Cheering you up for a dreadful Wednesday, one song at a time
For those of us taking care of business during the regular workweek, I guess it’s safe to assume we’ve all felt that dreadful Wednesday blues. Sometimes, that middle point of the workweek can be a true drag. But help is on the way!
Today, the music doctor recommends a blue sky, a particularly attractive proposition if you live in an area where you recently had snow skies: Mr. Blue Sky by the Electric Light Orchestra is a great fit.
Written by Jeff Lynne,Mr. Blue Sky is the closer of Side three of ELO’s seventh studio album Out of the Blue, which appeared as a double-LP in October 1977. It’s the fourth tune in a suite of songs titled Concerto for a Rainy Day.
Songfactsnotes, On a BBC Radio interview, ELO leader Jeff Lynne talked about how he came up with this song after he locked himself away in a Swiss chalet attempting to write ELO’s follow-up to A New World Record. “It was dark and misty for two weeks, and I didn’t come up with a thing. Suddenly the sun shone and it was, ‘Wow, look at those beautiful Alps.’ I wrote ‘Mr. Blue Sky’ and 13 other songs in the next two weeks.”
Mr. Blue Sky is by far the most streamed ELO tune on Spotify with 627.34 million streams. By comparison, the band’s next most frequently streamed track is Don’t Bring Me Down (180.78 million), the song that first brought the band on my radar screen in 1979.
Here’s a bit more from Songfacts: Jeff Lynne was quite pleased with this song. “It captured what my vision of ELO was all about,” he said. “All the bits that come in and out, the backing vocals, the cellos sliding, all the little naughty bits, the sound effects, everything is exactly what I imagined ELO to be.” (quoted in Hi-Fi News & Record Review, 2014) Here’s the official video.
Mr. Blue Sky was also released separately as Out of the Blue’s second single, first in January 1978 in the UK, followed by the U.S. in June of the same year. It had the most chart success in the U.K. and in The Netherlands where it climbed no. 6 and no. 8, respectively.
In the U.S., the single peaked at a more moderate no. 35 on the Billboard Hot 100. It still reached 3x Platinum certification by the Recording Industry Association of America as of April 26, 2021, making it ELO’s top-selling single in the U.S.
Happy Hump Day, and always remember George Harrison’s wise words: All things must pass!
While mornings in Central New Jersey are still on the chilly side, it’s slowly starting to feel like spring. Recently, when I stepped out for a morning walk prior to starting home office, I could hear birds singing. And just yesterday, I had the same experience again, so chances are the birds are real and not just in my head! Hoping this won’t jinx the start of the milder season, I’ve decided to put together this little playlist featuring songs that are about spring, at least in a broader sense.
The Beatles/Here Comes the Sun
I can hardly think of a more perfect tune to mark the upcoming season than Here Comes the Sun. The song, which appeared on The Beatles’ real final album Abbey Road from September 1969, remains one of my favorite George Harrison tunes.
Electric Light Orchestra/Mr. Blue Sky
Admittedly, this song doesn’t mention spring anywhere (neither does Here Comes the Sun), but I feel the lines Mr. Blue Sky/Please tell us why/You had to hide away for so long? can be interpreted as a reference to winter having passed. Written by Jeff Lynne, the tune is included on Electric Light Orchestra’s seventh studio album Out of the Blue released in October 1977. It also became one of the record’s five singles and was one of ELO’s higher charting songs in the UK, climbing to no. 6 on the Official Singles Chart.
Johnny Nash/I Can See Clearly Now
This is one of the best picker-uppers I know. Again, the tune could be about sunshine following the rain in pretty much any season. But heck, let’s not over-complicate things here! I Can See Clearly Now was written by Johnny Nash as the title track of his 1972 studio album. The tune was also released as a single and became Nash’s biggest hit topping the Billboard Hot 100 in the U.S., as well as the charts in Canada and South Africa. It’s been covered by Jamaican reggae singer Jimmy Cliff and many other artists. There’s just something about Nash’s soft vocals in that tune that always puts me at ease.
