Happy Birthday, Mick Jagger

At 79, Jagger still can’t get no satisfaction

Today, Mick Jagger turned 79 years. Admittedly, I almost missed it. To celebrate the happy occasion and hopefully many returns, I’m republishing a post I did for Jagger’s 75th birthday. I feel everything I said four years ago still applies!

No matter whether you like him or not (and I love him!!!), I think there’s no question Mick Jagger has to be one of the coolest rock artists on the planet. To me, he’s the embodiment of rock & roll in all of its crazy shapes. Unlike the other members of The Rolling Stones, Jagger doesn’t show many signs of aging. He still has the energy and swagger he did when the Stones started out in the early ’60s.

I also don’t believe I know of any other rock artist who studied at the London School of Economics, though evidently, Jagger figured out pretty quickly that Adam Smith and John Maynard Keynes weren’t as sexy as rock & roll. And, dare I say it, there are many economists but there’s only one Mick Jagger!

Jagger’s biography has been told a million times, so I’m not going to write yet another iteration. Instead, I’d like to celebrate Sir Michael Philip Jagger’s 79th birthday, which is today, with what he’s all about: rock & roll.

Let’s kick it off with the first officially recorded song Jagger co-wrote with his longtime partner in crime Keith RichardsTell Me (You’re Coming Back), the only original track on the Stones’ eponymous U.K. album released in April 1964. While the tune’s early ’60s pop vibe doesn’t sound much like The Rolling Stones, I still find it charming.

Yes, it’s probably the most over-played song The Rolling Stones have ever released, but since it’s such a signature tune, how could I not include (I Can’t Get No) Satisfaction in this post? Plus, the song from the Stones’ third British studio album Out Of Our Heads really seems to be a perfect fit for Jagger.

She’s A Rainbow from 1967’s Their Satanic Majesties Request may be an uncharacteristic tune by The Glimmer Twins, but I’ve always loved it.

I know many Stones fans consider Exile On Main Street or Some Girls as the band’s best studio album. If I would have to select one, I think it would be Sticky Fingers. Here’s Dead Flowers.

The song’s title sums it up perfectly: It’s Only Rock ‘N Roll (But I Like It). It was the lead single to the Stones’ 1974 studio album It’s Only Rock ‘N Roll, their 12th and 14th in the U.K. and U.S., respectively.

Here’s When The Whip Comes Down. According to Wikipedia, Jagger wrote the lyrics to the song, which first appeared on the Some Girls album from 1978, though it is credited to Jagger/Richards.

Tattoo You is considered by many folks to be the last decent album the Stones released in August 1981. The lead single was Start Me Up, which remains one of the band’s most recognizable tunes and a staple during their live concerts where they often play it as the opener. It’s a great tune and with its simple riff yet another example that less is oftentimes more in rock & roll.

I’ve always liked Steel Wheels, which the Stones released in August 1989. By that time Jagger and Richards had patched up their fragile relationship and wrote a great set of songs that are reminiscent of the Stones’ classic sound. Here’s Mixed Emotions.

To date, A Bigger Bang from September 2005 is the Stones’ most recent full studio album featuring original music. Here’s the opener Rough Justice.

I’d like to conclude this celebratory playlist with an amazing live clip: Can’t You Hear Me Knocking, from the Stones’ Sticky Fingers show on May 20, 2015 at the Fonda Theatre in Los Angeles. It was captured in a great live album released last September as part of the band’s From The Vault series. To me, the Stones rarely sounded as fresh as they did that night!

Do Mick and the boys have enough gas for another album? In April, NME  reported that Jagger was working on new material ahead of the Stones’ U.K. tour. He’s quoted as saying, “I’m just writing. It is mostly for the Stones at the moment.” Well, I guess we’ll have to wait and see. Meanwhile, happy birthday!

Sources: Wikipedia; NME; YouTube

The Sunday Six

Celebrating music with six random tracks at a time

It’s Sunday, July 3 and a long holiday weekend for folks in the U.S. Perfect timing to embark on another mini-excursion to celebrate music from different decades, six tunes at a time. If you don’t have anything better to do, hop on; if you’re busy, hop on anyway – most things go better with great music! 🙂

Lettuce/Insta-Classic

Usually, I start these trips with a jazz instrumental from the past. This time, let’s get underway with music from the presence by Lettuce, a neat American jazz and funk band I first featured in a June 2020 Best of What’s New installment. Initially, this group came together in Boston in the summer of 1992 when all of its founding members attended Berklee College of Music as teenagers. While it was a short-lived venture that lasted just this one summer, they reunited in 1994 when all of them had become undergraduate students at Berklee. In 2002, Lettuce released their debut album Outta There. They have been pretty productive since then with seven additional albums. Insta-Classic is a cool-sounding track from their latest release Unify, which appeared on June 3.

Keith Richards/Take It So Hard

I trust guitarist Keith Richards doesn’t need an introduction. Obviously, Keef is best known as co-founder of The Rolling Stones and for his longtime writing partnership with Mick Jagger. But, of course, no good rock & roll story is without big egos and drama, and the Glimmer Twins are no exception. By the time Richards’ solo debut Talk Is Cheap came out, his relationship with Jagger was, well, on the rocks. The Stones were in their third decade. While Jagger wanted to stay hip and follow music trends, Richards wanted to preserve the band’s roots. After Jagger had released two solo albums in relatively short order (She’s the Boss, 1985; and Primitive Cool; 1987) and appeared to be more interested in continuing his solo career, Keef decided to strike out by himself as well. The result was the above-mentioned Talk Is Cheap, his first of three solo efforts to date. Let’s check out Take It So Hard, which Keef wrote with co-producer Steve Jordan who also provided bass and backing vocals – good traditional Stonesy tune I frankly take any day over Undercover of the Night.

Elvis Presley/Blue Suede Shoes

While I haven’t watched the new Elvis biopic, I can’t deny the movie is the reason why Elvis Presley is on my mind again these days. I’ve mentioned before I adored Elvis when I was a young kid. It all goes back to the start of my music journey. Soon after I got my first turntable (must have been around the age of 10 – frankly, I don’t remember), I received a 40 greatest hits sampler as a Christmas present. The 2-LP set had pink discs, which I thought was pretty cool. While I’ve since matured (at least that’s what I want to believe) and no longer idolize Elvis or anybody else for that matter, I still get a kick out of the King of Rock and Roll. In particular, I keep going back to his ’50s classic rock & roll tunes he recorded and performed with guitarist Scotty Moore and bassist Bill Black. One of my favorites remains their rendition of Blue Suede Shoes, which also features D.J. Fontana on drums. The classic was written and first released by Carl Perkins in January 1956. Elvis’ version, which appeared in September of the same year, surged to no. 2 on the Billboard Hot Country Songs chart – almost matching Perkins who scored his only no. 1 with Blue Suede Shoes on the same chart. Let’s go, cats!

