On This Day in Rock & Roll History: March 8

Covering March 8 in rock history was a last-minute decision. In part, I was inspired by the last item on the list, which is related to The Beatles. Interestingly, it turned out this date also saw another event related to The Fab Four, which is the first item. What could be nicer than bookending this installment of my long-running recurrent music history feature with my all-time favorite band? Let’s get to it!

1963: Please Please Me by The Beatles placed at no. 40 on Chicago radio station WLS’s weekly Silver Dollar Survey, according to Songfacts Music History Calendar – the first time a Fab Four tune made a radio station survey in the U.S. This also means WLS may have been the first radio station in America to play one of their songs. As usual, the track was credited to John Lennon and Paul McCartney, though the original composition was by Lennon and the released studio version was significantly influenced by George Martin. About 11 months later, on February 9, 1964, The Beatles would conquer American TV households and start the British Invasion with their first appearance on the Ed Sullivan Show.

1965: Bob Dylan released Subterranean Homesick Blues, the lead single to his fifth studio album Bringing It All Back Home, which appeared two weeks thereafter. The tune marked his first top 40 hit in the U.S., climbing to no. 39 on the Billboard Hot 100. In the UK, it did even better, reaching the top 10 on the Official Singles Chart. According to Songfacts, Dylan told the Los Angeles Times that musically “It’s from Chuck Berry, a bit of ‘Too Much Monkey Business’ and some of the scat songs of the forties.”

1968: The Fillmore East opened in New York City on Second Avenue near East 6th Street. The venue was a companion to rock promoter Bill Graham’s Fillmore Auditorium and its successor Filmore West in San Francisco. Until its closing on June 27, 1971, Fillmore East saw many notable music acts, such as Jimi Hendrix, The Allman Brothers Band, The Kinks, Jefferson Airplane and Led Zeppelin. Due to the venue’s great acoustics, many live albums were recorded there, including the legendary At Fillmore East by the Allmans in 1971. Here they are with the epic Whipping Post, captured on September 23, 1970. The band’s double guitar attack with Duane Allman and Dickey Betts, along with Greg Allman’s mesmerizing vocals and Hammond are on full display. The band was on fire that night. Live rock music simply doesn’t get better. Check it out!

1974: Queen released their sophomore album Queen II in the UK. The record peaked at no. 5 in the UK and cracked the top in the U.S., reaching no. 49 on the Billboard 200. Initially, Queen II was met with mixed reactions, but as is not uncommon with famous bands, eventually, it garnered praise from music critics, fans and fellow musicians. It also marked the first record for Queen where they used multi-layered overdubs, which became a signature feature on their later records. Here’s the lead single Seven Seas of Rhye, which was written by Freddie Mercury and released about two weeks ahead of the album.

2016: Legendary producer George Martin passed away at the age of 90 at his home in Wiltshire, England. His death was announced by Ringo Starr on Twitter and later confirmed by Universal Music Group. The cause was not disclosed. Of course, Martin is best known for his work with The Beatles. I think it is fair to say they would not have been the same without him. Following the disbanding of The Beatles, Martin worked with many other well-known artists, such as America, Jeff Beck, UFO and Little River Band. One of my personal favorites Martin did for The Beatles was the string arrangement for Eleanor Rigby. Primarily written by Paul McCartney, the tune appeared on the Revolver album from August 1966.

Sources: Wikipedia; This Day In Music; Songfacts Music History Calendar; This Day In Rock; YouTube

Music From Down Under That Rocks: Part 3

A two-part musical journey to Australia

‘How can a “two-part musical journey to Australia” have a part 3,’ you might ask. Well, to start with, math has never been my strong suit. I also could have called it ‘le encore’ to the initial two-part mini-series, since that’s what it really is. But I like the concept of a part 3 in a two-part series. Plus at the end of the day, the title matters less than the music.

