Masters of the High Register

A selection of great falsetto vocalists

In late December, I did a four-part series on the Bee Gees here (part 1), here (part 2), here (part 3) and here (part 4). One of the group’s distinct features was the frequent use of falsetto singing, starting with their 1975 studio album Main Course. My most recent Best of What’s New installment included Aaron Frazer, a young vocalist from Brooklyn, N.Y., who also happens to be a falsetto singer. In fact, while I’m not a voice expert, I think he’s incredible! These posts triggered the idea to write about music artists I like, who are masters of the falsetto.

Before getting to some great music and singing, I’d like to provide a little bit of background. I’ll keep it light! According to Wikipedia, falsetto “is the vocal register occupying the frequency range just above the modal voice register and overlapping with it by approximately one octave.” Essentially, modal voice generates the richest tone that unlike falsetto isn’t breathy. It’s the most frequently used vocal register in speech and singing in most languages.

I always thought falsetto and head voice are the same – not so! As this post on Ramsey Voice explains, “While falsetto and head voice have been used interchangeably in the past, falsetto is understood to be a breathy version of high notes and head voice produces a richer and more balanced tone on the high pitches in a singer’s voice. Falsetto and head voice are two different modes for singing the same notes in the upper registers of the voice.” Didn’t you always want to know that? 🙂

If you’re curious to learn more about different voice registers and singing modes, the above Ramsey Voice post goes into all the gory details, illustrated with video clips. The only thing I’d like to add is that females have falsetto as well, though I think it’s fair to say this singing mode is primarily associated with male singers, and the examples in this post are all male artists. But as Ramsey Voice notes, “plenty of studies have…shown that everyone’s vocal cords work in basically the same way, and everyone is capable of falsetto singing.” Time for some falsetto action!

Philip Bailey, of Earth, Wind & Fire/September

September, one of my favorite Earth, Wind & Fire songs, initially appeared as a single in November 1978. Co-written by Maurice White, Al McKay and Allee Willis, it became one of the group’s biggest hits. The song was also included on the compilation The Best of Earth, Wind & Fire, Vol. 1, which came out a few days after the single. The tune, on which Bailey shared lead vocals with White, is a great example of Bailey’s amazing falsetto.

Smokey Robinson, of The Miracles/OOO Baby Baby

OOO Baby Baby is one of the most beautiful examples of falsetto I can think of. Smokey Robinson’s voice sounds so sweet and gentle that it almost makes me want to cry! Robinson was also a co-writer of the ballad, together with Miracles bass vocalist Pete Moore. OOO Baby Baby became the lead singles of The Miracles’ studio album Going to a Go-Go in March 1965. The album came out in November that year.

Curtis Mayfield/Move On Up

When thinking of great falsetto vocalists, one of the first artists who came to my mind was Curtis Mayfield. While there are other tunes where his falsetto is more dominant, Move On Up is one of my absolute favorites, so I simply couldn’t skip it. Written by Mayfield, the song was first recorded for his debut solo album Curtis from September 1970. It also appeared separately as the record’s second single in June 1971. I just love that tune – the infectious groove, Mayfield’s singing and his effortless switching between modal voice and falsetto – it’s just perfect!

Marvin Gaye/Inner City Blues (Makes Me Wanna Holler)

Marvin Gaye is another exceptional vocalist, no matter what singing mode you’re talking about. On Inner City Blues (Makes Me Wanna Holler), co-written by Gaye and James Nyx, Jr., the boundaries between Gaye’s head voice and falsetto are so fluid that to me it’s hard to tell, which is which. The tune was first recorded for his 11th studio album What’s Going On, a true gem released in May 1971. In September of the same year, it became the album’s third single.

Prince/Kiss

No post about falsetto vocalists would be complete without Prince. The funky Kiss was one of his biggest hits. Written by Prince, it became the lead single to his eighth studio album Parade, released in February 1986, just ahead of the album that followed in March. Frankly, the tune wasn’t love at first sight for me, but I’ve come to dig it.

The last two tracks shall belong to the artists who inspired the post. Here’s Nights on Broadway, the tune that started the frequent use of falsetto for the Bee Gees.

Co-written by Barry Gibb, Robin Gibb and Maurice Gibb, Nights on Broadway was recorded for the Bee Gees’ 13th studio album Main Course released in June 1975 in the U.S. and the following month in the U.K. The groovy track also became the album’s second single in September of the same year.

