A selection of newly released music that caught my attention
All tunes appear on albums that were released yesterday (May 13).
The Black Keys/Good Love
My first pick this week is new music by The Black Keys. While I had been aware of their name, I only started paying attention a year ago when the rock duo of high school friends Dan Auerbach (vocals, guitar) and Patrick Carney (drums) released their then-latest album Delta Kream. Now, they are back with Dropout Boogie, their 11th studio release. When they started work on the album in the summer of 2021, Auerbach and Carney first envisaged recording it as a duo but subsequently decided to collaborate with other artists. One includes Billy Gibbons, a longtime friend of the duo from Akron, Ohio. Here’s Good Love, co-written by Auerbach, Carney and Gibbons and featuring the ZZ Top guitarist. Like on predecessor Delta Kream, I dig the rawness of The Black Keys’ sound. Gibbons is a great match!
49 Winchester/All I Need
49 Winchester are a Russell County, Va.-based group who on their website describe their music as “tear-in-your-beer alt-country, sticky barroom floor rock-n-roll, and high-octane Appalachian folk.” Following is a bit more from their website: Formed eight years ago on Winchester Street in the small mountain town of Castlewood, Virginia (population: 2,045), the band started as a rag tag bunch of neighborhood teenagers who just wanted to get together for the sake of playing together.Aside from Gibson [Isaac Gibson, singer/guitarist – CMM], there’s also his childhood friend, bassist Chase Chafin, alongside other Castlewood cronies — guitarist Bus Shelton, and Noah Patrick on pedal steel. Here’s All I Need, a track from the group’s fourth and latest studio album Fortune Favors The Bold. The country rocker, credited to Blaine Gibson, reminds me a bit of Lynyrd Skynyrd. Good stuff!
State Champs/Here to Stay
Next up are Albany, N.Y.-based pop-punk band State Champs, who according to Apple Musicare known for their vocal harmonies and layered guitar riffs. Here’s more from their Apple Musicprofile:The group’s first album, 2013’s The Finer Things, reached No. 2 on Billboard’s Heatseekers Albums chart. They won two Alternative Press Music Awards, including Best Breakthrough Band in 2016 and Music Video of the Year in 2017, for “Losing Myself.” Both 2015’s Around the World and Back and 2018’s Living Proof include two songs cowritten with All Time Low’s Alex Gaskarth. “Time Machine,” from 2018’s Living Proof, featured a guest vocal appearance from blink-182’s Mark Hoppus. This brings me to the group’s new album Kings of the New Age and the opener Here to Stay. Much of contemporary pop isn’t my cup of tea, but in this case, the combination with rock works for me.
Say Sue Me/Still Here
I’m pleased to wrap up this week’s music revue with indie rock from South Korea, Say Sue Me, the first time I feature a band from that country. From their website: Cited as one of 2018’s ‘break-out bands‘, Say Sue Me are a Surf Rock inspired indie band from Busan, South Korea. Members consist of Byungkyu Kim on lead guitar, Sumi Choi on vocals and rhythm guitar, Jaeyoung Kim on Bass and Sungwan Lim on Drums. Releasing their first album “We’ve Sobered Up” in 2014, and EP “Big Summer Night” in 2015, on Korean label Electric Muse, UK label Damnably Records released a self-titled compilation that paired their first record and EP in 2017, marking the band’s first release outside of Korea, which served as their introduction to International audiences. Fast forward five years to The Last Thing Left, which appears to be their third full-length album. Here’s Still Here written by Choi, a tune with a pleasant laidback sound. Also, check out her vocals – cool!
Last but not least, here’s a Spotify playlist featuring all of the above tracks and a few others.
Sources: Wikipedia; 49 Winchester website; Apple Music; Say Sue Me website; YouTube; Spotify
A three-part mini series of songs related to the three transportation modes
The other day, the 1987 American comedy picture Planes, Trains and Automobiles randomly came to my mind. It’s about a marketing executive (Steve Martin) and a sweet but annoying traveling sales guy (John Candy) ending up together as they are trying to get from New York home to Chicago for Thanksgiving. Their plane’s diversion to Wichita due to bad weather in Chicago starts a three-day odyssey and one misadventure after the other, while the two, seemingly incompatible men use different modes of transportation to get to their destination.
What does this movie have to do with music? Nothing, except it gave me the idea to put together lists of songs that are related to – you guessed it – planes, trains and automobiles. To be fully transparent, in mid-2017, I published tw0 posts with songs for the road and songs for the train. As such, the theme isn’t really new but, hey, it’s been almost four years. Plus, I feel it’s okay to repeat fun ideas every now and then.
