The Sunday Six

Celebrating music with six random tracks at a time

Yep, hard to believe it’s Sunday again. While I find it amazing how another week just flew by, on the upside, this also means it’s time again for my favorite feature, The Sunday Six. For first-time visitors, these weekly posts are mini excursions exploring different styles of music in zig-zag fashion over the past 70 years, six tunes at a time.

My picks for this installment include instrumental acoustic guitar music, classic rock & roll, rock, soul and pop rock. The journey starts in 2021 and then makes stops in 1959, 1979, 1967 and 1995 before it comes to an end in 2003. All on board and fasten your seatbelts!

Hayden Pedigo/Letting Go

As is often the case in this series, I’d like to start with an instrumental track. This time, instead of a jazz tune, I’ve picked some lovely acoustic guitar music by Hayden Pedigo, a 27-year-old American artist whose music I first encountered about a month ago. According to Wikipedia, Pedigo started taking guitar lessons as a 12-year-old. His diverse influences include Stevie Ray Vaughan and Ry Cooder, as well as artists of the so-called American Primitive Guitar style, such as John Fahey, Robbie Basho, Daniel Bachman and Mark Fosson. Pedigo has also studied Soft Machine and King Crimson, and jazz artists like Miles Davis and Pharoah Sanders. In 2013, he released his debut album Seven Years Late. Since then, seven additional records have come out, including his latest, Letting Go, which appeared on September 24. Here’s the title track. I find this music very nice, especially for a Sunday morning.

Chuck Berry/Little Queenie

Just in case you dozed off during that previous track, it’s time to wake up again with some classic rock & roll by one of my favorite artists of the genre, Chuck Berry. I trust the man who John Lennon called “my hero, the creator of rock & roll” needs no further introduction. While of course no one single artist invented rock & roll, I think it’s safe to say rock & roll would have been different without Chuck Berry. Apart from writing widely covered gems like Maybellene, Roll Over Beethoven, Rock and Roll Music and Johnny B. Goode, Berry influenced many other artists like The Beatles, The Rolling Stones, The Beach Boys, Faces, The Yardbirds and The Kinks with his electric guitar licks. Here’s Little Queenie, which Berry wrote and first released as a single in March 1959. The tune also became part of the soundtrack of the rock & roll motion picture Go, Johnny Go that came out in June of the same year.

Tom Petty and the Heartbreakers/What Are You Doin’ in My Life?

Let’s keep rockin’ with a great tune by Tom Petty and the Heartbreakers: What Are You Doin’ in My Life? I have to credit my streaming music provider for including the track in a recent “Favorites Mix” playlist. While this song is on my favorite Tom Petty album Damn the Torpedoes from October 1979, it had not quite registered until it was served up to me recently. I think it’s fair to say Petty’s third studio album with the Heartbreakers is better known for tunes like Refugee, Here Comes My Girl, Even the Losers and Don’t Do Me Like That. What Are You Doin’ in My Life? is more of deep track. Like most of the other songs on the album, it was solely written by Petty.

Sam & Dave/Soul Man

Next I’d like to go back to the ’60s and some dynamite soul by Stax recording artists Sam & Dave. Soul Man, co-written by Isaac Hayes and David Porter, became the R&B duo’s biggest U.S. mainstream hit surging all the way to no. 2 on the Billboard Hot 100. The tune was first released as a single in September 1967 and was also included on Sam & Dave’s third studio album Soul Men that came out the following month. The backing music was provided by Stax’s excellent house band Booker T. & the M.G.’s. In fact, the exclamation in the song, “Play it, Steve,” refers to the band’s guitarist Steve Cropper. Sam & Dave performed as a duo between 1961 and 1981. Sadly, Dave Prater passed away in a single-car accident in April 1988 at the age of 50. Sam Moore is still alive and now 86.

Del Amitri/Roll to Me

I had not heard of Del Amitri in a long time until I did earlier this week on the radio. In fact, other than the name and that tune, Roll to Me, I know nothing about this Scottish alternative rock band that was formed in Glasgow in 1980. During their initial run until 2002, the group released six studio albums and two compilations. Since Del Amtri reemerged from hiatus in 2013, it looks like they have mainly been a touring act. Only one live record, one compilation and one studio album have since appeared. Notably, the latter, Fatal Mistakes, came out this May, 19 years after their last studio album. The band’s current line-up includes original member and main songwriter Justin Currie (vocals, guitar, piano), along with Iain Harvie (guitar), Kris Dollimore (guitar), Andy Alston (keyboards, percussion) and Ash Soan (drums). Roll to Me, written by Currie, is from the group’s fourth studio album Twisted from February 1995. It also was released separately as a single in June that year and became their biggest hit in the U.S. where it reached no. 10 on the Billboard Hot 100 – quite a catchy pop rock tune!

Pat Metheny/One Quiet Night

And this once again brings me to the sixth and final track. I decided to pick another acoustic guitar instrumental: One Quiet Night by Pat Metheny. While I’m very familiar with the name Pat Metheny, I believe the only music I had ever heard before is American Garage, the second album by Pat Metheny Group from 1979. That’s easily more than 30 years ago, so I don’t recall the record but oddly remember its title. Metheny who has been active since 1974 has an enormous catalog between Pat Metheny Group, his solo work and other projects. One Quiet Night, written by him, is the title track of a solo acoustic guitar album he released in May 2003. It won the 2004 Grammy Award for Best New Age Album. Both my streaming music provider and Wikipedia tagged it as jazz, the genre that first comes to my mind when I think of Metheny. Whatever you want to label it, it’s nice instrumental music and shall close this post.

Sources: Wikipedia; Discogs; YouTube

The Sunday Six

Celebrating music with six random tracks at a time

Welcome to the 40th installment of The Sunday Six. By now, more frequent visitors of the blog are well aware of what’s about to unfold. In case you’re here for the first time, this weekly recurring feature explores music in different flavors and from different decades, six tracks at a time. The post roughly span the past 70 years and tend to jump back and forth between decades in a seemingly random fashion. Of course, there’s a secret formula behind the madness I shall not reveal! 🙂 It’s a lot fun, so hope you’ll come along and fasten your seatbelt for the zigzag ride!