Parts 1 and 2, which you can read here and here, featured AC/DC, Bee Gees, The Church, Cold Chisel, Crowded House, The Easybeats, INXS, Men At Work, Midnight Oil and Little River Band – or, as Bruce, the man behind the excellent Vinyl Connection, noted, “a pretty good ‘starter pack’ of a certain kind of accessible pop/rock that is, for the most part, radio friendly.” While I leave it up to you to decide whether it’s “pretty good”, I do agree with the radio-friendly part. I realize to some folks pop is a bad word, since they associate it with commercial and selling out. I have no shame to say I like pop, if it’s well crafted. My all-time favorite band The Beatles had plenty of pop. I also think Thriller by Michael Jackson, the King of Pop, is one of the best albums ever recorded.

Australian Music Collage 3

Part 3 or le encore or whatever you’d like to call it was inspired by some great feedback to parts 1 and 2 from readers like Bruce, who clearly know more about music from down under than I do. And that’s one of the reasons why I enjoy this blogging thing. One door opens another, and the more you get into it, the more you realize how little you know – or, how I prefer to view it, how much more there’s to explore! So let’s get to five additional acts from Australia from A to P. And, no, I’m not saying that’s all the land of the vegemite sandwich has to offer, but as the wise George Harrison once said all things must pass.

Ariel

My streaming music provider doesn’t list even one song by this band, which was founded in Melbourne in 1973. But luckily, there’s YouTube. The following mini-bio is based on the website of singer-songwriter and guitarist Mike Rudd and bassist Bill Putt, who were the driving force behind Ariel. The group combined key members from two of Australia’s leading progressive bands of the period: Rudd, Putt and John Mills (keyboards) had come from Melbourne’s Spectrum, while Tim Gaze (guitar) and Nigel Macara (drums) had played in Sydney-based Tamam Shud. Like Spectrum, Ariel began strongly, but lineup changes, record company problems and the changing nature of music in the mid-70s meant that they never achieved the level of success they deserved. Ariel disbanded in July 1977. During their three-and-a-half-year run, they were quite productive, releasing four studio and two live albums. Ariel proved to be Mike Rudd’s last really high-profile outfit, although he remains one of the most respected figures in the music scene. His long-time musical partner Bill Putt passed away in July 2013. Here’s Miracle Man, written by Gaze, a catchy rocker from Ariel’s debut album A Strange Fantastic Dream released in January 1974.

The Go-Betweens

Indie rock band The Go-Betweens were co-founded by singer-songwriters and guitarists Robert Forster and Grant McLennan, the only constant members during the band’s existence. By the time they released their studio debut Send Me a Lullaby in November 1981, Lindy Morrison had joined on drums and vocals, with Forster and McLennan handling vocals and rhythm guitar and vocals, bass and lead guitar, respectively. By 1987, the band also included Amanda Brown (violin, oboe, guitar, keyboards, backing vocals) and John Willsteed (bass, guitar), the lineup until their first breakup in December 1989. After pursuing solo careers during the ’90s, Forster and McLennan revived The Go-Betweens with a new lineup in 2000. That version of the band released three more albums. Following McLennan’s death from a heart attack in May 2006, Forster dissolved the band and resumed his solo career. While The Go-Betweens had strong supporters even among critics – of all people, Robert Christgau called them “the greatest songwriting partnership working today” – chart success largely eluded them, with no top 50 hit in Australia or the UK. Here’s Cattle and Cane from the band’s sophomore album Before Hollywood that appeared in May 1983. Co-written by McLennan and Forster, the tune was also released separately as the record’s lead single. Climbing to no. 4 on the UK Independent Singles Chart, I assume it was their most successful song.

Hoodoo Gurus

Initially called Le Hoodoo Gurus, Hoodoo Gurus, a band I had never heard of before, were formed in Sydney in 1981 by Dave Faulkner (guitar, vocals), James Baker (drums), Roddy Radalj (guitar, vocals) and Kimble Rendall (guitar, vocals). So where the hell is the bassist, you might ask – after all, no bass, no band! Well, I suppose Hoodoo Gurus are an exception that proves the rule! Plus, from what I can see, at least on all of their studio albums, they knew better and had a bassist. The band’s popularity peaked in the mid to late ’80s with their second, third and fourth albums, especially in Australia, where according to Wikipedia they reached “iconic status” on the rock scene. Between 1998 and 2003 and band was on hiatus, while their members pursued side projects and solo work. By early 2003, Hoodoo Gurus had reformed. They have since released three additional albums and remain active to this day. Faulkner is the only original member of their current lineup. Here’s a tune that’s right up my alley: Show Some Emotion written by Faulkner and included on their second album Mars Needs Guitars! Love the jingle-jangle sound that reminds me of The Byrds and R.E.M.