Dr. Feelgood/She Does It Right

Let’s slightly slow it down but keep rockin’ and rollin’ with a killer tune by Dr. Feelgood. I guess the first time I heard of the English pub and blues rockers was in the late ’70s when they scored their biggest hit with Milk and Alcohol, a tune I loved from the get-go. Dr. Feelgood were formed on Canvey Island, England in 1971 by Wilko Johnson (guitar, piano, vocals), Lee Brilleaux (lead vocals, harmonica, slide guitar) and John B. “Sparko” Sparks (bass, backing vocals), who soon added John Martin (drums). That line-up remained in place until 1977 and recorded the group’s dynamite debut album Down by the Jetty (January 1975), as well as two additional records. Dr. Feelgood are still around, though their current line-up hasn’t included any founding members since 1994. She Does It Right, penned by Johnson, is a tune off Down by the Jetty. Man, I love their raw sound!

Gregg Allman/My Only True Friend

Alrighty, after a series of rockers the time has come to really take it down. Gregg Allman is another artist I trust doesn’t need an introduction. For the longest time, the only tune I had known by The Allman Brothers Band had been Ramblin’ Man. Finally, eight or nine years ago, I decided to explore what has since become one of my favorite groups – just in time to see them once in New Jersey in the summer of 2014, a few months prior to their final curtain at the Beacon Theater in New York City. Soon my exploration of the Brothers also led to Gregg Allman’s solo work. Even though he started releasing albums by himself early, in 1973, his solo catalog is relatively moderate, featuring seven studio albums, two live recordings and a few compilations. My Only True Friend, co-written by Allman and guitarist Scott Sharrad, is the great opener of Allman’s final studio album Southern Blood. It was released in September 2017, four months after his death at the age of 69 due to complications from liver cancer. Sharrad who also served as musical director had been a member of Allman’s backing band since 2008. Gosh, I love this tune and album!

Lenny Kravitz/Always On The Run

And once again, another Sunday Six excursion is coming to an end. For this last pick, let’s go back to April 1991 and Mama Said, the sophomore album by Lenny Kravitz. It came less than two years after his debut Let Love Rule, which he wrote and produced nearly all by himself and on which he played nearly all instruments. For Mama Said, he got a little help from some friends, including Guns N’ Roses guitarist Slash. Kravitz has since released nine additional studio albums, with the most recent being Raise Vibration in September 2018. I previously reviewed here. Back to Mama Said and the album’s great lead single Always On The Run. Kravitz wrote the tune together with Slash, who also played guitar including a cool solo – just a great funky rocker!

Before wrapping up, here’s a Spotify list featuring the above tunes. Hope there’s something you like!

Sources: Wikipedia; YouTube; Spotify

The Sunday Six

Celebrating music with six random tracks at a time

Good morning, good afternoon, good evening, wherever you are when reading this – welcome to another Sunday Six. In this weekly feature, I’m embarking on imaginary time travel journeys to celebrate the beauty of music in different flavors from different decades, six tunes at a time. Hop on for the ride and fasten your seatbelt.

Wayne Krantz/For Susan

Today, I’d like to start our little trip with beautiful instrumental music by Wayne Krantz, an American guitarist and composer who has been active since the ’80s. Telling you he “was good enough” for Walter Becker and Donald Fagen to tour with Steely Dan and appear on Fagen’s 2006 solo album Morph the Cat should suffice. Krantz has also worked with jazz artists Billy Cobham, Chris Potter, David Binney and Carla Bley. And since 1990, he has released eight studio albums as a band leader. Let’s give a listen to For Susan, a soothing track from what appears to be Krantz’s first solo album Signals, released in 1990. Check out this amazing guitar tone – not surprisingly, it was instant love for me!

Fleetwood Mac/Sometimes

I think it’s safe to assume most folks best know Fleetwood Mac from their “classic period” between 1975 and 1987, which among others includes their most successful album Rumours (February 1977). But there’s more to the Mac who started out as Peter Green’s Fleetwood Mac in July 1967, a blues rock band led by amazing blues guitarist Peter Green. In April 1970, Green who was in the throes of drug addiction and mental illness left the group. This started an interesting transitional era that initially featured Jeremy Spencer and Danny Kirwan on guitars, in addition to co-founders John McVie (bass) and Mick Fleetwood (drums). They were soon officially be joined by Christine McVie (born Anne Christine Perfect), who in 1968 had married John McVie – the first of many complicated relationships among members of the Mac! By the time they released their fifth studio album Future Games in September 1971, Spencer had been replaced by guitarist Bob Welch. Here’s Sometimes, a great country rock tune off that record, penned by Kirwan – the Mac’s early blues rock days were in the distant past!

Fastball/Fire Escape

With their recent release of a nice new album, The Deep End, Fastball have been on my mind. The Texan band was formed in 1994 in Austin by Tony Scalzo  (vocals, bass, keyboards, guitar),  Miles Zuniga  (vocals, guitar) and Joey Shuffield (drums, percussion), a lineup that remarkably remains in place to this day. You can read more about the group and their ups and downs in this feature I posted in February this year. I’d like to take us to March 1998, which saw the release of Fastball’s sophomore album All the Pain Money Can Buy, their breakthrough and most successful record. Instead of The Way, their biggest hit that initially brought the band on my radar screen, I’d like to highlight Fire Escape, another excellent tune. Written by Zuniga, the song also became the album’s second single. While it made various charts in the U.S. and Canada, surprisingly, it did fare far more moderately than The Way.

World Party/The Ballad of the Little Man

I still remember when I heard Ship of Fools for the first time in the ’80s and thought, ‘gee, the vocalist sounds a bit like Mick Jagger.’ The vocalist, of course, was singer-songwriter and multi-instrumentalist Karl Wallinger, who had started World Party in 1986 as a solo music project after his departure from The Waterboys. His debut album under the World Party moniker was Private Revolution, which came out in March 1987. It would be the first of five released over the following 13 years. In February 2001, Wallinger had an aneurysm that left him unable to speak and sidelined his career until 2006. While over the next 14 years he occasionally toured with a backing band as World Party and released the compilation Arkeology (2012) and a live album, World Party Live! (2014), Wallinger appears to have been inactive since 2015. Here’s The Ballad of the Little Man, a tune from Private Revolution. I love the cool ’60s vibe in many of Wallinger’s tunes!

The Doors/Light My Fire

The time has come to travel back to the ’60s for real. In January 1967, The Doors, one of my favorite groups, released their eponymous debut, and what a great record it was! Break On Through (To the Other Side), Soul Kitchen, Alabama Song (Whiskey Bar) and the apocalyptic The End are among the gems here. And, of course, the mighty Light My Fire, which was primarily written by guitarist Robbie Krieger, though it was credited to the entire band. The song also became the group’s second single and their breakthrough. But I’m not featuring the shortened single edit. At CMM, we don’t do things half-ass! Ray Manzarek’s organ part is sheer magic to my ears. I never get tired of it!