Charlie Parker/Blues for Alice

Starting us off today is Charlie Parker, a highly influential jazz saxophonist, band leader and composer. According to Wikipedia, Parker was instrumental for the development of bebop jazz and was known for his blazing speed and introducing new harmonic ideas. Parker started playing the saxophone at age 11. His professional career began in 1938 when he joined pianist Jay McShann’s big band and made his recording debut. Blues for Alice is a jazz standard Parker composed in 1951 and recorded in August that year. In addition to him on alto sax, it featured Red Rodney (trumpet), John Lewis (piano), Ray Brown (bass) and Kenny Clarke (drums). Blues for Alice was released as a single at the time, and also appeared on the posthumous compilation album Swedish Schnapps from 1958, aka as The Genius of Charlie Parker, volume 8. Unfortunately, Parker had serious mental health problems and was addicted to heroin. He passed away from a heart attack in March 1955 at the young age of 34.

Johnny Winter/Let It Bleed

Let’s keep it bluesy and turn to a smoking hot cover of Let It Bleed by blues rock guitar virtuoso Johnny Winter. Co-written by Mick Jagger and Keith Richards, the tune became the title track of The Rolling Stones’ record from December 1969, their eighth British and 10th American studio album, respectively. Winter included his rendition of Let It Bleed on his fifth studio record Still Alive and Well that appeared in March 1973. He released 14 more albums until his death in Switzerland in July 2014 at the age of 70. According to his producer Paul Nelson, the cause was emphysema combined with pneumonia. Man, check this out, Winter was one hell of a guitarist! In fact, I got a chance to see him once in Essen, Germany in my late teens. I had just joined a blues band as a bassist and went with a bunch of the guys to the gig – a little educational group excursion. He was rockin’ the house or the hall (Grugahalle) I should say!

The Moody Blues/Tuesday Afternoon

Next let’s go back to November 1967 to one of my favorite songs by The Moody Blues: Tuesday Afternoon, aka Forever Afternoon (Tuesday?) or simply Forever Afternoon. Written by the band’s guitarist and lead vocalist Justin Hayward, this gem appeared on Days of Future Passed, their second record. According to Wikipedia, the idea for the concept album was triggered when Decca offered The Moody Blues, who at the time were in financial distress due to lack of commercial success, a last-ditch opportunity to record a stereo album that combined their music with orchestral interludes. When Days of Future Passed came out, critics received it with mixed reviews. It reached a moderate no. 27 on the UK charts, though it did much better in the U.S. and Canada where it climbed all the way to no. 3. While their last album, a Christmas record, dates back to 2003, The Moody Blues remain active to this day. The core line-up includes Graeme Edge (drums), one of the original members who co-founded the band in 1964, as well as Hayward (guitar, vocals) and John Lodge (bass, guitar, vocals) who each joined in 1966. That’s just remarkable!

The Bangles/September Gurls

A few days ago, I published a post about all-female rock pioneers Fanny. One of the all-female groups that followed them are The Bangles. The pop rock group first entered my radar screen with Manic Monday, the lead single and a huge hit from their sophomore album Different Light released in 1986. The great record also yielded four other charting singles, including Walk Like an Egyptian, the album’s biggest hit. Interestingly, a track that has become one of my favorites from that record didn’t appear as a single: September Gurls. Written by Alex Chilton, the tune was originally released by American power pop band Big Star on their second studio album Radio City from February 1974. I really dig this cover by The Bangles, as well as the original. BTW, The Bangles also still exist. After the group had disbanded in 1989, they reformed 10 years later.

Indigenous/Number Nine Train

Let’s do some more blues rock, coz why not? On the recent Indigenous Peoples’ Day, fellow blogger Music Enthusiast brought to my attention Indigenous, a great native American blues rock band. Originally, the group was founded in the late ’90s by Mato Nanji (Maiari) (‘mah-TOE non-GEE’) (vocals, guitar), his brother Pte (‘peh-TAY’) (bass), as well as their sister Wanbdi (‘wan-ba-DEE’) (drums, vocals) and their cousin Horse (percussion), all members of the Nakota Nation. Their influences include Stevie Ray Vaughan, Jimi Hendrix and Carlos Santana. Indigenous released their debut album Things We Do in 1998. Number Nine Train is a track from the band’s seventh studio album Chasing the Sun that came out in June 2006 and reached no. 2 on the Billboard Top Blues Albums chart. The tune was written by record producer Bobby Robinson and first released by Tarheel Slim in 1959. Indigenous are still around, with Mato Nanji remaining as the only original member. These guys are totally up my alley, and I definitely need to do more exploration – thanks again, Jim, for flagging!

Sister Hazel/All For You

Once again this brings me to the sixth and final tune of our little music excursion: All For You by Sister Hazel. I’ve always liked this song, which I believe the only one I can name from the American alternative rock band. Sister Hazel were formed in Gainesville, Fla. in 1993 by Ken Block (lead vocals, acoustic guitar), Ryan Newell (lead guitar, harmony vocals), Andrew Copeland (rhythm guitar, vocals), Jett Beres (bass, harmony vocals) and Mark Trojanowski (drums), the same line-up that remains in place to this day, if I see this correctly! All For You, which was the band’s debut single, appeared on their sophomore album …Somewhere More Familiar that came out in February 1997. Credited to Block and Sister Hazel, the tune became the band’s biggest hit and their signature song. It climbed to no. 11 on the Billboard Hot 100 and topped the Adult Top 40 Airplay chart. Just a catchy tune!

Sources: Wikipedia; YouTube

Rock the Farm Triumphantly Returns to Jersey Shore

Ten-hour open air festival for great cause features top-notch music tribute acts

After taking a break last year due to this seemingly never-ending pandemic, Rock the Farm 2021 had felt a long time coming – especially the weeks leading up to it! Yesterday (September 25), the wait was finally over. The annual event in Seaside Heights, N.J., organized by the CFC Loud n Clear Foundation, combines music performed by outstanding tribute bands with raising funds and awareness for programs that support individuals and families struggling with addiction. CFC’s efforts aim to fill the gap after clinical treatment, a period when staying sober and remaining on track can be particularly challenging. You can read more about this nonprofit organization and their important work here.

Rock the Farm 2021 marked the seventh time the festival took place. As in years past, the line-up of tribute acts was impressive: One Fine Tapestry (Carole King), Coo Coo Cachoo (Simon & Garfunkel), Walk This Way (Aerosmith), Decade (Neil Young), The Traveling Milburys (The Traveling Wilburys), Guns 4 Roses (Guns N’ Roses), TUSK (Fleetwood Mac) and Tramps Like Us (Bruce Springsteen).

