed reviews from music critics, Pride has since received many accolades. Haven’t we seen this movie many times before? The tune was ranked at no. 388 on Rolling Stone’s list of 500 Greatest Songs of All Time in December 2003. Pride is also included in the Rock and Roll Hall of Fame’s list of 500 Songs that Shaped Rock and Roll.
When I left Fakefest on Saturday evening, the first music festival I attended in close to two years, I was a happy camper. Listening live to three top notch tribute bands felt amazing. I had a real blast and knew this was likely not the last time I had come all the way to Atlantic City for this free annual open air event. What I didn’t anticipate was the timing of my return the very next day.
After all, I had been on my feet for close to five hours, so the thought of chilling on Sunday and reliving my Saturday at the event by writing a post about it sounded pretty attractive. Even after I had put together the post in the morning and scheduled it for yesterday, spending a quiet Sunday still was my plan. Then I took another look at the lineup for that day and all for sudden I felt, ‘damn, why wait until next year to have more fun.’ Plus, every great concert needs an encore, so here are some impressions from the final day of Fakefest.
The Gimmer Twins
This Rolling Stones tribute from Philly in and of itself would have been enough of a reason to return to Atlantic City. I’ve seen this band various times over the past four years. Adopting the nickname of the songwriting partnership of Mick Jagger and Keith Richards, the group is led by Keith Call (vocals, harp) and Bernie Bollendorf (guitars, vocals), who bring to life the sound and looks of Jagger and Richards in the ’70s. While the additional musicians don’t resemble the other members of Stones, they sound fantastic: Michael Rubino (guitars), Bobby Corea (drums), Rob Ekstedt (bass), Rocco Notte (keyboards), Valorie Steel (vocals) and Bobby Michaels (saxophone, flute, organ). For more information, check out their website.
Some of the tunes The Glimmer Twins performed included Brown Sugar, All Down the Line, Jumpin’ Jack Flash, Gimme Shelter, Happy and Tumbling Dice. Here’s their rendition of Let’s Spend the Night Together, which the Stones first released as a double A single together with Ruby Tuesday on January 13, 1967. The song was also included as the opener of the U.S. version of Between the Buttons, which appeared a week later.
Here’s another Stones classic that I think has one of the best lines in rock & roll: It’s Only Rock ‘n’ Roll (But I Like It). The was the lead single of the It’s Only Rock ‘n’ Roll studio album released in October 1974. I like it, yes I do!
Refugee were formed in New York in early 2014 by six musicians who according to the group’s website “have a deep love for the music of Tom Petty.” Who can blame them? Their members include Mike Epstein (lead vocals, guitar), Dominick Rosato (lead guitar), Andrew Nadien (keyboards, vocals), Hillary Epstein (vocals, harmonica, percussion, keyboards), Chris Arrigo (bass) and Niles Hughes (drums).
Refugee’s set featured I Won’t Back Down, Free Fallin’, Even the Losers, Refugee, Last Dance With Mary Jane, You Wreck Me and American Girl, among others. Here’s the opener You Got Lucky, the lead single of Tom Petty and the Heartbreakers‘ fifth studio album Long After Dark from November 1982.
Let’s do another one: Stop Draggin’ My Heart Around. Co-written by Tom Petty and Mike Campbell for Stevie Nicks, the song became the first single of her debut solo album Bella Dona that came out in July 1981. The recording also featured Petty and all of the Heartbreakers except Ron Blair – the bass part was instead performed by Donald “Duck” Dunn.
Unforgettable Fire were formed on New Year’s Day in 1995 and, according to their website, were “one of the very first U2 tribute bands to ever perform in America.” In addition to playing songs spanning U2’s entire catalog, the group also recreates the looks of the Irish band. In particular, I’d like to call out lead vocalist Anthony Russo who bears a striking resemblance to Bono. The band’s other members include Mick Normoyle as The Edge, Craig Kiell as Adam Clayton and George Levesanos as Larry Mullen Jr.