Santana/Anywhere You Want to Go

Once again we’re entering the final stretch of yet another Sunday Six. When it comes to Carlos Santana, who has been a favorite since I listened to the 1974 compilation Santana’s Greatest Hits as an 8-year-old, I’ve always loved his first three albums the most. This “classic period” spanned the years 1969 to 1971 and includes gems like Evil Ways, Jingo, Soul Sacrifice, Black Magic Woman, Samba Pa Ti and Everybody’s Everything. Needless to point out I was intrigued when sometime in early 2016 I learned Carlos had reunited with most of the surviving members from the band’s early ’70s lineup for a new album: Gregg Rolie (lead vocals, keyboards), Neal Schon (guitar, vocals), Michael Carabello (congas, percussion, backing vocals) and Michael Shrieve (drums). Sure, 46 years is a very long time and I couldn’t expect Santana IV would sound the same as those first three records. But I still liked what I heard. Perhaps best of all, I got to see that version of Santana live during a short supporting tour, which also featured Journey. I’m leaving you with Anywhere You Want to Go, penned by Rolie. Feel free to groove along!

Of course, this post wouldn’t be complete without a Spotify list of all the above tunes.

Sources: Wikipedia; YouTube; Spotify

Bonnie Raitt Beams at The Mann

Lucinda Williams opens great night at Philly’s nonprofit performing arts center

When you visit the website of the Mann Center of the Performing Arts, the first chiron flashing on your screen reads “The Mann is music”. While this is followed by multiple other pronouncements, music is what ruled last night at Philadelphia’s prominent outdoor nonprofit performing arts venue. Great music, delivered by Bonnie Raitt, one of my all-time favorite artists, and her special guest Lucinda Williams who opened the beautiful night.

My decision to see Raitt again was relatively last minute, since at the time I already had tickets for three other shows in June. Until then, I had never planned to go to four concerts by “big artists” during the same month. I may be a music nut, but that’s certainly a pace I cannot maintain, and it’s not just because of high ticket prices, though the latter are a key factor!

Fun at The Mann with great music, nice view of Philly and gourmet pizza!

Before getting to Bonnie Raitt, I’d like to say a few words about Lucinda Williams. Until I saw the bill included the Americana singer-songwriter, who is a few years younger than Raitt and started her recording career in 1979, I had only been familiar with her name. The title of her fifth and to date best-selling studio album Car Wheels on a Gravel Road (such a great image!) also rang a distant bell.

Over her now 43-year-and-counting recording career, Williams has released 14 studio albums, one live record, two video albums and 20-plus singles – not exactly a massive catalog, given the long period. Her most recent album Good Souls Better Angels appeared in April 2020. In November of that same year, Williams had a stroke at her home in Nashville. Fortunately, she recovered, though last night she still seemed to have some mobility challenges and did not play guitar. But Williams still delivered what I thought was a very solid performance.

Here’s Drunken Angel, a tune off the aforementioned Car Wheels on a Gravel Road album. When Williams announced the song last evening she said she wrote it in honor of her friend Blaze Foley, a Texas country singer-songwriter who apparently was prone to drinking and was shot and killed in a bar “over a senseless argument”. Williams also noted Foley had been chasing Townes Van Zandt, “but nobody could keep up with Townes.” Apparently, Foley did become friends with Van Zandt who ended up writing a song about him, Blaze’s Blues.

Before moving on to Bonnie Raitt’s set, let’s do another song Williams performed: You Can’t Rule Me, a nice adaption from a Memphis Minnie composition, which originally was recorded sometime between 1935 and 1941. Williams included it on her most recent album. The blues rock lover in me smiled!

And on to Bonnie Raitt who I had last seen in August 2016 at New Jersey Performing Arts Center in Newark. From the very beginning, it felt as if time had stood still. Raitt looked and sounded the same as six years ago. The only difference were her set included various songs from her excellent latest album Just Like That…, which came out in April this year and which I previously reviewed here. Raitt started her set with the album’s great opener Made Up Mind. Check out that sweet sound – so good!

In addition to playing five tunes from Just Like That…, Raitt drew from other albums throughout her career, including Luck of the Draw (1991), Nick of Time (1989), Silver Lining (2002), Streetlights (1974), Dig In Deep (2016) and the live release Road Tested (1995). Here’s No Business, a song written by John Hiatt, one of four tracks Raitt played from Luck of the Draw. Raitt, who has recorded various tunes by Hiatt, reiterated her admiration of the great roots rock singer-songwriter.

In addition to Just Like That…, which os my favorite Bonnie Raitt album these days, I’ve always loved Nick of Time. Her 10th studio album brought Raitt on my radar screen in 1989. Let’s do the title track, which she penned. Her commercial breakthrough album is best known for the hit single Thing Called Love, which happens to be another John Hiatt composition. Perhaps the official video featuring American actor Dennis Quaid also helped boost mainstream success. Nick of Time saw Raitt switch from her main instrument to keyboards – nice!

Next, let’s turn to Livin’ For the Ones, another great tune from the Just Like That… album. Raitt wrote the words to music composed by her longtime guitarist George Marinelli. I just love that Stonesy sound!

No Bonnie Raitt show would be complete without Angel From Montgomery, a long-time fan favorite. It was written by John Prine, another songwriter Raitt loves and called out last night. In fact, she dedicated the title track of her new album to Prine, noting the style was inspired by the story-telling songs Prine had written. Angel From Montgomery is included on Raitt’s above-mentioned fourth studio album Streetlights. This is one timeless gem!

This brings me to the final tune I’d like to highlight. I Can’t Make You Love Me, another track from Luck of the Draw, is one of Raitt’s best-known songs. While she has had many great songs over the decades, Raitt has only scored a few mainstream hits. During a recent interview with Zane Lowe for Apple Music, she didn’t seem to mind her relative lack of chart success. In fact, Raitt said after Nick of Time, she had been nervous she would now be measured by that album’s chart performance. Luck of the Draw turned out to be hugely successful as well. I Can’t Make You Love Me, a pop ballad co-written by Mike Reid and Allen Shamblin, is one of three songs that made the top 20 in the U.S. on the Billboard Hot 100.

Bonnie Raitt said two things last night, which are among the many reasons I dig her as an artist. She expressed her happiness to be back on the road, noting the long break from touring had been torture. Raitt also stated she has no plans to retire since she enjoys performing. In this context, she called out other artists like Willie Nelson and Mick Jagger, who are no longer 19 years either. She added she hopes to see the Stones, wishing Jagger the best, who recently came down with COVID.

Before wrapping up this post, I’d like to acknowledge Raitt’s fantastic band. Apart from the above-mentioned guitarist George Marinelli, who also sings, the line-up includes Duke Levine (guitar, vocals), Glenn Patscha (keyboards, vocals), James “Hutch” Hutchinson (bass) and Ricky Fataar (drums). Marinelli, Hutchinson and Fataar have worked with Raitt for many years, both on the road and in the studio. For more on each musician, check out their impressive bios on her website.

