Dylan by Others

A playlist of great Bob Dylan covers

The idea of putting together a playlist of great Bob Dylan covers came when I listened to Them and their fantastic version of It’s All Over Now, Baby Blue. I have to give credit where credit is due. The impetus to revisit the Northern Irish garage rockers who launched the musical career of Van Morrison came from Max at PowerPop and his post about Them tune Mighty Like a Rose.

With so many artists having covered Dylan tunes, finding examples was very easy. The hard part was to limit the list to ten tracks, even though I deliberately focused on his ’60s albums for all but one track. I just couldn’t help it – Dylan’s early phase is the one I know and like the best!

Stevie Wonder/Blowin’ in the Wind

Kicking off this playlist is the great Stevie Wonder who included Blowin’ in the Wind on his studio album Up-Tight released in May 1966. His cover also came out separately as a single, yielding a No. 9 hit on the Billboard Hot 100. Originally, Dylan recorded the track for his second studio album The Freewheelin’ Bob Dylan from May 1963. I love how Wonder took a folk song and turned it into a beautiful soul tune.

Leon Russell/It’s a Hard Rain’s a Gonna Fall

When Leon Russell covers a tune, you just know you gonna get something great. It’s a Hard Rain’s a Gonna Fall was included on his sophomore solo album Leon Russell and the Shelter People that came out in May 1971. The tune is another track from The Freewheelin’ Bob Dylan.

Tracy Chapman/The Times They Are a-Changin’

Tracy Chapman’s version of the title track from Dylan’s third studio album The Times They Are a-Changin’ is one of my favorite renditions in this playlist. This is from a special concert at New York’s Madison Square Garden that took place on October 16, 1992 to celebrate Bob Dylan’s 30th anniversary as a recording artist. It was captured on a live double album appropriately titled The 30th Anniversary Concert Celebration and released in August 1993. Dylan’s original recording first appeared in January 1964.

Johnny Cash & June Carter Cash/It Ain’t Me, Babe

I simply couldn’t leave out The Man in Black from this collection. Here’s Johnny Cash’s version of It Ain’t Me, Babe featuring June Carter Cash. It was included on The Essential Johnny Cash, a compilation that appeared in February 2002 to commemorate Cash’s 70th birthday. The original was part of Another Side of Bob Dylan, his fourth studio album from August 1964.

The Byrds/Mr. Tambourine Man

Not many other things get me as excited as the beautiful jingle-jangle sound of a Rickenbacker electric guitar. I also couldn’t think of anyone better in this context than Roger McGuinn and The Byrds who covered various Dylan tunes. My favorite remains Mr. Tambourine Man, their first single released in April 1965. The tune also was the title track of their debut album that came out in June of the same year. Dylan’s original was included on Bringing It All Back Home, his fifth studio album from March 1965.

Them/It’s All Over Now, Baby Blue

Now on to the tune that trigged the idea for the entire list. Them’s rendition of It’s All Over Now, Baby Blue has to be one of the best Dylan covers of all time. They included it on their second album Them Again from January 1966, the last to feature Van Morrison who subsequently launched a solo career and remains active to this day. Dylan’s original is another track from Bringing It All Back Home.

Mick Ronson & David Bowie/Like a Rolling Stone

Until today, I had never heard of this version of Like a Rolling Stone, which appeared on Mick Ronson’s final solo album Heaven and Hull from May 1994. For this tune, the ex-Spiders From Mars guitarist teamed up with the former band’s frontman David Bowie. What a cool rendition! Dylan first recorded the track for Highway 61 Revisited released in August 1965. The maestro’s sixth studio album remains my favorite.

Joe Cocker/Just Like a Woman

A covers playlist definitely has to feature who perhaps is the ultimate master of the cover: Joe Cocker. His take of Just Like a Woman was included on his debut With a Little Help From My from My Friends released in May 1969. That album’s title track may well be the ultimate rock cover. As for Dylan, he first recorded the tune for his seventh studio album Blonde on Blonde from June 1966.

Jimi Hendrix/All Along the Watchtower

This next tune was another must to feature. Jimi Hendrix’s version of All Along the Watchtower, which appeared on Electric Ladyland, the third and final studio album by the Jimi Hendrix Experience, just is absolutely killer! No disrespect to Bob Dylan, who after all penned the song, but after listening to Hendrix, one could be forgiven to forget about the original. Admittedly, I had known this cover for many years before I first heard Dylan’s rendition, which he included on his eighth studio album John Wesley Harding released in December 1967.