Judy Collins/So Early, Early in the Spring
While I just cleverly noted there’s no reason to overthink things, you still may find it a bit peculiar that up this point none of the featured songs in this post have the word “spring” in the title or the lyrics. Okay, I shall relent and offer you So Early, Early in the Spring by Judy Collins, a pretty tune with a nice Joni Mitchell vibe. Collins included this traditional on her 1977 compilation So Early in the Spring… The First 15 Years. BTW, now 81 years old, the American folk singer is still active, some 62 years into her career. According to her website, Collins performed two online concerts in New York two weeks ago – incredible!
Indigo Girls/Southland in the Springtime
Without striving to be a spring song over-achiever, here’s another lovely tune that clearly names the season: Southland in the Springtime written by Emily Saliers, who together with Amy Ray makes up American folk rock duo Indigo Girls. This is a track from their third studio album Nomads Indians Saints that came out in September 1990. Really like this!
The Flaming Lips/Can’t Stop the Spring
Let’s wrap up this set of spring tunes with a rocker. And, yes, it’s yet another track that has “spring” in the title: Can’t Stop the Spring by The Flaming Lips. While I would put this tune in the weirdly catchy department, it’s got a good motto to me. Can’t Stop the Spring, credited to the entire band, is from their sophomore album Oh My Gawd!!! released in January 1987. Formed in Oklahoma City in 1983, The Flaming Lips are still around. Last September, I featured a tune from their most recent album American Head in a Best of What’s Newinstallment.
If somebody asked me what I thought about the music by Electric Light Orchestra, I’d say ‘weirdly catchy.’ This may not sound exactly positive, but I’ve actually enjoyed their songs for more than four decades. To me, especially during their early stage, ELO oftentimes feel like a combination of The Beatles with a wall of sound on steroids, featuring classical music and other heavy arrangements. While I generally find big production can be a mixed bag, when it comes to ELO, their brilliant execution won me over a long time ago. Plus, in my book it’s pretty cool when a band manages to develop a sound that’s instantly recognizable and different from pretty much any other group on the planet.
Before getting to some music, I’d like to provide a little bit of background. ELO got their start in 1970 in Birmingham, England, when songwriters and multi-instrumentalists Jeff Lynne and Roy Wood got together with drummer Bev Bevan as an offshoot of The Move. Lynne was excited about Wood’s concept to create a group to “pick up where The Beatles left off” by combining rock with classical instruments like violins, string basses and woodwinds. In June 1970, the vision came into focus with 10538 Overture, ELO’s first tune and debut single. This was followed by the band’s first UK studio album The Electric Light Orchestra, which came out in December 1971. In the U.S., it was titled No Answer and released in March 1972.
After Wood’s departure in July 1972, Lynne became ELO’s sole leader. In March 1973, the band’s sophomore album ELO 2 appeared in the UK (called Electric Light Orchestra II in the U.S.). Ten additional albums followed until the summer of 1986 when Lynne disbanded ELO, though no formal announcement was made at the time. In 1989, Bevan with Lynne’s blessing picked up the pieces and went on as ELO Part II. Bevan left in 1999, and the remaining members of the band continued under the new name The Orchestra, a formation that exists to this day.
In 2001, Lynne reformed ELO and, mostly relying on guest musicians who included George Harrison and Ringo Starr, released the new album Zoom in June that year. The next 13 years saw reissues of ELO’s back catalog and various mini reunions, which included an appearance as Jeff Lynne and Friends at the Children in Need Rocks concert in London in November 2013. The success of that performance led to a gig at BBC Radio 2’sFestival in a Day at London’s Hyde Park in September 2014 as Jeff Lynne’s ELO. Tickets sold out in 15 minutes after BBC Radio 2 had announced the show.
Jeff Lynne’s ELO have since issued two studio albums and conducted various tours. The supporting tour for the most recent album From Out of Nowhere, which had been scheduled to start in October 2020, was canceled due to COVID-19. Currently, there appears to be no word on when Lynne and his band are planning to hit the road again. Time for some music!