Here’s Raitt’s setlist from last night:
• Made Up Mind
• Waitin’ for You to Blow
• No Business
• Blame It on Me
• Nick of Time
• Back Around
• Just Like That
• Something to Talk About
• Livin’ for the Ones
• Have a Heart
• Need You Tonight (INXS cover)
• Angel From Montgomery (John Prine cover)
• Burning Down the House (Talking Heads cover)

Encore:
• I Can’t Make You Love Me (Mike Reid cover)
• Not the Only One (Paul Brady cover)

Raitt’s Just Like That… tour is next headed to Boston’s Leader Bank Pallivion (June 17), Tanglewood in Lennox, Mass. (June 18) and New York City’s Beacon Theatre (June 21 and June 22 – both shows are sold out). The full schedule is here. If you like Raitt and can still get a ticket you can afford, I’d highly recommend it. That lady is the real deal!

Sources: Wikipedia; Bonnie Raitt website; Setlist.fm; YouTube

Musings of the Past

When The Beatles’ Revolver Turned 50

The other day, fellow blogger Max from PowerPop blog featured I Want to Tell You, a George Harrison tune from Revolver, rightfully noting the great opening riff and calling it very unrated. This reminded me of a post I originally published in August 2016 about the then-50th anniversary of what is widely considered one of the best albums by The Beatles.

I was about six weeks into my blogging journey. The blog was very bare-bones at the time with no embedded images or video clips in the posts. While my writing was also still evolving, I felt the content of this early post deserved to be republished. Unlike previous Musings of the Past installments, which essentially were straight reposts, I decided to enhance the Revolver post with both multi-media and some additional text at the end. I also slightly amended the headline. Here we go.

When The Beatles’ Revolver Turned 50

It was 50 years ago yesterday (Aug 5): The Beatles released Revolver in the UK, an album that is considered a leap from predecessor Rubber Soul, introducing more experimentation and innovative recording techniques.

On Aug 5, 1966, The Beatles released Revolver, their seventh studio album in the UK. Just the other day, a good friend of mine told me many experts consider it the best album of the Fab Four. Yesterday, I noticed a number of related articles from music sources like Rolling Stone and others commemorating the occasion. So I decided to take a closer look on this mold-breaking album.

On RevolverThe Beatles started experimenting with various new recording techniques, including tape loops, backwards recordings and varispeeding. The most significant innovation was Artificial Double Tracking (ADT), which was invented by Ken Townsend, a recording engineer at Abbey Road Studios. The technique essentially combines an original audio signal with a delayed copy of that signal. Previously, the effect could only be accomplished by natural doubling of a voice or instrument, a technique called double-tracking.

The invention of ADT mainly was spurred by a request from John Lennon who during the Revolver sessions asked for a less tedious alternative to double-tracking. ADT was soon adopted throughout the recording industry.

Revolver was also remarkable for other reasons. The title, by the way, had nothing to do with guns but was derived from the verb revolve. One of the album’s highlights is the string arrangement on Eleanor Rigby, which was written by George Martin. Otherwise, the tune was primarily penned by Paul McCartney. Blending classical and pop music broke conventions. It would take another four years before another British band, Electric Light Orchestra, would take this concept to the stratosphere.

Revolver also saw George Harrison take on a bigger role in song-writing and shaping the band’s sound: TaxmanLove You To and I Want to Tell You were all written by him. Love You To featured Indian classical instruments, which George had introduced on Rubber Soul with his use of the sitar on Norwegian Wood. On Revolver, he also introduced the tambura, another instrument used in Indian music, on John’s Tomorrow Never Knows. Another interesting tidbit I read: The guitar solo on Taxman was played by Paul after George had made multiple unsuccessful attempts.

Apart from the above, Revolver included other gems like Here, There and EverywhereGood Day Sunshine and Got to Get You into My Life. The sessions to the album also yielded the non-album single Paperback Writer with Rain as the b-side.

In the U.S., Revolver was released on August 8, 1966. The release coincided with The Beatles’ third and final concert tour in the U.S. and Toronto. Except for Paperback Writer, the band did not perform any of the songs from the Revolver sessions.

Revolver won the 1966 Grammy for Best Album Cover, Graphic Arts. The cover artwork was designed by Klaus Voormann, who had known The Beatles since 1960 when he met them during their time in Hamburg. While Revolver was well received in the UK, the initial reception in the U.S. was less enthusiastic due to John’s controversial statement that The Beatles had become bigger than Jesus. Eventually, the album was certified 5 times platinum in the U.S. and platinum in the UK.

– End –

The original post, first published on August 6, 2016, ended here. Following is some additional content about two songs that are among my favorites on Revolver.

First up: Taxman. According to Songfacts, George was a fan of the 1960s American television series Batman. The music for Taxman was inspired by the Batman Theme, written and first recorded by conductor/trumpeter Neal Hefti. It was subsequently covered in early 1966 by The Marketts, an American surf rock group. “‘Taxman’ was when I first realized that even though we had started earning money, we were actually giving most of it away in taxes,” Harrison said. Subsequently, he changed his stance about money, telling BBC Radio in 1969, “No matter how much money you’ve got, you can’t be happy anyway. So you have to find your happiness with the problems you have and you have to not worry too much about them.”

Let’s wrap up with John Lennon tune And Your Bird Can Sing. From Songfacts: “Bird” is British slang for “Girl.” One theory is that this song is a scolding by John Lennon of his buddy Mick Jagger of the Rolling Stones, who loved to brag about his bird – Marianne Faithfull – who was great, green (jealous/young) and could sing. John made it clear that Mick and the Stones wear great but could never ever match up to John and the other Beatles...The signature dual-harmony electric lead guitar parts were played live (without overdubbing) by Harrison and McCartney. Lennon played the rhythm in the “D major” position with the capo on the second fret (to account for the song being in the key of E)...John Lennon said this was a throwaway song with random words of psychedelia added in designed to sound like it meant something. He considered it one of his worst songs. Not bad for a “junk tune”!

Last but not least here is a Spotify link to Revolver:

Sources: Wikipedia; The Beatles Bible; Songfacts; YouTube; Spotify

Best of What’s New

A selection of newly released music that caught my attention

Happy Saturday and welcome to another Best of What’s New installment. My latest look at new music releases is coming together at the last minute, so without further ado, let’s get to it. All picks except for the last tune appear on albums that were released yesterday (May 6).

Halestorm/Brightside

I’m kicking things off with high-energy hard rock by Halestorm. Here’s a bit of background from their Apple Music profile: Emerging in the late 2000s, Halestorm immediately distinguished themselves in hard-rock circles thanks to powerhouse vocalist/guitarist Lzzy Hale. The Pennsylvania native showed off both a silver-plated yowl and a dynamic lower range on the band’s 2009 breakthrough hit, “I Get Off,” while later singles unleashed a belting siren call (“I Miss the Misery”) and snarling metal ferocity (the Grammy-winning “Love Bites (So Do I)”). Halestorm’s roots date back to the late ’90s, when Hale and her younger brother Arejay, a drummer, started making music together. Following the release of several EPs as a duo, the group expanded into a quartet and made their major-label debut in 2006 with the One and Done live EP. A 2009 self-titled album established Halestorm as a band eager to slip between hard rock, post-grunge, and metal. In addition to Lzzy Hale (lead vocals, rhythm guitar, acoustic guitar, keyboards, piano) and Arejay Hale (drums, backing vocals), Halestorm’s current line-up also features Joe Hottinger (lead guitar, acoustic guitar, backing vocals) and Josh Smith (bass, keyboards, piano, backing vocals). Here’s Brightside, a track co-written by Lzzy Hale and Scott Stevens, off the band’s fifth and latest album Back From the Dead. I like it but can’t listen to this level of intensity for too long!

