What I’ve Been Listening To: Jontavious Willis/Spectacular Class

I’ve said it before and I say it again. While the likes of B.B. King, Muddy Waters and Willie Dixon are gone and Buddy Guy is one of a handful of last men standing from the old guard, the blues is alive and well. It’s particularly encouraging to see young artists embrace it. Perhaps the most compelling example I know is 22-year-old Jontavious Willis. None other than Taj Mahal has called him “Wunderkind.” Recently, he executive-produced the young bluesman’s sophomore album Spectacular Class, which appeared in April this year.

In some regards, the story of Willis, who is from Greenville, Ga., mirrors that of other great blues artists. The church and a key event determined his path. According to his website, Willis grew up singing gospel music with his grandfather at a local Baptist house of worship. Then, as a 14-year-old, he saw Muddy Waters on the tube. In the old times, it would have been television, but this is the 21 Century, so it was actually YouTube. Apparently, Willis was instantly hooked and knew that’s the music he wanted to play – I just love these types of stories!

Jontavious Willis and Taj Mahal
Taj Mahal with his Wonderboy, the Wunderkind

I’m not sure how Willis and Taj Mahal found each other. Apparently, Mahal asked Willis to play on stage with him in 2015. Then I guess he became a mentor. “I had an opportunity to have him grace my stage when I came to Atlanta,” said Mahal. “He had a thunderous response from the audience. It was just so great. I’m very, very particular and very private about my stage so – and if somebody is on it giving the full run to go, you know that they must be able do whatever it is that they say they can do, and I say that he can do it and more.”

In 2016, Willis released his debut album Blues Metamorphosis. The following year, he opened up select gigs for Mahal and Keb’ Mo’ during their TajMo tour. That’s were I first heard about Willis and actually saw him.  As you can read here, I was really impressed what this young man who performed solo got out of his acoustic guitar. Fast-forward to the presence and Spectacular Class, which by the way is not some overly confident statement by the artist about his music, though it actually is outstanding, in my humble opinion. Instead it refers to a line in one of the songs called Take Me To The Country: …The folks in the country don’t live too fast got good mannerism and spectacular class

Time to get to some of that spectacular music! Here’s the opener Low Down Ways. Don’t you agree this sounds awesome and certainly not like some 22-year-old kid? It does remind me a little bit of Keb’ Mo’, who served as the record’s producer and also plays guitar on several tracks including this one. By the way, all songs on the album were written by Willis.

In the second track Willis asks the question The Blues Is Dead? But he doesn’t waste much time to offer his perspective: …The blues ain’t going nowhere, gonna be here for a great long time/As long as folks got situations and problems on their mind… According to this upbeat review from Rock and Blues Muse, the tune in addition to Willis on lead vocals and slide guitar features Phil Madera on piano and Andrew Alli on harp. Apart from Mo’ (electric guitar), other musicians on the album include Martin Lynds and Thaddeus Witherspoon on drums, as well as bassist Eric Ramey – clearly, all top-notch craftsmen!

Daddy’s Dough is a delta blues type of tune that nicely showcases Willis’ abilities on acoustic guitar, with nice harp fill-ins by Alli. Dig the groove on this one!

Next up, the above mentioned Take Me To The Country. This is the type of country blues Willis is oftentimes associated with and another nice example of his acoustic guitar chops – just great! Here’s a nice video showing Willis in action. Check out the great fingerpicking!

The last track I’d like to highlight is the album’s closer The World Is In A Tangle. Here’s the official video – some killer guitar, banjo and mandolin work on this tune! Sadly, the lyrics capture how I sometimes feel about present day America: The world’s in a tangle it’s time to make a change/I’m gonna move away and change my name/I said the world’s in a tangle what’s going on/I’m going to a foreign land and make it my home

Here’s how Willis describes his sound and approach to the blues: “My instrument sound is simple; my voice is what I put on the forefront. I feel that’s what the blues is about. When you start focusing on your instrument more than vocals you are forgetting the purpose of the blues, which is to tell a story.”

Given Taj Mahal’s important role in Willis’ career thus far, it feels appropriate to quote him again: “Jontavious Willis. That’s my Wonderboy, the Wunderkind. He’s a great new voice of the 21st Century in the acoustic blues. I just love the way he plays. He has really just delightful timing and a real voice for the music because he was raised in the tradition and the culture. It’s just wonderful to hear him sing. The way he tunes his guitar is just amazing. There’s not a bluesman alive that could pick his instrument up and play it. You’d have to sit there for a good while to figure those tunings out.” High but well-deserved praise from a living blues legend!