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Just imagine for a moment these would have been the real acts. Apart from being non-affordable for most music fans, obviously, it wouldn’t have been possible to have all these artists appear at the same festival. Creating a unique music experience is a key idea behind Rock the Farm! And it’s definitely part of what makes it so much fun to attend!

Following are some highlights from the 10-hour music marathon that took place on two stages next to each other. I’m going in chronological order, featuring one clip per tribute act that are all from New Jersey except when noted otherwise.

One Fine Tapestry/I Feel the Earth Move

As in years past, One Fine Tapestry, a tribute to Carole King, kicked off Rock the Farm. At the core of this act are Gerard Barros and Diane Barros, a versatile husband and wife duo performing a variety of different tribute shows. Yesterday, they were backed by a full band. Here’s I Feel the Earth Move, a tune from King’s Tapestry album that appeared in February 1971 – one of the many gems celebrating their 50th anniversary this year!

Coo Coo Cachoo/Mrs. Robinson

Coo Coo Cachoo are Thomas Johnston and Ed Jankiewicz, who have been performing Simon & Garfunkel songs since they met in high school close to 50 years ago – that’s just remarkable! Here’s their set opener Mrs. Robinson. Written by Paul Simon, the tune was included on Simon & Garfunkel’s fourth studio album Bookends from April 1968. It also became the record’s lead single and, of course, was part of the soundtrack for the romantic comedy drama The Graduate released in December 1967.

Walk This Way/Love in an Elevator

Walk This Way are a Dallas, Texas-based tribute to Aerosmith, featuring Ian Latimer as Steven Tyler (vocals), David Semans as Joe Perry (guitar, backing vocals), Chris Bender as Tom Hamilton (bass), Martin Turney as Joey Kramer (drums), Eamonn Gallagher as Brad Whitford (guitar) and Chris Loehrlein as Russ Irwin (keyboards). They opened their set with Love in an Elevator, a track co-written by Perry and Tyler, and included on Aerosmith’s 10th studio album Pump that appeared in September 1989. It also became the record’s second single.

Decade/Almost Cut My Hair

Decade are a band around Neil Young tribute artist John Hathaway (guitar, vocals), who has performed with different line-ups over the years. Yesterday’s backing band included Gordon Bunker Strout (guitar, backing vocals), Joseph Napolitano (pedal steel guitar), Billy Siegel (keyboards), John Perry (bass), Bob Giunco (drums) and Pam McCoy (backing vocals). In addition to Young songs, they also throw in a few tunes by Crosby, Stills, Nash & Young, such as this great rendition of Almost Cut My Hair featuring Pam McCoy on lead vocals. Penned by David Crosby, the song is from the DĂ©jĂ  Vu album, the first CSN record with Neil Young, released in March 1970.

The Traveling Milburys/Telephone Line

Traveling Wilburys tribute act The Traveling Milburys feature Nelson Milbury as George Harrison, Lefty Milbury as Roy Orbison, Charlie T. Milbury as Tom Petty, Otis Milbury as Jeff Lynne and Lucky Milbury as Bob Dylan. Also part of this Canadian band are Rick Hyatt (keyboards), Mike Berardelli (bass) and Danny Sandwell (drums). Apart from Wilburys songs, the group plays many tunes from the individual artists that made up the Wilburys. Here’s Telephone Line, a track written by Lynne from ELO’s sixth studio album A New World Record that came out in September 1976.

Guns 4 Roses/Sweet Child o’ Mine

Guns 4 Roses, another Dallas-based band, are a tribute to Guns N’ Roses. Their members are Laz as Axl Rose (lead vocals), Eamonn as Slash (guitar), Chris as Duff McKagan (bass), David as Dizzy Reed (keyboards), Martin as Steven Adler (drums) and Chris as Izzy Stradlin (guitar). Here’s Sweet Child o’ Mine from Guns N’ Roses’ debut album Appetite for Destruction released in July 1987. The tune, which also became the record’s third single, was credited to the entire band. These guys were truly rockin’ the farm!

TUSK/You Make Loving Fun

TUSK are a tribute band focused on the pop rock period of Fleetwood Mac. The group includes Kathy Phillips as Stevie Nicks (vocals), Kim Williams as  Christine McVie (keyboards, vocals), Scott McDonald as Lindsey Buckingham (guitar, vocals), Randy Artiglere as John McVie (bass) and Tom Nelson as Mick Fleetwood (drums). Their harmony singing is just incredible! Here’s You Make Loving Fun written by Christine McVie and from the Rumours album that appeared in February 1977. It also became the record’s fourth and final single.

Tramps Like Us/Tenth Avenue Freeze-Out

Closing out Rock the Farm 2021 was music by The Boss performed by longtime Bruce Springsteen tribute Tramps Like Us – great way to end a 10-hour music marathon! Formed in 1990, the band features front man Mark Salore as Bruce Springsteen (vocals, guitar), together with Jon Malatino (acoustic guitar, percussion, backing vocals), Ken Hope (piano, organ, keyboards, backing vocals), Tom LaRocca (saxophone, keyboards, guitar, backing vocals), Scott Bennert (bass, backing vocals) and Marty Matelli (drums, percussion). Here’s Tenth Avenue Freeze-Out, one of my favorite tunes from Born to Run, Springsteen’s third studio album from August 1975.

This was my fourth Rock the Farm in a row. While except for The Traveling Milburys I had seen all other tribute acts at previous Rock the Farm and/or other concerts, this event truly has been a gift that keeps on giving. Admittedly, my decision to attend this year did not come as easily as in the past, given COVID-19. After all, I had stayed away from most music events over the summer. Rock the Farm was the one I simply didn’t want to miss!

Sources: Wikipedia; CFC Loud n Clear Foundation website; One Fine Tapestry website; Coo Coo Cachoo Facebook page; Walk This Way website; Decade Facebook page; Traveling Milburys website; Guns 4 Roses website; TUSK website; Tramps Like Us website; YouTube

The Sunday Six

Celebrating music with six random songs at a time

It’s Sunday and we’ve made it through another week. This means the time has come for a new installment of The Sunday Six, my weekly recurring feature that randomly explores music, six tunes at a time.