Belle and Sebastian/Prophets On Hold

For this next pick by Scottish indie-pop group Belle and Sebastian, we’re taking it down a few notches. The band started out as a project in Glasgow in 1994 by Stuart Murdoch (vocals, guitar, keyboards) and Stuart David (bass). They had both enrolled in a program for unemployed musicians at Stow College where together with their music professor they recorded some demos. This resulted in the release of their first full-length album Tigermilk on the college’s label Electric Honey. The album’s positive reception led Murdoch and David to recruit additional musicians and turn Belle and Sebastian into a full-time band. In August 1996, they signed with Jeepster Records and released their sophomore album If You’re Feeling Sinister in November of the same year. Today, the group consists of Murdoch, Stevie Jackson (guitar, vocals, piano), Sarah Martin (vocals, violin, guitar, flute, keyboards, recorder, percussion), Chris Geddes (keyboards, piano, percussion), Bobby Kildea (guitar, bass), Dave McGowan (bass, keyboards, guitar) and Richard Colburn (drums, percussion). Here’s Prophets On Hold from Belle and Sebastian’s new album A Bit of Previous. The catchy tune is credited to all members of the band.

Rolling Blackout Coastal Fever/The Way It Shatters

Rolling Blackout Coastal Fever are an Australian indie rock band founded in Melbourne in 2013. According to the Apple Music profile, Playing bright, energetic indie rock with lively guitar lines, sharp hooks, and dry wit, the Australian group Rolling Blackouts Coastal Fever turn the clock back to the glory days of 1980s jangle pop while giving it a tough, no-nonsense three-guitar update in the process. After two EPs, the band’s first two albums — 2018’s Hope Downs and 2020’s Sideways to New Italy — showed they were in firm control of their songcraft and sound. The band maintains their original line-up to this day: Fran Keaney (vocals, acoustic guitar), Tom Russo (vocals, guitar), Joe White (vocals, lead guitar, keyboards, harmonica), Joe Russo (bass) and Marcel Tussie (drums, percussion). The Way It Shatters, co-written by Keaney, White, Tussie and Tom Russo, appears on the band’s latest album Endless Rooms, their third full-length release. I love their sound!

Simple Plan/Wake Me Up (When This Nightmare’s Over)

Simple Plan are a Canadian pop-rock band formed in Montreal in 1999. Their members include Pierre Bouvier (lead vocals, guitar, percussion, bass), Jeff Stinco (lead guitar), Sébastien Lefebvre (rhythm guitar, backing vocals) and Chuck Comeau (drums, percussion), who have been with the group since its inception. Their debut album No Pads, No Helmets…Just Balls appeared in March 2002. While the pop-punk record received mixed reviews, it enjoyed significant chart success in Canada and various other countries and reached double-platinum certification in Canada and the U.S. Simple Plan have since issued five additional albums including their latest Harder Than It Looks. Here’s the opener Wake Me Up (When This Nightmare’s Over), co-written by Comeau, Bouvier and Nate Campany. Quite catchy!

Sheryl Crow/Live With Me

I just couldn’t resist and throw in two bonus tracks by two of my long-time favorite artists who need no introductions. Technically, these aren’t new songs, but both appear on newly released albums. First up is a great cover of Rolling Stones tune Live With Me from the soundtrack of Sheryl, a documentary directed by Amy Scott about Sheryl Crow, which debuted yesterday evening on Showtime. From a previous statement on Crow’s website: An intimate story of song and sacrifice, “Sheryl” navigates an iconic yet arduous musical career while the artist battles sexism, ageism, depression, cancer, and the price of fame, before harnessing the power of her gift. A career spanning album package including her classic hits and several new tracks will accompany the film, released via Big Machine Label Group, in cooperation with Universal Music Group. Co-written by Mick Jagger and Keith Richards, Live With Me first appeared on the Stones album Let It Bleed from November 1969. Crow’s rendition features Jagger on harmonica.

Neil Young & The Restless/Heavy Love

Wrapping up this new music revue is Heavy Love, a great rocker by Neil Young & The Restless. It appears on the EP Eldorado, which originally was released in April 1989 in Japan and Australia only. As of April 29 this year, it’s available worldwide. Heavy Love and Cocaine Eyes, which I featured in a previous Best of What’s New installment, are not available on any other recording, while the three remaining tracks Don’t Cry, On Broadway and Eldorado subsequently appeared on Young’s 17th studio album Freedom from October 1989, though in different mixes. The EP is also included in Young’s latest archives vinyl box set titled Neil Young Official Release Series Discs 13, 14, 20 & 21. Like Cocaine Eyes, Heavy Love would have been a great addition to Freedom.

Here’s a Spotify playlist with the above tunes except for Neil Young, as well as a few additional tracks. Young earlier this year asked that his music be pulled from there in protest to Spotify providing a platform to prominent podcaster Joe Rogan who has been criticized for promoting misinformation about the coronavirus and vaccines.

Sources: Wikipedia; Apple Music; Sheryl Crow website; YouTube; Spotify

The Sunday Six

Celebrating music with six random tracks at a time

Welcome to another Sunday Six, a celebration of the diversity of music of the past and the present, six tracks at a time. If you’ve looked at the blog before chances are you know what’s about to unfold. In case this is your inaugural visit welcome, and I hope you’ll be back. The first sentence pretty much sums up the idea behind the weekly feature. So without further ado, let’s get to it.

Gerald Clayton/Peace Invocation (feat. Charles Lloyd)

I’d like to embark on today’s journey with beautiful music by Dutch-born American contemporary jazz pianist Gerald Clayton. From his website: The four-time GRAMMY-nominated pianist/composer formally began his musical journey at the prestigious Los Angeles County High School for the Arts, where he received the 2002 Presidential Scholar of the Arts Award. Continuing his scholarly pursuits, he earned a Bachelor of Arts in Piano Performance at USC’s Thornton School of Music under the instruction of piano icon Billy Childs, after a year of intensive study with NEA Jazz Master Kenny Barron at The Manhattan School of Music. Clayton won second place in the 2006 Thelonious Monk Institute of Jazz Piano Competition...Inclusive sensibilities have allowed him to perform and record with such distinctive artists as Diana Krall, Roy Hargrove, Dianne Reeves, Ambrose Akinmusire, Dayna Stephens, Kendrick Scott, John Scofield…[the list goes on and on – CMM] Clayton also has enjoyed an extended association since early 2013, touring and recording with saxophone legend Charles LloydThe son of beloved bass player and composer John Clayton, he enjoyed a familial apprenticeship from an early age. Clayton honors the legacy of his father and all his musical ancestors through a commitment to artistic exploration, innovation, and reinvention. This brings me to Bells on Sand, Clayton’s brand new album released on April 1. Peace Invocation, composed by Clayton, features the above-mentioned now-84-year-old sax maestro Charles Lloyd. Check out his amazing tone – feels like he’s caressing you with his saxophone!