Willis is currently on the road in the U.S., with a few gigs overseas in Switzerland, Denmark and Norway scheduled between August 29 and September 7. On some of his dates later this year, he is playing with Keb’ Mo’, e.g., Charlotte, N.C. (Sep 18), Oklahoma City (Sep 22) and Fort Collins, Colo. (Sep 26) – should be an awesome show! The full schedule is here.

Sources: Jontavious Willis website, Rock and Blues Muse, YouTube

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Rolling Stones Can’t Get No Satisfaction And Release New Live Concert Film/Album

I suppose after more than 25 predecessors, it’s fair to ask whether we really need another live album from The Rolling Stones, especially knowing there will never be a repeat of Get Yer Ya-Ya’s Out. As somebody who has enjoyed listening to the Stones for some 40 years, I don’t have a problem with it; while I don’t necessarily love each and every new Stones record, I always find it cool when they release new albums, though it’s safe to assume I’m biased here.

Bridges To Bremen first and foremost is a concert film that’s also available in audio-only formats. It captures the Stones’ full show at Weserstadium in Bremen, Germany on September 2, 1998 during what was the fifth and final leg of their Bridges To Babylon tour. For the most part, it is a collection of the band’s greatest hits, combined with some songs from their then-new album Bridges To Babylon.

Rolling Stones Bridges To Bremen Concert Shot
The Stones in action at Bremen’s Weserstadium (from left): Ronnie Wood, Keith Richards and Mick Jagger

According to the Stones’ website, Ever the innovators, Bridges To Babylon was a tour of firsts – the first time the band went on the road with a permanent B-stage, and also the first time where fans could vote on the band’s website for a track they wanted to hear on the setlist – Memory Motel in the case of the Bremen fans. This concert film has been meticulously restored from the original masters, and the audio remixed and remastered from the live multitrack recordings.

Interestingly, the Stones opted to kick off the show with their best known song that is oftentimes reserved until the end of their concerts: (I Can’t Get No) Satisfaction. The tune was first released as a single in the U.S. in June 1965 and was also included on the band’s U.S. version of Out Of Our Heads, their fourth studio release in America. I wouldn’t have called it out, would it not have been for the fact that there are currently only two clips on YouTube from the concert film and I didn’t want to settle for audio clips only. Plus, let’s be honest here, while I must have listened to the friggin’ tune more than one thousand times, I still get a kick watching Keith Richards launch into the song’s signature riff.

The other clip I’d like to highlight is a nice cover of Like A Rolling Stone. Obviously, the band’s formation predates the Bob Dylan tune, so there’s no connection between the song and Stones’ name. In fact, the latter was inspired by a 1950 Muddy Waters track called Rollin’ Stone. Dylan first released Like A Rolling Stone as a single in July 1965. The tune also was included on his fifth studio album Highway 61 Revisited that came out in August that year.

Bridges To Bremen came out today. Here’s the complete track list:

1. (I Can’t Get No) Satisfaction
2. Let’s Spend The Night Together
3. Flip The Switch
4. Gimme Shelter
5. Anybody Seen My Baby?
6. Paint It Black
7. Saint Of Me
8. Out Of Control
9. Memory Motel
10. Miss You
11. Thief In The Night
12. Wanna Hold You
13. Its Only Rock ‘n’ Roll (But I Like It)
14. You Got Me Rocking
15. Like A Rolling Stone
16. Sympathy For The Devil
17. Tumbling Dice
18. Honky Tonk Women
19. Start Me Up
20. Jumpin’ Jack Flash
21. You Can’t Always Get What You Want
22. Brown Sugar

In addition, the concert film comes with four bonus tracks that were captured in Chicago during the same tour:

1. Rock And A Hard Place
2. Under My Thumb
3. All About You
4. Let It Bleed

Sources: Wikipedia, Rolling Stones website, setlist.fm, YouTube

Peter Frampton Releases Covers Album Featuring His Favorite Blues Classics

Peter Frampton these days seems to get the kind of attention I imagine he hasn’t seen since 1976 when he broke through with Frampton Comes Alive!, one of the most acclaimed live rock albums. Unfortunately, the story has been a mixed bag for the 69-year-old rock guitarist. The good news is his new covers album All Blues, which is out via UMe since yesterday. The not so great side of the story: his recently disclosed diagnosis with inclusion body myositis, a progressive autoimmune disease causing muscle inflammation, weakness and atrophy. Since the condition eventually is likely to prevent Frampton from playing guitar, he decided to do a farewell tour and retire from touring thereafter – and ultimately I guess from music altogether.