Nick Cave and the Bad Seeds

The band (initially without a name) was founded by Australian singer-songwriter Nick Cave in Melbourne in December 1983, which in addition to him included Tracy Pew (bass) and Hugo Race (guitar), or were they? Wikipedia notes an embryonic version of the band that got together in September 1983 in London where Cave lived at the time. Following a short Australian tour, Cave returned to London, where the first consistent lineup emerged with him, Race, singer-songwriter and multi-instrumentalist Mick Harvey, Blixa Bargeld (guitar, vocals), and Barry Adamson(bass). At that time, they called themselves Nick Cave and the Cavemen. Their debut album From Her to Eternity, a pun on the James Jones novel From Here to Eternity, appeared in June 1984. A biography by Mark Deming on All Music calls them “one of the most original and celebrated bands of the post-punk and alternative rock eras in the ’80s and onward.” The band remains active until today and has released 17 studio albums, the most recent of which is Ghosteen and came out last October. Here’s the official video of Into My Arms, written by Cave, and the opener to the band’s 10th studio album The Boatman’s Call from March 1997.

Powderfinger 

Powderfinger were formed in Brisbane in 1989 by Steven Bishop (drums), John Collins (bass) and Ian Haug (guitar, vocals), who were all students at a local private school. They started out as a cover rock band that among others played songs by Neil Young, whose classic Powderfinger became their name. By 1992, the band had evolved into the lineup that existed until their disbanding in 2010: Haug, Collins, Bernard Fanning (vocals), Darren Middleton (guitar) and Jon Coghill (drums). Following a self-funded EP that appeared on their own label Finger in August 1992, the band released their first full-fledged record Parables For Wooden Ears in July 1994. It was poorly received. But things started to change significantly with their sophomore release Double Allergic that catapulted them to no. 4 on the Australian charts; each of their remaining five studio albums went all the way to the top. Some of their records also charted in New Zealand. It appears their only album that made the Billboard 200 ironically was titled Odyssey Number Five, their fourth studio album from September 2000. That’s unfortunate. From the aforementioned album, here’s the catchy My Happiness credited to all members of the band.

Sources: Wikipedia; Mike Rudd and Bill Putt website; All Music; YouTube

Music From Down Under That Rocks: Part I

A two-part musical journey to Australia

I guess it’s safe to assume this has happened to most folks, particularly those who are into music – suddenly, out of the blue, a song pops into your head you haven’t heard in a million years. Well, that’s what I encountered yesterday with When the War is Over, a tune by Australian rock band Cold Chisel.

It brought me right back to my early twenties when I was playing bass in a band. When the War is Over was one of the covers we did. I was delighted to find it in the library of my streaming music provider. It also turned out I still like it. Then I checked out Cold Chisel. Not only did I discover they still exist, but I also saw they are from Australia. I had no idea about the latter, or at least I don’t recall.

Australian Music Collage

The above episode further made me think about music from Australia. It didn’t take long to remind myself how much great music has come from this part of the world. And there’s much more than just AC/DC, Men at Work and Little River Band, the first three acts that came to my mind.

Since for the most part, this blog focuses on the U.S., England and Canada with occasional posts about German artists, I thought taking a musical trip down under would be well warranted and fun. And since putting everything in one post would be too much, I spontaneously decided to make this a two-part mini-series. So, all on board and let’s go!

