Best of What’s New

A selection of newly released music that caught my attention

My weekly quest to uncover new music continues. This latest Best of What’s New installment features another diverse collection of music genres/styles, all of which was released yesterday (November 20). It includes country rock, grungy pop punk, alternative and, yes, more African-rooted music. Let’s kick it off with the latter.

Ausecuma Beats/Yelena

Ausecuma Beats is named after the countries/ geographic regions of their members: Australia, Senegambia, Cuba and Mali. According to their profile on Bandcamp, they are more than just a band, they are a philosophy. Led by master djembe player [an African drum], Boubacar Gaye [from Senegal], the nine-strong ensemble, demonstrate artists coming together based on an idea – the idea of place, of transplanting cultural heritage into a contemporary city. Ausecuma Beats is people from all corners of the world finding themselves together in new environments, as a community. Their website also calls out the following additional members: Yusupha Ngum (lead vocals; from Gambia); Rodolfo Hechavarria, known as “Panga” (congas; Cuba); Ed Crocker (drums; Australia); Bassidi Koné (balafon, an African wooden xylophone-like instrument; Mali); and Adam Halliwell (electric guitar; Australia). While I haven’t been able to find when the band was formed, the tune Yelena appears on their eponymous debut album. This is music radiating joy with an infectious groove. I take this any day, especially during these unreal times we are currently witnessing!

Ward Davis/Ain’t Gonna be Today

Ward Davis, originally hailing from Monticello, Ark., is a country singer-songwriter who has been based in Nashville since 2000. According to his artist profile on Apple Music, Davis first gained attention in Nashville as a songwriter, placing songs on albums by Trace Adkins, Wade Hayes, Merle Haggard & Willie Nelson, and Cody Jinks. The latter was a pivotal connection for Davis. After he co-wrote three songs for Jinks’ 2018 album Lifers, Jinks chose to go out on tour with the like-minded Davis, thereby raising the profile of this practitioner of lean, literary neo-outlaw country...Davis spent his first decade attempting to fit into the commercial confines of Nashville, but success took a while to materialize. His first break arrived in 2011, when he placed “My Kind of Crowd” on Premium Country from David Adam Byrnes. In 2014, he released an EP, No Bridges. His debut album 15 Years in a 10 Year Town followed in 2015. Ain’t Gonna be Today is the opener of Davis’ sophomore album Black Cats and Crows. Co-written by Davis and Kendell Marvel, the country rocker features nice harmony guitar and pedal steel action.

I Am the Avalanche/Better Days

I Am the Avalanche are a punk rock band from Brooklyn, N.Y., founded in 2004. ‘Fugetaboutit’, used to be my kneejerk reaction when it comes to punk. But over the years, I’ve come to realize not all punk is created equal, and there’s actually some I like to listen to, at least occasionally. Since I rarely can lose my pop instinct entirely, a tune generally needs to have some melody to appeal, not just be noise. Based on their new studio album Dive, I Am the Avalanche seems to fit the bill. The band features Vinnie Caruana (lead vocals, guitar), Brandon Swanson (guitar), Michael Ireland (guitar), Kellen Robson (bass) and Brett “The Ratt” Romnes (drums). Their eponymous studio debut came out in September 2005. Better Days, co-written by Ireland and Caruana, is the opener of the new album, the band’s fourth studio album. The grungy pop rocker reminds me a bit of Green Day.

Anna McClellan/Feel You

According to her Facebook page, Anna McClellan began performing original songs in her hometown of Omaha, NE at the age of seventeen and has been actively recording and touring ever since. Her debut, Fire Flames [2015], earned her an opening slot on a Frankie Cosmos tour. Through the doors that tour opened, McClellan eventually met Father/Daughter Records which led to the release of her second full-length record, Yes and No, in 2018. After a stint in NYC, several subsequent tours and meandering, Anna returned to Omaha and recorded I saw first light, her latest effort for Father/Daughter. The album was recorded over two weeks with a multitude of local cohorts, and it documents Anna’s journey from the Midwest to the east coast and back again, probing both the roots of her creative impetus and her ongoing commitment to social issues. Here’s Feel You from McClellan’s new album I Saw First Light.

