Best of What’s New

A selection of newly released music that caught my attention

Welcome to the first Best of What’s New installment of this year’s fall season. While summer is now officially over and temperatures have started to drop, especially at night, the weather is still decent in my neck of the woods. That’s good since in an about hour I’ll be off to a 10-hour open-air music festival. So without any further ado, let’s take a fresh look at new music releases.

The Wonder Years/Doors I Painted Shut

My first pick this week are American pop punk band The Wonder Years, formed in Lansdale, Pa. in July 2005. After the release of two relatively unknown EPs they split with two other bands, The Wonder Years signed with No Sleep Records in 2007 and recorded their first full-length album Get Stoked on It! Initial U.S. chart success came with their sophomore release The Upsides, which climbed to no. 42 on the Independent Albums chart. Their most successful album to date, No Closer to Heaven from September 2015, reached no. 12 in the U.S. on the Billboard 200 and also charted in the UK and Australia at no. 46 and no. 59, respectively. The band’s current line-up features co-founders Matt Brasch (rhythm guitar, vocals, percussion), Dan Campbell (lead vocals, ukulele), Casey Cavaliere (lead guitar, backing vocals), Josh Martin (bass, synthesizer, backing vocals) and Mike Kennedy (drums, percussion), along with Nick Steinborn (keyboards, piano, guitar, backing vocals, percussion). Doors I Painted Shut, credited to all members, is the opener of the band’s seventh and new studio album The Hum Goes on Forever. Nice tune!

Nikki Lane/Good Enough

Next up is Nikki Lane, a Nashville-based country singer-songwriter. From her AllMusic bio: A singer and songwriter who mixes the honky tonk atmosphere of vintage country with the clever bite of indie rock, Nikki Lane is a barroom siren whose music is tough, witty, and bold, inhabiting Nashville archetypes while upending them at the same time. Lane’s songs walk a fine line between sincerity and irony, but the passion and effectiveness of her vocals keeps her from sounding like a put-on, and her melodies mix rootsy twang and rock & roll edge with confidence. Lane introduced her talent with the 2011 debut Walk of Shame and added a soulful edge with 2014’s All or Nothin’ and 2017’s Highway Queen. With 2022’s Denim & Diamonds, she eased back on her country accents and added harder rock energy to her mix. From that last album, which is her latest, here’s Good Enough, penned by Lane.

The Black Angels/El Jardin

Psychedelic rock band The Black Angels were formed in Austin, Texas in May 2004. From their Apple Music profile: The sultry neo-psychedelic sound of the Black Angels came together in spring 2004. Hailing from Austin, Texas, Stephanie Bailey (drums), Christian Bland (guitar), Alex Maas (vocals), Jennifer Raines (organ), and Nathan Ryan (bass) took their name from a Velvet Underground classic, “The Black Angel’s Death Song.” The band’s self-titled debut EP was released in late 2005. After a string of North American dates in winter 2006, the Black Angels readied themselves for a performance at the annual South by Southwest Music Conference in March. Their full-length album, Passover, hit stores that April. Fast forward 16 years until September 16 and Wilderness of Mirrors, the sixth studio album by The Black Angeles. In addition to Maas, Bland and Bailey, the group’s current line-up includes Jake Garcia (guitar) and Ramiro Verdooren (keyboards, percussion, bass, guitar). Here’s El Jardin, credited to the band and producer Brett Orrison. Pretty catchy psych rock – check it out!

Jimmy Carpenter/Barefootin’

I’d like to wrap up this week’s music revue with some great soulful blues by Las Vegas-based singer-songwriter and saxophonist Jimmy Carpenter. Here’s some background from his website: Jimmy Carpenter, saxophonist, singer-songwriter, and arranger, began his musical journey over 35 years ago. In the ’80s, he toured the east coast with the renegade blues band, The Alka-Phonics, in the ’90s with the blues-rock band The Believers, with whom he learned about the music business. Over the years, Jimmy has toured internationally with Tinsley Ellis, Jimmy Thackery, Walter Wolfman Washington, Eric Lindell, and others. In 2012 Jimmy joined Mike Zito, his long-time friend and musical cohort, and recorded and toured as a member of Mike Zito and the Wheel. In addition to touring nationally & internationally, Jimmy has written, arranged and recorded the horns for many artists, and has gained a reputation as a master Blues, Rock-n-Roll and R&B saxophonist. Carpenter has also released various solo albums. His latest, a covers album titled The Louisiana Record, appeared on September 16. Let’s check out Carpenter’s great rendition of Barefootin’, a tune written and first recorded by R&B singer Robert Parker in 1966, his sole hit.

This post wouldn’t be complete with a Spotify playlist of the above and a few additional tunes by the featured artists.

Sources: Wikipedia; AllMusic; Apple Music; Jimmy Carpenter website; YouTube; Spotify

The Sunday Six

Celebrating music with six random tracks at a time

Happy Sunday! I always look forward to putting together this weekly recurring feature, which allows me to explore music from different styles and decades without any limits, except keeping it to six tracks I dig. Are you ready to accompany me on another excursion? Hop on and let’s go!

Mose Allison/Crespuscular Air

Today our journey begins in November 1957 with Local Color, the sophomore album by Mose Allison. Shoutout to Bruce from Vinyl Connection whose recent post about the American jazz and blues pianist inspired me to include him in a Sunday Six. According to Wikipedia, Allison has been called “one of the finest songwriters in 20th-century blues.” Let’s just put it this way: Pete Townshend felt Allison’s Young Man Blues was good enough to be featured on The Who’s Live at Leeds album released in February 1970. John Mayall was one of the dozens of artists who recorded Allison’s Parchman Farm for his 1966 debut album with the Blues Breakers, Blues Breakers with Eric Clapton. Allison’s music has also influenced many other artists, such as Jimi Hendrix, J. J. Cale, the Yardbirds, The Rolling Stones and Tom Waits. Here’s Crespuscular Air, a mellow jazz instrumental composed by Allison and included on the above-mentioned Local Color – the same record that featured Parchman Farm.

