Best of What’s New

It’s Saturday, and I’d like to welcome everybody to another installment of my weekly new music revue. According to my count, this is the 150th Best of What’s New post. All four highlighted tunes are on albums that were released yesterday (March 10).

The Nude Party/Word Gets Around

Kicking things off is a great tune from the third and latest studio album Rides On by The Nude Party. I first featured this North Carolina group in January 2022 when covering their eponymous debut from July 2018. As I wrote at the time: The Nude Party were formed in 2012 when freshman students at  Appalachian State University in Boone, N.C. decided to start a band. Their members are Patton Magee (lead vocals, guitar, harmonica), Shaun Couture (guitar, vocals), Don Merrill (piano, vocals), Alexander Castillo (bass, vocals), Austin Brose  (percussion, vocals) and Connor Mikita (drums). At the end of their freshman year, they all moved together to a house outside of town and learned how to play their instruments. It still almost sounds a bit like a fairytale! What’s very real is Word Gets Around, a cool-sounding rocker with a ’60s vibe, credited to the entire band!

The War and Treaty/Lover’s Game

And we’re on to The War and Treaty, a hot-sounding husband and wife duo of Michael Trotter, Jr. and Tanya Blount – and I’m happy to say another act I featured before, in October 2020. Borrowing from that post: Apple Music describes their style as impassioned soul music that draws on traditional folk, country, R&B, and spirituals, often combining them all. Initially known as Trotter & Blount, they released their debut album Love Affair under that name in 2016. This was followed by the EP Down to the River in July 2017, their first music appearing as The War and Treaty. Healing Tide, the first full-fledged studio album under the current moniker, came out in August 2018. The record, which featured a guest appearance of Emmylou Harris, was well received and reached no. 11 on the Billboard Top Heatseekers Albums and no. 26 on the Independent Albums charts. Blount first became prominent in 1993, when she performed a duet with Lauryn Hill in the comedy picture Sister Act 2: Back in the Habit. The following year, she released her solo debut album Natural Thing. This brings me to Lover’s Game, the smoking title track and opener of The War and Treaty’s third and new album. It’s credited to the duo and producer Dave Cobb who has also worked with the likes of Chris Stapleton, Brandi Carlile, John Prine, Sturgill Simpson, Jason Isbell, The Highwomen and Rival Sons.

Meet Me @ The Altar/Same Language

Meet Me @ The Altar is a pop punk trio who has been around since 2015. Initially, Téa Campbell (guitar, bass) and Ada Juarez (drums) met on YouTube and developed a bond that led to their decision to form a band. Following an online audition, Edith Victoria (vocals) joined them in 2017. Three years later after they had publically been endorsed by pop punk veterans Alex Gaskarth and Dan Campbell, of the bands All Time Low and The Wonder Years, respectively, Meet Me @ The Altar went viral and were signed by label Fueled by Ramen in October of the same year. Their debut EP Model Citizen appeared in August 2021. Now Meet Me @ The Altar are out with their first full-length album Past // Present // Future. Here’s Same Language, a catchy tune.

The Luka State/Bring Us Down

Wrapping up this week’s Best of What’s New are English indie rock group The Luka State. From their AllMusic bio: A British indie rock band with a solid guitar attack and urgent melodies that are both catchy and powerful, the Luka State burst out of the mining town of Winsford, Cheshire in 2013, scoring an early success with the song “30 Minute Break.” A change in drummers coincided with a shift in the Luka State’s creative approach, as synthesizer lines began winding their way into their guitar-based arrangements on their 2015 EP The Price of Education. A steady stream of tracks followed before the band scored another success with 2018 single “Feel It.” Fast forward to March 10, 2023, and the band’s sophomore album More Than This. Here’s the opener Bring Us Down, credited to all four members of the band: Conrad Ellis (lead vocals), Lewis Pusey (guitar), Sam Bell (bass, vocals) and Jake Barnabas (drums).

This post wouldn’t be complete without a Spotify playlist of the above tracks, as well as a few additional tunes by each of the featured artists.

Sources: Wikipedia; Apple Music; AllMusic; The Luka State website; YouTube; Spotify

Best of What’s New

I can’t believe it’s October. What happened to summer? Perhaps on the upside, if time continues to race at its current pace, it also means this year will be over soon and we’re into 2021, which will hopefully bring better times. While it remains uncertain when live concerts can safely resume and some artists have delayed releasing new material, it’s great to see decent new music continues to come out.

As more frequent visitors of the blog know, my favorite music decades are the ’60s and the ’70s. As such, I’ve generally given up on what’s in the mainstream charts these days. Yet, in March this year, rather than continuing to complain about generic and soulless music populating the charts, I decided to pay more attention to new music that’s not in the charts, even if it’s not by artists I usually listen to, and to start the weekly recurring feature Best of What’s New. While finding new music I dig forces me to do some detective work, it’s been pretty rewarding, so I have every intention to continue this quest.