AC/DC

One of the greatest rock bands I know, AC/DC were formed in Sydney in 1973 by Scottish-born brothers Malcolm Young (guitar, backing vocals) and Angus Young (lead guitar). The band has gone through many line-up changes and a good deal of tragedy over the decades. Technically, they are still around. There were some recent reports about a new album, for example here and here. Supposedly, it’s a tribute to Malcolm Young, who passed away in November 2017. Reportedly, the album reunites Angus Young with former lead vocalist Brian Johnson, bass player Cliff Williams and drummer Phil Rudd, featuring songs Malcolm had recorded with the band before he was no longer able to play due to dementia. It also features Malcolm’s nephew Stevie Young. Well, I guess we’ll just have to wait and see. Meanwhile, here’s a tune arguably from AC/DC’s best phase with lead vocalist Bon Scott. I don’t care that is has been played 100 million times. To me, Highway to Hell will always remain one of the most epic rock songs. Co-written by the Young brothers and Scott, it was the title track from AC/DC’s sixth studio album released in July 1979.

Bee Gees

I realize seeing the Bee Gees in this mini-series may surprise readers, especially fans of blues and rock, music genres I dig and celebrate in this blog. But while the Bee Gees clearly fall outside these genres, I actually like many of their songs for their three-part harmonies, catchy melodies and grooves. And, dare I say it, this even includes their disco-oriented tunes. Since the Gibb brothers were born in England, only lived in Australia for about nine years and didn’t become famous until after they had returned to England, one could also ask whether the Bee Gees should even be considered to be an Australian band. I think it’s defensible since their story started down under when Barry Gibb, Robin Gibb and Maurice Gibb started singing together in December 1957 – remarkably before they had even reached their teenage years. During the first half of the ’60s, they released a few singles each year. In November 1965, their debut album The Bee Gees Sing and Play 14 Barry Gibb Songs appeared, billed as Barry Gibb & The Bee Gees. But their early efforts remained largely unsuccessful, so the Gibb brothers decided to return to England in early 1967. Before they did, they recorded various tunes, including Spicks and Specks, which became their first hit. In February 1967, the Bee Gees signed a deal with Polydor and in July that year released their first international full-length record, Bee Gees’ 1st. The psychedelic pop album marked their international breakthrough and the rest is history. Here’s the above noted Spicks and Specks, written by Barry Gibb.

The Church

The Church were initially established as a trio in Sydney in March 1980 by singer-songwriter and bassist Steve Kilby, guitarist Peter Koppes and drummer Nick Ward. English guitarist Marty Willson-Piper joined one month later after he had seen one of the band’s gigs. In April 1981, The Church released their debut album Of Skins and Heart in Australia, which internationally came out in January 1982 and was titled The Church. The band is still around. Just recently on February 1st, Kilby announced Koppes had departed, leaving him as the only original member. In October 2017, I covered the most recent album by The Church, Man Woman Life Death Infinity, which reminded me of their album I know best and dig to this day: Starfish from April 1988. I just love the atmospheric, spacial sound of that record. Here’s Reptile, credited to all four members of the band at the time: Kilby, Koppes, Ward and Richard Ploog (drums, percussion).

Cold Chisel

Since the idea of this mini-series was sparked by When the War is Over, I simply couldn’t leave out Cold Chisel. That being said, this song and a few other tunes I’ve heard in the meantime pretty much sum up what I know about this band, which was founded in Adelaide in 1973. Wikipedia describes their music as pub rock, R&B, hard rock and rock & roll. Based on what I’ve heard thus far, this doesn’t seem to be off-base. Cold Chisel’s original line-up consisted of Ian Moss (lead guitar, vocals), Don Walker (keyboards, backing vocals), Jimmy Barnes (vocals, guitar), Les Kaczmarek (bass) and Steve Prestwich (drums). They broke up in December 1983 and reunited in October 1997 with a different line-up. While Cold Chisel have enjoyed significant popularity in Australia and New Zealand, success has largely eluded them in other parts of the world. The lyrics of the November 1981 single You Got Nothing I Want, an attack on the U.S. music industry over its lack of the band’s promotion, pretty much sealed their fate in this market. Here’s the aforementioned When the War is Over, which was written by Prestwich and appeared on the band’s fourth studio album Circus Animals released in March 1982.