In order to avoid creating what would be a rather lengthy post, I decided to make it a mini series and break things up in three parts, with each featuring five tracks listed in chronological order. Here’s part I: Songs related to planes, an entirely new idea! 🙂
Jefferson Airplane/Blues From an Airplane
Blues From an Airplane is the opener of Jefferson Airplane’s debut album Jefferson Airplane Takes Off from August 1966. The psychedelic rock tune was co-written by Marty Balin and Skip Spence, Airplane’s lead vocalist/rhythm guitarist and drummer, respectively. The tune also became the b-side of the band’s second single Come Up the Years, which was released ahead of the album in May 1966. Airplane’s actual was take-off, Surrealistic Pillow, was still six months away. The record only reached no. 128 on the Billboard 200, while the single failed to chart altogether.
The Beatles/Back in the U.S.S.R.
Why Back in the U.S.S.R., given the tune doesn’t have “plane” or a related word in the title? Since it’s my bloody list, and it cannot be without my favorite band of all time. Plus, there’s a sound of a jet engine in the beginning and at the very end of the tune, and the first verse prominently includes a rough flight. Written by Paul McCartney and credited to John Lennon and him as usual, is actually a parody to Back in the U.S.A. and California Girls by Chuck Berry and The Beach Boys, respectively, poking fun at their patriotic sentiments about the U.S. The song, included on The White Album from November 1968, was recorded without Ringo Starr who temporarily had left the group after McCartney had criticized his drumming. Instead John, Paul and George Harrison created a composite drum track from numerous takes.
Steve Miller Band/Jet Airliner
Jet Airliner was one of the first tunes that came to my mind when thinking about plane songs. The other two were Jet by Paul McCartney and Wings and John Denver’sLeaving on a Jet Plane. Since I decided to include Back in the U.S.S.R., I skipped Jet. While Leaving on a Jet Plane is a lovely tune, it would have been another pick from the ’60s. Written by Paul Penna in 1973, Jet Airliner was popularized by Steve Miller Band when they released it in April 1977 as the lead single of their 10th studio album Book of Dreams that appeared the following month. It yielded their fourth and last ’70s top 10 hit on the U.S. mainstream chart.
After three rockers I thought it was time to include something that’s a bit lighter, so I’m glad I found this lovely acoustic, folk-oriented tune by Indigo Girls. Written by Emily Saliers, who together with Amy Ray makes up the duo, Airplane is from their fourth studio album Rites of Passage that appeared in May 1992. I really dig the vocals and the harmony singing on this song.
The Black Keys/Aeroplane Blues
There they are again, The Black Keys. The rock duo of Dan Auerbach and Patrick Carney entered my radar screen recently when I included a tune from their new album Crawling Kingsnake in a Best of What’s New feature. Aeroplane Blues is another edgy blues rock tune, which shall wrap up this first installment. Written by Auerbach and Carney, it appeared on their third studio album Rubber Factory released in September 2004.
A selection of newly released music that caught my attention
As a busy week is nearing its end, admittedly, the thought of skipping Best of What’s New this time crossed my mind. But the release of new music doesn’t stop, so the show must go on. I’m also quite happy with my latest findings – quite a bit of rock in different flavors in this installment. Each of these tracks is on albums that appeared yesterday (May 14). Let’s get it to it!
The Steel Woods/Out of the Blue
Kicking things off are The Steel Woods, a band from Nashville, Tenn., blending country, southern rock and blues rock. According to their artist profile on Apple Music, they lay claim to the sound pioneered by Lynyrd Skynyrd. Like Skynyrd, the Steel Woods balance heavy blues-rock with Southern poetry, and they add a bit of plainspoken outlaw country to the mix, as evidenced on their 2017 debut Straw in the Wind. The band was co-founded in 2015 by vocalist and multi-instrumentalist Wes Bayliss and lead guitarist Jason “Rowdy” Cope. Johnny Stanton (bass) and Isaac Senty (drums) completed the line-up. A more recent permanent member is guitarist Tyler Power, who had supported the band during tours. Tragically, Cope passed away in January this year just after The Steel Woods had completed their new album All of Your Stones, due to severe complications from diabetes. Here’s Out of the Blue, which like most other tracks was co-written by Cope. For this tune he teamed up with Aaron Raitiere, a singer-songwriter from Kentucky. There’s definitely a dose of Skynyrd here.