Delvon Lamarr Organ Trio/Call You Mom

This week, I’d like to open the post with groovy instrumental music by Delvon Lamarr Organ Trio. Featuring Hammond B-3 organist Delvon Lamarr, guitarist Jimmy James and drummer Dan Weiss, the group blends organ jazz with funk and soul. I “found” and first covered them in February this year. Here’s an excerpt from their website for additional color: Delvon Lamarr Organ Trio—or as it is sometimes referred to, DLO3—specialize in the lost art of “feel good music.” The ingredients of this intoxicating cocktail include a big helping of the 1960s organ jazz stylings of Jimmy Smith and Baby Face Willette; a pinch of the snappy soul strut of Booker T. & The M.G.’s and The Meters; and sprinkles Motown, Stax Records, blues, and cosmic Jimi Hendrix-style guitar. It’s a soul-jazz concoction that goes straight to your heart and head makes your body break out in a sweat. To date, Delvon Lamarr Organ Trio have released three albums. Call You Mom, co-written by Lamarr (credited as Delvon Dumas) and James (credited as Jabrille Williams), is a track from their most recent one, I Told You So, which came out on January 19, 2021.

Sting & Shaggy/Just One Lifetime

Let’s stay on the groovy side with a reggae tune by Sting and Jamaican pop reggae fusion artist Shaggy. When I learned three years ago the two had teamed up for a collaboration album, 44/876 released in April 2018, I was a bit surprised at first. But given Sting’s versatility and previous reggae groove-influenced Police tunes like Roxanne and Walking On The Moon, it quickly made sense to me. Here’s Just One Lifetime, co-written by Sting, Shaggy (credited as Orville Burrell), Shane Hoosong, Shaun Pizzonia and Rohan Rankine. This is one seductive song that’s perfect for summer.

The Lovin’ Spoonful/Summer in the City

Speaking of summer, here’s one of my favorite summer tunes from the ’60s: Summer in the City by The Lovin’ Spoonful. It must have been 30 or 40 years ago when I first heard this song on the radio in Germany – most likely on an oldies show that aired on Sunday nights on my favorite station SWF3 (now SWR3). While I can’t recall the year, what I surely remember is that I loved this tune right away. Co-written by band members John Sebastian and Steve Boone, together with John’s brother Mark Sebastian, Summer in the City first appeared in July 1966 as the lead single of The Lovin’ Spoonful’s fourth studio album Hums of the Lovin’ Spoonful released in November of the same year. It became their biggest hit, topping the Billboard Hot 100 and the charts in Canada, surging to no. 3 in New Zealand, and reaching no. 8 in the UK. After disbanding in 1969 and a short reunion in 1979, founding members Joe Butler and Steve Boone revived the band with a new line-up in 1991. The Lovin’ Spoonful exist to this day, with Butler and Boone still being part of the current incarnation.

Katrina and the Waves/Walking on Sunshine

And since we’re in the middle of summer, let’s throw in another great tune associated with the season: Walking on Sunshine by Katrina and the Waves. Interestingly, the catchy song went unnoticed when it first appeared as the title track of their debut album in December 1983. Things changed dramatically with a re-recorded version that became the lead single of the band’s eponymous third studio album from March 1985. Walking on Sunshine turned out to be their biggest hit peaking at no. 9 and no. 8 in the U.S. and the UK, respectively. Chart success was even bigger in Ireland (no. 2), Canada (no. 3) and Australia (no. 4). I still remember the tune seemed everywhere on the radio in Germany at the time. Walking on Sunshine was written by Kimberley Rew, the group’s lead guitarist. After 10 albums Katrina and the Waves dissolved in 1999, following the departure of vocalist and rhythm guitarist Katrina Leskanich. This is one fun tune!

Yes/Roundabout

I’ve never gotten very much into prog rock, in part because I found some of it not very accessible. I can also get impatient with tracks that last six, seven or even more than eight minutes because of extended instrumental sections. One of the few exceptions are Yes. Initially, the British band entered my radar screen with Owner of a Lonely Heart, their hit single from October 1983, which of course sounds much more like ’80s pop rock than progressive rock. While I loved that tune right away, it took me some time to explore and fully warm to the band’s earlier output. And, to be fully transparent, my knowledge of their music is still quite spotty. Nowadays, one of my favorite Yes tunes is Roundabout, in all of its 8-minute-plus mighty! 🙂 Co-written by lead vocalist Jon Anderson and guitarist Steve Howe, the track appeared on the band’s fourth studio album Fragile from November 1971. Yes, who were inducted into the Rock and Roll Hall of Fame in April 2017, remain active to this day, with Howe as the only original member. In fact, just a few days ago, Yes announced a new studio album, The Quest, scheduled for October 1 – the first in seven years, as reported by Ultimate Classic Rock and other music news outlets.

Hurry/It’s Dangerous

Let’s wrap up things with some melodic contemporary indie rock by a band from Philadelphia I recently discovered as part of my Best of What’s New new music feature: It’s Dangerous by Hurry. The band originally started as a solo project by principal songwriter Matt Scottoline. Borrowing from my previous post, according to his Apple Music profile, Scottoline, the bassist of Philly EMO band Everyone Everywhere, spent his free time writing and recording songs on his own, delving further into power pop and ’90s guitar rock than his main band ever did…In 2012, he released an eight-song self-titled record under the Hurry name, playing all the instruments himself. When Everyone Everywhere began to cut back on their schedule in the early 2010s, Scottoline decided to form an actual band, recruiting drummer Rob DeCarolis and a rotating cadre of friends on bass to play live shows. In addition to Scottoline and DeCarolis, Hurry’s current line-up includes DeCarolis’ brother Joe DeCarolis (bass) and Justin Fox (guitar). It’s Dangerous, co-written by Scottoline and Chris Farren, is the opener of the band’s new album A Fake Idea released on June 25.

Sources: Wikipedia; Delvon Lamarr Organ Trio website; Ultimate Classic Rock; YouTube

Happy Birthday and Peace & Love

A playlist to celebrate Ringo Starr’s 81st birthday

Today, Ringo Starr has turned 81 years old. It’s so great to see he’s still going strong! I just love the man and not only because he was the drummer of my all-time favorite band The Beatles. Ringo strikes me as a genuinely nice guy with a great sense of humor, who despite his fame comes across as a fairly regular person. A guy you’d love to hang out with. And somebody every band would want to have as a member since it always seems to be about the group, never about him.

Ringo is no technical virtuoso, which I’ve seen him acknowledge in interviews. I think his honesty and humbleness say a lot about him. And yet he’s held in high esteem by other professional drummers for his creative drumming style. That’s especially the case when it comes to certain Beatles songs where you can figure out the tune just by listening to Ringo’s drum part. When you think about it, that’s pretty cool!