But let’s focus on the positive. While by its very nature a covers album doesn’t really present anything new, this is a great collection of classic blues tunes, which nicely displays Frampton’s blues chops. And, btw, he’s a pretty decent vocalist as well. The rock guitarist is getting a little from his friends, including Kim Wilson, Larry Carlton, Sonny Landreth and Steve Morse. All Blues was co-produced by Frampton and Chuck Ainlay, and recorded at Frampton’s studio in Nashville, together with his long-time touring band featuring Adam Lester (guitar, vocals), Rob Arthur (keyboards, guitar, vocals) and Dan Wojciechowski (drums).

Peter Frampton

“I have always loved to play the blues,” Frampton explains on his website. “When we formed Humble Pie, the first material we played together was just that. For the last two summers I had been playing a handful of blues numbers every night on stage with Steve Miller Band. I enjoyed this immensely and it gave me the idea of doing an ‘All Blues’ album live in the studio with my band. We started the resulting sessions nine days after coming off the road last year. Over a two-week period, we recorded 23 tracks, all live in the studio. The energy of these tracks is completely different from building a track one instrument at a time…I’m not sure if you can say we had fun playing the blues. But we definitely did.” With that, let’s get to some it!

Here’s the great opener I Just Want To Make Love To You. Written by Willie Dixon in 1954 and first recorded by Muddy Waters, Frampton’s version features great harmonica playing by Kim Wilson, who is best know as the lead vocalist and frontman of The Fabulous Thunderbirds.

Next up: A nice instrumental take of Georgia On My Mind, which was made famous by Ray Charles in 1960. And while as such the tune is mostly associated with Charles, it was actually co-written by Hoagy Carmichael and Stuart Gorrell in 1930 and first recorded that year. A few weeks ago when I first learned about the album, I read somewhere that when the song was proposed to Frampton, he saw no way his voice could give it justice. But since he digs the tune, he decided to cover it as an instrumental – great choice, I really like Frampton’s tone here!

All Blues, the title track, is another beautiful instrumental. It features guitarist extraordinaire Larry Carlton, who has played with artists like Steely Dan and Joni Mitchell, and has been a member of jazz fusion band The Crusaders. All Blues was written by Miles Davis and first appeared on his 1959 album Kind Of Blue. Again, I love the guitar tone on this cover.The smooth jazzy groove is pretty cool as well!

Next up: The Thrill Is Gone, one of my all-time favorite blues tunes I just couldn’t skip. Co-written by Roy Hawkins and Rick Darnell in 1951 and first recorded by Hawkins that same year, it became a signature song and major hit for B.B. King in 1970. The thrill is definitely not gone on this great rendition, which features Louisiana blues guitarist Sonny Landreth.

The final track I’d like to call out is Frampton’s cover of I’m A King Bee. In part I decided to select the 1957 Slim Harpo swamp blues classic since it includes what became a distinct feature of Frampton’s sound in the ’70s – a talk box!

Similar to the great new Santana album I reviewed in the previous post (btw, I can’t remember the last Friday that saw the release of two great albums the same day!),  All Blues on some level makes me feel I should see Frampton during his upcoming tour, especially given it looks like it is going to be the last opportunity. But again, it’s the same old dilemma that I simply can’t see everybody I’d like to see, and I’m probably already going beyond what I should do – unfortunately! And while he’s undoubtedly a great guitarist, I’m not sure I’m enough of a Peter Frampton fan to justify buying a ticket.

Frampton’s farewell tour, which has many dates together Jason Bonham’s Led Zeppelin Evening (sounds like fun to me as well!), kicks off in Tulsa, Olka. on June 18. It won’t be until Sep 13 before they come to New York City’s Madison Square Garden. I guess this means I have some more time to change my mind! 🙂 The current last scheduled show is Oct 12 in Concord, Calif. The full schedule is here.

Sources: Wikipedia, Peter Frampton website, JamBase, YouTube

Ladies Singing The Blues And Killing It

A playlist of five outstanding female artists who may not be top of mind when you think of the blues

If somebody asked you who comes to mind when thinking of the blues, you might mention artists like B.B. King, Muddy Waters, Buddy Guy and Eric Clapton – all terrific choices! What else do they have in common? They are all men! Sure, if you dig the genre, you’ve probably also listened to Etta James, Janis Joplin and Bonnie Raitt, and perhaps even to early trailblazers like Sister Rosetta Tharpe and Big Mama Thornton. But I bet you likely wouldn’t have included them in your answer to the above question. At least I can safely say that for myself!