Some of the tunes Unforgettable Fire performed featured I Will Follow, With Or Without You, Sunday Bloody Sunday, Pride, Mysterious Ways and Gloria. Here’s Beautiful Day, followed by Vertigo, from the October 2000 and November 2004 studio albums All That You Can’t Leave Behind and How to Dismantle an Atomic Bomb, respectively.
The last track I’d like to highlight is Unforgettable Fire’s rendition of One. U2 recorded that tune for their seventh studio album Achtung Baby from November 1991.
Yes, driving three hours back and forth from my house to Atlantic City two days in a row was a significant amount of time spent in the car. But I had a blast, so I feel it was worth it!
While I had known her name for decades, it really wasn’t until July 2017 that I started paying closer attention to Emmylou Harris when seeing her in Philadelphia as part of a concert headlined by John Mellencamp. There was something special about this lady with her all-white hair who recently had turned 70. Now 73, Harris has been active for more than 50 years, released dozens of solo and collaborative albums, scored 20 top 10 hits on the Billboard country charts and collected numerous Grammy and other awards. This playlist is an attempt to shine a light on her long and impressive career.
Harris was born on April 2, 1947 in Birmingham, Ala. Her dad, Walter Harris, was a Marine Corps officer, while her mom Eugenia was a wartime military wife. After high school graduation in Woodbridge, Va., Harris went to the School of Music, Theater and Dance at the University of North Carolina at Greensboro on a drama scholarship. It was there where she started to learn songs by Pete Seeger, Bob Dylan and Joan Baez on guitar and develop her musical aspirations. Harris dropped out, moved to New York City during the second half of the ’60s, and started performing on the folk circle in Greenwich Village while waiting tables.
In 1969, Harris married fellow songwriter Tom Slocum who wrote the title track for her debut album Gliding Bird. The folk record also included five songs written by Harris. The label Jubilee Records went under shortly after the release, so all distribution and promotion was ceased. Subsequently, Harris disowned the record. She regards her second release Pieces of the Sky from February 1975 as her official debut.
In 1971, after he had seen her perform, Flying Burrito Brothers co-founder Chris Hillman introduced Harris to his music partner Gram Parsons who became a key figure in her early career. Harris worked with Parsons on his solo debut GP from January 1973 and toured as a member of his band the Fallen Angels. Later that year, she also worked with Parsons on his second and final solo album Grievous Angel, which was released in January 1974, following his death from an accidental overdose of drugs and alcohol in September 1973.
In February 1975, the aforementioned Pieces of the Sky appeared. It’s the album that launched Harris’ career as a country artist and established what she became mainly known, i.e., covering songs written by other artists. The album also coincided with the formation of The Hot Band, Harris’ high-profile backing band until 1991. The initial lineup included James Burton (guitar), Glen Hardin (piano), Hank DeVito (pedal steel guitar), Emory Gordy, Jr. (bass) and John Ware (drums).
To date, Harris has released 21 solo studio albums, three live records and a dozen compilations. Additionally, her impressive catalog includes seven collaboration albums with artists like Dolly Parton, Linda Ronstadt and Rodney Crowell. Harris also has worked as a guest with numerous other artists, including The Band, Glen Campbell, Johnny Cash, Guy Clark, Bob Dylan, Sheryl Crow and Steve Earle, among others. Let’s get to some music!
While perhaps not as representative of Harris as her other records, I’d like to kick off this playlist with a tune from 1969’s Gliding Bird, which was written by her: Black Gypsy.
If I Could Only Win Your Love from her second album Pieces of the Sky became Harris’ first hit single, climbing to no. 4 on the Billboard Hot Country Songs chart in 1975. Co-written by Charlie Louvin and Ira Louvin who formed the country and gospel duo The Louvin Brothers, it also marked the first of only a handful of Harris singles that charted on the Billboard Hot 100, in this case at no. 58. Linda Ronstadt sang backing vocals on the album.