Indigo Girls/Tangled Up in Blue

I’d like to wrap things up with a beautiful cover of one of my favorite Bob Dylan songs, Tangled Up in Blue. It first appeared on his 15th studio album Blood on the Tracks from January 1975. In October 1995, Atlanta folk rock duo Indigo Girls released a live album titled 1200 Curfews, which features this incredible eight-minute version of the Dylan gem.

Sources: Wikipedia; YouTube

My Playlist: David Bowie’s Ziggy Stardust Era

When somebody asks me whether I like David Bowie, my spontaneous answer is ‘yes.’ But what I mostly mean is Bowie’s early phase spanning the albums Space Oddity (1969) to Diamond Dogs (1974), especially the “Ziggy Stardust” era. I was reminded by this last night when I saw STARMAN, an excellent Bowie tribute, at a small local performance venue in Jersey. You can check them out here. While they played deep cuts and hits from most of his career, I mostly dug the tunes from the above mentioned time period. The gig inspired this playlist, which more narrowly focuses on the Ziggy period.

Bowie launched the Ziggy Stardust persona on February 10, 1972, when he played the Toby Jug pub in Greater London with his backing band Spiders From Mars: Mick Ronson (guitar), Trevor Bolder (bass) and Mick Woodmansey (drums). His love of acting led to total immersion in the stage characters he created. The Ziggy Stardust shows proved to be very popular and turned Bowie into a superstar and cult figure in the U.K. But there was also a dark side to Ziggy that almost cost Bowie his sanity.

David Bowie Ziggy Stardust 2

According to Wikipedia citing Bowie: Loving the Alien, a biography by Christopher Sandford, Bowie said that Ziggy “wouldn’t leave me alone for years. That was when it all started to go sour … My whole personality was affected. It became very dangerous. I really did have doubts about my sanity.” On July 3, 1973, Bowie retired Ziggy Stardust on stage at the Hammersmith Odeon in London.

Time for some music. I’d like to kick off this playlist with Starman, the lead single to Bowie’s fifth studio album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. It appeared ahead of the record in April 1972. The song was a late addition to the album. When Dennis Katz from RCA heard a demo of the tune, he saw a hit and insisted that it be added. The track replaced a cover of the Chuck Berry tune Round And Round. Here’s a clip of Bowie’s performance of the tune on the BBC music TV program Top of the Pops from July 1972. It boosted the chart performance of both the single and the Ziggy Stardust album, which had come out a month earlier.

Suffragette City is another great tune from the Ziggy Stardust album. It also was released seperately as the B-side to the Starman single. Before recording it, Bowie offered the song to Mott the Hoople, if they would abandon their planned breakup. The band declined and instead recorded Bowie’s All The Young Dudes. It gave them a no. 3 single in the UK Singles Chart and extended their life until 1980.

In September 1972, Bowie released John, I’m Only Dancing, a non-album single. According to Songfacts, the tune is about a homosexual relationship where the narrator tells his boyfriend not to worry about a girl, since he is only dancing with her. Another interpretation is that Bowie wrote the song in response to John Lennon who had made a derogatory remark about Bowie’s cross-dressing. While the single’s topic did not impact radio play in the U.K., the official video directed by Mick Rock was banned by Tops of the Pops. Here’s a clip of that outrageous video!

Next up: Panic In Detroit, a tune from Aladdin Sane, Bowie’s sixth studio album. It is the second and last record that fell into the Ziggy Stardust era.

I’d like to wrap up this playlist with a cool clip from the above Hammersmith Odeon gig, the final Ziggy Stardust show: The Jean Genie, another song from Aladdin Sane, and Round And Round, the previously noted Chuck Berry tune that was removed from the Ziggy Stardust album at the last minute to make room for Starman. Bowie and the Spiders From Mars got some help from a formidable guest: Jeff Beck! Unfortunately, the quality of the video isn’t great, so it’s hard to see Mr. Beck in action, but the sound isn’t bad!

Sources: Wikipedia; Songfacts; YouTube

What I’ve Been Listening To: David Bowie/ Ziggy Stardust

When it comes to David Bowie, I’ve always felt more drawn to his early years. Space Oddity, The Man Who Sold The World and Changes are among my favorite tunes. Ditto for Starman, Ziggy Stardust and Suffragette City. I was less fond of his Tin Machine venture and didn’t pay much attention to music he released thereafter. The Rise And Fall Of Ziggy Stardust And The Spiders From Mars is Bowie at his best, in my opinion. So guess what happened when I recently spotted a used audiophile vinyl copy of this gem at a small record store close to my house? Yep, I just couldn’t resist taking it home!