This brings me to the latest slate of songs. It’s a diverse set, featuring great music by an African American singer-songwriter reminiscent of a ’60s folk protest song, rich soul by a dynamite husband and wife duo, a delicious Louisiana music gumbo by a New Orleans-based singer-songwriter and multi-instrumentalist, and folk rock by a prolific Canadian artist. Like is oftentimes the case in this series, I had not heard of any of these artists before. Let’s get to it!

Tré Burt/Under the Devil’s Knee (featuring Leyla McCalla, Allison Russell and Sunny War)

Tré Burt is a Sacramento-based singer-songwriter. According to his website, Burt was drawn to music from an early age. He was raised with his grandfather’s passion for soul music, like the Temptations, Nina Simone, Otis Redding and Marvin Gaye. A school project on Woody Guthrie opened his eyes to the power of folk songwriting. And he discovered one of his songwriting heroes, Neil Young, through his older brother, Joey. In 2018…[he] self-released his debut album, Caught It From the Rye. The album, which showcases Burt’s literary songwriting and lo-fi, rootsy aesthetic, landed him a handful tour dates and some positive press, but Burt had no idea just how far it would get him: to a spot on the roster at John Prine’s Oh Boy Records. Burt’s first work appearing on Oh Boy is the single Under the Devil’s Knee. Released on September 22, it’s a powerful tune about the senseless deaths of George Floyd, Breonna Taylor and Eric Garner and the Black Lives Matter movement. To me it has a ’60s protest song vibe. It almost feels like looking at a modern day Richie Havens. Check it out!

The War and Treaty/Little Boy Blue

The War and Treaty is a husband and wife duo of Michael Trotter, Jr. and Tanya Blount. Apple Music describes their style as impassioned soul music that draws on traditional folk, country, R&B, and spirituals, often combining them all. Initially known as Trotter & Blount, they released their debut album Love Affair under that name in 2016. This was followed by the EP Down to the River in July 2017, their first music appearing as The War and Treaty. Healing Tide, the first full-fledged studio album under the current moniker, came out in August 2018. The record, which featured a guest appearance of Emmylou Harris, was well received and reached no. 11 on the Billboard Top Heatseekers Albums and no. 26 on the Independent Albums charts. Blount first became prominent in 1993, when she performed a duet with Lauryn Hill in the comedy picture Sister Act 2: Back in the Habit. The following year, she released her solo debut album Natural Thing. Little Boy Blue is a terrific soul song from Hearts Town, the second full-length album by The War and Treaty that appeared on September 25.

Ric Robertson/Louisiana Love Thing

Ric Robertson is a New Orleans-based songwriter and multi-instrumentalist, who according to his website synthesizes the full canon of American music—New Orleans jazz, classic American pop songsmiths, country, modern funk, swampy blues, and R&B to name a few—and births it into something out of this world…Robertson conjures this musical pedigree into a cohesive potion, a finely-tuned sonic concoction with just enough rock n’ roll to kill, just enough blues to keep you alive, and just enough country to make you hold on to love. It’s stirred by Robertson’s distinct voice: sweet, enticing, and contoured with the finely subtle grit of Mississippi River silt and the warmth of vintage vinyl. Robertson’s debut album The Fool, The Friend was released in June 2018. A review in The Big Takeover characterized it as “a fresh and authentic blend of swampy blues, rock and country” and called Robertson “a force to be reckoned with.” While I haven’t listened to that album yet, I agree based on Robertson’s new tune Louisiana Love Thing. It’s from his new EP Strange World that came out on September 25. That’s one delicious gumbo!

Daniel Romano/Joys Too Often Hollow

Wikipedia describes Daniel Romano (born Daniel Travis Romano in 1985) as a Canadian musician, poet and visual artist based out of his hometown of Welland, Ontario. He is primarily known as a solo artist, though he is also a member of [Canadian indie rock band] Attack in Black and has collaborated with [fellow Canadian music artists] Julie Doiron and Frederick Squire. He has also produced and performed with City and Colour, the recording project of Dallas Green [another Canadian music artist]…and is a partner in his own independent record label, You’ve Changed Records. Romano is a prolific artist. His solo debut Workin’ for the Music Man appeared in 2010. He has since released 11 additional solo records, nine collaboration albums and two EPs. An incredible 10 of these releases all appeared this year, including How Ill Thy World Is Ordered, his fourth 2020 album with his backing band Outfit. Here’s Joys Too Often Hollow, a nice folk rocker from that album released on September 18.

Sources: Wikipedia; Tré Burt website; Apple Music; Ric Robertson website; The Big Takeover; YouTube