Sources: Wikipedia; Bandcamp; Ausecuma Beats website; Apple Music; Facebook; YouTube

Best of What’s New

A selection of newly released music that caught my attention

It’s that time of the week again where I’d like to take a peek at newly released music. All of the selections in this Best of What’s New installment are truly new. They were all released yesterday. I’m also pleased the collection features a good deal of variety, including indie pop grunge, alternative pop, country rock, heavy rock and even some African music. Most importantly, no matter what you call it, it’s all great music, so let’s get to it!

Viji/Are You in My Head

Are You in My Head is the title track of what appears to be the debut EP by Viji. Unfortunately, there is very little publicly available information on this young artist. According to her Spotify profile, Viji is the moniker of Austrian-Brazilian, London-based singer-songwriter Vanilla Jenner. She creates imaginative and original music that crosses the worlds of alternative pop and lo-fi indie weirdness. A review by Dork Magazine includes some commentary from the artist on the song and the EP. “The song ‘Are You In My Head’ is about the internal struggle of relationships. Especially how little things can blow up in your head if you’re in a bad mood…The EP is the first body of work that I’ve ever brought out. I finished writing all the songs for it around this time last year, and then took a few months to record it…The sound is very raw, and we kept a lot of my tracks from the demos. It’s pop melodies over lofi indie chords.” While the music falls outside my core wheelhouse, I can’t deny there’s something charming about it.

Shenandoah/High Class Hillbillies (featuring Cody Johnson)

How about a nice country rocker with the lovely title High Class Hillbillies? This is from the new album Every Road by Shenandoah, a country music band founded in Muscle Shoals, Ala. in 1984. Their eponymous debut album appeared in September 1987. According to Billboard, Every Road is a collaboration album “featuring some of today’s top hitmakers” and the band’s first album in 26 years with all new music. One of the collaborators is country singer-songwriter Cody Johnson, who contributes vocals on High Class Hillbillies. The tune was co-written by Marty Raybon (lead vocals, guitar) and Mike McGuire (drums, backing vocals), the band’s two remaining original members, together with songwriters Jim Collins and Wade Kirby.

Benee/Happen to Me

Benee (born Stella Rose Bennett) is a 20-year-old singer-songwriter from Auckland, New Zealand. According to Apple Music’s artist profile, With her introspective lyrics and smoky, stylized vocals, BENEE combines the sophisticated R&B of artists like Sade and Corinne Bailey Rae with the atmospheric, head-voice electronics of Billie Eilish. In 2017, during her final year in high school, Benee began posting music covers to Soundcloud. Her debut single Tough Guy appeared later that year. This was followed by her debut EP Fire on Marzz from June 2019, which included the lead single Soaked that climbed to no. 14 on the Official New Zealand Music Chart. Supalonely featuring American singer Gus Dapperton, a single from Benee’s second EP Stella & Steve, gained her international popularity. Happen to Me is the opener of Hey u, x, Benee’s first full-length album. Again, it’s not the kind of music I typically listen to, but there’s just something to it.

Chris Stapleton/Arkansas

Arkansas is another great country rocker. It appears on the fourth studio album Starting Over by Chris Stapleton. The singer-songwriter, who has been active since the early 2000s, released his debut studio in May 2015. It was well received, earned Stapleton several awards and remains his most successful record to date. Billboard is pretty upbeat about his latest release: You’ll be hard-pressed to find a better country album this year than Starting Over…From Stapleton’s ragged, soulful vocals to Dave Cobb’s feral production, Starting Over is all untamed emotion. What triggered my attention in part is the involvement of two former members of Tom Petty and the Heartbreakers I dig: Guitarist Mike Campbell and keyboarder Benmont Tench. Arkansas is one of two tunes on the album Stapleton co-wrote with Campbell who has an album with his own band The Dirty Knobs set for release on November 20.

Phil Campbell and the Bastard Sons/We’re the Bastards

Let’s crank it up a notch with a crunchy rocker by Phil Campbell and the Bastard Sons: We’re the Bastards. This Welsh band was formed in 2016 by Campbell, longtime guitarist of Motörhead, following the death of frontman Ian Fraser Kilmister, better known as Lemmy. We’re the Bastards is the title track of the band’s new album, the second full-length record after 2018’s The Age of Absurdity. The band’s remaining members include Phil’s three sons Todd Campbell (guitar, harmonica), Tyla Campbell (bass) and Dane Campbell (drums), along with lead vocalist Neil Starr. Take it away, boys!