Babe Rainbow are a band from Byron Bay, Australia. Formed in 2014, they initially became known for playing ’60s style psychedelic rock. They have also ventured into soft rock with influences from Latin music. Their bassist Lu-Lu-Felix Domingo originally hails from Venezuela. The other members are Angus Dowling (vocals, drums), Jack “Cool-Breeze” Crowther (guitar) and Elliot O’Reilly (guitar). After an eponymous EP from 2015, Babe Rainbow released their first full-length album in 2017, which was also self-titled. California, co-written by Dowling, Crowther and O’Reilly is a nice laid back track from their fourth and new album Changing Colours.
The Black Keys/Crawling Kingsnake
The Black Keys are a rock band from Akron, Ohio, co-founded in 2001 as a duo by high school friends Dan Auerbach (vocals, guitar) and Patrick Carney (drums). After recording a demo and sending it to a dozen of record labels, they got a deal in 2002 with small Los Angeles indie label Alive. Their debut album The Big Come Up, which was recorded in Carney’s basement on an 8-track tape recorder in lo-fi, appeared in March 2002. While it didn’t chart or sell well, the record got them a new deal with Fat Possum Records. Their third album Rubber Factory, issued by that label, was their first to chart in the U.S. on the Billboard 200. Commercial breakthrough came with the sixth studio album Brothers, fueled by the singles Tighten Up and Howlin’ for You. The Black Keys have since released four additional albums including their latest Delta Kream, a cover album of hill country blues songs. Between August 2015 and March 2019, the duo was on hiatus, with Auerbach and Carney each working on their own projects. Here’s Crawling King Snake, the opener of Delta Kream. The tune was first recorded under that title by delta blues artist Big Joe Williams in March 1941. John Lee Hooker, one of the many other artists who recorded Crawling King Snake, turned the song into one of his most successful singles in 1949.
Myles Kennedy/In Stride
Let’s wrap up this installment of Best of What’s New with rock from Myles Kennedy. The singer-songwriter and guitarist is best known as lead vocalist and rhythm guitarist of rock band Alter Bridge, and lead vocalist of Myles Kennedy and the Conspirators, the backing band of Slash. Kennedy has also worked as a session musician and songwriter. In March 2018, he released his solo debut album Year of the Tiger. His new album The Idles of March is his sophomore release. Here’s In Stride, a blues-oriented rocker with nice slide guitar action written by Kennedy.
It’s a gray and rainy Sunday morning in New Jersey, at least in my neck of the woods. But I’m determined not to let that bring me down. Plus, we’ve had plenty of sunshine over the past couple of weeks, so there’s no good reason to complain and every reason to expect the sun will come back. Most importantly, bad weather isn’t a deterrent to listen to great music. In fact, one could argue a rainy day is a perfect opportunity to do just that. And, guess what, I have some suggestions! 🙂
ShwizZ /Clock Tower
Let’s get into the mood with an amazing brand new rock instrumental by ShwizZ. I had never heard of the group until Friday when I spotted the below clip on Facebook. I’m not even sure how to properly pronounce that name! According to their website, ShwizZ is a one of a kind powerhouse from Nyack, New York. Drawing a substantial influence from classic progressive rock and funk, they consistently put their musical abilities to the test to deliver a high intensity and musically immersive show.ShwizZ call out Frank Zappa, Yes, P-Funk and King Crimson as their influences – notably, all artists I essentially don’t listen to, except for Yes. Still, Clock Tower grabbed me right away! The band’s members include Ryan Liatsis (guitar), Will Burgaletta (keyboards), Scott Hogan (bass) and Andrew Boxer (drums). I know Scott who is a very talented bassist. Frankly, when I see him play, sometimes, I ask myself ‘what’s the point’ of me trying. But while skill is great, at the end of the day, playing an instrument should be about fun first and foremost. Anyway, after I watched the video, I messaged Scott with a few inquisitive questions. I think he has no idea I’m writing about him – sneaky, huh? Anyway, he told me ShwizZ have been around for about 10 years. He joined them 1.5 years ago. Most of their music is instrumental. Their website lists a few albums and singles, including Clock Tower, which was released as a single on Friday, April 8. Apparently, they’re working on other new music. Meanwhile, let’s give this cool-sounding tune a listen!