Aaron Frazer/Bad News

Bad News is another great tune from Aaron Frazer’s impressive debut album  Introducing…. The song was co-written by Frazer and producer Dan Auerbach. It actually reminds me a bit of Gaye’s Inner City Blues.

Sources: Wikipedia; Ramsey Voice; YouTube

The Year that was 2020 – Part 2 of 2

A look back on my music journey over the past 12 months

This is second and last installment of my two-part year in review. In case you missed part 1, you can read it here.

Celebrating new music one song at a time

With more than 150 songs highlighted since the launch of the Best of What’s New feature, I find it impossible to call out the best tunes. As I wrote in the inaugural March 21 post, While I don’t see myself starting to write about electronic dance music or Neue Deutsche Haerte a la Rammstein, I’m hoping to keep these posts a bit eclectic. I realize the characterization “best” is pretty subjective. If a song speaks to me, it’s fair game. I should perhaps have added that I don’t need to like other tunes by an artist to include them. It’s literally about the specific song.

Best of What’s New installments have featured tunes ranging from prominent artists like Sheryl Crow, The Rolling Stones and Tom Petty to lesser known acts like rock bands Brother Man and Mondo Silicone and Austin, Texas-based band leader Joe Sparacino, aka. Dr. Joe. Frequently, these posts triggered new album reviews, e.g., LeRoux (One of Those Days), Mick Hayes (My Claim to Fame) and Niedeckens BAP (Alles Fliesst). Following are four songs I discovered in the context of Best of What’s New.

Dr. Joe: Believer

From Dr. Joe’s websiteBased in Austin TX but raised on a farm outside Salina, Kansas, band leader Joe Sparacino spent his early childhood learning piano from a southern gospel choir matron and listening to his family’s old vinyl collection of Ray Charles, Leon Russell and James Booker. Released on April 10, Believer was Dr. Joe’s then-latest single and it’s cooking!

The Reverberations: Under Your Spell

The Reverberations are a five-piece band from Portland, Ore. Their Bandcamp profile characterizes their music as “’60s influenced psychedelic jangle.” I’d call it psychedelic garage rock. Under Your Spell, the B-side to their single Palm Reader released May 28, features some cool Byrds-ey guitars and nice keyboard work. Did I mention it’s also got a quite catchy melody? And check out the lovely psychedelic cover art – super cool all around! For more on this great band, you can read my review of their February 2019 album Changes, their most recent full-fledged studio release.

Kat Riggins: No Sale

Kat Riggins is a blues artist hailing from Miami. According to her website, She travels the world with the sole mission of keeping the blues alive and thriving through her Blues Revival Movement. She has been vocally compared to Koko Taylor, Etta James and Tina Turner to name a few. The nice blues rocker No Sale, which has a bit of a ZZ Top vibe, is from Riggins’ fourth album Cry Out released on August 14. That woman’s got it!

Greta Van Fleet: Age of Machine

Age of Machine is the second single from Greta Van Fleet’s next album The Battle at Garden’s Gate, which is scheduled for April 16, 2021. I think this kickass rocker provides more evidence the young band has evolved their style, moving away from their initial Led Zeppelin-influenced sound. Looking forward to the album!

Live music in the year of the pandemic…

Except for two tribute band concerts in January, pretty measly for the ‘King of the Tribute Band,’ I didn’t go to any live gigs this year. Shows for which I had tickets, including The Temptations and The Four Tops, Ringo Starr and His All Starr Band, and Steely Dan with special guest Steve Winwood, were rescheduled until April, June and July 2021, respectively. Perhaps with the exception of the last concert, I hope all other shows will be rescheduled a second time and moved back to the second half of the year. For somebody who loves live music and over the past 4-5 years has gotten into the habit of seeing an average 20-30 shows per year (counting lower cost tribute band and free summer type concerts), seizing live concerts it’s a bitter but necessary pill to swallow until this lethal pandemic is behind us.

I ended up watching two live concerts via Internet stream: Southern Avenue at Instrumenthead Live Studio in Nashville, Tenn. last week, and Mike Campbell’s band The Dirty Knobs at the Troubador in Los Angeles in late November. It was fun and also a nice opportunity to support music via voluntary donations in lieu of buying official tickets, but no virtual experience can replace the real deal.

