Best of What’s New

A selection of newly released music that caught my attention

It’s Saturday, which means time to take a fresh look at new music releases. This week, I decided to highlight five new tunes. The first four are included on albums, while the final pick is a single. All tracks came out yesterday (May 12).

Alfie Firmin/Lost On Me

Starting us off today is Alfie Firmin, a British singer-songwriter based in Southend-on-Sea, a coastal town about 40 miles east of London. Firmin just released his latest album Absentee. From his Bandcamp page: Containing 10 new original songs, ‘Absentee’ is Alfie’s 4th full-length album since 2018 (three as a solo artist and a fantastic album he did as part of the band Vestiges in 2018) and follows on from and expands upon the laid-back folk-rock sound hinted at on Alfie’s 2020 release ‘Waiting On’ (Self Released). ‘Absentee’ is Alfie’s most accomplished album to date. From the McCartney-esque piano balladry of ‘Lost on Me’ to the horn-laden folk-rock of ‘Can’t Stop Thinking About You’ alongside the Laurel Canyon country-shuffle of ‘December Third’ it is an album that is well-versed in the traditions of classic singer-songwriter pop filtered through the lens of Alfie’s distinctive croon. In my book, Firmin’s music is nice power pop. Here’s the above-noted Lost On Me, which indeed has a Macca vibe. I also can hear a dose of Gilbert O’Sullivan in here – lovely tune!

Bailey Zimmerman/Religiously

Bailey Zimmerman is a country-oriented singer-songwriter who already scores two multi-Plantinum no. 1 singles in the U.S. on Billboard’s Country Airplay chart since he emerged 2.5 years ago. Zimmerman, who was born in Louisville, Ill. and worked in the meat-packing industry and for a union gas pipeline before launching his current career, first started posting original music to his TikTok account in December 2020. In January 2021, he released his debut single Never Comin’ Home, followed by Fall in Love the next month, which became one of the above-mentioned no. 1 singles on the Country Airplay chart. He’s now out with his first full-length album Religiously. The Album. Here’s the opener and title track, which appeared as one of several singles. The tune was co-written by Zimmerman, Alex Palmer, Austin Shawn, Frank Romano and Marty James. This young artist certainly if off to an impressive start!

Parker Millsap/Wilderness Within You (feat. Gillian Welch)

Parker Millsap is an American singer-songwriter from Purcell, OK I first included in a Best of What’s New installment two years ago. According to his AllMusic bio, Millsap brings a maverick intensity to his brand of Americana. Ranging from the spare acoustic tone of his early-2010s output to the more nuanced structure of 2018’s rock-driven Other Arrangements, the singer and songwriter continued to hone the layers of his sound heading into the next decade. His fifth album, 2021’s Be Here Instead, was recorded live in the studio with a full band, and he fused acoustic and electronic instruments for 2023’s Wilderness Within You. Here’s the title track of his sixth and latest album, co-written by Millsap and Ryan McFadden. It features Americana artist Gillian Welch on harmony vocals – beautiful!

Nighthawk/Highest Score

Nighthawk are a fairly new rock band from Copenhagen, Denmark, blending classic arena rock and hard rock. From their Bandcamp page: Nighthawk started out as a solo project by Robert Majd (bass player in Metalite & Captain Black Beard). The idea was just to have some fun, play guitar and write some energetic rock’n’roll. The debut album featured a bunch of different singers. After that first album release in the summer of 2021 Robert got an itch to do more. This time the stakes would be higher. With the world famous Abbey Road Studios booked, a band and a collection of songs needed to match the caliber of the studio. Björn Strid (The Night Flight Orchestra, Soilwork & Donna Cannone) joined on lead vocals, Magnus Ulfstedt (Ginevra) on drums, John Lönnmyr (The Night Flight Orchestra) on keyboards and Christan Ek (Captain Black Beard) on bass. Nine original tunes together with two covers (of Kiss and Bruce Springsteen classics!) were recorded live in the studio in just two days. Here’s Highest Score, the opener of Nighthawk’s new album Prowler. Their melodic hard rock sounds pretty accessible.

John Mellencamp/The Eyes of Portland

The Eyes of Portland is the second lead single from John Mellencamp’s upcoming 25th studio album Orpheus Descending, scheduled for June 25. Fans who caught the heartland-turned-roots rocker on his current tour already heard the tune, since Mellencamp has included it in his setlist. This follows the first single Hey God, which came out on April 20 and which I covered here. Like that tune, The Eyes of Portland is an outspoken socially conscious song. It’s classic Mellencamp delivered in his distinct vocals roughened by decades of cigarette chain-smoking. I love the man and I’m really looking forward to the album!

So how about a Spotify playlist of the above and a few extra goodies? Ask and you shall receive!

Sources: Wikipedia; Alfi Firmin and Nighthawk Bandcamp pages; AllMusic; YouTube; Spotify

Best of What’s New

A selection of newly released music that caught my attention

It’s Saturday and the new music show must go on! This installment of Best of What’s New includes two familiar names and two artists who are completely new to me, featuring Celtic punk, instrumental rock, pop and country rock. Nuff said – let’s get to some music!