Just like in so many other professions, music is yet another field where women oftentimes don’t get the credit they deserve. And it seems to me this is even more so the case for the blues compared to some other genres like jazz where you’d probably name Ella Fitzgerald and Nina Simone, or soul where you’d likely include Aretha Franklin or Tina Turner when asked the above question.

The idea behind this playlist is fairly simple: Celebrate five female artists who shine at singing the blues. And to make this more interesting, I’m excluding some of the obvious choices like Etta James or Janis Joplin. All of the songs appear on the artists’ most recent albums from this year.

I’d like to give credit where credit is due. All of the artists highlighted in this post were included in an Apple Music blues playlist that was served up to me as a listening suggestion. When some of their names rang a bill, I decided to check the site of blues aficionado and fellow music blogger Music Enthusiast – BTW, a blog I can recommend to any music fan and guitarist! And, yep, he previously included four of the five artists on his blog. So kudos to Apple Music and Music Enthusiast!

I still think this doesn’t change the premise of this post, which is that female blues artists oftentimes don’t get the recognition they deserve. And while I’m under no illusion that this post isn’t coming anywhere close to making up for this unfortunate state of affairs, I guess it’s one post at a time. So with that, let’s finally get to it, shall we?

Kicking off the list is Lindsay Beaver with Too Cold To Cry. She doesn’t even have a Wikipedia entry. Maybe somebody should change that. Luckily, she has a website, and according to the bio there, Beaver is a drummer, songwriter and bandleader from Halifax, Nova Scotia, Canada. To date, she has self-released five albums with her band The 24th Street Wailers, of which she produced three. BTW, how many female record producers can you name? Just saying. This could be a good topic for another post. Written by Beaver, Too Cold To Cry appears on her new album Tough As Love, which was only released two weeks ago. As this clip suggests, Beaver seems to be one hell of a firecracker!

Next up: Shemekia Copeland and Ain’t Got Time For Hate. This blues vocalist, who was born in Harlem, New York is the daughter of Texas blues guitarist and singer Johnny Copeland. The tune is from an album called America’s Child, which came out in August. In addition to Copeland’s powerful voice, I dig the timely lyrics: Black and white/Gran or ten/Every woman/Child and man/Rich or poor/Gay or straight/We ain’t got time for hate… Well said!

Another gem is Shine Bright by Marcia Ball. This blues singer and kickass pianist from Vinton, La. has been around for a very long time. How long? How about 1970! Since 1972 she’s released 18 records. Shine Bright is the title track of her most recent album, which appeared in April. Check out this clip, which is actually a stripped back live take of the studio version. I can highly recommend the latter as well. I know this may sound a bit silly, but if you’d meet this lady in the street, unless you knew her, would you ever guess what a smoking hot artist she is – damn!

Danielle Nicole is a blues and soul musician from Kansas City, Mo. Prior to releasing her solo debut Wolf Den in 2015, Nicole co-founded Kansas City soul and blues rock band Trampled Under Foot in 2000 (a nod to Led Zeppelin?) and was their lead vocalist. The band recorded five albums before it dissolved in 2015. Here’s Crawl, a nice blues rocker from Nicole’s third solo record Cry No More from February.

The last outstanding artist I’d like to highlight in this post is Bettye LaVette. This singer-songwriter from Muskegon, Mich. also has been around for a long time. In fact, she recorded her first single My Man – He’s A Lovin’ Man as a 16-year-old in 1962. Things Have Changed is the title track of LaVette’s last studio album from January – a collection of tunes written and originally sung by Bob Dylan. In this case, Dylan first released the song as a single in May 2000. It was part of a soundtrack from a motion picture called Wonder Boys.

Admittedly, I still don’t know much about the above artists. But based on the songs in this post and a few other tunes I’ve sampled from the corresponding albums, it’s obvious to me how top-notch each of them is. You can bet I’m going to further explore them.