Some final musings…

While my primary motivation for the blog has always been the joy I get from writing about a topic I love, i.e., music, it’s nice to see continued growth in visitor traffic, followers and feedback. Just like in 2019, the most popular post remained my January 2018 piece about Bad Company’s live CD/DVD collection from their May 15, 2016 show at Red Rocks Amphitheatre; personally, I find the post average at best. By comparison, my July 12, 2020 post about the mellotron, which I’m proud of, received less than one percent of traffic than the Bad Company post. Perhaps, it was too geeky! 🙂 It’s funny how these things sometimes go.

I’d like to thank all visitors of the blog. If you’re here for the first time, you’re welcome back anytime. If you’re a regular, I hope you keep coming back. I also enjoy receiving comments, including different opinions. All I ever ask is to keep things civil.

Last but not least, I’d like to leave you with a great song by Southern Avenue they also played during the above noted virtual concert. I feel it’s a great message, especially during these crazy times: Don’t Give Up, from their eponymous debut album released in February 2017. Since I couldn’t capture footage from the above gig, here’s an alternative I can offer: a clip I recorded during a show at The Wonder Bar, a small venue in Asbury Park, N.J. in July 2019.

Sources: Christian’s Music Music Musings; YouTube

Best of What’s New

A selection of newly released music that caught my attention

While McCartney III kept me busy yesterday, Paul McCartney’s new album wasn’t the only great new music. Ringo Starr also released a new single. I wonder how many times has it happened before that two ex-Beatles come out with new music during the same week! But wait, there’s more.

How about an indie rock band from LA and a young R&B artist and producer from South Korea? Or a prolific Australian rock band I had never heard of before, which apparently is considered to be one of the most genre-hopping bands of all time.

Last but not least, this latest Best of What’s New installment also features a longtime New Jersey singer-songwriter and musician, who is perhaps best known for having performed the music of Steely Dan for more than 26 years, faithfully capturing the vocals of Donald Fagen.

The Wrecks/Static

The Wrecks are a band from the Los Angeles area, which was formed in 2016. Apple Music’s profile describes their music as exuberant, melodic, emo- and punk-influenced indie rock. The group found early success with their 2016 breakout single, “Favorite Liar,” and after a pair of EPs signed to the Big Noise label for their 2020 full-length Infinitely Ordinary. Hailing from Thousand Oaks, California, singer/guitarist Nick Anderson, guitarist Nick Schmidt, guitarist Westen Weiss, bassist Aaron Kelley, and drummer Billy Nally had barely formed when they chanced on the opportunity for a few covert days in a local studio. In just three hectic days, they recorded their 2016 debut EP, We Are the Wrecks, which featured the catchy single “Favorite Liar.” The song picked up steam online and helped the Wrecks land some key gigs opening for Paramore and the Struts along with festival slots at Lollapalooza and BottleRock. A second EP, Panic Vertigo, arrived in 2018, followed in 2020 by the Wrecks’ first LP, Infinitely Ordinary, on the Big Noise imprint. Static, co-written by Anderson and Schmidt, is the title track of The Wrecks’ new EP, which appeared yesterday. Admittedly, it falls outside my core wheelhouse, but my pop ear can’t deny it’s catchy.

Mike Caputo/Maya Lee

Unless you’ve read my blog for a long time, you probably haven’t heard of New Jersey singer-songwriter and musician Mike Caputo. Mike has been active for over 50 years. According to a bio on his website, A vocalist who plays keyboards and drums, Mike was signed to ABC Dunhill records at 15 years old after playing the Cafe Wha? in NYC in 1967. From that point he performed as a lead vocalist and either drummer, or keyboardist in a variety of local bands in the club circuit. Performing 5 to 6 nights a week playing Pop, Progressive, Jazz, R&B, Funk and his own Original Compositions, led him to more studio experience at Private Stock Records in the 70’s...Mike is also a published writer who wrote lyrics and melody for “A Question Of  Time” by B.J. Thomas from the album “Once I Loved” and “Manhattan Blue” for Rich Cecere’e Big Band. For the past more than 26 years, he has performed the music of Steely Dan, faithfully capturing the voice of Donald Fagen. His current project Good Stuff also features music of Gino Vannelli, Stevie Wonder and Sting, all artists who influenced him. Mike’s also a dear friend, and I’ve been to many of his shows. This doesn’t mean I’m featuring Maya Lee, a song he recently wrote, to do him a favor. In fact, he has no idea what’s coming at him! 🙂 When I saw this tune on Facebook the other day, I immediately dug it. It’s got a great smooth pop jazzy sound – and, yes, I can definitely hear some Donald Fagen/Steely Dan in here. I also really like the bass and guitar work, provided by Scott Hogan and Don Regan, respectively, who are also members of Good Stuff.