Steve Earle/Goodbye

Our next stop takes us to February 1995, which saw the release of Steve Earle’s fifth studio album Train a Comin’. I’m still relatively new to Earle but have quickly come to appreciate his music, which over the decades has included country, country rock, rock, blues and folk. Train a Comin’, while not a commercial or chart success, was an important album for Earle who had overcome his drug addiction in the fall of 1994. The bluegrass, acoustic-oriented album was his first in five years and marked a departure from the more rock-oriented predecessor The Hard Way he had recorded with his backing band The Dukes. Goodbye, penned by Earle, is one of nine original tunes on Train a Comin’, which also includes four covers.

Boz Scaggs/Georgia

For this next pick, let’s go back to February 1976. While I’ve known the name Boz Scaggs for many years, mainly because of his ’70s hits Lowdown and Lido Shuffle, I’ve yet to explore his music catalog. Scaggs started his career in 1959 in high school as vocalist in Steve Miller’s first band The Marksmen. The two musicians continued to play together in a few other groups, including Steve Miller Band. After staying with the group for the first two albums, Scaggs secured a recording deal for himself and focused on his solo career. Georgia, a smooth groovy song written by Scaggs, is included on his seventh solo album Silk Degrees, which is best known for the aforementioned Lowdown and Lido Shuffle. Now 78 years, Scaggs still appears to be active and has released 19 solo albums to date.

Clarence Clemons & Jackson Browne/You’re a Friend of Mine

Are you ready for some ’80s music? Yes, You’re a Friend of Mine definitely can’t deny the period during which it was recorded, but it’s such an upbeat song – I love it! It brought together dynamite saxophone player Clarence Clemons and legendary singer-songwriter Jackson Browne. Co-written by Narada Michael Walden and Jeffrey Cohen, the tune was released in October 1985 as the lead single of Clemons’ solo debut album Hero, which came out in November of the same year. By that time Clemons had best been known as the saxophonist of Bruce Springsteen’s E Street Band, which “The Big Man” had joined in the early ’70s. Sadly, Clemons who also appeared in several movies and on TV died of complications from a stroke in June 2011 at the age of 69. Man, what an amazing sax player. He could also sing!

The Jimi Hendrix Experience/Voodoo Child (Slight Return)

All right, time to jump back to the ’60s and some psychedelic rock by an artist who I trust needs no introduction: Jimi Hendrix. Voodoo Child (Slight Return), written by Hendrix, was included on Electric Ladyland, the third and final album by The Jimi Hendrix Experience released in October 1968. The tune also appeared separately as a single, first in the U.S. at the time of the album and subsequently in the UK in October 1970, one month after Hendrix had passed away in London at the age of 27. Prominent American guitarist Joe Satriani has called Voodoo Child “the greatest piece of electric guitar work ever recorded.” Regardless of whether one agrees with the bold statement, it’s a hell of a song. Stevie Ray Vaughan, one of my favorite electric blues guitarists, included an excellent cover on his 1983 sophomore album Couldn’t Stand the Weather.

Shemekia Copeland/It’s 2 A.M.

Time to wrap up another Sunday Six with a real goodie. Since I recently witnessed part of a live gig of Shemekia Copeland and reviewed her new album Done Come Too Far, this great blues vocalist has been on my mind. Shemekia, the daughter of Texas blues guitarist Johnny Copeland, started to sing as a child and by the time she was 16 knew she wanted to pursue a music career. After high school graduation in 1997, Copeland signed with Chicago-based independent blues label Alligator Records and recorded her debut album Turn the Heat Up! It’s 2 A.M., written by Rick Vito, is the excellent opener of her sophomore album Wicked that came out in September 2000. I could totally picture The Rolling Stones play this song. Check it out!

And, of course, I won’t leave you without a Spotify playlist featuring the above songs.

Sources: Wikipedia; YouTube; Spotify

Best of What’s New

A selection of newly released music that caught my attention

Happy Saturday and welcome to another installment of Best of What’s New. I found a lot on the new music front this week that I like. All featured tracks are on releases that came out yesterday (Sep 16). Here we go!

Cape Francis/Gospel of Broken Arms

Getting us started today is Cape Francis, the moniker of New York-based singer-songwriter Kevin Olken Henthorn. From his website: Kevin Olken Henthorn has spent the past half-decade crafting quiet but intricate bedroom pop, gradually expanding and contracting his sound over the years. After a previous band fell through, he began the Cape Francis project as a way to express his creative energy, forging a creative partnership with producer and engineer Ariel Loh. After his third record, the reverb-drenched, winding Plateaus, Henthorn wanted to strip back, creating songs he could play by himself without requiring a full band. Writing during a lengthy early-pandemic move to Silver Lake with his partner, what started out as a back-to-basics record gradually became quietly ambitious, as Henthorn challenged himself to write more directly. The result is Don’t Let Your Heart Walk Away, his fourth and latest album. Here’s Gospel of Broken Arms.

Death Cab for Cutie/Here to Forever

Death Cab for Cutie are an American indie rock band formed in Bellingham, Wash. in 1997. Originally a solo project by Ben Gibbard (vocals, guitar, piano), Death Cab for Cutie expanded into a full band after he had released a demo, You Can Play These Songs with Chords, which became popular. Gibbard subsequently recruited Chris Walla (guitar), Nick Harmer (bass) and Nathan Good (drums). They signed with Barsuk Records and released their debut album Something About Airplanes in August 1998. Five years later, Death Cab for Cutie received broad recognition in the U.S. for their fifth studio album Plans, which peaked at no. 4 on the Billboard 200 and was nominated for two Grammys. In February 2008, it received Platinum certification, making it the band’s best-selling album to date. This brings me to Here to Forever, a tune from Death Cab’s 10th and new album Asphalt Meadows. The song was co-written by Gibbard and Zac Rae (keyboard, guitar). Harmer and Dave Depper (guitar, keyboards, backing vocals) complete the group’s current lineup. Catchy tune!

The Beths/When You Know You Know

On to New Zealand indie pop rock band The Beths who have been around since 2014. From their Apple Music profile: Fronted by their main songwriter, Elizabeth Stokes, New Zealand indie rock group the Beths combine energized guitar riffs, melodic hooks, and harmonized backing vocals in their impulsive, distinctly self-depreciating music. Having already won fans as a live act, the band released their first album, Future Me Hates Me, in 2018. The Beths’ 2021 live album Auckland, New Zealand, 2020 featured earworms from the debut and follow-up Jump Rope Gazers. Their third long-player, 2022’s anxious Expert in a Dying Field, was completed in a Los Angeles studio during tour. From that album, which is their latest, here’s When You Know You Know. Great tune, which in addition to Strokes (vocals, rhythm guitar) is credited to the band’s three other members Jonathan Pearce (lead guitar, vocals), Benjamin Sinclair (bass, vocals) and Tristan Deck (drums).

