If I Could Only Take One

My desert island song playlist

Over the past six months, I’ve presented songs I would take with me on an imaginary trip to a desert island. There were some rules to the exercise. It needed to be a tune by a band or artist I had only rarely written about or even better not mentioned at all to date. And my picks needed to occur in alphabetical order by band or artist name (last name).

Last week, I finally reached the letter “z.” Of course, I could have started over with “a” but felt that 26 songs picked according to the above criteria were enough – as attractive as I find the thought to escape to a desert island on hump day! For today’s post, I thought it might be fun to present a playlist featuring all of my previous 26 selections.

While undoubtedly my choices would have been different, had it not been for the above restrictive rules, I’m still quite happy with my picks and this playlist. Following I’m briefly revisiting four of the tunes. At the end of the post, you can find all 26 of them in a Spotify playlist.

Atlanta Rhythm Section/Spooky

I’ve always loved Spooky by Atlanta Rhythm Section, so it was an easy decision to highlight this tune a second time. Originally, the song was written as an instrumental by saxophonist Mike Shapiro and Harry Middlebrooks Jr. Performed by Shapiro and released under the name Mike Sharpe, the track first appeared in 1967. The song’s next iteration occurred in 1968 when a band called Classics IV included it as the title track of their debut album and added the lyrics. Finally, Atlanta Rhythm Section recorded Spooky for their eighth studio album Underdog, which came out in June 1979. It became one of their best-known tunes and one of four top 20 singles they had in the U.S.

Los Lobos/Kiko and the Lavender Moon

Kiko and the Lavender Moon is perhaps the coolest tune I discovered in the course of this desert island song selection exercise. I’m still relatively new to Los Lobos and found that track while doing some research. Written by the band’s co-founding members David Hildago (guitars, accordion, violin, banjo, piano, percussion, vocals) and Louie Pérez (drums, vocals, guitars, percussion), the song was included on their sixth studio album Kiko released in May 1992.  It’s an unusual tune with traces of retro jazz and a dose of Latin groove – pretty neat!

The O’Jays/Back Stabbers

Another song I had loved for a long time but not covered prior to this feature is Back Stabbers by The O’Jays. There’s just something about smooth Philly soul sound! Back Stabbers, co-written by Philadelphia International label songwriters  Leon HuffGene McFadden and John Whitehead, is the title track of The O’Jays’ sixth studio album. Released in August 1972, it was their breakthrough and the first for Philadelphia International Records, a label that had only been founded in 1971. Check out the sweet harmony singing on that tune – sounds a bit like The Temptations!

XTC/Making Plans For Nigel

“Forced” to pick a band or artist whose name starts with “x”, I’m glad I finally got to take a look at XTC, a group I essentially had known by name only. And because of one tune: Making Plans For Nigel. The song was written by Colin Moulding (bass, vocals), one of XTC’s founding members. It first appeared in August 1979 on the group’s third studio album Drums and Wires. The following month, it became the record’s lead single and marked the band’s commercial breakthrough. Even though I find this tune somewhat odd, I think it’s quite ingenious!

And here’s a Spotify playlist of all previously selected 26 desert island tunes. Even though it’s safe to assume you wouldn’t pick many or perhaps even any of these tracks to take with you to an island in the sun, I hope you still enjoy the playlist.

Sources: Wikipedia; YouTube; Spotify

If I Could Only Take One

My desert island tune by Atlanta Rhythm Section

Today I’m launching a new feature titled If I Could Only Take One…The idea is pretty simple: If I had to move to a desert island and could only take one song by artist or band x, which tune would I pick? This weekly series replaces The Hump Day Picker-Upper feature I retired last week.

For now, I’ve decided to identify the artists and bands by going through my streaming music library in alphabetic order, picking one of each, a to z. This would already translate into 26 posts. If I have more endurance, the same process could be repeated with different picks for each letter.

To minimize redundant content, I also envisage focusing on artists and bands I haven’t covered or only covered a few times. This would exclude bands like AC/DC, The Beatles and The Rolling Stones and artists, such as Bob Dylan, Carole King or Neil Young, to name a few of the regulars on the blog.

My pick for the inaugural installment is Spooky by Atlanta Rhythm Section. In this case, the decision of which song to pick was fairly simple since I only know a handful of tunes by the Southern rock band that has been around since 1970. Their take of the groovy tune was included on their eighth studio album Underdog from June 1979. I’ve always dug it!

Spooky, one of ALR’s best-known songs, was also released separately as a single in August 1979. In the U.S., it reached no. 17 on the Billboard Hot 100. It also charted in Canada and Australia.

Originally, Spooky was written as an instrumental by saxophonist Mike Shapiro and Harry Middlebrooks Jr. Performed by Shapiro and released under the name Mike Sharpe, the track first appeared in 1967 and climbed to no. 57 on the U.S. pop charts. That was all complete news to me!

The next iteration of Spooky occurred in 1968 when a band called Classics IV recorded it as the title track of their debut album – again something I had not heard before. The group’s guitarist and songwriter James Cobb and producer Buddy Buie added lyrics, for which they earned credits. Mike Shapiro played the saxophone solo. And this is how it sounded – pretty similar to ALR.

Two years later, Classics IV keyboarder Dean Daughtry became a co-founding member of Atlanta Rhythm Section, along with Rodney Justo (vocals), Barry Bailey (guitar), Paul Goddard (bass) and Robert Nix (drums). James Cobb joined in 1972.

Spooky has also been recorded by numerous other artists, including Dusty Springfield, Percy Sledge, Martha Reeves, R.E.M. and David Sanborn.

Here’s a playlist of different renditions of Spooky. Unfortunately, I couldn’t find the original instrumental on Spotify.

Sources: Wikipedia; YouTube; Spotify