Let’s start where it all began. Here’s 10538 Overture, ELO’s first single from June 1972. Written by Lynne, it was also included on their debut album The Electric Light Orchestra (No Answer).
Many artists have covered Chuck Berry’sRoll Over Beethoven. None of these versions come anywhere close to ELO’s cover, which blends elements of Ludwig van Beethoven’sFifth Symphony with Berry’s classic rock & roll tune. It’s completely over the top and it’s just brilliant! I was going to include a clip of the original studio recording from ELO’s sophomore album ELO 2 (Electric Light Orchestra II). Then I remembered Lynne’s performance at the 2017 Rock and Hall of Fame induction and thought it’s just too much fun to ignore. Come on, Beethoven, let’s tell Tchaikovsky the news!
In November 1973, ELO released their third studio album On the Third Day. Here’s kickass rocker Ma-Ma-Ma Belle, featuring Marc Bolan on twin lead guitar – my-my-my! Unlike 10538 Overture and Roll Over Beethoven, which peaked at no. 9 and no. 6 in the UK, respectively, ELO’s third single only made it to No. 22. In the U.S., the first top 10 chart success on the Billboard Hot 100 would come with the next tune.
Can’t Get It Out of My Head was the lead single of ELO’s fourth studio album Eldorado from September 1974. It became the band’s first U.S. hit, climbing to no. 9 on the Billboard Hot 100. Apparently, folks were less fond of the ballad in the UK where it failed to chart altogether.
Starting with their fifth studio album Face the Music, ELO began moving away from large-scale orchestral sound to embrace a more radio friendly pop rock style. It paid off and resulted in a series of well-selling albums. Here’s Mr. Blue Sky from Out of the Blue, ELO’s seventh studio release from October 1977. The double LP became one of their most commercially successful records.
ELO first entered my radar screen with Discovery, their eighth studio album that came out in May 1979 when the disco era was in full swing. I got it on vinyl at the time and still own that copy. The record generated five singles that became hits in numerous countries. The most successful one was Don’t Bring Me Down. The track I’d like to feature is Last Train to London, which was included in a playlist served up earlier today by my streaming music provider. It also triggered the idea for finally doing a dedicated post about ELO.
Ticket to the Moon appeared on ELO’s ninth studio album Time from July 1981. It also was released separately as a single in December.
I’d also like to acknowledge some of ELO’s music after Lynne revived the band. Here’s Alright, the opener to the above mentioned Zoom from June 2001, the first official ELO album since Balance of Power, which had come out in February 1986, five months before Lynne had quietly disbanded ELO.
Let’s do two more. First up: When I Was a Boy, the opening track from Alone in the Universe released in November 2015, the first album appearing as Jeff Lynne’s ELO. The 13th studio album overall in the band’s catalog was well received and peaked at an impressive no. 4 on the Official Albums Chart in the UK where it also scored Platinum certification. In the U.S., Alone in the Universe climbed to no. 2 on the Billboard Top Rock Albums chart.
From Out of Nowhere, which appeared in November 2019, is the most recent studio album by Jeff Lynne’s ELO. Here’s Down Came the Rain featuring nice Beatle-esque harmony vocals. Like on the predecessor, Lynne played most of the instruments and sang all lead and backing vocals.
During their original 13-year recording period, ELO sold more than 50 million records worldwide. Between 1972 and 1986, they scored 27 top 40 tunes on the UK Official Singles Chart and 15 top 20 hits in the U.S. on the Billboard Hot 100. According to Wikipedia, ELO also hold the distinction for being the only band with the most Billboard Hot 100 top 40 hits (20) in U.S. chart history without having had a no. 1 single – who is tracking this kind of stuff? Last but not least, ELO (Roy Wood, Jeff Lynne, Bev Bevan and Richard Tandy) were inducted into the Rock and Roll Hall of Fame in 2017.