Another week has flown by, and it’s time to take a fresh look at newly-released music that caught my attention. This Best of What’s New installment features some smooth acoustic soul and roots rock-oriented country from the U.S., as well as indie pop-rock from the UK and Australia. All tunes are on releases that came out yesterday (November 12). Let’s get to it!
My first pick is some smooth acoustic soul and R&B by Allen Stone, a singer-songwriter based in Seattle, Wa. Originally hailing from the Spokane area, Stone began singing as a 3-year-old at his father’s church, who was a preacher. By the age of 14, Stone was leading worship at the church and playing the guitar. A year later, he discovered soul artists like Stevie Wonder and Marvin Gaye. After attending the Moody Bible Institute in Spokane, Stone decided to drop out of the church and move to Seattle to pursue a music career. He self-released his debut album Last to Speak in 2010. His 2011 eponymous sophomore album, initially also a self-release, charted in the top 5 on the Billboard Heatseekers Albums chart. Unaware, co-written by Stone and Pablo Signori, is a beautiful acoustic soul ballad and the opener of Stone’s fifth and new album Apart. Love this!
Cody Jinks/All It Cost Me Was Everything
Next, I’d like to turn to some roots rock-oriented country by Cody Jinks. According to his Apple Music profile, the Texas songwriter’s first foray into music was as lead singer and lead guitarist in the thrash-metal band Unchecked Aggression. When he returned to the country music he’d grown up on, he traded in the snarling amps for acoustic guitar, but his songs lost none of their weight. Jinks’ third album, 2010’s Less Wise, established his husky baritone as a powerful vessel for twang-laden laments about the passage of time, unrequited love, and “raising hell with the hippies and the cowboys.” Even among modern outlaw country singers, Jinks occupies his own particular space, carved out by the combination of a low-rumbling vocal style that recalls pioneers of the genre and his deeply traditional arrangements…Even at his lightest, Jinks’ trademark heaviness remains. This brings me to All It Cost Me Was Everything, the opener of his new album Mercy. Co-written by Jinks, Josh Morningstar and Kendell Marvel, the tune has a nice roots-rock vibe. It looks like Jinks first released it ahead of the album on August 30.
Blondes/Out the Neighborhood
According to this review on Totalntertainment, Blondes are a four-piece UK band that was formed by freshmen at Nottingham University in late 2017. In 2020, they released their debut single Coming of Age, which became viral on TikTok, resulting in millions of streams. This led to a deal with Austin, Texas-based C3 Records. The band has since released four additional singles, which are all included on their new debut EP Out the Neighborhood. Here’s the title track, credited to what appear to be the four members of the band, Alex Davison, Daniel Stroud, Tom Herbert and Will Porter. Their brand of indie pop-rock is quite catchy. Check it out!
Courtney Barnett/Rae Street
The last track I’d like to call out is by Australian indie singer-songwriter Courtney Barnett. Her Apple Music profile notes she is recognized for her loose, gritty power-trio presentation, sharp lyrics, and deadpan conversational delivery…Courtney Barnett emerged in 2012 with the self-released EP I’ve Got a Friend Called Emily Ferris. It garnered critical praise in her native Australia, and she soon won the positive attention of critics in the U.S., U.K., and elsewhere with the follow-up, 2013’s How to Carve a Carrot into a Rose. Her full-length debut, Sometimes I Sit and Think, and Sometimes I Just Sit, proved to be her commercial breakthrough, landing in the U.S. Top 20 and Top Five in Australia and earning nominations from both the Grammys (Best New Artist) and Brit Awards (International Female Solo Artist). Born in Sydney in 1987, Courtney Melba Barnett grew up listening primarily to American bands but was only inspired to write songs after discovering Australian singer/songwriters Darren Hanlon and Paul Kelly. Prior to the release of Barnett’s above-mentioned full-length debut in 2015, she played in various bands, including post-grunge outfit Rapid Transit, her own group The Olivettes and alt-country group Immigrant Union. If I Don’t Hear From You Tonight, written by Barnett, is a tune from her new and third full-length solo album Things Take Time, Take Time.
Sources: Wikipedia; Apple Music; Totalntertainment; YouTube