Ringo Starr/Here’s to the Nights

It turns out Paul McCartney wasn’t the only ex-Beatle who was busy working on new music during the pandemic. His former band mate Ringo Starr released Here’s to the Nights on Wednesday (December 16), the lead single from his forthcoming EP Zoom In scheduled for March 19, 2021. An announcement on his website notes, As this crazy year comes to a close, Ringo is offering a song of peace, love and friendship – “Here’s To The Nights” available today as a single…Written by Diane Warren, Ringo is joined by his friends, some longtime and some new, including: Paul McCartney, Joe Walsh, Corinne Bailey Rae, Eric Burton (Black Pumas), Sheryl Crow, FINNEAS, Dave Grohl, Ben Harper, Lenny Kravitz, Jenny Lewis, Steve Lukather, Chris Stapleton and Yola. Of course, I can see cynics dismissing this as an aging pop star getting a little help from celebrity musician friends. While it’s coming out just prior to the holidays, I don’t think this is about making a quick buck. Instead, I fully buy Ringo’s statement: “This is the kind of song we all want to sing along to, and it was so great how many wonderful musicians joined in. I wanted it out in time for New Years because it feels like a good song to end a tough year on. So here’s to the nights we won’t remember and the friends we won’t forget – and I am wishing everyone peace and love for 2021.”

Miso/Let It Go

Here’s another selection that’s not the kind of music I usually listen to, but there’s just something about Miso, a 28-year-old R&B artist and producer from South Korea. According to a mini bio on last.fm, Miso lived in England during her childhood. Her songs are characterized by a very peculiar modern and soft beat. Her name has often been associated with artists like DEAN and she has worked with CRUSH too – no idea who these artists are. Let It Go, for which Miso wrote both the music and lyrics, is from her new EP Metanoia released December 14. I guess it’s mostly her voice that drew me in. And check out that cool bassline! This tune definitely has something.

King Gizzard & The Lizard Wizard/If Not Now, Then When?

King Gizzard & The Lizard Wizard (what a name!) are an Australian rock band founded in 2010 in Melbourne. Initially, they started as a group of friends jamming together until a mutual friend asked them to play at a show – sounds like the rest is history. The current line-up features Stu Mackenzie (vocals, guitar, bass, keyboards, flute), Ambrose Kenny-Smith (vocals, harmonica, keyboards), Cook Craig (guitar, bass, vocals), Joey Walker (guitar, bass, keyboards, vocals), Lucas Harwood (bass, keyboards) and Michael “Cavs” Cavanagh (drums, percussion). Their profile on Apple Music notes they have built a reputation as one of the most prolific and adventurous genre-hopping bands of all time. Their debut studio album 12 Bar Bruise appeared in September 2012. And, yes, this band has been pretty prolific indeed ever since, releasing 15 additional studio albums, six live albums, two EPs, one compilation and more than 40 singles. If Not Now, Then When? is their latest single that came out on December 10. This is just a cool tune. The groove and the falsetto vocals remind me a bit of Prince. Check it out!

Sources: Wikipedia; Apple Music; Ringo Starr website; last.fm; YouTube

Best of What’s New

A selection of newly released music that caught my attention

Another end of the week calls for another Best of What’s New. This latest installment is probably my most eclectic and diverse set to date, featuring a “Norwegian country sensation,” an indigenous Canadian folk and country singer-songwriter, electronic music by a U.S. multi-instrumentalist, and a German singer-songwriter blending soul, R&B and African folk music. Let’s get to it!