The Mars Volta/Backlight Shine

El Paso, Texas progressive rock band The Mars Volta came together in 2001. From their AllMusic bio: Picking up the pieces from At the Drive-In, Cedric Bixler-Zavala and Omar Rodriguez-Lopez formed the Mars Volta and wasted little time branching out into elements of hardcore, prog, psychedelic rock, and avant-jazz and funk. As the ever-evolving Mars Volta, they immediately impressed with 2003’s gold-certified Deloused in the Comatorium for Universal. It eschewed conventional logic to push themselves in new artistic directions, while 2005’s Frances the Mute revealed a willingness to use concepts to underscore a provocative musical approach. Fast-forward 17 years to the present and the band’s new eponymous album, their seventh and first in 10 years! Check out Backlight Shine, an intriguing tune written by Rodríguez-López.

Starcrawler/Runaway

Starcrawler are a punk rock band from Los Angeles, founded in 2015. Their current members include Arrow de Wilde (lead vocals), Henri Cash (guitar), Bill Cash (pedal steel guitar, an unexpected instrument for a punk band – CMM), Tim Franco (bass) and Seth Carolina (drums). AllMusic characterizes their sound as “somewhere between the punk/hard rock of fellow L.A. natives the Runaways and the shock tactics of legendary metal band Black Sabbath.” AllMusic also notes “crunchy guitars, melodies that boast a bit of glam-influenced swagger (even when they’re in a minor key), and a heavy rhythmic stomp” to describe the band’s sound. Starcrawler who released their eponymous debut album in January 2018 are now out with their third studio project She Said. Let’s check out Runaway – I would call this punk with a tasty dose of pop!

Ringo Starr/Free Your Soul (feat. Dave Koz and José Antonio Rodriguez)

Wrapping up this week’s new music revue is a man who needs no introduction. Ringo Starr, who in July turned 82, has been on a remarkable roll, having released a full album and three EPs since October 2019, including his latest, aptly called EP3. One of the four tracks is called Free Your Soul. From a July 29 press release: Written by Ringo Starr and Bruce Sugar, the soothing, rhythmic sound of “Free Your Soul” transports the listener to an island beach on a clear warm night under a full moon. With Ringo on vocals, drums and handclaps, the song also features Dave Koz on tenor sax and José Antonio Rodriguez on nylon guitar, Nathan East on bass, Bruce Sugar on keyboards, percussion and horn arrangement, and Billy Valentine, Zelma Davis and Maiya Sykes providing backing vocals. When you’re Ringo Starr, I suppose you don’t have much if any problem finding a little help from some great friends. I can hear some of Sade’s Smooth Operator in this relaxing tune, especially in the beginning – to be clear, it’s meant to be a compliment!

This post wouldn’t be complete without a Spotify playlist of the above and a few additional tracks.

Sources: Wikipedia; Cape Francis website; Apple Music; AllMusic; Ringo Starr website; YouTube; Spotify

Best of What’s New

A selection of newly released music that caught my attention

Happy Saturday and welcome to another Best of What’s New installment. All picks are from albums that came out yesterday. Without further ado, let’s get to it!

Kolby Cooper/Woke Up Hungover

Kicking us off today is Kolby Cooper, a young country singer-songwriter from East Texas. Here’s more from his Apple Music profile: Possessing a honeyed twang and an enduring affection for the smoother sounds of ’90s country, Kolby Cooper wasn’t as gritty as some of his peers on the Red Dirt circuit of the Southwest during the last days of the 2010s...Kolby Cooper started playing guitar at the age of 12, inspired equally by classic country and ’90s alt rock. His adolescence turned out to be tumultuous. His father died of cancer when Cooper was 14 and shortly afterward, he started writing songs, eventually finding his way to local talent competitions. When he was 18, Cooper became a father and husband in short order. Initially, he planned to attend nursing school but he decided to give the music business a shot. His 2017 debut single Every Single Kiss was followed by an EP, Vol. 1, in February 2018, and Cooper’s first full-length album Good Ones Never Last in 2019. Woke Up Hungover is a tune from his second and latest album Boy From Anderson County To The Moon – country rock with a pleasant dose of pop!

Cass McCombs/Music Is Blue

Cass McCombs is an eclectic singer-songwriter hailing from California. After playing in numerous bands in the Bay Area and Pacific Northwest during the ’90s, McCombs launched a solo career in 2001 with his debut EP Not The Way E.P. Two years later, A, his first of now 10 studio albums appeared. McCombs’ music has blended elements of different genres, such as rock, folk, psychedelic and alt country. Music Is Blue is the opener of his new album Heartmind. As happens most of the time with artists I feature in Best of What’s New, I’m completely new to Cass McCombs, but I sure like what I’m hearing here!

Silversun Pickups/Stillness (Way Beyond)

Silversun Pickups are an indie rock band from Los Angles, formed in 2000. Five years later, they released their debut EP Pikul. Their debut album Carnavas made the U.S. Billboard 200, reaching no. 80, and peaked at no. 5 on the Independent Albums chart. It has since been certified Gold in the U.S. The group’s sophomore album Swoon peaked at an impressive no. 7 on the Billboard 200 and topped the Independent Albums chart. It also enjoyed success outside the U.S., especially in Australia and Canada where it climbed to no. 14 and no. 23, respectively. The group’s current line-up includes founding members Brian Aubert (lead vocals, guitar) and Nikki Monninger (bass, backing vocals), along with Joe Lester (keyboards, guitar) and Chris Guanlao (drums, percussion) who joined in 2002. This brings me to Stillness (Way Beyond), the first track of their sixth and latest studio album Physical Thrills. Like the other 13 songs on the album, it’s credited to all four members of the band. I like it – check it out!