But it’s perhaps the concept of Ringo’s All-Starr Band, which best illustrates what he’s all about. Yes, they play some songs from his solo period and his time with The Beatles, but they also perform tunes from the other members. It’s the “all” in the band’s name that matters. I so much hope I’ll finally see Ringo for the first time with the latest incarnation of the All-Starr Band at New York’s Beacon Theatre in June 2022. Meanwhile, let’s celebrate his 81st birthday with a selection of tunes spanning his 50-year-plus solo career.

It Don’t Come Easy – non-album single, April 1971

PhotographRingo, November 1973

No No SongGoodnight Vienna, November 1974

Wrack My BrainStop and Smell the Roses, October 1981

In My CarOld Wave, June 1983

Drift Away (featuring Tom Petty, Steven Tyler and Alanis Morissette) – Vertical Man, June 1998

Walk With You (duet with Paul McCartney) – Y Not, January 2010)

Postcards From ParadisePostcards From Paradise, March 2015

We’re on the Road AgainGive More Love (September 2017)

Waiting for the Tide to TurnZoom In (EP), March 2021

And, remember, wherever you are at noon today, Peace and Love!

Sources: Wikipedia; YouTube

Clips & Pix: Toto/Pamela

I realize this is the second Clips & Pix post in a row about a tune I already covered previously, but when I spotted this live rendition of Pamela by Toto on YouTube, I simply couldn’t resist publishing it. This was recorded during a one night special event on November 21, 2020, featuring Toto’s new line-up. And, boy, do they sound awesome!

After the end of Toto’s 2018-2019 40 Trips Around the Sun Tour to celebrate their 40th anniversary, it looked like they were done. Not so! The above event was the first time the band performed with their new formation. In addition to long-time members Steve Lukather (guitar, vocals), Joseph Williams (vocals) and David Paich (keyboards, vocals), Toto’s 15th incarnation includes Steve Maggiora (keyboards, backing vocals), Dominique “Xavier” Taplin (keyboards), Warren Ham (saxophone, percussion, backing vocals), John Pierce (bass) and Robert “Sput” Searight (drums).

Fifteen line-ups sounds like awfully many. And as bands go through multiple changes, things don’t necessarily get better. It can take time to become a true unit. In this case, all of the above musicians not only sound top notch but also do a nice job playing together. In my opinion, the standout is Searight. While I’m not a drummer, to me, he has great rhythmic feeling and is simply a joy to watch. Pay particular attention to him!

Pamela, co-written by Paich and Williams, first appeared on The Seventh One, Toto’s seventh studio album released in March 1988 – one of their best, in my view. Sadly, it was the last studio album with Jeff Porcaro, the band’s fantastic original drummer. It certainly can’t be easy to fill his shoes, but Searight looks like he’s the guy to do it!

Toto has already announced a major new tour. I guess there are still many fans out there, and it’s probably also lucrative for them to go on the road. The Dogz of Oz World Tour is scheduled to kick off in Germany in July 2022. If they come to my neck of the woods, I will seriously consider seeing them again.

Sources: Wikipedia; YouTube

Best of What’s New

A selection of newly released music that caught my attention

This latest Best of What’s New installment coincides with the fifth anniversary of the blog, which was yesterday (June 25). If you’re curious, my inaugural post is here. Frankly, when I started this endeavor in June 2016, I really wasn’t sure whether I would stick with it. Lately, my time has been pretty limited to the point where I considered taking a break. But writing about music is way too much fun, so the show must go on! This brings me to my new music picks for this week: Three acts I had not heard of before, as well as a band I’ve known since the late ’70s and that is out with their first new music in a decade.

Lightning Bug/The Return

Lightning Bug are an indie pop band from Brooklyn, New York, which has been around for about 10 years. Unfortunately, there is very little official public information available on this band, so I’m largely relying on reviews by Spectral Nights, Stereogum and Americana Highways. Lightning Bug started out as a trio consisting of multi-instrumentalists Audrey Kang (lead vocals, electric guitar, acoustic guitar, vocal loops, violin, synthesizer, electronics, bowed cymbal, bowed pedal steel), Kevin Copeland (background vocals, electric guitar, acoustic guitar, pedal steel, sampler, piano, bass guitar, bowed electric guitar, drum programming) and Logan Miley (sampler, modular synthesizer, drum programming, bass synthesizer, piano, electric guitar, electronics). After signing with record label Fat Possum in 2020, they added Vincent Puleo (bass, acoustic guitar) and Dane Hagen (drums, acoustic guitar) to the line-up. The Return, co-written by Kang, Copeland and Miley, is the opener to Lightning Bug’s third and new album A Color of the Sky released yesterday. I find the dreamy and spacy sound and Kang’s soft voice quite soothing.

The Mountain Goats/Mobile

The Mountain Goats are an indie folk rock band founded by singer-songwriter John Darnielle in Claremont, Calif. in 1991. For many years, the group’s sole permanent member was Darnielle who relied on collaborators. The first release under the name The Mountain Goats was a cassette in 1991, titled Taboo VI: The Homecoming. The first full-length album Zopilote Machine appeared in 1994. Starting with their seventh album Tallahassee from November 2002, The Mountain Goats started recording as a full band. The catalog released to date under the name The Mountain Goats includes about 20 albums and more than 25 EPs and singles. In addition to Darnielle (vocals, guitar, keyboards), the band’s current core members include Matt Douglas (flute, saxophone, clarinet, guitar, keyboard, backing vocals), Peter Hughes (bass, backing vocals) and Jon Wurster (drums). Here’s Mobile from their new album Dark in Here, which came out yesterday. Like all other tracks, it was written by Darnielle. Great sound!