Crowded House

Crowded House, which I know best from their ’80s pop-rock, were formed in Melbourne in 1985 by Neil Finn (guitar, vocals), Paul Hester (drums) and Nick Seymour (bass). Following their break-up in 1996, Crowded House have been on and off. In 2016, Finn confirmed the band is on indefinite hiatus. In April 2018, he joined Fleetwood Mac to replace Lindsey Buckingham, together with Mike Campbell. But now that the Mac’s 13-month world tour is over and, according to a recent interview Mick Fleetwood gave to Rolling Stone, they are unlikely to do another extended tour, Crowded House are back with a new line-up: Finn (lead vocals, guitar keyboards), Seymour (bass, backing vocals) and Mitchell Froom (keyboards, guitar, backing vocals), along with Finn’s sons Liam Finn (guitars, keyboards, backing vocals) and Elroy Finn (guitars). Perhaps they should consider renaming themselves The Crowded Finns! Anyway, here’s a tune I loved back in the day and still dig: Don’t Dream It’s Over, written by Neil Finn, and from their 1986 eponymous debut album.

Stay tuned for part II…

Sources: Wikipedia; Fox News; Ultimate Classic Rock; Rolling Stone; YouTube

What I’ve Been Listening To: Little River Band/Little River Band

A compelling yet underappreciated debut by Australian rock band

From the very first time I heard It’s A Long Way There, I thought the combination of smooth harmonizing vocals, a catchy melody and crunchy rock guitars made for a terrific song. The tune by the Little River Band is from their eponymous debut album.

Not only do they often remind me of the Eagles and the Doobie Brothers on their records released between the mid-70s and early 80s, but I also feel many tracks from that period are on par with music by those two American bands. Yet while the Little River Band (later also called LRB) enjoyed success in their native Australia from the get-go, it took them longer to get attention internationally.

LRB emerged from folk rock group Mississippi and was formed in Melbourne, Australia in March 1975. The band’s initial lineup, which after the first two albums underwent numerous changes over the years, included Glenn Shorrock (lead vocals), Graham Davidge (lead guitar), Beeb Birtles (guitar, vocals), Graham Goble (vocals, guitar), Dave Orams (bass) and Derek Pellicci (drums). LRB’s debut was released in November 1975.

The album opens with the gem It’s A Long Way There. Written By Goble, it clocks in at 8:44 minutes. While this certainly didn’t make it radio-friendly, I think this tune is pretty much as close to rock perfection as its gets for the above mentioned reasons. A shortened version appeared separately as the record’s third single.

Next up is Curiosity Killed The Cat. Funny title. It’s also how I sometimes feel about my cats! The tune, which was written by Birtles, has a nice soft and funky groove. Like the opener, LRB also released in separately in September 1975 as the album’s lead single.

Meanwhile is another nice rocker. The tune was written by Shorrock. I particularly dig the electric guitar harmony parts, especially the extended solo that starts at 1:45 min. Almost reminds me a bit of Thin Lizzy.

I’ll Always Call Your Name is a lovely ballad written by Birtles. One thing that stands out to me is a nice slide guitar solo starting at about 2:00 min. The other thing is the part that immediately follows thereafter, which is more rock-oriented – it’s almost a little song within the song.

The last track I’d like to call out is Emma, another tune written by Shorrock. It has an upbeat, joyous feel to it and also features nice electric guitar harmonies.

Little River Band reached no. 12 on the Australian Kent Music Report Albums chart in 1975, a pretty impressive showing for a debut album. In the U.S., the record fared more moderately, peaking at no. 60 on the Billboard 200 in 1976. Curiosity Killed The Cat was the most successful single in Australia, climbing to no. 15 on the Kent Music Report Singles chart. Interestingly, It’s A Long Way There only reached no. 35 there. In the U.S., on the other hand, the tune climbed to no. 28 on the Billboard Hot 100. Another charting single there was I’ll Always Call Your Name, which reached no. 62.

LRB went on to become one of Australia’s most significant bands that has sold more than 30 million records. A version that doesn’t include any of the founding members continues to perform to this day. Current lead singer and bassist Wayne Nelson first joined LRB in 1980, when original members Shorrock, Birtles, Goble and Pellicci were still part of the lineup. Nelson also sang lead on The Night Owls, which became one of the band’s hit singles. But due to the lack of original members some people regard LRB’s current lineup essentially as a cover band.

Sources: Wikipedia, YouTube