Billy Joel/Allentown

Next, let’s go to another piano man and the year 1982. When I think of pop and piano men, the artists who come to mind first are Elton John and Billy Joel. While John recently announced the remaining dates of his Farewell Yellow Brick Road The Final Tour, as reported by Billboard, the piano man from New York apparently has no plans to retire. Instead, he continues to sell out show after show at Madison Square Garden, even though he hasn’t released any new pop music since August 1993 when his 12th studio album River of Dreams came out. I was fortunate to see the man at MSG in the early 2000s, and it was a really great show – in terms of the atmosphere think Bruce Springsteen playing MetLife Stadium in New Jersey! The Nylon Curtain, Joel’s eighth studio release from September 1982, remains among my favorites. Here’s Allentown, his blue-collar anthem about the plight and resilience of steelworkers in the Allentown, Pa. region in the early ’80s following Bethlehem Steel’s decline and eventual closure.

Buddy Guy/Cognac (feat. Jeff Beck, Keith Richards)

Hopefully, I don’t jinx myself with this next pick, but I just couldn’t help it! Undoubtedly, more frequent visitors of the blog have noticed my love of the blues, especially electric guitar blues. One of the artists I keep going back to in this context is the amazing, now 85-year-old Buddy Guy. I’m beyond thrilled I got a ticket to see him on Wednesday night at a midsize theater in New Jersey – a total impulse purchase! It would be my third time. After a near-70-year career, Guy continues to be a force of nature. Here’s Cognac, a track from his most recent studio album The Blues Is Alive and Well, released in June 2018. Co-written by Guy, Richard Fleming and producer Tom Hambridge who also plays drums, the song features Jeff Beck and Keith Richards. It really doesn’t get much better when three guitar legends come together to play some blistering blues while taking sips of liquid gold! You can read more about the album here.

The Rolling Stones/The Last Time

Getting to The Rolling Stones from Keith Richards isn’t a big leap, but there’s more to it than you may realize. Long before Keef got together with Buddy Guy and Jeff Beck to play guitar and sip some cognac, there was a special connection between British blues rock-oriented artists, such as Eric Clapton, Beck and the Stones, and American blues greats like Muddy Waters, Howlin’ Wolf and Buddy Guy. When U.S. musical variety TV series Shindig! invited the Stones in 1965 to perform on the program, Mick Jagger agreed under one condition: They would have to let Muddy Waters on as well. Apparently, the bookers had no clue who that was. “You mean to tell me you don’t know who Muddy Waters is?”, Jagger asked in complete disbelief. Guy likes to tell the story during his shows to this day – and to express his appreciation that British acts like the Stones, Beck and Clapton played a key role to introduce white American audiences to African American blues artists. Here’s one of my favorite early Stones songs. The Last Time, which first appeared in February 1965 as a single in the UK, holds the distinction of being the first original Stones tune released as an A-side. Credited to Jagger/Richards, as would become usual, the tune was also included on the U.S. version of Out of Our Heads, the band’s fourth American studio record from July 1965.

Christopher Cross/Ride Like the Wind

Our next stop takes us to the late ’70s and Christopher Cross. Call me a softie, I’ve always had a thing for the American singer-songwriter whose eponymous debut album from December 1979 is regarded as a key release of the yacht rock genre. Perhaps it helped that one of his best-known songs was titled Sailing and appeared on that record. On a more serious note, I think Cross has written some nice songs. Here’s my favorite, Ride Like the Wind, which together with Sailing and Arthur’s Theme (Best That You Can Do) became his biggest hits. Cross dedicated the catchy tune to Little Feat co-founder and leader Lowell George who had passed away in June 1979. It features Michael McDonald on backing vocals and a pretty good guitar solo played by Cross. Now 70 years old, Cross is still around and to date has released 15 studio albums. Apart from the debut I’ve only listened to his sophomore release Another Page.

Stone Temple Pilots/Plush

And once again we’ve reached the end of our journey. I’ll leave you with some ’90s alternative rock by Stone Temple Pilots. Plush, off their debut album Core, became their first single to top Billboard’s Mainstream Rock chart and one of their biggest hits. Frankly, I mostly know the band by name, but that tune seemingly was everywhere when it came out in May 1993 as the album’s second single. The song was co-written by Scott Weiland, Eric Kretz and Robert DeLeo, who at the time were the Pilots’ lead vocalist, drummer and bassist, respectively. Kretz and DeLeo remain with the band’s current lineup, which also includes DeLeo’s older brother and co-founder Dean DeLeo (guitar) and Jeff Gutt (lead vocals). The Pilots’ eighth and most recent album Perdida appeared in February 2020. Excluding the group’s 5-year hiatus between 2003 and 2008, they have been around for some 28 years – pretty impressive! Perhaps I should check ’em out one of these days.

Last but not least, here’s a Spotify playlist with the above songs.

Sources: Wikipedia; Gerald Clayton website; Billboard; YouTube; Spotify

If I Could Only Take One

My desert island tune by Donovan

Once again it’s time for tough decisions, decisions. The letter “d” in my music library revealed artists I’ve featured repeatedly here like Roger Daltrey, Dion, Deep Purple, Dire Straits and The Doors, to name some. And then there’s Donovan who by comparison I’ve covered less, so Donovan Phillips Leitch shall be the chosen one for my weekly desert island exercise.

While I can’t claim to be a Donovan expert, I can safely say I know more than two songs by the Scottish singer-songwriter, so I actually had to make a true decision which one to pick. If memory serves me right, Colours and Universal Soldier were the first two Donovan tunes I encountered. At the time, I was actively playing acoustic guitar and taking lessons. Especially Colours with its three chords was easy to learn, even if you didn’t have the skill set of a Jose Feliciano or Paul Simon – and I didn’t, not even at my best!

Back to the task at hand, which is answering the existential question, if I had to move to a desert island and could only take one Donovan song, which one would I pick? I decided to go with Sunshine Superman. I’ve always loved how this tune combines folk, blues and psychedelic music. It also turned out there’s a back story behind the song I had not been aware of.

Donovan wrote Sunshine Superman in response to the break-up with Linda Lawrence at the end of 1965. After the couple had dated for a short time, Lawrence, the former girlfriend of Rolling Stones founding member Brian Jones, ended the relationship, not wanting to repeat getting the attention of being a music artist’s girlfriend.

Sunshine Superman first appeared as a single in July 1966, leading up to Donovan’s third studio album with the same title, which was released the following month, except for the UK. The tune became his first big hit and his only song to top the Billhoard Hot 100 in the U.S. Due to a contractual dispute, the single didn’t appear in the the UK until December 1966. The album was pushed back as well until September that year. Sunshine Superman (the single) still did pretty well, climbing to no. 8 of the Offical Singles Chart. Sunshine Superman also proved to be popular in Australia (no. 4), The Netherlands (no. 2) and Germany (no. 7).