Often simply called Ziggy Stardurst, the record is Bowie’s fifth studio release and appeared in June 1972. Wikipedia characterizes it as a “loose concept album” revolving around a bi-sexual alien rock musician who becomes widely popular among teenagers before his fame ultimately kills him. Ziggy Stardust also became Bowie’s most notorious alter-ego during the massive tour that supported both this record and the follow-on Aladdin Sane from April 1973. Spanning the U.K., North America and Japan, the extended tour lasted from late January 1972 until early July 1973. One of the U.S. gigs, performed for radio broadcast in Santa Monica, Calif., became a fantastic bootleg. Since 2008 it’s been available officially as Live Santa Monica ’72.

David Bowie & The Spiders From Mars
David Bowie (second from right) with The Spiders From Mars (left to right): Trevor Bolder, Mick Woodmansey and Mick Ronson

Driven by his fondness for acting, Bowie liked to create on-stage personas for his music and totally immersed himself into the characters. In the case of Ziggy Stardust things got so intense that eventually he could no longer distinguish between himself and his alter-ego. Wikipedia quotes him from the biography Bowie: Loving The Alien (Christopher Sanford, Da Capo Press, Cambridge, Massachusetts, 1997): Stardust “wouldn’t leave me alone for years. That was when it all started to go sour … My whole personality was affected. It became very dangerous. I really did have doubts about my sanity.” Time for a another cheerful topic – music about earth’s demise! 🙂

The album opens with Five Years, which like all other tunes except one was penned by Bowie. Telling about the planet’s upcoming destruction, musically, the song is a great built. Generally speaking, when it comes to music, to me the lyrics tend to be second to the melody and musical arrangement – in other words, usually, it takes the two latter for a song to grab me.

Next up: The excellent Soul Love, a tune with a distinct cool groove. In addition to singing lead and backing vocals, Bowie is also playing acoustic rhythm guitar and alto saxophone. I admire people who can master various instruments and always wanted to be a multi-instrumentalist myself. I only managed to learn the acoustic guitar and electric bass, each with moderate success, but I’m getting off topic here!

Starman was the last song Bowie wrote for the album, after RCA had noted it was lacking a single. Really? How about the catchy rocker Suffragette City? In any case, I’m glad Bowie obliged, since the result was one of his all-time greatest tunes: Starman. It ended up replacing a take of Chuck Berry’s Around And Around, simply called Round And Round. That cover eventually became the B-side to Drive-In Saturday, an April 1973 single from the Aladdin Sane album. BTW, Suffragette City ended up as the B-side to Starman – I think it should have been it’s own (A-side) single!

The record’s title track is another highlight. I’ve always loved the guitar riff – simple yet effective! Plus, it’s about a guy playing guitar. Did I mention guitarists are cool dudes? 🙂

The last tune I’d like to highlight, perhaps you guessed it, is Suffragette City, the tune on the I album I like best and perhaps my favorite Bowie song overall. It’s simply a kick-ass rocker – ahhh, wham bam, thank ya man! (taking some creative license here). Initially, Bowie had offered the song to then-struggling Mott the Hoople. His condition: Don’t break up, guys! While the band declined that tune, they went with Bowie’s All The Young Dudes instead, another catchy song. Oh, and it became their biggest hit in the U.K. and extended their career for more than five years (until 1980) – not a bad outcome!

The album’s music arrangements are credited to Bowie and Mick Ronson (guitar, piano, vocals), who was part his excellent backing band The Spiders From Mars. The other members included Trevor Bolder (bass) and Mick Woodmansey (drums). I need to check out whatever happened to these guys after their last performance with Bowie. That show at the Hammersmith Odeon in London on July 3, 1973 was captured in the 1973 documentary Ziggy Stardust And The Spiders From Mars by D.A. Pennemaker, a film I’ve also yet to watch!

The Ziggy Stardust album was recorded at Trident Studios in London, U.K., and co-produced by Bowie and Ken Scott, one of the five main recording engineers for The Beatles. That in and of itself is already pretty cool, but there’s more: Scott has also worked with other big names, such as Elton John, Pink Floyd, Mahavishnu Orchestra, Jeff Beck and Kansas. And he co-produced additional Bowie albums, including Hunky Dory (December 1971), Aladdin Sane and Pin Ups (October 1973).

Ziggy Stardust has been called Bowie’s breakthrough album. It peaked at no. 5 on the British Official Albums Chart and no. 75 on the Billboard Top LPs & Tape chart (now called the Billboard 200). The album has received numerous accolades over the years. It is ranked no. 35 in Rolling Stone magazine’s 2013 list of the 500 Greatest Albums of All Time. In 1997, it was named the 20th greatest album of all time in a Music of the Millennium poll in the U.K. In 2017, the U.S. Library of Congress selected the record for preservation in the National Recording Registry, deeming it “culturally, historically, or artistically significant.”

Sources: Wikipedia, YouTube