While Emmylou Harris is best known as a country artist, her song choices can be eclectic. Here’s an example from her third studio album Elite Hotel released in December 1975: A beautiful cover of The Beatles tune Here, There and Everywhere. Credited to John Lennon and Paul McCartney, the McCartney ballad originally appeared on the Revolver album from August 1996.
Harris’ next album Luxury Liner from December 1976 included the first cover of Townes Van Zandt’sPancho and Lefty, which subsequently became the revered singer-songwriter’s best known composition. The tune has also been covered by other artists, most notably Willie Nelson and Merle Haggard, who recorded it as the title track of their collaboration album that came out in January 1983.
Roses in the Snow, Harris’ first ’80s album, appeared in May 1980. Unlike her preceding country and country rock records, this album was more bluegrass-oriented. Here’s a great rendition of the Paul Simon tune The Boxer, featuring beautiful harmony singing by Cheryl White and her sister Sharon White. The Boxer first appeared on Simon & Garfunkel’s final studio album Bridge Over Troubled Water from January 1970.
In February 1985, Harris released The Ballad of Sally Rose, a concept album loosely based on her relationship with Gram Parsons. The record also stood out for another reason. Like her debut 16 years earlier, it illustrates Harris is more than just a cover artist. All songs were co-written by her, mostly together with her then-second husband Paul Kennerley, an English singer-songwriter, musician and record producer, who also produced this record. Here’s White Line, one of the record’s two singles.
Next, I’d like to jump to the ’90s and Wrecking Ball, Harris’ 18th studio album. The record became her first since Pieces of the Sky that did not make the country charts. Perhaps that wasn’t too surprising, given the music moved away from her traditional acoustic to a more edgy and atmospheric sound. Producer Daniel Lanois who produced and co-produced various U2 albums like The Joshua Tree and Achtung Baby undoubtedly had something to do with it. Here’s the title track written by Neil Young who also provided harmony vocals. Young had first recorded the tune for his 1989 studio album Freedom. And, coming back to U2, Larry Mullen, Jr. played drums on most of the album’s songs including this one.
Given the significance of collaboration albums in Harris’ catalog, I’d like to at least acknowledge one: Trio II from February 1999, the second album she did together with Dolly Parton and Linda Ronstadt. All tracks had actually been recorded in 1994, but label disputes and conflicting schedules had prevented the release at the time. While I’ve featured it on the blog before, I just couldn’t resist including the ladies’ angelic rendition of After The Gold Rush, the title track of Neil Young’s third studio album from September 1970. Interestingly, while the remake did not chart when it was released as a single from Trio II, it won the 2000 Grammy for Best Country Collaboration with Vocals. The intensity of this version is just killing me. This is why I dig vocals!
In September 2003, Harris released Stumble into Grace, her second album of the current century. Like some of her previous records, it includes a significant number of her own compositions. She also co-wrote most of the remaining tracks. Here’s the opener Here I Am, one of her tunes.
I’d like to wrap up this playlist with a track from what is Harris’ most recent solo album, Hard Bargain, released in April 2011. Her two latest records are collaborations with Rodney Crowell from February 2013 and March 2015. There’s also the Complete Trio Collection, a compilation of the Trio I and Trio II collaborative albums with Dolly Parton and Linda Ronstadt, which came out in September 2016. Given the enormous role of Gram Parsons, it felt right to highlight opener The Road, a tune Harris penned about her musical mentor – the first to focus on his death since Boulder to Colorado, a song from Pieces of the Sky. It’s also noteworthy that Hard Bargain became Harris’ highest chart entry since the above Roses in the Snow from 1980, peaking at no. 3 on the Billboard Top Country Albums. It also hit no. 18 on the Billboard 200, her highest mainstream chart success since 1977’s Luxury Liner, a remarkable late-stage career success.
Emmylou Harris has sold 75 million records in the U.S. alone. She has won 14 Grammy awards out of 48 for which she had been nominated. She has also won numerous country, bluegrass and Americana awards, and was inducted into the Country Music Hall of Fame in February 2008.