Dropkick Murphys/Turn Up That Dial

Dropkick Murphys are a Celtic punk rock band formed in the Boston area in 1996. They are named after former pro wrestler Dr. John “Dropkick” Murphy, who also operated an rehab facility for alcoholics in Action, Mass. The band gained first attention when fellow Bostonian ska punk group The Mighty Mighty Bosstones invited them as opening act for their 1997 tour. Later that year, Dropkick Murphys got a deal with Hellcat Records, which was followed by their debut studio album Do or Die in January 1998. Fast-forward 23 years. The band’s present line-up, which has been together since 2008, consists of original co-founder Ken Casey (bass, lead vocals), along with Al Barr (lead vocals), Tim Brennan (lead guitar, accordion, mandolin, bouzouki, keyboards, piano, tin whistle, backing vocals), James Lynch (rhythm guitar, backing vocals), Jeff DaRosa (banjo, mandolin, bouzouki, guitar, keyboards, piano, harmonica, tin whistle, backing vocals) and Matt Kelly (drums, bodhran, backing vocals). Dropkick Murphys first entered my radar screen in 2013 when they teamed up with Bruce Springsteen to record a new version of their song Rose Tattoo. The single appeared in May that year in the wake of the Boston Marathon bombing – hard to believe it’s been eight years! Turn Up That Dial is the title track from Dropkick Murphys’ new album released yesterday (April 30).

Peter Frampton/Isn’t It a Pity

I trust Peter Frampton doesn’t need much of an introduction. The self-taught guitarist has been playing in bands since the age of 12. He first gained prominence in 1966 as a 16-year-old lead vocalist and guitarist in English rock band The Herd. In 1969, he co-founded Humble Pie together with Steve Marriott, frontman and guitarist of Small Faces. Frampton left Humble Pie in 1971 and launched a solo career. After four largely unnoticed studio albums, he got his big breakthrough with Frampton Comes Alive! The huge success led to an infamous shirtless photo on the cover of Rolling Stone, which turned Frampton into a teen idol and diminished his credibility as an artist. He continued to release albums but was unable to repeat the success of Frampton Comes Alive! In early 2019, Frampton announced his retirement from touring due to a progressive autoimmune disease causing muscle inflammation, weakness and atrophy, which eventually is going to impact his ability to play guitar. He launched a farewell tour in June that year. The UK leg, which had been slated for May 2020, was canceled because of you know what! Isn’t it a Pity is a track from Frampton’s new album of instrumental covers ingeniously titled Peter Frampton Forgets the Words and released on April 23. “This album is a collection of ten of my favorite pieces of music,” he stated on his website. My guitar is also a voice and I have always enjoyed playing my favorite vocal lines that we all know and love.” This is certainly a beautiful rendition of the George Harrison tune that originally appeared on his 1970 solo debut All Things Must Pass.

Parker Millsap/The Real Thing

Parker Millsap is an American singer-songwriter from Purcell, OK. According to his profile on Apple Music, As a youth, Millsap alternately spent time singing hymns at his local Pentecostal church and saturating himself in old blues albums, which influenced his unique style along with folk, country, and vintage Elvis-flavored rock & roll. While still in his late teens, Millsap recorded his mostly acoustic debut, Palisade, with childhood friend Michael Rose accompanying him on double bass. Two years later in 2014, his self-titled second LP introduced his signature sound, bringing him national acclaim and leading to support slots with heavy-hitting roots acts like Jason Isbell, Old Crow Medicine Show, and Lake Street Dive. Millsap’s new album Be Here Instead, which is his fifth, came out on April 9. As is the case for most artists I feature in Best of What’s New, I’m completely new to his music. The Real Thing grabbed me right away. To me, it’s got a bit of a Paul McCartney vibe!

The Pink Stones/Put Me On

The last tune I’d like to call out here is Put Me On, a song by The Pink Stones, a country rock band from Athens, Ga. According to their website, the group revolves around Hunter Pinkston, a former punk rocker who discovered country in 2015 when listening to the B-side of the The Lemonheads’ rendition of Brass Buttons, which featured the original by Gram Parsons. This led him not only to explore Parsons’ catalog but also listen to similar other artists. In 2016, Pinkston who is from Albany, Ga. transferred to the University of Georgia in Athens for their music business program. He immersed himself into the local music scene and eventually met what became the core of The Pink Stones: Will Anderson (organ, piano, vocals), Logan Brammer (guitar, vocals), Adam Wayton (guitar, vocals) and Jack Colclough (drums). John Neff (pedal steel guitar), a founding member of Drive-By Truckers, is also part of the band’s current line-up. Put Me On, written by Pinkston, is a track from their debut album Introducing… the Pink Stones released on April 9. Check out this beautiful warm sound!

Sources: Wikipedia; Peter Frampton website; Apple Music; The Pink Stones website; AllMusic; YouTube