Journey/The Way We Used to Be

Undoubtedly, some eyes are going to roll when they see the name Journey. Call it arena rock or pop rock or whatever else you want. Since I first heard Wheel in the Sky on the radio in Germany back in the late ’70s, I always thought Journey had some good songs. Formed as Golden Gate Rhythm Section in San Francisco in 1973 by former members of the Santana band Neal Schon (lead guitar) and Gregg Rollie (keyboards), along with George Tickner (rhythm guitar), Ross Valory (bass) and future drummer of The Tubes, Prairie Prince, the band initially was conceived as a back-up group for Bay Area artists. However, they quickly abandoned the concept, renamed themselves Journey and released their eponymous debut record in April 1975, a progressive rock album. After Steve Perry became Journey’s lead vocalist in October 1977, they adopted a much more pop rock-oriented sound and entered their commercially most successful period. Following Perry’s departure in 1998, the band brought in Steve Augeri as their new lead vocalist. Due to vocal issues his tenure with Journey ended in July 2006. In December 2007, Filipino singer-songwriter Arnel Pineda became the band’s new vocalist after Neal Schon had seen videos of him on YouTube. Journey have also been through multiple other changes in their line-up over the decades. The current formation features Schon (lead guitar, backing vocals), Pineda (lead vocals), Jonathan Cain (keyboards, backing vocals) and Randy Jackson (bass), along with new members Narada Michael Walden (drums) and Jason Derlatka (keyboards, backing vocals). On June 24, Journey released The Way We Used Be, a single and their first new music since their most recent studio album Eclipse from May 2011. Based on this Billboard story, a new album is in the works as well. It’s not exactly Who’s Crying Now, Don’t Stop Believin’ or Open Arms, but it still does sound like Journey.

Mannequin Pussy/To Lose You

Mannequin Pussy are a punk and indie rock band from Philadelphia. They were initially founded in October 2010 as a duo by Marisa Dabice (vocals, guitar) and Athanasios Paul (drums) who had met each other in school. In early 2013, Drew Adler joined on drums and Paul moved to guitar. In October that year, the band’s first album appeared as a limited cassette-only edition. It was subsequently re-released in 2014 by their new label Tiny Engines and later renamed Mannequin Pussy. In 2016, Mannequin Pussy became a four piece with the addition of Colins “Bear” Regisford on bass. Two additional albums have since come out, as well as two EPs. Dabice remains as the only original member of the band’s current line-up, which also features Regisford and Kaleen Reading (drums) who replaced Adler in 2015. To Lose You is a track from the latter from the EP Perfect, released on May 21. Kind of catchy!

Sources: Wikipedia; Spectral Nights; Stereogum; Americana Highway; Billboard; YouTube

The Sunday Six

Celebrating music with six random songs at a time

Here we are on another Sunday to explore the diversity of music six tunes at a time. Today marks the official start of summer and, boy, it’s certainly hot in my neck of the woods! But I take sun and heat over a dark and cold winter day any day. Regardless of the weather in your area and how you may feel about it, I hope you find something you enjoy among my picks for this new installment of The Sunday Six.

Jesse Colin Young/Song for Juli

Starting us off this time is a beautiful, largely instrumental track by Jesse Colin Young, co-founder and lead vocalist of The Youngbloods. When I stumbled across Song for Juli the other day, I immediately felt it would make for a nice Sunday Six opener. If you’ve read some of the weekly feature’s previous installments, you may have noticed my preference to start these posts on a softer note. After the dissolution of The Youngbloods in 1972, Jesse Colin Young (born Perry Miller) resumed his solo career he had first started in the early ’60s. That pre-Youngbloods phase had yielded two solo albums: The Soul of a City Boy (April 1964) and Young Blood (March 1965). Song for Juli is the title track of Young’s fourth solo album, a folk rock-oriented record that appeared in October 1973. The tune about his first child Juli was co-written by Young and the child’s mother Suzie Young, Young’s first wife. Young who last November turned 79 remains active and has released 13 additional albums to date. His most recent one is titled Dreamers and came out in February 2019.

The Turtles/Wanderin’ Kind

Every time I hear a song by The Turtles, I’m amazed by their great harmony singing. That being said, their biggest hit Happy Together, which I featured in a previous Sunday Six installment, is the only tune I’ve known by name, though I’ve heard some of their other songs. Well, now I can add Wanderin’ Kind, the opener of The Turtles’ debut album It Ain’t Me Babe from October 1965. The tune is one of the record’s four original tracks that were all written or co-written by the band’s lead vocalist and keyboarder Howard Kaylan. Fun fact from Wikipedia: Since at the time The Turtles recorded their first album their members were still underage, they required written permission from their parents to pursue the project. During their original five-year run from 1965 to 1970, The Turtles released six studio albums. In 1983, Kaylan and Turtles co-founder and guitarist Mark Vollman revived the band and have since toured as The Turtles…Featuring Flo and Eddie. They remain active and are planning to go on the road in the U.S. later this summer as part of the Happy Together Tour 2021.

Toto/Pamela

The other day, fellow blogger Music Enthusiast included Toto in an ’80s post, reminding me of a band I’ve listened to on and off since 1982 when they released their hugely successful fourth studio album Toto IV. Pamela is the opener of The Seventh One, which is, well, Toto’s seventh studio album that came out in March 1988. The tune was co-written by keyboarder David Paich and lead vocalist Joseph Williams. Among the features I’ve always dug about Pamela are Jeff Porcaro’s drumming and the cool breaks. Sadly, it turned out to be Porcaro’s final regular studio album with Toto. He died on August 5, 1992 at the age of 38 from a heart attack caused by coronary artery disease resulting from cocaine use. Following Toto’s second hiatus that started in October 2019 after the end of their last 40 Trips Around The Sun tour, they are back in business as of October 2020. A live album titled With a Little Help From My Friends, which captures a special lockdown performance from November 2020, is set to appear on June 25. Toto have also announced their next tour, The Dogz of Oz World Tour. Currently confirmed dates are for Europe starting in Bonn, Germany in July 2022. Paich and Williams are still part of the band’s current line-up, as is guitarist Steve Lukather, Toto’s only founding member who has continuously played in all of their incarnations.

Lord Huron/Mine Forever

Kudos to fellow blogger Angie from The Diversity of Classic Rock, who recently did a great feature on new music that includes Lord Huron, one of her picks that got my immediate attention. The indie folk rock band was initially founded in Los Angeles in 2010 as a solo project of guitarist and vocalist Ben Schneider. After recording and releasing a few EPs all by himself, Schneider started adding members for support during live shows and Lord Huron’s first full-length album Lonesome Dreams from October 2012. Apart from Schneider, the band’s current line-up features Tom Renaud (guitar), Miguel Briseño (bass, keyboards) and Mark Barry (drums, percussion). Mine Forever, written by Schneider, is a track from their new album Long Lost released on May 21. The tune perfectly illustrates what attracted me to Lord Huron, which is their amazing moody sound of layered voices, jangly guitars and expanded reverb. It has a cinematic feel to it. Check it out!