Sources: Wikipedia, Lindsay Beaver website, YouTube

What I’ve Been Listening To: Toronzo Cannon/The Chicago Way

Fourth album was the bus-driving Chicago blues man’s recording breakthrough

This is starting to feel a bit like Groundhog Day. Lately, I find myself spotting a listening recommendation from my music streaming service, and before too long blogging about it. But I just can’t help it, when music grabs me, I get excited!😀

Should I have heard of Toronzo Cannon before? Probably yes, based on the recognition this contemporary Chicago blues guitarist singer/songwriter has received. But just because I’m a music fan who likes to write about his passion doesn’t mean I’m a know-it-all expert – in fact, I’m far from that; and if anything, this only becomes more clear the deeper I get into music blogging. And that’s quite okay with me, since I like exploring stuff I don’t know.

According to the bio on his website, when Cannon isn’t touring, he’s driving a Chicago Transit Authority bus during the day and playing the blues at night, “using every vacation day and day off and working four ten-hour shifts a week.” I know it sounds a bit cliche, but where other than in America do you hear about such stories?

I suppose if Cannon continues to work as a bus driver, this means one of two things or possibly both: Driving the bus helps him write his lyrics. Notes Cannon’s bio: His songwriting is inspired by his deep, homegrown Chicago roots, his years observing the public while working as a city bus driver on the West Side, and his own battles and triumphs. And/or Cannon still depends on his additional income as a bus driver, since he isn’t making enough money with his music. If it’s the latter, maybe Cannon isn’t that well known after all beyond Chicago blues circles, which would make me feel a bit better that I had not heard of him before. Regardless, he sure as heck plays a groovy blues guitar and has a great soulful voice.

Toronzo Cannon

Cannon is a native Chicagoan. He was born there on February 14, 1968 and grew up on the South Side of the city. He bought his first guitar as a 22-year-old and apparently was a quick study. Interestingly, he focused on reggae in the beginning, but soon found the blues was his real calling.  “It was dormant in me,” he says in his bio. “But when I started playing the blues, I found my voice and the blues came pouring out.” The bio also reveals he was influenced by the likes of Buddy Guy, Albert Collins, Hound Dog Taylor, B.B. King, Albert King, Freddie King, Al Green, Jimi Hendrix, J.B. Hutto, Lil’ Ed and others – surely a list of fine artists!

The Chicago Way, which appeared in 2016, is Cannon’s breakthrough album and the fourth album in his recording career that started in 2007. It’s his first release on Alligator and was co-produced by Cannon and the independent Chicago blues label’s president Bruce Iglauer. Cannon first had gained broader attention when he performed as one of the headliners at the Chicago Blues Festival in June 2015.

BTW, at the time The Chicago Way appeared, Cannon was 48 years old, in other words not exactly a young kid. Once again, this proves that age doesn’t have to be a hurdle when you got great talent like Cannon, though being younger in the brutal music business probably isn’t a disadvantage either! The record earned Cannon a nomination for a Blues Music Award in 2017 by the Blues Foundation as Album of the Year. While Taj Mahal and Keb’ Mo’ ended up winning that award for their outstanding collaboration record TajMo, which I previously reviewed here, being nominated with these guys in the first place says a lot about Cannon. Time to get to some music!

The album opens with a great funky tune called The Pain Around Me. Like all of the other 10 tracks, the tune was written by Cannon. Except for one track, I couldn’t find any clips on YouTube of the studio recordings, so I’m relying on live footage. But in my opinion, that’s not a disadvantage – if there’s one music genre that’s made to be experienced live, it’s the blues!

Another great song is Walk It Off. It’s got some of that cool Muddy Waters Hoochie Coochie Man and Mannish Boy vibe. I also dig the classic blues lyrics. Here’s an excerpt: She didn’t mean it, that’s what she said/He was an old friend and she lost her head/I know my woman is nice and kind/but now we don’t know if the baby is his or mine/I got to walk it off/I got to walk it off/The feeling’s so strong I might do something wrong/So I’m gonna just walk it off. I just love the story-telling!

Fine Seasoned Woman has a cool driving jazzy groove. I also dig the Hammond-like organ sound.

Midlife Crisis is another great tune featuring some classic blues lyrics: Woke up this morning feeling kind of strange/Some of you men might feel the same/Looked in the mirror the other day/My chest hair was turning gray/My old friends are far too old/Don’t wanna hang with them no more/Went to the doctor say, “what’s wrong with me?”/He looked in my eyes, “There’s one thing I see”/You having a midlife crisis/You having a midlife crisis, Lord/Don’t know what to do because you ain’t 22/You having a midlife crisis.

