The Sunday Six

Celebrating music with six random tracks at a time

Another week is coming to an end, and I can’t believe we’re almost in March. Before we embark on another music journey, I feel compelled to express my shock and sadness about the tragic events and human suffering unfolding in Ukraine.

Usually, I don’t discuss politics or any other topics on this blog outside of music. I also strive to keep things positive. Both are deliberate choices since I feel we’re already bombarded with so much negativity every day in traditional and social media. I want CMM to be a destination where you can forget about all the everyday crap life can throw at you. Music is a great escape hatch that has helped me more than once to keep it together.

Kyiv Pechersk Lavra, an Eastern Orthodox Christian monastery in Kyiv, a city within the city initially founded as a cave monastery in 1051

Why break my own rules now? Ukraine is different. In some regards it’s personal. In my former professional career, I worked in the UN Office in Kyiv from January 1995 through March 1997. As such, not only do I know the Ukrainian capital – well, at least how it looked at the time – but I also had the opportunity to visit many different regions of the country, such as Crimea, which Russia illegally annexed in March 2014, and the so-called breakaway provinces of Donetsk and Luhansk, which they are now claiming to protect from neo Nazis – it’s like you’re watching an episode of the Twilight Zone!

Witnessing what looks like the re-emergence of a Russian czar who apparently wants to restore the old empire of the U.S.S.R. seems unreal in 21st Century Europe. I just hope these unprovoked and illegal actions by this warmonger can be stopped, and he eventually will have to pay a high personal price for his crimes. I’d like to dedicate this post to the people of Ukraine, including my former colleagues and their families many of whom still live there. My heart goes out to all Ukrainians, and I hope this madness will come to an end soon.

Брати Гадюкіни (Braty Hadiukiny)/Файне мiсто Тернопiль

In light of the above, I’d like to kick off this Sunday Six with some kickass rock by Брати Гадюкіни (Braty Hadiukiny), which according to Wikipedia is one of the most successful Ukrainian bands from Lviv. The largest city in Western Ukraine is located about 60 miles east of the border to Poland. Braty Hadiukiny, which means “Hadyukin Brothers”, were mainly active between 1988 and 1996. This was followed by what looks like a 10-year hiatus and a reunion in 2006. Wikipedia characterizes their music as a combination of different genres like rock & roll, blues, punk, reggae, funk and folk. Файне мiсто Тернопiль (translation: Fine city of Ternopil) is a great rock tune from the band’s 1994 album Було не любити (translation: It was not to love). Ternopil is another bigger city in Western Ukraine.

Paul McCartney/Drive My Car

In case you haven’t heard the news today about lucky me who made the grade, the news wasn’t sad and I just had to laugh. Yesterday, I got a ticket to ride for Paul McCartney on June 16 at MetLife Stadium in East Rutherford, N.J.! While I fully anticipate there will be some differences between this show and the two previous gigs I saw, my words can’t express how excited I am. In case you’d like to check out dates for the Got Back Tour, which is scheduled to get underway in late April in Spokane, Wash. and wrap up on June 16 in Jersey, you can check on Macca’s website here. To get in the mood, here’s Paul’s opener Drive My Car, off his November 2009 live album Good Evening New York City. It captures songs performed during three nights in July 2009 to formally open New York’s Citi Field, a baseball park built to replace the legendary Shea Stadium, where The Beatles played one of their most famous shows in 1965. Primarily written by Macca with lyrical contributions from John Lennon, Drive My Car originally appeared on Rubber Soul, the second of two albums The Beatles released in 1965. Take it away!

John Miles/Music

After two uptempo rockers, it’s time to catch a breath coz, hey, I’m not exactly 16 years any longer. I’m already 26! 🙂 I literally just remembered what I feel is a great tune for the occasion by British artist John Miles. Born John Errington in April 1949, Miles was active for more than 50 years from 1970 until his death in December 2021 at the age of 72 after a short illness. His catalog includes 10 studio, two live and five compilation albums. Undoubtedly, he is best remembered for the song I picked, Music, off his debut solo album Rebel from March 1976. Solely penned by Miles, this beautiful tune was also released separately as a single that same year and became his biggest hit. It topped the charts in Switzerland, peaked at no. 3 in the UK and reached no. 4 in The Netherlands. Beyond Europe, the chart performance was more moderate, including no. 38 in Australia and no. 88 in the U.S. on the Billboard Hot 100. It may be lush and monumental, but it’s an incredibly powerful orchestral rock ballad, which btw was produced by Alan Parsons.