Bob Marley and the Wailers/Is This Love

The first time I heard of Bob Marley must have been on the radio during my teenage years back in Germany. I assume it was Could You Be Loved, his hit single from 1980, which got lots of play on the airways. What I remember much better is how I further got into his music. It was the excellent live album Babylon by Bus, which my best friend had gotten around the same time. Released in November 1978, the double LP captured performances by Bob Marley and the Wailers, mostly from three concerts in Paris in late June 1978. One of my favorite tracks from that album has always been Is This Love. Written by Marley, the tune first appeared on Kaya, the tenth studio album by Marley and his band, which came out in March 1978. There’s just something infectious about reggae. That groove automatically makes me move. Unfortunately, Bob Marley passed away from cancer on May 11, 1981 at the age of 36.

U2/Vertigo

The time has come again to wrap up another Sunday Six. As has kind of become tradition, I’d like to do so with a rocker: Vertigo by U2. I first got into the Irish rock band in the mid-’80s with their fourth studio album The Unforgettable Fire. From there, if I recall it correctly, I went to the live album Under a Bloody Red Sky, which in turn led me to U2’s earlier records. My favorite The Joshua Tree from March 1987 was still nearly three years away. After the follow-on Rattle and Hum, released in October 1988, I became more of a casual U2 listener. I think they have had decent songs throughout their career. Vertigo, the lead single from the band’s 11th studio album How to Dismantle an Atomic Bomb from November 2004, was an acquired taste. The Edge’s more straight hard rock playing was quite a departure from what I consider his signature sound on The Unforgettable Fire and The Joshua Tree album. At the same time, I respect that U2 don’t want to do the same music over and over again. While Vertigo hasn’t become my favorite U2 tune, I’ve come around and think it’s a pretty good song.

Sources: Wikipedia; The Turtles website; YouTube

The Sunday Six

Celebrating music with six random songs at a time

Welcome to another installment of The Sunday Six. For first-time visitors, this recurring feature celebrates music in many different flavors and from different eras. If you are in my neck of the woods, hope you’re staying cool coz now you’re getting some hot music on top of the heat! 🙂

Dr. Lonnie Smith/Seesaw

Is there a doctor in the house? Okay, I stole that line from Bon Jovi, who I believe frequently uses it during live shows to announce the band’s song Bad Medicine. I got a very cool doctor for you, and I’ve featured him before: Dr. Lonnie Smith, a jazz Hammond B3 organist who first came to prominence in the mid-60s when he joined the quartet of jazz guitarist George Benson. After recording two albums with Benson, Smith launched his solo career with his debut album Finger Lickin’ Good Soul Organ in 1967 – then still known as Lonnie Smith. At some point, he decided to become Dr. Smith and wear a traditional Sikh turban. Why? Nobody really knows but why not? Here’s a cover of Seesaw from Smith’s third album Turning Point that came out in 1969. The tune was co-written by Don Covay and Steve Cropper, and first released as a single in September 1965 by Don Coway and the Goodtimers. The song also became the title track of Coway’s sophomore album from 1966. BTW, the mighty doctor is now 78 and is still practicing. His most recent album Breathe appeared in March this year. Okay, nuff said, let’s get some of his groovy medicine!

Stealers Wheel/Stuck in the Middle With You

Warning: When I heard this tune for the first time, it got stuck right in the middle my head. The same may happen to you. But, hey, at least it’s a great song! Steelers Wheel were a Scottish folk rock band formed in 1972 by school friends Joseph Egan and Gerry Rafferty. By the time they disbanded in 1975, three albums had come out. A version of the band that included two members from the original line-up, Rod Coombes (drums) and Tony Williams (bass), briefly reformed in 2008 but only lasted for a few months. Post Steelers Wheel, Rafferty focused on his solo career. In February 1978, he released his biggest hit, the majestic Baker Street, which I featured in a previous Sunday Six installment. Sadly, Rafferty passed away from liver failure on January 4, 2011 at the young age of 63. His Steelers Wheel partner in crime Joseph Egan still appears to be alive. Stuck in the Middle With You, co-written by Rafferty and Egan and included on their eponymous debut album from October 1972, became their biggest hit. It climbed to no. 6 and no. 8 in the U.S. and UK mainstream single charts, respectively, and peaked at no. 2 in Canada. According to Wikipedia, Rafferty’s lyrics are a dismissive tale of a music industry cocktail party written and performed as a parody of Bob Dylan’s paranoia (the vocal impression, subject, and styling were so similar, listeners have wrongly attributed the song to Dylan since its release). This is one catchy tune! Aren’t you glad to be stuck with it? 🙂

Crowded House/Don’t Dream It’s Over

Since I included a new song by the reformed Crowded House in yesterday’s Best of What’s New, the Aussie pop rockers have been on my mind. In particular, it’s their biggest hit Don’t Dream It’s Over, released in October 1986 as the fourth single of their eponymous debut album that had appeared two months earlier. Crowded House were formed in Melbourne in 1985 by former Split Enz members Neil Finn (vocals, guitar, piano) and Paul Hester (drums, backing vocals), along with Nick Seymour (bass). Together with various guest musicians, who included producer Mitchell Froom (keyboards) and Jim Keltner (drums), among others, they recorded their debut album. The band first broke up in June 1996, had a couple of reunions thereafter and was reformed by Finn in December 2019 after he had finished his 2018-2019 tour with Fleetwood Mac. Including their new album Dreamers Are Waiting, Crowded House have released seven albums to date. Don’t Dream It’s Over was written by Neil Finn. Even though it was overexposed, I’ve always loved that song.

Joe Jackson Band/Awkward Age

For this next tune, let’s jump to the current century and Joe Jackson, a versatile British artist I’ve enjoyed listening to for many years. My introduction to Jackson was his second album I’m the Man from October 1979, which I received on vinyl as a present for my 14th birthday the following year. I still own that copy! I’m the Man was recorded by Jackson’s initial band, which apart from him (lead vocals, piano) included Gary Sanford (guitar), Graham Maby (bass, backing vocals) and David Houghton (drums, backing vocals). Which brings me to Awkward Age and Volume 4, Jackson’s 16th studio album released in March 2003, featuring the same classic lineup. While the sound of Volume 4 isn’t quite as raw as on I’m the Man, there are some clear similarities between the two albums. Like all other tracks on the record, Awkward Age was written by Jackson. I saw the man in May 2019 in the wake of his most recent album Fool that had come out in January that year and thought he still looked sharp.