Malin Pettersen/Weightless

According to her website, Norwegian country artist Malin Pettersen released her first solo album [in 2018], which won her a Spellemannpris (Norwegian Grammy), placed her on the bill of some of Norway’s largest festivals and brought her to Nashville for more recording. She’s been coined «Norwegian Country sensation» by Paste Magazine and her music has been featured in Rolling Stone and Billboard. Her new Nashville recorded album “Wildhorse” is released October 16th on Die With Your Boots On Records and has already gotten fantastic reviews! Malin Pettersen is definitely one to watch – and most of all – one to hear! I agree! Written by Pettersen, Weightless is a tune from Wildhorse released October 16. It was mostly her voice that drew me in, which reminds me a bit of Stevie Nicks at times. I also dig the atmosphere of the music. Check it out!

William Prince/The One I Know

When I spotted this tune, the artist’s name William Prince sounded familiar. And no wonder, searching my own blog revealed I had seen him live in July 2018 in Boston as opening act for Neil Young and written about the show here. As I said at the time, Prince’s solo performance with just an acoustic guitar was captivating. The Canadian folk and country singer-songwriter, who is a member of Pegius First Nation from Manitoba, released his award-winning debut album Earthly Days in December 2015. The One I Know is a track from Prince’s new album Gospel First Nation, a collection of gospel tunes, which appeared on October 23. As noted on his website, Prince learned and sang these songs with his father in a chapel named for his great grandfathers, who were were all preachers. While I generally like gospel, it’s not the type of music I typically listen to. But I have to say I find Prince’s warm voice very comforting, and it’s just a pretty tune!

Daniel Tashian/Channels

According to his artist profile on Apple Music, Daniel Tashian, the son of Barry Tashian, leader of the legendary New England garage rockers Barry & the Remains, [is a] multi-instrumentalist singer/songwriter [and] a decidedly different type of musician than his cult hero father. His folk-rock-based music recalls that of Michael Penn, Lisa Germano, and Sam Phillips, whose husband T-Bone Burnett produced Tashian’s debut album, 1996’s Sweetie. Along with his solo career, Nashville resident Tashian produces and plays with various other artists, most notably alt country singer/songwriter Julian Dawson, and hosts a weekly songwriter’s night at the famed Nashville music club 12th and Porter. Based on this profile, the above electronic instrumental tune Channels seems to be an outlier. It’s a track from his new all-instrumental EP Landscapes, Vol. 3 that appeared on October 23 – yet another unusual choice for me. But again, I just find this track appealing.

Joy Denalane/Be Here in the Morning (feat. C.S. Armstrong)

Joy Denalane is a German singer-songwriter blending soul, R&B and African folk music with lyrics in English and German. She was born in July 1973 to a black father from South Africa and a German mother and grew up in Berlin. Denalane left home at the age of 16 and started to focus on music, joining the reggae and soul bands Culture Roots and Family Affair, respectively. Her breakthrough came in 1999 when she hooked up with electronica and hip hop producers DJ Thomilla and Tiefschwarz for what became an international club hit, Music. Her debut solo album Mamani came out in June 2002. Denalane has since released four additional albums, including her most recent one Let Yourself Be Loved on September 4. Be Here in the Morning is from that album and features Los Angeles-based R&D artist Chauncy S. Armstrong who also co-wrote the tune with Denalane, along with Chris Soper, Jesse Singer, Nick Banns and Sway Clarke. Love that beautiful retro soul sound and what a great voice!

Sources: Wikipedia; Malin Pettersen website; William Prince website; Apple Music; YouTube

What I’ve Been Listening to: Yola/Walk Through Fire

When I included the latest single by Yola in my last Best of What’s New installment, I noticed her first full-length solo album Walk Through Fire received many accolades. Since the strong voice of the English singer-songwriter immediately grabbed me, I checked it out and have to say it’s a true gem, both musically and in terms of her vocal performance.

Getting to that point wasn’t exactly an easy path for Yola who was born as Yolanda Quartey in 1983 in Bristol, England. According to this review in Popmatters, Yola had a tough childhood characterized by poverty and a parent who didn’t care for her and banned music. Later she lived homeless in London for some time before establishing herself as a session singer and touring with acts like DJ collective Bugz in the Attic and electronic music outfit Massive Attack.

Yola Carter

In 2005, she co-founded country-soul band Phantom Limb and recorded two studio albums and a live record with them. But ultimately, as her artist profile in Apple Music notes, Yola felt the need to strike out on her own. Over the next few years, she started writing her own songs that were influenced by Muscle Shoals era country-soul, R&B and classic singer-songwriter style. In 2016, she released her debut EP Orphan Offering under the name of Yola Carter.