Joey DeFrancesco/Inner Being

Under different circumstances, an instrumental like this would have been my first pick. If you’ve seen some of the previous Sunday Six installments, you probably noticed that I tend to start nice and easy, and then sometimes turn to nice and rough. Anyway, this next track takes us to March 2019 and a studio album by jazz organist Joey DeFrancesco who also plays the trumpet and the saxophone. DeFrancesco, who signed his first record deal in 1987 at the age of 16, has played with the likes of David Sanborn, John McLaughlin and George Benson, and recorded with artists, such as Ray Charles, Bette Midler and Van Morrison before he went loonie. According to Wikipedia, DeFrancesco’s discography to date includes 31 studio, one live and one studio album – they had to count them all! Inner Being, composed by DeFrancesco, opens the above-noted album titled In the Key of the Universe. The record, which received a Grammy nomination for Best Jazz Instrumental Album, features American jazz saxophonist Pharoah Sanders.

Tina Turner/Nutbush City Limits

It’s funny how sometimes one thing leads to another. You may have noticed that in the description of my previous pick, I creatively borrowed from the lyrics of Ike & Tina Turner’s rendition of Proud Mary. From the moment I did this, I couldn’t get Tina out of my head. Nutbush City Limits, written by her, was first recorded as part of her duo with her ex-husband Ike Turner and became the title track of their studio album from November 1973. Nearly three years later, Tina managed to flee from Ike with 36 cents and a Mobil credit card. While Ike was a talented musician he also was a psychotic abuser. Beating and verbally abusing your wife or anyone else for that matter isn’t cool and will forever tarnish you! Anyway, here’s a life version of the song from Tina’s live record and video album Tina Live. Released in September 2009, it captures a gig Tina did in March that year in The Netherlands. This must have been right before her second and permanent retirement. She was 70 years at the time and still in incredible shape working that stage and dancing in high-heeled shoes – what an amazing performer!

Океан Ельзи (Okean Elzy)/З нею

I’d like to conclude this post with more rock from Ukraine. Океан Ельзи (Okean Elzy) are another group from Lviv. They were formed in 1994 and apparently have been active to this day. Their present lineup features original members Svyatoslav Vakarchuk (lead vocals) and Denys Hlinin (drums, percussion), along with Denys Dudko (bass, acoustic guitar, backing vocals), Miloš Jelić (piano, synthesizers, backing vocals) and Vladimir Opsenica (guitars, backing vocals). Wikipedia lists 10 studio albums released between 1998 and 2016. Here’s З нею (translation: With her), the opening track of a 2013 album titled Земля (translation: The land).

Following is a playlist of the above tracks, as usual.

Mr. Putin, stop your reckless assault on the Ukrainian people and from going down in the history books as a war criminal! Rock & roll will never die and outlive any psychopathic emperor!

Sources: Wikipedia; Paul McCartney website; YouTube; Spotify

The Sunday Six

Celebrating music with six random tracks at a time

Yep, hard to believe it’s Sunday again. While I find it amazing how another week just flew by, on the upside, this also means it’s time again for my favorite feature, The Sunday Six. For first-time visitors, these weekly posts are mini excursions exploring different styles of music in zig-zag fashion over the past 70 years, six tunes at a time.

My picks for this installment include instrumental acoustic guitar music, classic rock & roll, rock, soul and pop rock. The journey starts in 2021 and then makes stops in 1959, 1979, 1967 and 1995 before it comes to an end in 2003. All on board and fasten your seatbelts!

Hayden Pedigo/Letting Go

As is often the case in this series, I’d like to start with an instrumental track. This time, instead of a jazz tune, I’ve picked some lovely acoustic guitar music by Hayden Pedigo, a 27-year-old American artist whose music I first encountered about a month ago. According to Wikipedia, Pedigo started taking guitar lessons as a 12-year-old. His diverse influences include Stevie Ray Vaughan and Ry Cooder, as well as artists of the so-called American Primitive Guitar style, such as John Fahey, Robbie Basho, Daniel Bachman and Mark Fosson. Pedigo has also studied Soft Machine and King Crimson, and jazz artists like Miles Davis and Pharoah Sanders. In 2013, he released his debut album Seven Years Late. Since then, seven additional records have come out, including his latest, Letting Go, which appeared on September 24. Here’s the title track. I find this music very nice, especially for a Sunday morning.