Early James/Pigsty

My final pick for this week is new music by Early James (born Fredrick James Mullis Jr.), a singer-songwriter from Alabama. Shortly after he had received his first guitar as a Christmas present at the age of 15, he started writing his own songs. James Taylor and Johnny Cash were among his early influences. Here’s more from his AllMusic bio: Early James draws from a deep well of American roots music. Backed by upright bassist Adrian Marmolejo, James’ expressive voice and stripped-down blend of Southern blues, country, folk, and jazz evokes Jason Isbell by way of early Tom Waits and Harry Chapin. In 2019, James inked a deal with Black Keys’ Dan Auerbach’s Easy Eye Sound and headed into the studio to lay down tracks for a debut album. The deeply southern and luminous Singing for My Supper, which featured a full-band, was released in 2020. James is now out with his sophomore album Strange Time To Be Alive, and based on what I’ve heard thus far, it sounds mightily sweet. Here’s a sample: Pigsty.

Of course, this post wouldn’t be complete without a Spotify playlist that features the above and a few other tunes.

Sources: Wikipedia; Apple Music; AllMusic; YouTube; Spotify

Super Fly at 50 Still Sounds Mighty Cool

“Fly”, other than an insect that can be annoying, means “unusual and exceptional, particularly when it comes to fashion,” Songfacts explains. “Super Fly” is even better. It refers to the flashy clothes cocaine dealer Youngblood Priest was wearing in the 1972 U.S. blaxploitation neo-noir crime drama picture of the same name, starring Ron O’Neal as the aforementioned pusherman. Super Fly is also the title of the soundtrack, which was released today 50 years ago as the third studio album by Curtis Mayfield, an artist I’ve loved for many years.

To say it upfront, other than a couple of clips, I haven’t watched the picture. Based on what I’ve read, it seems to take a rather ambiguous stance when it comes to drug dealers. While Mayfield wrote the score for the film, his socially aware lyrics look more critical, though he also appeared to have some sympathy for the main character Priest who yearns to go straight, despite the fortune he makes from dealing drugs.

Along with Marvin Gaye’s What’s Going On, Super Fly is considered a pioneering soul concept album, addressing poverty, crime and drug use in America’s inner cities of the early ’70s. Notably, just like they did with Gaye’s album, record executives didn’t think Mayfield’s soundtrack would fly. It turned out they were wrong again. Not only was Super Fly a near-immediate hit, but it also holds the distinction to be among a handful of soundtracks that out-grossed the companion movie.

For those of you who know me, it won’t come as a big surprise that my main interest in Super Fly is the music. And there’s some pretty cool funk as well as psychedelic and progressive soul on this album. Let’s take a closer look at some of the tracks, which were all written by Mayfield.

The album opens with Little Child Runnin’ Wild. The groove immediately draws you in. All it takes are a few words to paint a powerful picture. An excerpt: Little child/Runnin’ wild/Watch a while/You see he never smiles//Broken home/Father gone/Mama tired/So he’s all alone…

The title of Pusherman is self-explanatory. Songfacts notes Mayfield takes an observer’s view on this song, refraining from judgment and showing the pusherman from the perspective of a potential client. To a kid on the street, the drug dealer shows up everywhere, and can take on many forms: mother, father, doctor, friend. Said Mayfield: “The first thing I wanted to do was not condone what was going down, but understand it, and speak in terms of how one can keep from getting locked into these things which youngsters and a lot of people see all around them.” And there’s of course more of that seductive wah-wah guitar-driven funky groove!

Freddie’s Dead became the album’s first single. It peaked at no. 2 on Billboard’s Hot R&B Songs chart and reached no. 4 on the mainstream Hot 100. So much for smart forecasts by record executives!

I’m three clips into this review, and I haven’t even touched any track from Side two – speaking in vinyl terms here! Okay, let’s give a listen to Give Me Your Love (Love Song), the first song on Side two. I will say stylistically, there’s not much variation in the music. Since I dig Mayfield’s groove that’s not a problem for me!

Obviously, this post wouldn’t be complete without the amazing title track. Super Fly was also released separately as the album’s second single in October 1972. It became another U.S. hit for Mayfield. It came close to the first single’s chart success, climbing to no. 8 and no. 3 on Billboard’s mainstream and R&B charts, respectively. Super Fly’s lead character appealed to Mayfield because he had a vivid backstory and was not just a stock drug dealer, Songfacts explains. In the song, Mayfield examines how he’s really doing what we all are: trying to get over...“We couldn’t be so proud of him dealing coke or using coke, but at least the man had a mind and he wasn’t just some ugly dead something in the streets after it was all over,” Mayfield told Q magazine. “He got out.”

Super Fly was well received by music critics. Even Robert Christgau gave it an A- in a contemporary review for The Village Voice at the time, praising Mayfield’s songwriting. Jeez, what was wrong with him? The album became Mayfield’s only no. 1 on the Billboard Hot 100 and his highest-charting record in the UK where it reached no. 26, though interestingly, none of the singles charted there. Within only two months, Super Fly got Gold status in the U.S., meaning it had reached 0.5 million sold units, as certified by the Recording Industry Association of America (RIAA).

Super Fly was ranked at no. 69 in Rolling Stone’s 2003 list of 500 Greatest Albums of All Time. In the magazine’s most recent 2020 revision, it remained within the top 100, coming in at no. 76. In 2019, the album was selected by the Library of Congress for preservation in the National Recording Registry for being “culturally, historically, or aesthetically significant.” In addition, the title track is in the Rock and Roll Hall of Fame’s “500 Songs that Shaped Rock and Roll.”

Last but not least, here’s a Spotify link to the album.

Sources: Wikipedia; Songfacts; RIAA website; YouTube; Spotify

The Sunday Six

Celebrating music with six random tracks at a time

Welcome to another Sunday morning/afternoon/evening, wherever you are when reading this. It’s time to resume some music time travel. Today’s six-stop journey starts in the ’60s with stop-overs in the ’90s, ’70s, ’10s and ’80s before coming to an end in the ’00s. Fasten your seatbelts and off we go!

Sonny Rollins/Where Are You?

I’d like to ease us into today’s musical trip with some relaxing jazz by Sonny Rollins. Jazz connoisseurs need no introduction to the American tenor saxophone great. For more casual jazz listeners like me, Rollins is widely recognized as one of the most important and influential jazz musicians who over an incredible 70-year-plus career has recorded more than 60 albums as a leader and appeared on many additional records as a sideman. Rollins has played with the likes of Charlie ParkerMiles DavisDizzy GillespieThelonious MonkMax Roach and Modern Jazz QuartetWhere Are You? appeared on his 1962 studio album The Bridge, which Wikipedia notes was Rollins’ first release after a three-year sabbatical. Composed by Jimmy McHugh with lyrics by Harold Adamson, the track was written for the 1937 American comedy film Top of the Town and originally performed by Gertrude Niesen. On his rendition, Rollins was joined by Jim Hall (guitar), Bob Cranshaw (double bass) and Ben Riley (drums). I don’t have to be a jazz expert to love this track and neither do you. Just listen to that smooth saxophone sound! Rollins who celebrated his 91st birthday last September is still alive – bless the man!