Gerry Rafferty/Baker Street
From the very first moment I heard Baker Street by Scottish singer-songwriter Gerry Rafferty, I loved that tune. The saxophone part by Raphael Ravenscroft and the guitar solo by Hugh Burns still give me the chills. Rafferty wrote Baker Street for his second studio album City to City that came out in January 1978. The song was also released separately as a single and became Rafferty’s biggest hit, peaking at no. 2 and no. 3 in the U.S. and the UK, respectively, and charting within the top 10 in various other European countries. In Australia, it went all the way to no. 1. Rafferty had a complicated relationship with fame and the music industry, and unfortunately, he struggled with alcoholism and depression. On January 4, 2011, Rafferty passed away from liver failure at the untimely age of 63. Primarily fueled by Baker Street, City to City ended up to become his most successful album. Altogether, Rafferty released 10 albums during his solo recording career from 1971 to 2009. He also gained popularity as co-founder of Scottish folk rock band Stealers Wheel and their hit Stuck in the Middle with You.
Muddy Magnolias/Broken People
In December 2016, about seven months after I had started the blog, I named Muddy Magnolias “my new discovery for 2016 I’m most excited about.” Then the now-defunct duo of African American singer-songwriter Jesse Wilson from Brooklyn, New York, and Kallie North, a white pianist from Beaumont, TX, kind of fell off my radar screen until I remembered them out of the blue the other day. They got together in 2014 and released an amazing album titled Broken People in October 2016. The music represents an intriguing blend of each artist’s background. Wilson’s influences include Aretha Franklin, Smokey Robinson, Lauren Hill, Mary J. Blige and The Notorious B.I.G., while North grew up listening to artists like The Carpenters, Alison Krauss, James Taylor and Eagles. Unfortunately, the duo dissolved at the end 0f 2017. Wilson went on by herself and released her debut solo album Phase in May 2019, which was produced by Patrick Carney, the drummer of The Black Keys. No idea what happened to North who apparently initiated the duo’s breakup. While Muddy Magnolias only released one album, they certainly made it count. Here’s the cool title track.
Tom Faulkner/Lost in the Land of Texico
A few weeks ago, my longtime music buddy from Germany recommended that I check out Tom Faulkner and his 1998 album Lost in the Land of Texico. Usually, he has a good idea what will appeal to me, and once again he was right! While the singer-songwriter and producer, who was born in New Orleans, already at the age of five knew music was his calling, unfortunately, it appears he never quite broke through as a music artist. To date, decades into his career, Faulkner has only released two albums: Lost in the Land of Texico (1997) and Raise the Roof (2002). For the most part, he has made his living with commercial music for radio and TV. As his bio on last.fm notes, Faulkner has created hundreds of national jingles and scores, including some of the most memorable commercial music on television and radio. Most notably, he composed and sang the wildly popular “I Want My Baby Back” for Chili’s, a jingle that has since found its way into motion pictures (Austin Powers) and over a dozen major network TV shows. He also created the multi-award winning music theme for Motel 6 and Tom Bodett, the longest running commercial campaign in the history of advertising (23 years, 5 CLIOs, and counting). As of June 2019, when his bio was last updated, Faulkner was working on his third CD. Here’s the bluesy title track, which has a nice musical New Orleans flavor.
The Subdudes/Light in Your Eyes
Let’s stay with New Orleans and The Subdudes, another great tip from my German music friend. This band from The Big Easy blends folk, swamp pop, New Orleans R&B, Louisiana blues, country, cajun, zydeco, funk, soul and gospel into a tasty musical gumbo. They have been around since 1987 with breaks from 1996-2002 and 2011-2014. The band’s current members include Tommy Malone (vocals, guitar), John Magnie (vocals, accordion, keyboards), Steve Amedée (tambourine, drums, other percussions, vocals), Tim Cook (percussion, bass, vocals) and Jimmy Messa (bass, guitar), which is almost still their original line-up. Since their eponymous debut from 1989, The Subdudes have released nine additional studio and two live albums. Light in Your Eyes is a track from the band’s first album. It was co-written by Malone and Johnny Ray Allen, the band’s former bassist. The Subdudes’ harmony singing and the warm sound of their music are sweet. Check it out!