Eventually, Yola went to Nashville where she met Dan Auerbach after he had seen a video of her. Apparently, Auerbach was immediately impressed by her. “Her spirit fills the room, just like her voice,” he reportedly said. “She has the ability to sing in a full roar or barely a whisper and that is a true gift.” Auerbach teamed up with Yola to co-write songs, together with other writers, including Bobby Wood, Pat McLaughlin and Dan Penn.

Yola and Dan Auerbach

Auerbach also assembled an impressive group of seasoned studio musicians, including Dave Roe (bass), who played with Johnny Cash and John Mellencamp, among others; harmonica player Charlie McCoy (credits include Elvis Presley, Dolly Parton, Bob Dylan, etc.) and drummer Gene Crisman, who together with Bobby Wood was a member of the Memphis Boys. They were the house band of American Sound Studio in Memphis, Tenn. where artists like Elvis, Wilson Pickett, Aretha Franklin and Dusty Springfield recorded. Auerbach also produced Walk Through Fire, which appeared in February 2019 on his Easy Eye Sound label.

With all of the above, it’s not surprising the album has a retro late ’60s sound. This is also matched by the cover. And yet, to me, Walk Through Fire feels like an album that will hold up well over time. It simply is a work of beauty. Let’s get to some music.

Here’s the opener Faraway Look. The track was co-written by Auerbach, McLaughin and Yola. BTW, McLaughlin’s compositions have been performed by artists like Bonnie Raitt, Alan Jackson, Taj Mahal and Al Kooper, among others. Sure, the production might be a bit on the lush side, but this is just a beautiful tune.

Ride Out in the Country is another great track. The song was co-written by Auerbach, Yola and Joe Allen. Allen is a county songwriter and bassist who since the early ’70s has worked with the likes of Loretta Lynn, Merle Haggard, Waylon Jennings and Johnny Cash.

Next up is the title track, which according to Wikipedia references both a fire that damaged Yola’s home and an abusive relationship from which she escaped. The tune was co-written by Auerbach, Yola and Dan Penn. Penn has co-written many soul hits of the ’60s, including The Dark End of the Street and Do Right Woman, Do Right Man and Cry Like a Baby.

Rock Me Gently is my current favorite on the album. It’s another Auerbach-Allen-Yola co-write.

Let’s do one more: Love All Night (Work All Day), co-credited to Wood, Auerbach and Yola.

As noted above, Walk Through Fire was very well received. The album also generated three Grammy nominations: Best Americana Album, Best American Roots Song (Faraway Look) and Best New Artist. Walk Through Fire was also nominated for Album of the Year at the Americana Music Honors & Awards. And, yes, the album also did score a win: UK Album of the Year at the UK Americana Awards.

At age 37, Yola still is relatively young. I look forward to much more great music from this talented songwriter and vocalist.

Sources: Wikipedia; Popmatters; Apple Music; YouTube

Best of What’s New

A selection of newly released music that caught my attention

I can’t believe it’s October. What happened to summer? Perhaps on the upside, if time continues to race at its current pace, it also means this year will be over soon and we’re into 2021, which will hopefully bring better times. While it remains uncertain when live concerts can safely resume and some artists have delayed releasing new material, it’s great to see decent new music continues to come out.

As more frequent visitors of the blog know, my favorite music decades are the ’60s and the ’70s. As such, I’ve generally given up on what’s in the mainstream charts these days. Yet, in March this year, rather than continuing to complain about generic and soulless music populating the charts, I decided to pay more attention to new music that’s not in the charts, even if it’s not by artists I usually listen to, and to start the weekly recurring feature Best of What’s New. While finding new music I dig forces me to do some detective work, it’s been pretty rewarding, so I have every intention to continue this quest.

This brings me to the latest slate of songs. It’s a diverse set, featuring great music by an African American singer-songwriter reminiscent of a ’60s folk protest song, rich soul by a dynamite husband and wife duo, a delicious Louisiana music gumbo by a New Orleans-based singer-songwriter and multi-instrumentalist, and folk rock by a prolific Canadian artist. Like is oftentimes the case in this series, I had not heard of any of these artists before. Let’s get to it!