Star Feminine Band/Femme Africaine

I almost would have skipped over this last group, but how many all-girl female bands from Africa you know? According to The Vinyl Factory, the members of Star Feminine Band from the West African country Benin range from 10 to 17 years. The line-up inclides Angélique Balaguemon (drums, vocals), Julienne Sayi (bass guitar), Marguerite Kpetekout (drums), Grâce Marina Balaguemon (keyboard, vocals), Anne Sayi (electric guitar), Urrice Borikapei (percussion, vocals) and Sandrine Ouei (keyboard). The group came together after they responded to a local radio station’s advert inviting girls to participate in a series of free music training sessions. Femme Africaine is from their eponymous debut album, which The Vinyl Factory notes incorporates elements of highlife, garage rock, Congolese rumba, Beninese sato, and psychedelia as they address themes of equality, empowerment and female genital mutilation. Check out this video, which is such a joy to watch!

Sources: Wikipedia; Spotify; Dork Magazine; Billboard; Apple Music; The Vinyl Factory; YouTube

Best of What’s New

A selection of newly released music that caught my attention

The weeks seem to be flying by these days. After having spent so much time at home since March due to the seemingly never-ending COVID-19 pandemic, I frequently find myself forgetting what day of the week it is. Anyhow, my calendar tells me today is Saturday, which means it’s time to take another look at newly released music. Without any further delay, let’s get to some great stuff I found!

Bob Mould/Siberian Butterfly

American guitarist and songwriter Bob Mould, who has been active since 1979, is primarily known for his work with punk and alternative rock bands Hüsker Dü in the late ’70s and ’80s, and Sugar in the ’90s. He also has released 13 solo albums to date. Siberian Butterfly is a catchy grungy pop rocker that reminds me a bit of Green Day. The tune came out on September 9 ahead of Mould’s 14th studio album Blue Hearts, which is scheduled for September 25. I’ve said it before and I’ll say it again: Old guys rock! 🙂

Doves/Broken Eyes

Doves are an English alternative rock band from Manchester, England. There were formed in 1998. After going on hiatus in 2010, they regrouped in December 2018. The band includes twin brothers Jez Williams (guitar, vocals) and Andy Williams (drums, vocals), along with Jimi Goodwin (bass, vocals, guitar). Martin Rebelski (keyboards) is part of Doves’ touring line-up and has also been involved in their recording sessions. Co-written by the Williams brothers and Goodwin, Broken Eyes is a tune from the band’s fifth and latest studio album The Universal Want that appeared on September 11. Check out the track’s great sound, which drew me in right away.

The Flaming Lips/Mother Don’t Be Sad

The Flaming Lips are an American band with an eclectic style, which were formed in Oklahoma City in 1983. They include founding members Wayne Coyne (vocals, guitar, keyboards) and Michael Irvins (bass), as well as Steven Drozd (guitar, keyboards), Derek Brown (guitar, keyboards), Jake Ingall (keyboards, guitar), Matt Duckworth Kirksey (drums) and Nick Ley (percussion). The current line-up has existed since 2014. According to Wikipedia, the band’s music has varied over time and included alternative, psychedelic and experimental rock and noise pop, among others. Their mainstream breakthrough came with their ninth studio album The Soft Bulletin in 1999. The band also won three Grammy awards, including Best Surround Sound Album for their 2006 studio release At War With the Mystics. Mother Don’t Be Sad is a track from their new album American Head released on September 11. Credited to the entire band, the tune also appeared separately on August 28 as the album’s sixth upfront single. This intriguing power ballad is beautiful and haunting at the same time.

Savoy Brown/Rocking in Louisiana

Okay, we’ve come to the final tune of this Best of What’s New installment, and there hasn’t been any blues rock. Of course, I can’t let this happen! Rocking in Louisiana is a terrific tune by longtime British blues rockers Savoy Brown from their new album appropriately titled Ain’t Done Yet, which came out on August 28. This band has been around since 1965, when it was founded by guitarist Kim Simmonds and harmonica player John O’Leary. The original line-up also included Brice Portius (vocals), Trevor Jeavons (keyboards), Ray Chappell (bass) and Leo Manning (drums). Since their debut album Shake Down from September 1967, Savoy Brown have released some 40 additional studio, live and compilation records. Simmonds remains as the only original member in the band’s current version that since 2009 has also featured Pat DeSalvo (bass) and Garnet Grimm (drums). These guys are nicely rockin’, with Simmonds throwing in some sweet slide guitar work. My kind of music!

Sources: Wikipedia; YouTube