As has sort of become a Sunday Six tradition, the last tune I’d like to highlight is a rocker: Free by Chicago. Formed as The Chicago Transit Authority in The Windy City in 1967, a name that after the threat of legal action from Chicago’s actual transit authority was shortened to Chicago, the band doesn’t need much of an introduction. They started out as a rock group with horns before moving to an easy listening sound that was dominated by ballads, especially in the late ’70s and ’80s. Over their nearly 55-year career, Chicago have seen numerous line-up changes, as you’d expect. Notably, the current 10-piece still includes original members Robert Lamm (keyboards, lead vocals), Lee Loughnane (trumpet, flugelhorn, backing vocals) and James Pankow (trombone, backing vocals). Free dates back to a period when Chicago were rockin’ and on a true roll: Chicago III, the group’s third consecutive double album in less than two years. Written by Lamm, Free is part of the so-called Travel Suite of tunes that make up side 2 of the double LP. Featuring amazing lead guitarist Terry Kath on lead vocals, the tune also became the album’s lead single in February 1971. It’s hard for me to say and I’m sorry, while Chicago’s ’80s ballads were popular, it’s the rock & horns songs like Free where the band truly shines.
Does it sometimes happen to you as well that suddenly you remember an artist you really liked when you first discovered them but then they somehow completely disappeared from your radar screen? That’s exactly the experience I had earlier today with Muddy Magnolias and their fantastic debut album Broken People from October 2016. I had first come across this urban-R&B-meets-country-and-delta-blues duo of Jessy Wilson and Kallie North in August 2017 and blogged about the record’s title track here.
So when I checked whether they had released any new music in the meantime, it turned out North had left at the end of 2017. That’s too bad since I really dug their sound! But there was some good news. I couldn’t find any trace of North but learned Wilson went on to release her solo debut Phase in May 2019. And while at least initially I don’t like it as much as Broken People, there are some pretty intriguing tunes on this album.
Before getting to the record, I’d like to say a few words about Wilson. She grew up in Brooklyn, New York, listening to artists like Aretha Franklin, Gladys Knight, Curtis Mayfield, Lauryn Hill, Jay-Z and Biggie. After high school, Wilson became a backup singer, working and touring with artists like Alicia Keys, Usher, Kanye West, Faith Hill and Macy Gray. She also met John Legend who became her mentor. In 2013, she decided to strike out on her own as a full-time songwriter and moved to Nashville, Tenn.
There she met North, who originally hailed from Beaumont, Texas, and had worked as a photographer before deciding to pursue a career in music. Eventually, Muddy Magnolias got to Third Generation Records, which released their above-mentioned debut in October 2016. North left at the end of 2017. While her departure was a surprise to those following the band and no official reason was given at the time, Wilson during a November 2019 interview with NPR said she had seen it coming. Unlike Wilson who had been well accustomed to the ebbs and flows of the music business and the demands of touring, the lifestyle became too overwhelming for a married woman like North whose husband as a farmer could not accompany her on the road.
Wilson decided to soldier on by herself. Not only that but she already had decided she wanted to work with Patrick Carney, drummer for the Black Keys. “Growing up in New York listening to hip hop…but still loving rock & roll music, I really became infatuated with the Black Keys,” Wilson told NPR. “And it was not just because it was rock music, it was music that was informed by all of the other stuff I really love. You know, when I would listen to Dan’s (Auerbach) vocals, I could hear Smokey Robinson in there. When I would listen to Patrick’s drumming, I could hear like that Wu-Tang girth, just like swag…for my ears and my taste, they were the only rock band that struck me that had like that swag, that street swag.”
Apparently, it took Wilson some time to convince Carney who initially did not appear to be impressed with her songs. But eventually, he agreed to work with her. This resulted in 11 tracks that with one exception are all co-written by Wilson, Carney and Jim McFarlin. In addition to being the producer, Carney also provides drums, bass, guitar and keyboards. McFarlin handles keyboards and backing vocals, while Wilson sings lead and backing vocals and plays keyboards. Other musicians on the album include Casey Kaufman (cello) and Steve Marion (guitar). Let’s get to some music.
Here’s the great opener Oh, Baby!
Clap Your Hands is an intriguing mix of hip hop, rock and R&B. Here’s the official video.
Waiting On… is a beautiful soulful ballad and a standout on the album. The tune is credited to an army of people who in addition to Wilson, Carney, McFarlin and Wilson’s former partner Kallie North include Luke Enyeart, Weldon Irvine, Calvin Knowles and interestingly Nina Simone. Not sure what the deal with Simone is – perhaps they sampled a part of one of her songs.
Another cool tune is aptly called Stay Cool.
Let’s do one more: Cold In the South.
Phase definitely is outside my core wheelhouse. But lately, the boundaries of that core wheelhouse have started to become a bit fuzzy. Plus, at the end of the day what really matters is whether I dig music or not.