Following is how Donovan played Sunshine Superman in January 2007 at the Kodak Theatre in Los Angeles. This is taken from a DVD, Donovan: Live in L.A. at the Kodak Theatre, which appeared in January 2008. It’s a more funky version – not bad!

What else is there to say? Let’s take a look at Songfacts:

It’s not a normal love song, the singer told Mojo magazine June 2011. “On the face of it, the song is about being with Linda again. But sunshine is a nickname for acid. The Superman is the person capable of entering higher states because it’s not easy to go into the fourth dimension and see the matrix of the universe in which everything is connected. The line, ‘everybody’s hustling’ referred to the pop scene at the time, where you could lose yourself very easily. Gyp (Mills – Donovan’s lifelong friend and tour manager) would always keep my feet on the ground; we had left home at 16 to busk so we could see fame for what it is.”

Donovan was good friends with The Beatles, and they were both making very innovative and trippy music at the time. Donovan’s producer Mickie Most told him not to play the Sunshine Superman album to Paul McCartney under any circumstances, because he knew McCartney would be tempted to do something similar.

Donovan, as pictured on his website

Donovan recalled to Uncut magazine: “My arse was being sued by Pye after Sunshine Superman so, my masterwork, sat on the shelves for seven months. If you date it, it was at least a year and a half before Sgt Pepper and I remember Mickie saying to me, ‘Don’t play it to McCartney’ but of course everybody was sharing with everyone else and nicking from each other.”

“I played it to McCartney anyway,” he continued. “But they were already there, anyway, and George Martin was doing something similar with The Beatles, working out arrangements from ideas they had in their heads. George Martin was The Beatles’ guy and John Cameron was my guy and they both had an appreciation of jazz which was key.” Originally, the “Sunshine Superman” single was subtitled “For John And Paul,” a reference to Lennon and McCartney.

A few additional tidbits:

A busy session guitarist called Jimmy Page played lead guitar on the recording of Sunshine Superman.

Sunshine Superman is considered to be among the first overtly psychedelic pop songs.

Apparently, the tune made The Beatles’ video for A Day in the Life, in which it supposedly can be seen to spin on a turntable. Of course, the nerd in me had to check it out. While there is very brief footage of a spinning record around the 4:00 minute mark, frankly, I find it impossible to name it. Perhaps you need to be on a controlled substance to see it! 🙂

The trippy clip also features other music artists like Mick Jagger and Marianne Faithfull. At around 38 seconds, there’s a guy on the left side, who could be Donovan, though I’m not sure – again, a mind-enhancing pill might help! 🙂

The story behind Sunshine Superman had a happy end. In October 1970, Linda Lawrence became Donovan’s wife, and they remain together to this day. How many other music artists can you name, who have been married for 50-plus years?

Donovan, now 75 years old, is still active and maintains a website, where you can listen to his most recent single Gimme Some of That, which came out in October 2021.

Sources: Wikipedia; Songfacts; Donovan website; YouTube

Keep On Rocking 40-Plus Years and Counting

The most famous line-up of my all-time favorite band The Beatles existed from August 1962 until September 1969 when they collectively recorded their last song appropriately titled The End, the final track of the Abbey Road album – not a bad duration for a band, given the music business oftentimes is dominated by larger-than-life egos. Yet as productive as The Fab Four were, these seven years look pretty moderate compared to the groups featured in this post, who have been rocking for more than 40 years – in one case even reaching 60 years!

Following are three criteria a band needed to satisfy to be considered for the post. They need to have at least one remaining original member. A group’s duration was measured in terms of active years, not how long they have been together on paper. For example, while Deep Purple were founded in 1968, they “only” have played together for 48 years, not 54 years, if you consider their break-up between 1976 and 1984. Last but not least, I solely included bands I like.

Following I’m highlighting six groups in chronological order of when they were founded with one tune from each. A Spotify playlist at the end of the post includes those tracks, plus songs from a few additional bands meeting the above criteria. Altogether, I decided to include 10 picks. Let’s get to it.

The Rolling Stones

The Rolling Stones, formed in 1962, have been active for an incredible 60 years, making them the longest-running band on this list. With Mick Jagger and Keith Richards, they still have two original members who have been key to the group. It’s also noteworthy that Ronnie Wood has been part of the line-up since 1975. Sadly, the Stones lost their long-time drummer Charlie Watts last August. He had joined them back in 1963. To date, the Stones have released 30 studio albums, 33 live records and 29 compilations, among others. On November 23, 2021, they finished their most recent tour (No Filter Tour) in Hollywood, Fla. Here’s Jumpin’ Jack Flash, which first appeared in May 1968 as a non-album single.

The Who

Approximately two years after the Stones, in 1964, another dynamite British rock band was formed: The Who. Like their compatriots, the group has two original and essential members to this day, guitarist Pete Townshend and lead vocalist Roger Daltrey. Counting various breaks along the way, The Who have been active for 50 years. Their catalog includes 12 studio albums, 16 live recordings and 32 compilations, among others. Just on Monday this week, The Who announced a 2022 North American tour, The Who Hits Back, scheduled to kick off on April 22 at Hardrock Live in Hollywood, Fla. – the very same venue where the Stones wrapped up their tour last year. Messrs. Daltrey and Townshend and their band are playing New York’s Madison Square Garden on May 26 – damn, this is tempting! Here’s Going Mobile from my favorite Who album Who’s Next.

Deep Purple

On to my favorite hard rock band of all time, Deep Purple, who were initially established in 1968. One of the founding members, drummer Ian Paice, remains part of the group’s current formation. Two additional present members, bassist Roger Glover and lead vocalist Ian Gillan joined in 1969, and as such were part of the group’s classic line-up that also included guitarist Ritchie Blackmore and organist Jon Lord. Deep Purple’s discography encompasses 22 studio albums, 45 live records and 28 compilations. The band is also touring this year starting in May, mostly in Europe. Here’s the epic Child in Time, a track from their fourth studio album Deep Purple in Rock released in June 1970 – the first to feature the classic line-up.

Aerosmith

The bad boys from Boston were formed in 1970. Remarkably, four of the group’s current five members are co-founders: Steven Tyler (lead vocals, harmonica, percussion), Joe Perry (guitar, backing vocals), Tom Hamilton (bass) and Joey Kramer (drums, percussion). Second guitarist Brad Whitford joined in 1971. While Perry and Whitford, respectively, had five and three-year interruptions in-between and missed the 1982 Rock in a Hard Place album, Tyler, Hamilton and Kramer have played on all of the band’s 15 studio records to date. Aerosmith’s catalog also includes six live records and 16 compilations. On January 31, the group announced the cancellation of their European tour that had been planned for June and July, citing uncertainty around the pandemic. Here’s Janie’s Got a Gun, one of my favorite Aerosmith tunes off their 10th studio album Pump, released in September 1989.