Blue Rodeo/5 Days in May

Our next stop is the ’90s and beautiful music by Blue Rodeo, which is right up my alley. I’ve featured the Canadian country rock band on the blog before. They were formed in 1984 in Toronto by high school friends Jim Cuddy (vocals, guitar) and Greg Keelor (vocals, guitar), who had played together in various bands before, along with Bob Wiseman (keyboards).  Cleave Anderson (drums) and Bazil Donovan (bass) completed the band’s initial lineup. After gaining a local following in Toronto and signing with Canadian independent record label Risque Disque, the group released their debut album Outskirts in March 1987. 5 Days in May is the opener of the band’s fifth studio album Five Days in July, which appeared in October 1993 in Canada and September 1994 in the U.S. With 6X Platinum certification in Canada, it remains their best-selling album to date. Like most other tunes on the record, 5 Days in May was co-written by Cuddy and Keelor. The harmonica and guitar action are very reminiscent of Neil Young. I also love that keyboard sound. It’s just a great song all around!

The Jaggerz/The Rapper

When I came across The Rapper by The Jaggerz the other day, I earmarked it immediately for an upcoming Sunday Six. The American rock band from Pittsburgh, Pa. was initially active from 1964 until 1977. During that period, they only released three albums. After the third, Come Again from 1975, they broke up in 1977. By that time, frontman and co-founder Dominic Ierace had already left the group and joined American funk rock band Wild Cherry, best known for Play That Funky Music, their only major single success. In 1989, The Jaggerz reunited sans Ierace with three other original founders and three new members. They have since released three additional albums, the most recent of which came out in 2014 – not an exactly overwhelming catalog! The group’s current formation, a six-piece, includes founding members Jimmie Ross (lead vocals, bass) and Benny Faiella (guitar). The Rapper became the band’s breakthrough single and only hit in January 1970, surging to no. 2 in the U.S. on the Billboard Hot 100. Written by Ierace, it was included on their sophomore studio album We Went to Different Schools Together, released that same year.

Alison Krauss & Union Station/Miles to Go

For this next pick, let’s go to the current century. Miles To Go is a song from Paper Airplane, released in April 2011 by Alison Krauss & Union Station. The bluegrass and country artist, who is also a talented fiddle player, has been active since 1984. She made her recording debut in 1986 with Different Strokes, a collaboration with Jim Hoiles & Friends and Swamp Weiss. To date, Krauss has released 14 albums, most frequently together with bluegrass and country band Union Station. I’m mostly aware of Krauss because of her two collaboration records with Robert Plant. Miles to Go was co-written by Union Station bassist Barry Bales and Chris Stapleton. Krauss is a great vocalist and I also dig the band’s sound. Yesterday, in addition to further checking out Paper Airplane, I sampled Lonely Runs Both Ways, her preceding album with Union Station from November 2004. Lots of great music only between these two records!

John Hiatt/Memphis in the Meantime

Memphis, Tenn. and its amazing music history are on my bucket list. Graceland, Sun Studio and the Stax Museum surely sound like worthy sites to visit. In the meantime, I’m picking a tune about the city by John Hiatt, a great artist I’ve started to explore in greater detail over the past few years. The singer-songwriter who has been active for 50 years is best known for tunes that have been covered by the likes of B.B. KingBob DylanBonnie RaittEmmylou HarrisEric ClaptonJoe CockerLinda RonstadtRy Cooder and Nick Lowe. While Hiatt’s albums received positive reviews from critics, it took eight records and more than 10 years until he finally had an album that made the Billboard 200Bring the Family, from May 1987, which reached no. 107. Memphis in the Meantime is the opener of that great record. It also includes two tunes popularized by two of the aforementioned artists: Thing Called Love, by Bonnie Raitt; and Have a Little Faith in Me, by Joe Cocker.

The Chesterfield Kings/The Rise and Fall

Once again it’s time to wrap things up. For the final stop of our musical mini-excursion, let’s get a dose of psychedelic garage rock by The Chesterfield Kings. Founded in the late ’70s by Greg Prevost (lead vocals, multiple instruments), the band from Rochester, N.Y. was instrumental in sparking the 1980s garage band revival, according to Wikipedia. A partial discography there lists 11 albums by the group that was active until 2009. Rise and Fall, co-written by Provost and bandmate Andy Babiuk (bass and multiple other instruments), is a tune from a 2007 album titled Psychedelic Sunrise. The group’s line-up at that time also included Paul Morabito (guitars, mandolin, organ) and Mike Boise (drums, percussion). BTW, the album was produced by garage rock fan Steven Van Zandt. I could picture this tune played by The Rolling Stones during their psychedelic period.

Last but not least, here’s a Spotify playlist featuring all of the above goodies!

Sources: Wikipedia; Discogs; YouTube; Spotify

The Sunday Six

Celebrating music with six random tracks at a time

Little darling, it’s been a long, cold lonely winter – well, it actually wasn’t that bad, at least here in lovely Central New Jersey, but the line from George Harrison’s Here Comes the Sun was the first thing that came to mind in connection with spring, which officially started today! With that being said, let’s get to the first spring edition of The Sunday Six.

Tangerine Dream/Underwater Twilight

Today’s trip starts with a soothing instrumental by German electronic music stalwarts Tangerine Dream. This track was part of a “chill mix” playlist my streaming music provider served up the other day. Founded as a five-piece in 1967 by Edgar Froese, the group has seen numerous line-up changes over its long and still ongoing history. Wikipedia notes their best-known line-up was a trio, which in addition to Froese (keyboards, guitars) included Christopher Franke (keyboards, drums) and Peter Baumann (keyboards). Spanning the years 1971-1975, that line-up’s albums included Alpha Centauri (March 1971), Zeit (August 1972), Atem (March 1973), Phaedra (November 1973) and Rubycon (March 1975). To get to Underwater Twilight, a track from Tangerine Dream’s 16th studio album Underwater Sunlight, we need to jump forward 11 years to August 1986. By that time, Froese and Franke were joined by Paul Haslinger (synthesizer, grand piano, guitar). Froese remained with Tangerine Dream until his death in January 2015. The group’s current line-up has no original members. The only connection to the past remains Froese’s widow Bianca Froese-Acquaye who acts as the group’s manager.

