The Hump Day Picker-Upper

Cheering you up for a dreadful Wednesday, one song at a time

For those of us taking care of business during the regular workweek, I guess it’s safe to assume we’ve all felt that dreadful Wednesday blues. Sometimes, that middle point of the workweek can be a true drag. But help is on the way!

My proposition for today is I’m a Believer by The Monkees. While it’s a silly love song, it always makes me happy. And what’s wrong with that?

It may come as a surprise to some readers that I’m a Believer was written by then-25-year-old Neil Diamond. He actually spent his early career as a songwriter in New York’s legendary Brill Building. By the time Diamond penned I’m a Believer, he already had created a top 20 hit for Jay and the Americans with Sunday And Me that had come out in November 1965.

According to Songfacts, Don Kirshner while looking for material for The Monkees came across I’m a Believer. As part of a deal with Diamond, he allowed him to record the song as well. The Monkees’ version appeared first in November 1966 as their second single. It became a smash, topping the charts in the U.S., Canada, Australia, UK and various other European countries.

Diamond’s version certainly wasn’t bad. It appeared on his sophomore album Just for You from August 1967 but wasn’t among the three singles that were released from the record – probably a smart decision, given it would have been very unlikely to match the success of The Monkees or even come anywhere close to it.

A few additional tidbits from Songfacts: The Monkees sang on this, but did not play any instruments. The producers used session musicians because they were not convinced The Monkees could play like a real band. This became a huge point of contention, as the group fought to play their own songs. [We know eventually they did – CMM]

Neil Diamond had intended the song to be recorded by the Country artist Eddy Arnold, and was surprised when record executive Don Kirshner passed it instead to The Monkees.

Monkees guitarist Michael Nesmith didn’t believe this would be a hit, complaining to the producer, Jeff Barry, “I’m a songwriter, and that’s no hit.” Jeff Barry banned him from the studio while Micky Dolenz recorded his lead vocal.

A cover version by Smash Mouth was featured in the 2001 movie Shrek and went to #25 in the US. Diamond wrote the song “You Are My Number One” for Smash Mouth’s next album.

Mojo magazine July 2008 asked Neil Diamond if he resented at all the Monkees’ success with this song at a time when his own recording career was less successful. He replied: “I was thrilled, because at heart I was still a songwriter and I wanted my songs on the charts. It was one of the songs that was going to be on my first album, but Donny Kirshner, who was their music maven, hears ‘Cherry, Cherry’ on the radio and said, ‘Wow, I want one like that for The Monkees!’ He called my producers, Jeff Barry and Ellie Greenwich…But the head of my record company freaked. He went through the roof because he felt that I had given #1 records away to another group. I couldn’t have cared less because I had to pay the rent and The Monkees were selling records and I wasn’t being paid for my records.”

Happy Hump Day, and always remember George Harrison’s wise words: All things must pass!

Sources: Wikipedia; Songfacts; YouTube

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Is Monkee-Mania Still Alive?

Yesterday, I coincidentally listened to a new live album by The Monkees. And, nope, this isn’t some old material somebody had dug out from an archive. It was actually recorded in March 2019 from the so-called Mike & Micky Show and is the first live album released by Michael Nesmith and Micky Dolenz, who toured as The Monkees in 2018/2019. No matter how you feel about what initially was a fictitious band created for an American television show in the mid-’60s, listening to the 24 tracks isn’t only fun but also vividly illustrates how many great songs The Monkees have had. Plus, let’s not forget that Nesmith and Peter Tork had instrumental skills from the beginning and Davy Jones was a capable vocalist, while Dolenz eventually learned how to play the drums.

The collection spans the entire 50-plus year catalog of The Monkees. Frankly, I had not realized how active the band had remained in more recent years. Their latest studio album Christmas Party appeared in October 2018. And while it has a Christmas theme, it’s not just pop versions of holiday tunes. It also came out only less than two years after Good Times!, their previous studio release from May 2016. By the way, both of these albums were co-produced by Fountains of Wayne co-founder and key song contributor Adam Schlesinger, who passed away last Tuesday from complications caused by COVID-19. It’s kind of crazy how much the coronavirus already has impacted the music industry in less than two months!

Michael Nesmith & Micky Dolenz
Michael Nesmith (left) & Micky Dolenz

Even after The Monkees had become a “real” band, they largely continued to rely on outside writers like the songwriting duos of Tommy Boyce and Bobby Hart and Jerry Goffin and Carole King. But they also penned some of their songs themselves, especially Michael Nesmith. The album features various tunes he wrote, such as The Girl I Knew Somewhere, Listen to the Band and Papa Gene’s Blues. Two of them, St. Matthew and Auntie’s Municipal Court, the band didn’t perform during their heyday. ‘Nuff talk, let’s get to some music!

The album kicks off with Last Train to Clarksville, the band’s debut single released in August 1966. It’s one of the tunes written by Boyce and Hart. And it’s certainly no coincidence that it sounds very Beatle-esque. Frankly, this is an awesome song that is comparable to some of the mid-’60s tunes by The Beatles, and I say this as a fierce Fab Four fan! Here’s the official video.

Nesmith wasn’t the only member who contributed to the band’s own songs. For Pete’s Sake was co-written by Peter Tork and Joey Richards. The tune appeared on The Monkees’ third studio album Headquarters from May 1967.

A Little Bit Me, a Little Bit You, a tune written by Neil Diamond, was the band’s third single released in March 1967. It didn’t quite match the chart success of their previous smash hit I’m a Believer, but still climbed to no. 2 on the Billboard Hot 100, hit no. 1 in Canada, and reached the top 10 in many other countries. It’s a fun tune that reminds me a bit of That’s What I Like About You by The Romantics.

Next up, one of the above noted Nesmith tunes: Papa Gene’s Blues. As Nesmith points out, it’s an acoustic version. Originally, that song appeared on The Monkees’ eponymous debut album from October 1966. Apart from the track, it’s kind of entertaining to listen to the announcement, with Nesmith and Dolenz trading jokes.

Let’s do two more. I’ve always loved these tunes and simply couldn’t skip them. Daydream Believer, written by John Stewart, is a track from the band’s fifth studio album The Birds, The Bees & The Monkees released in April 1968. It’s the perfect sing-along, and not surprisingly, Mike & Micky asked the audience to join them – feel free to follow their lead!

And, of course, no concert by The Monkees would be complete without I’m a Believer. Their second single from November 1966 and biggest hit topping the charts in the U.S., Canada, Australia and numerous European countries is another Neil Diamond composition. It also was included on the band’s sophomore album More of the Monkees, which came out in January 1967.

At the time Nesmith and Dolenz were planning their 2018/2019 tour, Tork was still alive but declined to join. Sadly, he since passed away in February 2019. Jones had died seven years earlier in February 2012. Initially, Nesmith and Dolenz had planned to take their show out on the road again in the U.S. and Canada starting later this month. But given COVID-19, most dates have been pushed back until July and September. The current schedule is here.

Sources: Wikipedia; The Monkees website; YouTube