Tré Burt/Under the Devil’s Knee (featuring Leyla McCalla, Allison Russell and Sunny War)

Tré Burt is a Sacramento-based singer-songwriter. According to his website, Burt was drawn to music from an early age. He was raised with his grandfather’s passion for soul music, like the Temptations, Nina Simone, Otis Redding and Marvin Gaye. A school project on Woody Guthrie opened his eyes to the power of folk songwriting. And he discovered one of his songwriting heroes, Neil Young, through his older brother, Joey. In 2018…[he] self-released his debut album, Caught It From the Rye. The album, which showcases Burt’s literary songwriting and lo-fi, rootsy aesthetic, landed him a handful tour dates and some positive press, but Burt had no idea just how far it would get him: to a spot on the roster at John Prine’s Oh Boy Records. Burt’s first work appearing on Oh Boy is the single Under the Devil’s Knee. Released on September 22, it’s a powerful tune about the senseless deaths of George Floyd, Breonna Taylor and Eric Garner and the Black Lives Matter movement. To me it has a ’60s protest song vibe. It almost feels like looking at a modern day Richie Havens. Check it out!

The War and Treaty/Little Boy Blue

The War and Treaty is a husband and wife duo of Michael Trotter, Jr. and Tanya Blount. Apple Music describes their style as impassioned soul music that draws on traditional folk, country, R&B, and spirituals, often combining them all. Initially known as Trotter & Blount, they released their debut album Love Affair under that name in 2016. This was followed by the EP Down to the River in July 2017, their first music appearing as The War and Treaty. Healing Tide, the first full-fledged studio album under the current moniker, came out in August 2018. The record, which featured a guest appearance of Emmylou Harris, was well received and reached no. 11 on the Billboard Top Heatseekers Albums and no. 26 on the Independent Albums charts. Blount first became prominent in 1993, when she performed a duet with Lauryn Hill in the comedy picture Sister Act 2: Back in the Habit. The following year, she released her solo debut album Natural Thing. Little Boy Blue is a terrific soul song from Hearts Town, the second full-length album by The War and Treaty that appeared on September 25.

Ric Robertson/Louisiana Love Thing

Ric Robertson is a New Orleans-based songwriter and multi-instrumentalist, who according to his website synthesizes the full canon of American music—New Orleans jazz, classic American pop songsmiths, country, modern funk, swampy blues, and R&B to name a few—and births it into something out of this worldRobertson conjures this musical pedigree into a cohesive potion, a finely-tuned sonic concoction with just enough rock n’ roll to kill, just enough blues to keep you alive, and just enough country to make you hold on to love. It’s stirred by Robertson’s distinct voice: sweet, enticing, and contoured with the finely subtle grit of Mississippi River silt and the warmth of vintage vinyl. Robertson’s debut album The Fool, The Friend was released in June 2018. A review in The Big Takeover characterized it as “a fresh and authentic blend of swampy blues, rock and country” and called Robertson “a force to be reckoned with.” While I haven’t listened to that album yet, I agree based on Robertson’s new tune Louisiana Love Thing. It’s from his new EP Strange World that came out on September 25. That’s one delicious gumbo!

Daniel Romano/Joys Too Often Hollow

Wikipedia describes Daniel Romano (born Daniel Travis Romano in 1985) as a Canadian musician, poet and visual artist based out of his hometown of Welland, Ontario. He is primarily known as a solo artist, though he is also a member of [Canadian indie rock band] Attack in Black and has collaborated with [fellow Canadian music artists] Julie Doiron and Frederick Squire. He has also produced and performed with City and Colour, the recording project of Dallas Green [another Canadian music artist]…and is a partner in his own independent record label, You’ve Changed Records. Romano is a prolific artist. His solo debut Workin’ for the Music Man appeared in 2010. He has since released 11 additional solo records, nine collaboration albums and two EPs. An incredible 10 of these releases all appeared this year, including How Ill Thy World Is Ordered, his fourth 2020 album with his backing band Outfit. Here’s Joys Too Often Hollow, a nice folk rocker from that album released on September 18.

Sources: Wikipedia; Tré Burt website; Apple Music; Ric Robertson website; The Big Takeover; YouTube

Clips & Pix: Southern Avenue/80 Miles From Memphis

Prompted by a clip of Southern Avenue on Facebook, I spontaneously decided to do another post on 80 Miles From Memphis. I’ve dug this band and this song since I listened to their eponymous debut album about three years ago, which was released on the re-activated Stax Records label.