Grant Lee Buffalo/Rock of Ages

Our next stop takes us to the ’90s and Grant Lee Buffalo, a rock band from Los Angeles, who initially were active between 1991 and 1999. Their members included Grant-Lee Phillips (vocals, guitar), Paul Kimble (bass) and Joey Peters (drums). All of the group’s four studio albums came out during that period. After they disbanded in early 1999, Phillips launched a solo career. In late 2010 and early 2011, Grant Lee Buffalo briefly came back together for a reunion tour. Rock of Ages, penned by Phillips, is a great track from the group’s sophomore album Mighty Joe Moon, released in September 1994. Its vibe reminds me a bit of Knockin’ On Heaven’s Door. I’m completely new to this group and dig what I’ve heard so far. I’d welcome listening tips any of you may have.

Joe Jackson/Friday

For this tune, we’re gonna step on the gas and go back to October 1979 and the sophomore album by Joe Jackson, aptly titled I’m the Man. The record, which I received as a present for my 14th birthday in 1980, was my introduction to the British artist. Initially, he gained popularity with post-punk and new wave before embracing a jazz-oriented pop sound. With Joe Jackson’s Jumpin’ Jive from June 1981, he also did an all-out jump blues and swing record. His most recent album Fool, which I reviewed here, appeared in January 2019. It’s quite compelling! Back to I’m the Man and Friday, which was penned by Jackson. One of his ingredients is excellent bassist Graham Maby, who continues to play with Jackson to this day. Check out Maby’s pulsating bassline – so good! I should also acknowledge Gary Sanford (guitar) and David Houghton (drums, vocals), which rounded out Jackson’s band at the time – the best backing group he has had, in my view.

The Association/Never My Love

After three tunes into our journey, it’s high time to visit my favorite decade the ’60s. And, boy, do I have a sunshine pop goodie that has California written all over it. The Association have been active since 1965, except for a short one-year break-up from 1978 to 1979. Their heyday was in the ’60s where they had a series of top 10 hits. The group also opened the Monterey International Pop Festival that took place June 16-18, 1967. Never My Love, co-written by American siblings Don Addrisi and Dick Addrisi, is among The Association’s biggest hits, climbing to no. 2 in the U.S. on the Billboard Hot 100 and topping the Canadian charts. The tune first appeared on the band’s third album Insight Out from June 1967, before being released as a single in August that year. The Association are still around. As one can imagine, they have had numerous line-up changes, and if I see this correctly, only guitarist and vocalist Jules Alexander remains as an original member. Check out that beautiful harmony singing – gives me goosebumps!

Mindi Abair and The Boneshakers/Vinyl

A few days ago, I featured The Boneshakers in a post dedicated to blues and blues rock. This cool group was formed in the early 1990s by Was (Not Was) guitarist Randy Jacobs and Hillard “Sweet Pea” Atkinson, one of the group’s vocalists, after Was (Not Was) had gone on hiatus. Since 2015, The Boneshakers have repeatedly worked with American saxophonist and vocalist Mindi Abair. This lady is one firecracker. Check out Vinyl, the opener of an album titled The EastWest Sessions that came out in September 2017. Love the funky groove and the soulfulness of this tune!

The Flaming Lips/Can’t Stop the Spring

As we’re once again reaching the final destination of our six-tune music time travel, I thought it would make sense to end this post where it started – spring! I give you Can’t Stop the Spring by psychedelic rock band The Flaming Lips, which I found through a search of my streaming provider’s music library. Somehow that title sounded familiar, so I searched my own blog, which sadly I’ve done more than once to see whether I already covered an artist or song. And, full disclosure, I previously included the tune in a post from March 2021 titled Here Comes the Spring. There’s nothing wrong to repeat a song, even if it’s what I like to call weirdly catchy. As I noted at the time, Can’t Stop the Spring, credited to the entire band, is from their sophomore album Oh My Gawd!!!…, released in January 1987. Formed in Oklahoma City in 1983, The Flaming Lips are still around. 

Sources: Wikipedia; YouTube; Spotify

The Sunday Six

Celebrating music with six random tracks at a time

Is it really Sunday again? Yep, the calendar doesn’t lie. I hope everybody is spending a peaceful morning, afternoon, evening – wherever you are when reading this. The six picks in this installment of The Sunday Six include jazz fusion, classic style rock, psychedelic garage rock, folk, pop rock and pop, touching the ’60s, ’70s, ’80s, ’90s and the present. Hope you’ll find something you like.

Passport/Homunculus

Let’s start today’s music time travel to the year 1975 with music by German jazz fusion band Passport. I’d like to thank Bruce from Vinyl Connection for the inspiration. He included the group’s sophomore release Second Passport in a recent installment of his ongoing countdown of 1972 albums. Passport were formed by German saxophonist Klaus Doldinger in 1971. Doldinger who is also a known film music composer has had an amazing 70-year career and at age 85 doesn’t think of retirement. Passport, aka Klaus Doldinger’s Passport, are still active as well. Their most recent studio album of original music, Motherhood, appeared in 2020. Homunculus, composed by Doldinger, is a track from Cross Collateral, the second of two albums Passport released in 1975. In addition to Doldinger (saxophones, Moog synthesizer, electric piano, Mellotron), their line-up at the time included Wolfgang Schmid (bass, guitar), Kristian Schultze (keyboards) and Curt Cress (drums).