Rod Stewart/Maggie May

For several months, I’ve wanted to feature this tune in The Sunday Six, but there was always a reason why I didn’t do it, such as avoiding to have too many ’70s songs in the same installment. Screw it, the time has come to get what is one of my longtime favorite Rod Stewart songs out of my system. Maggie May dates back to the days when the man with the smoky voice did what he does best: Performing roots and blues-oriented rock! Co-written by Stewart and British guitarist Martin Quittenton, the catchy song is from Stewart’s third solo album Every Picture Tells a Story that came out in May 1971 – yet another great record that recently had its 50th anniversary! Quittenton was among the many musicians that backed Stewart on this record, who also included his Faces mates Ronnie Wood, Ronnie Lane, Ian McLagan and Kenney Jones, among others. Stewart remained a member of Faces until they disbanded in December 1975, though tensions between him and the rest of the band had been brewing since the making of their final studio album Ooh La La from March 1973. Maggie May was also released separately in July 1971 as the b-side to the album’s first single Reason to Believe. Both songs became major hits, as did the album, which topped the charts in the U.S., Canada, UK and Australia.

The Beatles/If I Needed Someone

Time to wrap up this installment with my favorite band of all time. The song selection was triggered by a recent post from fellow blogger Hans at slicethelife about the top 100 Beatles songs, as voted as the listeners of The Beatles Channel on SiriusXM and presented over the recent Memorial Day holiday. While If I Needed Someone made the list, I thought the placement at no. 70 was measly and it bugged me. I happen to love this tune that was written by George Harrison and included on Rubber Soul, The Beatles’ studio album from December 1965 and the second record they released that year after Help! The track wasn’t featured on the North American release of Rubber Soul. Instead, it appeared on Yesterday and Today, the U.S. album that caused a storm over its cover showing The Beatles dressed in white coats and covered with decapitated baby dolls and pieces of raw meat. I guess you can put that one in the “What were they thinking?!” department. If I Needed Someone is a simple tune and more of a deep cut, but I still dig it. In fact, I would even go as far as calling it my favorite Beatles tune, depending on the day of the week! Ah, that jingle-jangle Rickenbacker sound did it once again! 🙂

Sources: Wikipedia; YouTube

Best of What’s New

A selection of newly released music that caught my attention

Another week came and flew by. I can’t believe we are already in June, and the official beginning of summer (June 20) is just two weeks away. As usual, Saturday means taking a look at newly released music. All featured songs are on albums that came out yesterday (June 4).

This collection leads with a pop rock band from down under that initially was formed in 1985, reemerged in December 2019, and is now out with their first new studio album in 11 years. There is also new music by a rock band from New Jersey and, no, it’s not Bon Jovi, as well as a singer-songwriter of Nigerian heritage and a psychedelic folk rock band, both based in Nashville.

Crowded House/Start of Something

New music by Crowded House came as a surprise to me, especially since I had associated Neil Finn with Fleetwood Mac. Of course, he officially joined the band together with former Heartbreakers guitarist Mike Campbell in April 2018 after the firing of Lindsey Buckingham. Finn and Campbell subsequently went on tour with the Mac for their extensive 2018-2019 tour of North America, Europe, Australia and New Zealand. Since the tour ended in November 2019, Fleetwood Mac have been in limbo. Mike Campbell went on to focus on his own band The Dirty Knobs and released their debut album in November 2020. And Finn decided to revive Crowded House, the Australian pop rock band he co-founded in Melbourne in 1985. After four studio albums the group broke up in June 1996. Following two reunions and two additional albums, Crowded House were on hiatus as of late 2016. In December 2019, Finn announced a new line-up that apart from him includes the band’s former producer Mitchell Froom (keyboards, guitar, backing vocals), original co-founder Nick Seymour (bass), as well as Finn’s sons Liam Finn (guitar, keyboards, backing vocals) and Elroy Finn (drums, guitar). Start of Something, co-written by Liam Finn and Neil Finn, is a track off Dreamers Are Waiting, Crowded House’s new album, their first since Intriguer from June 2010.

Latewaves/Enough Is Enough

Latewaves are a rock band from Asbury Park, N.J. According to their website, they were formed in 2016 and include Mike Pellegrino (guitars, vocals), Howie Cohen (bass, vocals) and Shawna Grabowski (drums). In August 2017, they released Face Down, the lead single of their debut EP Partied Out that appeared the following month. Latewaves describe their sound as “full of rage and attitude” and “full of explosive, guitar driven riffs.” Based on what I’ve heard thus far, I think that’s a fair characterization. I would also add their songs are relatively melodic. In that sense, they remind me a bit of Green Day. Here’s Enough Is Enough, a tune from their new and first full-length album Hell to Pay. The song is credited to all three members of the band.

Joy Oladokun/Someone That I Used to Be

Joy Oladokun is a Nashville-based singer-songwriter who grew up in Casa Grande, Ariz. Both of her parents came to the U.S. as immigrants from Nigeria. According to her profile on Apple Music, Oladokun’s music fuses the deep emotions and confessional nature of classic singer/songwriters with music that encompasses contemporary folk, R&B, and pop…While she has been playing guitar since childhood, it wasn’t until 2015 that Oladokun quit her job and took a shot at realizing her dream of making music full-time. She released a solo acoustic EP, Cathedrals, that year and followed it up with 2016’s Carry, a full-band effort that included the single “Shelter,” which introduced her to a wider online audience...Full of personal, emotionally powerful songs, Carry helped Oladokun expand her audience, and she followed it up with touring in the United States and the United Kingdom. Someone That I Used to Be is the opener of Oladokun’s new and third studio album In Defense of My Own Happiness. I like it!

Sun Seeker/Gettin’ Tired

Sun Seeker are a psychedelic folk rock band from Nashville. Initially formed as a quartet of friends who had known each other from middle school, the band’s current line features Alex Benick (guitar, vocals), Asher Horton (bass guitar), and Ben Parks (drums), according to their website. Their Apple Music profile notes the band’s debut single appeared in 2016 after they had been signed by Third Man. The first EP Biddeford was released in the summer of the following year. Gettin’ Tired, co-written by Benick, Horton and Park, is a tune from Sun Seeker’s first full-length album A Sunrise in a Basement. I find this quite catchy.

Sources: Wikipedia; Latewaves website; Apple Music; Sun Seeker website; YouTube