The last song I’d like to call out is When Will You Tell Him About Me? I think Cannon’s soulful voice comes out particularly nice out on this slow blues. Here’s a clip of the studio version for a change.

So what did some of the music reviews have to say about the album? Usually, I don’t care much about the critics, but if they agree with me, hey, I don’t mind!

“Deep, contemporary Chicago blues…razor-sharp guitar and compelling, forceful singing” – The Chicago Tribune

“One of Chicago’s new greats”  — The Chicago Sun-Times

“Progressive as he is rootsy…Slow, simmering riffs and smoldering licks” – Chicago Reader

“Among the cream of the next generation of Chicago blues musicians” — Blues & Rhythm

Yep, I can support all of the above!

Looking at Cannon’s remaining 2018 schedule, his next gigs are in Poland and the Czech Republic in mid-October, followed by U.S. shows in San Diego (Oct 28), Cleveland (Nov 9) and Auburn Hills, Mich. (Nov 10 & 11). If any of these places would be closer to Central New Jersey, I’d seriously consider seeing him. But I suppose there’s always hope for 2019!

Sources: Wikipedia, Toronzo Cannon website, YouTube

Clips & Pix: Billy Gibbons/Let The Left Hand Know…

The above track Let The Left Hand Know… is from Billy Gibbons’ new solo album The Big Bad Blues, which appeared last Friday – his second after Perfectamundo from November 2015. According to the official press release, it focuses on Gibbons’ lifelong love of the blues and rock & roll…[and] features 11 tracks balancing some classic covers like “Rollin’ and Tumblin’” and “Standing Around Crying” [both by Muddy Waters], along with some of Billy’s signature new blues originals. The above tune is among the latter.

Commenting on his affection for the blues, Gibbons said, “I suspect Jimmy Reed did me in early on. The inventiveness of that high and lonesome sound remains solid and stridently strong to this day. We could go on to mention the lineup of usual suspects,  Howlin’ Wolf, Muddy, all three Kings [B.B., Albert and Freddie]. The lengthy list of champions are forever carved in stone.”

While Let The Left Hand Know… is nothing we haven’t heard from Gibbons before, its nice shuffling groove and the blues harp fills make for a fun listening experience, as does the remainder of the album. Gibbons is sharing harmonica parts with blues harp player and singer-songwriter James Harman, though I don’t know who is playing the instrument on this tune.

Gibbons is supporting his new album with a 25-date tour kicking off October 13 in Riverside, IA and concluding in Los Angeles on November 18. The schedule is here.

Sources: Billy Gibbons website, YouTube

Buddy Guy To Release New Studio Album

“The Blues Is Alive And Well” features guest appearances from Mick Jagger, Keith Richards, Jeff Beck and James Bay

A Facebook post from Buddy Guy’s page I spotted earlier made my day, or I should better say my evening. The 81-year-old blues legend will release The Blues Is Alive And Well, his 18th studio album this Friday. With his late fellow artists B.B. King, Muddy Waters, Howlin’ Wolf and Junior Wells all having passed away, some may consider the title as optimistic, but when it comes to this record, the music surely is still cooking, based on the three tracks that are already out.

The album includes guest appearances by Mick Jagger, Keith Richards, Jeff Beck and James Bay, a 27-year-old English singer-songwriter and guitarist. Guy has known and been friends with Jagger, Richards and Beck for decades. While other black blues artists at times have resented that white guys took their material and oftentimes became more successful than they did, Guy has a different view. He appreciates many of these white artists, especially British blues rockers, since they helped popularize the blues among white audiences, which he feels has also benefited black artists like him.

Here’s a clip of the most recently released track from the forthcoming  album.  Cognac features Richards and Beck. I just love how Guy calls them out. Plus the music and his singing are awesome. Guy still has a great soulful voice!

The album was produced by Guy’s longtime collaborator Tom Hambridge, who has worked with him since his 14th studio album Skin Deep from July 2008. Like on previous records, Hambridge was also involved in the writing.

“Every time I go into the studio my hope is that I give my best and come out with something good enough to try to keep the blues alive,” Guy told music journalist and Forbes contributor Derek Scancarelli. “But that’s not the case always. I don’t even think the Stones made a hit every time they went into the studio.”Added Hambridge: “It’s an important piece of music that’s coming out. He puts his blood and sweat in this stuff. This is a statement about his life. This is everything he has.”

I surely look forward to listen to the entire album this Friday.

Sources: Wikipedia, Forbes.com, YouTube