Fortune Child/Tie the Line

Let’s jump to the present and Tie the Line, the new single by Fortune Child, a cool-sounding classic rock style band founded last year in Jacksonville, Fla. From their website: …it is no secret that these lovers of good ol’ fashioned Rock were inspired by the likes of Led Zeppelin, Lynyrd Skynyrd, Alice in Chains, The Black Crowes and so many more. The four-piece band plans to take the Rock N’ Roll scene by storm, and to remind the people of what truly matters: the music itself. The band (Christian Powers/ vocals, Buddy Crump/ lead guitar, Melanie Jo/ drums, and Jon Ward/bass) has quickly garnered significant support from the Southeast US Rock N’ Roll scene opening for national touring acts such as Blacktop Mojo…It’s loud, it’s dirty, and it’s down-right badass…For 2022, the band has partnered with legendary rock producer Kevin Elson of Journey, Mr. Big, Europe, and Lynyrd Skynyrd to produce their full length debut album “Close to the Sun,” due out in early March. “Old-fashioned” kickass rock sounds like a great proposition to me in an era where rock often is called “dead.” Released on February 18, Tie the Line is the third single appearing ahead of Fortune Child’s above noted upcoming record.

Count Five/Psychotic Reaction

After some kickass rock from the present, how about jumping back 50-plus years for a dose of ’60s rock? Count Five were an American garage rock band formed in San Jose, Calif. in 1964. Initially known as The Squires, the group’s original formation included John Byrne (lead vocals, rhythm guitar), John “Mouse” Michalski (lead guitar), Kenn Ellner (backing and lead vocals, tambourine, harmonica), Roy Chaney (bass) and Craig “Butch” Atkinson (drums). The Count Five who during live performances were wearing Count Dracula-style capes only made one album, Psychotic Reaction, which appeared in October 1966. The title track, written by Byrne and subsequently refined by the band (hence credited to all members), was released as a single ahead of the record in June 1966. Climbing to no. 5 in the U.S. on the Billboard Hot 100 and no. 3 in Canada, the tune became the band’s only hit. It was included in the Rock and Roll Hall of Fame’s list of the 500 Songs That Shaped Rock and Roll. Wikipedia notes the song was among the first successful psychedelic rock tunes, containing the characteristics that would come to define acid rock: the use of feedback and distortion replacing early rock music’s more melodic electric guitars. Neither the album nor any other songs by The Count Five came anywhere near to replicating the success of Psychotic Reaction, and the band broke up in 1969.

Gordon Lightfoot/Beautiful

More recently, a few of my fellow bloggers like Jim from Music Enthusiast and Lisa from Tao Talk have covered Gordon Lightfoot, which inspired my next pick. I best know the Canadian singer-songwriter and guitarist because of gems like If You Could Read My Mind, Sundown and The Wreck of the Edmund Fitzgerald, which were all chart-toppers in Canada during the first half of the ’70s. Now 83 years old, Lightfoot who has been called Canada’s greatest songwriter remains active. His impressive catalog to date includes 20 studio albums, a similar amount of compilations and three live records, among others. In May 2020, I included a song from Lightfoot’s most recent album Solo in a Best of What’s New installment. Beautiful, written by Lightfoot, is from his eighth studio record Don Quixote that came out in February 1972. The nice love song was also released as a single in May of the same year. It reached no. 13 and no. 58 on the Canadian and U.S. mainstream charts, respectively. The tune topped Canada’s adult alternative chart and climbed to no. 30 on the corresponding U.S. chart.

Eddie Money/Take Me Home Tonight

For this next pick, I’d like to go to the ’80s and American pop rock singer-songwriter Eddie Money. When Take Me Home Tonight popped up on the radio in Germany in 1986, I immediately loved the tune and decided to get the album, on which it appeared, Can’t Hold Back. Other than this record, Money’s sixth studio release from August 1986, and a few additional songs I don’t know his music. But I surely enjoy what I’ve heard. Take Me Home Tonight is credited to Mick Leeson and Peter Vale, along with Ellie Greenwich, Jeff Barry and Phil Spector who wrote The Ronettes’ Be My Baby, which was interpolated in the chorus of Money’s song. Apparently, this was the only charting track for him in Germany. Money clearly was much more successful in the U.S. and Canada where he had 12 and 9 top 40 hits, respectively during his 40-plus-year recording career. Sadly, Money died of complications from esophageal cancer at the age of 70 in September 2019.

Annie Lennox/Why

And once again we’ve reached the end of yet another musical mini-excursion. Today, the final stop takes us to the ’90s and a beautiful tune by Annie Lennox: Why off her solo debut album Diva from April 1992. Lennox recorded it after Eurythmics, her duo with Dave Stewart, had gone on hiatus, in 1990 and the subsequent birth of her first daughter Lola Lennox, who also became a music artist. To date, Lennox has released five additional solo records. In the late ’90s, Eurythmics came back together for another album, Peace, released in October 1999, and had occasional reunions thereafter. Diva became a huge chart and commercial success, topping the charts in the UK and reaching 4x Platinum certification there. In the U.S., it climbed to no. 23 on the Billboard 200 and reached 2X Platinum status. In March 1992, Why was released separately as the album’s lead single. The song also did well in the charts, reaching no. 5 in the UK and Ireland, no. 17 in Australia and no. 34 in the U.S.

And here is a Spotify playlist with the above tunes, as usual:

Sources: Wikipedia; Fortune Child website; YouTube; Spotify

Best of What’s New

A selection of newly released music that caught my attention

With highs in the low ’60s and high ’50s yesterday and today, respectively, dare I say it, it does feel a bit like spring. Or perhaps global warming, since having spring in mid-February really sounds way too early? In any case, looks like it’s short-lived: In typical New York-New Jersey-Connecticut tri-state area fashion, tomorrow, the forecast high is 35.

What the heck does any of this have to do with music? Nothing, so why don’t we get to some new releases! All my picks this week appear on albums that came out yesterday. Once again, it’s a mix of artists who are entirely new to me and two names I’ve known for a long time, though I can’t claim deep familiarity with their music either.