AC/DC

Australian rock and rollers AC/DC have been around since 1973. Not counting their hiatus between 2016 and 2020, this amounts to 45 years. Lead guitarist Angus Young remains as the only founding member. There are three other longtime members: Phil Rudd (drums), Cliff Williams (bass, backing vocals) and Brian Johnson (lead vocals), who first joined the band in 1975, 1977 and 1980, respectively. AC/DC’s catalog features 17 studio albums, three live records and two box sets, among others. Here’s Play Ball, a great track from the group’s 16th studio album Rock or Bust that appeared in November 2014, featuring all of the above members.

U2

The last group I’d like to highlight in this upfront section of the post are Irish rockers U2 who were formed in Dublin in 1976 under the name Feedback. It’s the only band on this list whose current members were all co-founders. That being said, their present line-up is not the group’s initial formation, which during their first year also included a second guitarist, Dik Evans, the older brother of David Evans known as The Edge. U2’s other members are Paul Hewson (Bono), Adam Clayton (bass) and Larry Mullen Jr. (drums). To date, the band’s discography consists of 14 studio albums, one live record and three compilations, among others. U2 were most recently on the road in 2019 for the second part of The Joshua Tree Tour. I caught one of the shows during the first part of that tour in 2017 – my only U2 concert so far, and a memorable experience! Here’s Red Hill Mining Town, a track from my favorite U2 album The Joshua Tree that came out in March 1987.

Following is the aforementioned Spotify list.

Sources: Wikipedia; The Who website; Deep Purple website; Aerosmith website; YouTube; Spotify

Albums Turning 50 This Year

A first look back at 1972, another outstanding year in music

With the 50-year anniversaries of 1971 gems like The Who’s Who’s Next, Carole King’s Tapestry, Led Zeppelin’s Led Zeppelin IV, The Rolling Stones’ Sticky Fingers and Pink Floyd’s Meddle now behind us, it’s time to take a first look at 1972 albums that are hitting the big milestone this year. And like in the case of 1971, I think the caliber of music released in 1972 is just breathtaking!

Checking Wikipedia revealed an impressive amount of records that appeared 50 years ago. Of these albums, I picked 30 studio releases that are represented in the below Spotify playlist with one song each. Following, I’d like to briefly highlight six of them. I’m planning more in-depth posts timed to their and possibly some of the other albums’ actual 50th-anniversary dates.

Neil Young/Harvest (February 1, 1972)

Undoubtedly, Neil Young’s fourth studio album Harvest is one of his best known and most beloved. With gems like Heart of Gold, The Needle and the Damage Done, Old Man and A Man Needs a Maid, it’s no wonder. Not only did Harvest top the Billboard 200 for two weeks, but it also became the best-selling album of 1972 in the U.S. But Neil Young, who is always good for a surprise, had a different reaction. Feeling alienated by the huge success of Harvest, he decided to release what became known as the “ditch trilogy”: the live album Times Fades Away (October 1973), as well as the studio records On the Beach (July 1974) and Tonight’s the Night (June 1975). While the ditch albums didn’t perform as well as Harvest, let’s just say they didn’t exactly harm Neil’s standing with his fans!

Deep Purple/Machine Head (March 25, 1972)

Machine Head, Deep Purple’s sixth studio release, remains the ultimate ’70s hard rock album in my book. While I literally dig each of the record’s seven tracks, the band’s most commercially successful album is best-known for the classics Smoke on the Water, which is safe to assume must be a nightmare for anybody working in a store selling electric guitars, and Highway Star. Machine Head topped the charts in the UK, Australia, Canada, Finland, Germany, Italy and The Netherlands – yes, I had to name them all, hoping Wikipedia’s account is accurate and complete! The thought of a hard rock album topping the mainstream charts is unreal, especially from today’s perspective! In the U.S., Machine Head reached no. 7 on the Billboard 200, making it their highest-charting record there.

The Rolling Stones/Exile on Main St. (May 12, 1972)

While I prefer Sticky Fingers, there’s no doubt Exile on Main St. is among the top albums by The Rolling Stones. Many Stones fans regard the double LP as their best record – hey, I won’t argue, it’s great rock & roll, and I like it! Some of the highlights include Rocks Off, Rip This Joint, Tumbling Dice, Sweet Virginia, Happy and All Down the Line. Given Keith Richards’ frequent no-shows to the recording sessions since he was, well, stoned, while Mick Jagger and Bill Wyman oftentimes were absent as well, supposedly for other reasons, it’s a near-miracle to me how great this album turned out. That being said, initial reactions among critics were mixed, but as is not uncommon, opinions subsequently changed.

David Bowie/The Rise and Fall of Ziggy Stardust and the Spiders from Mars (June 6, 2022)

Of course, there was no way this upfront section would skip my favorite David Bowie album of all time. The British artist’s fifth studio release, revolving around a bi-sexual alien rock musician who becomes widely popular among teenagers before his fame ultimately kills him, is a true glam rock gem. Similar to Deep Purple’s Machine Head, I feel there’s no weak song on this record. Starman, Suffragette City, Rock ‘n’ Roll Suicide and the title track are a few of the amazing tunes that come to mind. The Ziggy Stardust album climbed to no. 5 in the UK and also charted in various other European countries. In the U.S., where there was generally less of an appetite for glam rock, the record still reached a respectable no. 21 on the Billboard 200.

Curtis Mayfield/Superfly (July 11, 1972)

Curtis Mayfield is another longtime favorite artist of mine, so I’m more than happy to call out Superfly. His third studio album appeared as the soundtrack of the Blaxploitation motion picture of the same name. Rightfully, this record is widely considered a classic of ’70s soul and funk music. In addition to the title track, some of the other tunes on the album include Pusherman, Freddie’s Dead and Eddie You Should Know Better. Superfly was hugely successful in the U.S., topping both the Billboard 200 and the R&B chart. It also became Mayfield’s highest-charting album in the UK where it reached no. 26. Side note: It seems to me music listeners in the UK were into glam rock but not so much into psychedelic soul and funk.

Santana/Caravanserai (October 11, 1972)

The final album I’d like to highlight in this section of the post is a less obvious choice for me. I absolutely love the first three studio albums by Santana, which make up the band’s so-called classic period. I find the combination of Latin rhythms and rock electrifying. On Caravanserai, Carlos Santana and his band went in a very different direction. The album mostly features jazz-like, improvisational instrumentals – definitely posing a challenge for a guy like me who digs catchy hooks and great vocals, especially harmony singing. But sometimes it’s good to push beyond your comfort zone. Musically, I think there’s no question Caravanserai is an outstanding record. Given its radical departure from Santana’s first three albums, it did remarkably well in the charts. In the UK it peaked at no. 6, matching its predecessor Santana III, which previously had been the band’s highest-charting album there. It did even better in The Netherlands, climbing to no. 3, again matching Santana III. Elsewhere, Caravanserai reached no. 8 in the U.S., no. 10 in Norway and no. 16 in Australia.

Following is a playlist featuring the above tracks, as well as tunes from 24 other albums that were released in 1972. Since Spotify, unfortunately, doesn’t have Status Quo’s Piledriver (neither does Apple Music!), I included a pretty good, more recent live version of Paper Plane. Again, I have to say 1972 was another amazing year in music!

Sources: Wikipedia; YouTube; Spotify