Chuck Berry/Little Queenie

Just in case you dozed off during that previous track, it’s time to wake up again with some classic rock & roll by one of my favorite artists of the genre, Chuck Berry. I trust the man who John Lennon called “my hero, the creator of rock & roll” needs no further introduction. While of course no one single artist invented rock & roll, I think it’s safe to say rock & roll would have been different without Chuck Berry. Apart from writing widely covered gems like Maybellene, Roll Over Beethoven, Rock and Roll Music and Johnny B. Goode, Berry influenced many other artists like The Beatles, The Rolling Stones, The Beach Boys, Faces, The Yardbirds and The Kinks with his electric guitar licks. Here’s Little Queenie, which Berry wrote and first released as a single in March 1959. The tune also became part of the soundtrack of the rock & roll motion picture Go, Johnny Go that came out in June of the same year.

Tom Petty and the Heartbreakers/What Are You Doin’ in My Life?

Let’s keep rockin’ with a great tune by Tom Petty and the Heartbreakers: What Are You Doin’ in My Life? I have to credit my streaming music provider for including the track in a recent “Favorites Mix” playlist. While this song is on my favorite Tom Petty album Damn the Torpedoes from October 1979, it had not quite registered until it was served up to me recently. I think it’s fair to say Petty’s third studio album with the Heartbreakers is better known for tunes like Refugee, Here Comes My Girl, Even the Losers and Don’t Do Me Like That. What Are You Doin’ in My Life? is more of deep track. Like most of the other songs on the album, it was solely written by Petty.

Sam & Dave/Soul Man

Next I’d like to go back to the ’60s and some dynamite soul by Stax recording artists Sam & Dave. Soul Man, co-written by Isaac Hayes and David Porter, became the R&B duo’s biggest U.S. mainstream hit surging all the way to no. 2 on the Billboard Hot 100. The tune was first released as a single in September 1967 and was also included on Sam & Dave’s third studio album Soul Men that came out the following month. The backing music was provided by Stax’s excellent house band Booker T. & the M.G.’s. In fact, the exclamation in the song, “Play it, Steve,” refers to the band’s guitarist Steve Cropper. Sam & Dave performed as a duo between 1961 and 1981. Sadly, Dave Prater passed away in a single-car accident in April 1988 at the age of 50. Sam Moore is still alive and now 86.

Del Amitri/Roll to Me

I had not heard of Del Amitri in a long time until I did earlier this week on the radio. In fact, other than the name and that tune, Roll to Me, I know nothing about this Scottish alternative rock band that was formed in Glasgow in 1980. During their initial run until 2002, the group released six studio albums and two compilations. Since Del Amtri reemerged from hiatus in 2013, it looks like they have mainly been a touring act. Only one live record, one compilation and one studio album have since appeared. Notably, the latter, Fatal Mistakes, came out this May, 19 years after their last studio album. The band’s current line-up includes original member and main songwriter Justin Currie (vocals, guitar, piano), along with Iain Harvie (guitar), Kris Dollimore (guitar), Andy Alston (keyboards, percussion) and Ash Soan (drums). Roll to Me, written by Currie, is from the group’s fourth studio album Twisted from February 1995. It also was released separately as a single in June that year and became their biggest hit in the U.S. where it reached no. 10 on the Billboard Hot 100 – quite a catchy pop rock tune!

Pat Metheny/One Quiet Night

And this once again brings me to the sixth and final track. I decided to pick another acoustic guitar instrumental: One Quiet Night by Pat Metheny. While I’m very familiar with the name Pat Metheny, I believe the only music I had ever heard before is American Garage, the second album by Pat Metheny Group from 1979. That’s easily more than 30 years ago, so I don’t recall the record but oddly remember its title. Metheny who has been active since 1974 has an enormous catalog between Pat Metheny Group, his solo work and other projects. One Quiet Night, written by him, is the title track of a solo acoustic guitar album he released in May 2003. It won the 2004 Grammy Award for Best New Age Album. Both my streaming music provider and Wikipedia tagged it as jazz, the genre that first comes to my mind when I think of Metheny. Whatever you want to label it, it’s nice instrumental music and shall close this post.

Sources: Wikipedia; Discogs; YouTube