Spoon/The Devil & Mr. Jones

Kicking it off today are Spoon, a rock band from Austin, Texas, formed as a trio in 1993. They named themselves after a song by German avant-garde group Can. Only Britt Daniel (lead vocals, guitar, bass, keyboards, percussion) and Jim Eno (drums, percussion, programming) remain as original members in the band’s current line-up, which also includes Alex Fischel (keyboards, guitar, backing vocals), Gerardo Larios (guitar, keyboards, backing vocals) and Ben Trokan (bass, keyboards). Spoon, whose music Apple Music characterizes as being inspired by new wave, power pop and soul-influenced rock, released their debut album Telephono in April 1996. The Devil & Mr. Jones, penned by Daniel and fellow Austin songwriter Andrew Cashen, is a track from Spoon’s 10th and new album Lucifer on the Sofa. Good tune!

alt-j/Bane

alt-j are an English alternative rock band. According to their Apple Music profile, they wear their geeky math side with pride, right down to their name, a reference to the keyboard shortcut for a delta (triangle) sign. But it was their proclivity for the liberal arts that brought them together in 2007 at Leeds University, where lead singer/guitarist Joe Newman, guitarist/bassist Gwil Sainsbury, and drummer Thom Green studied fine art and keyboardist Gus Unger-Hamilton read English literature. The quartet first started tinkering with minimal equipment in their dorm rooms, but soon after graduation their sound had evolved into multilayered melodies that mixed, mashed, and manipulated elements of indie pop, trip-hop, folk, dubstep, psychedelia, and a capella harmonies. It all came together beautifully on tracks like “Breezeblocks” and “Tessellate” from their 2012 debut album, An Awesome Wave, which garnered them the coveted Mercury Prize. Fast-forward 20 years to The Dream, the latest album by alt-j who since Sainsbury’s departure in 2014 have been a trio. Here’s Bane, credited to all three members. Admittedly, it’s outside my core wheelhouse but there’s something about it!

Eddie Vedder/Try

Eddie Vedder is a name I first and foremost associate with Pearl Jam, the Seattle rock band he co-founded in 1990 and whose lead vocalist and guitarist he remains to this day. In addition to his work with Pearl Jam, Vedder has also released three solo albums starting in 2007 with Into the Wild, which was based on his contributions to the soundtrack of a biographical adventure drama picture of the same name. Vedder’s latest effort, Earthling, is his first solo record in nearly 11 years since Ukulele Songs, a folk-oriented album released in May 2011. Here’s Try featuring Stevie Wonder on harmonica, one of three prominent guests on Earthling. The other two are Elton John and Ringo Starr. Mrs. Mills, the tune with Ringo on drums, is included in the Spotify playlist at the end of the post. Try was co-written by Vedder, former Red Hot Chili Peppers guitarist and drummer Josh Klinghoffer and Chad Smith, respectively, and producer Andrew Votman, aka Andrew Watt. I don’t believe I’ve ever heard Stevie Wonder play on a rock song, but he proves he’s definitely up to the task!

Slash feat. Myles Kennedy and The Conspirators/The River is Rising

Closing out today’s Best of What’s New is Guns N’ Roses lead guitarist Slash (born Saul Hudson). In addition to the band he’s best known for and joined shortly after they were formed in 1985, Slash has been involved in various other music projects. Primarily, that was the case following his departure from Guns N’ Roses in 1996 until his return in 2016. One of these projects has been billed to Slash featuring Myles Kennedy & The Conspirators. The first album Slash recorded with that backing band was Apocalyptic Love, released in May 2012. The fourth and latest is appropriately titled 4. Here’s the opener The River is Rising, which first had appeared as the lead single in October 2021. Co-written by Hudson and Kennedy, the tune has some of that Guns N’ Roses swagger in it, minus Axl Rose whose voice I find a bit difficult to take after a few songs.

Last but not least here’s the above noted Spotify playlist. Hope there’s something for you.

Sources: Wikipedia; Apple Music; YouTube; Spotify

What I’ve Been Listening to: The Nude Party/The Nude Party

This has happened to me before and I love it! Until about a week ago, I had never heard of The Nude Party. Then my streaming music provider served up a playlist that included one of the American band’s tunes off their eponymous debut album from July 2018. I immediately dug the ’60s vibe of their sound blending garage and psychedelic rock, The Rolling Stones and Lou Reed/The Velvet Underground. When I checked out the album, I realized the song from that playlist wasn’t a one-off.

The Nude Party were formed in 2012 when freshman students at Appalachian State University in Boone, N.C. decided to start a band. Their members are Patton Magee (lead vocals, guitar, harmonica), Shaun Couture (guitar, vocals), Don Merrill (piano, vocals), Alexander Castillo (bass, vocals), Austin Brose (percussion, vocals) and Connor Mikita (drums). At the end of their freshman year, they all moved together to a house outside of town and learned how to play their instruments. It almost sounds a bit like a fairytale!

nudeparty_midnightmanor0395_smaller.jpg

The group quickly gained a following in Boone where they oftentimes performed in the nude at a local party venue. You can’t make this stuff up! They became known as “the naked party band,” which in turn inspired their name The Nude Party. Before moving on to playing other venues in the area, they put on some clothes. After their members had graduated, the band started touring nationally.

In 2014, they met Oakley Munson, the drummer of garage rock band Black Lips. Munson recorded The Nude Party’s debut EP Hot Tub EP, which was released in early 2016. The band continued to build their reputation through heavy touring and supporting higher profile groups like King Gizzard & the Lizard Wizard, Cold War Kids and The Murlocs. By early 2018, they had secured a deal with New West Records and went into the studio to record their eponymous debut album. This finally brings me to some music!

Here’s the opener Water on Mars. Like all other tracks on the album, it’s credited to all members of the group. The song is pretty representative of their cool sound.

Chevrolet Van, which also became the record’s lead single, is the tune that caught my attention and made me listen to the album. Following the brilliant suggestion by Munson, it features Jon “Catfish” DeLorme on pedal steel, who subsequently became a touring member. This sounds like a ’70s country tune by the Stones. Arctic Monkeys’ Alex Tuner and the band’s drummer Matt Helders included the song in their top 5 during a 2018 interview with Matt Wilkinson for Beats 1 Radio, as reported by NME. This further boosted their visibility.

War is Coming has a nice psychedelic flavor. In particular, I dig the keyboard that could be my beloved Vox Continental. I just don’t get tired of that sound!

Live Like Me has more of that seductive keyboard sound and a cool guitar riff. This is quite catchy!

Let’s do one more: Gringo Che. This could be a song by The Animals. It also reminds me a bit of Them. I just love it!

According to Wikipedia, the band’s debut album was well received. Rolling Stone called it “equal parts ‘I’m Waiting for the Man’ Velvet Underground and Exile on Main Street Stones” – clever! American Songwriter opined The Nude Partyblow the roof off but do it with style and class, nodding to the past without slavishly imitating it.”

Like Hot Tub EP, the album was produced by Oakley Munson. The Nude Party have since released their second full-length album Midnight Manor, which appeared in October 2020.

Sources: Wikipedia; NME; YouTube; Spotify