Southern Avenue from Memphis, Tenn. blend elements of traditional blues and Stax-style soul with contemporary R&B. The band’s first album and this tune have a more traditional sound, while their sophomore release Keep On from May 2019 is more funk and R&B-oriented. I can highly recommend both records!

80 Miles From Memphis was written by the band’s guitarist Ori Naftaly, who originally is a blues guitarist from Israel. In 2015, he decided to relocate to Memphis where he formed Southern Avenue with vocalist Tierinii Jackson and her sister Tikyra Jackson (drums, backing vocals). You can read more about the band’s remarkable background story and a great concert I attended in New York in August 2018 here.

I saw Southern Avenue a second time in Asbury Park, N.J. in July 2019 and posted about it here. Both gigs proved the band is a strong live act. I’m definitely planning to see them again when the opportunity arises and the time is right.

Sources: Wikipedia; YouTube

Best of What’s New

A selection of newly released music that caught my attention

This is the fifth installment of Best of What’s New. I’m starting to think this may become a weekly feature, which would make me happy and frankly is something I had not expected when I introduced it five weeks ago. Unlike the previous times, this installment mostly features new releases by well-established artists from Bob Dylan to Mavis Staples. Perhaps not surprisingly, four of the songs were released because of COVID-19, though three were written pre-pandemic. In one case, the lyrics were slightly tweaked, so the tune better fits the current situation. Let’s get to it!

Bob Dylan/I Contain Multitudes

What’s up with Robert Zimmerman? Last Friday, he released his second new song in three weeks. I Contain Multitudes, which took its title from the Walt Whitman poem Song of Myself, comes on the heels of the 17-minute Murder Most Foul centering on the assassination of John F. Kennedy. While as a more casual Dylan listener, I would not dare to try and figure out what’s going on in his head, releasing a song about a traumatic event in 1963, followed by a tune with cheerful lines like The flowers are dyin’ like all things do or I sleep with life and death in the same bed doesn’t strike me as a coincidence during a global pandemic. It is also likely to fuel hope among Dylan fans that a new album may be in the making, though in perhaps typical fashion Mr. Zimmerman hasn’t made any comments in this regard.

Alicia Keys/Good Job

Earlier this week, I had caught a CNN announcement that Alicia Keys was going to debut a new song on the cable news channel last night. And she did: Good Job. While Keys recorded the powerful ballad last year for her next album ALICIA, the lyrics are a beautiful fit to say a heartfelt ‘thank you’ to all folks who look after the sick and keep the country going during the pandemic, oftentimes by risking their own lives. The tune was co-written by Keys, her husband and producer Swizz Beatz, singer-songwriter The-Dream and songwriter, composer and producer Avery Chambliss. “Whether you’re on the frontlines at the hospitals, balancing work, family and homeschool teaching, delivering mail, packages, or food, or facing other personal difficulties because of COVID-19, I feel you. You are seen, loved and deeply appreciated,” said Keys. While I don’t necessarily dig each and every song by Keys, I believe she has an incredible voice and is a powerful performer. She also comes across as very genuine to me.

The Rolling Stones/Living in a Ghost Town

I’d like to give a shoutout to Hanspostcard who first brought this new tune by The Rolling Stones to my attention yesterday on his Slicethelife blog. Similar to Alicia Keys, Mick Jagger wrote Living in a Ghost Town prior to COVID-19. As reported by Rolling Stone, it’s the band’s first new original tune since their 2012 compilation GRRR!, which featured two new tracks, Doom and Gloom and One More Shot. To make it a better fit for the current situation, Jagger had to tweak some of the lyrics. The Rolling Stone story quoted him from an interview with Apple Music: “Keith Richards and I both had the idea that we should release it,” he said. “But I said, ‘Well I’ve got to rewrite it.’ Some of it is not going to work and some of it was a bit weird and a bit too dark. So I slightly rewrote it. I didn’t have to rewrite very much, to be honest. It’s very much how I originally did it.” The Rolling Stone piece also included this quote by Richards: “We’ve got another five or six tracks and there’s a lot of sort of soul feel about it for some reason without anybody intending to,” Richards said. “Obviously right now we’ve got nothing else to do but write some more songs, right?” Could this finally be a new Stones album, which has been rumored for some time?

Cowboy Junkies/Misery

I think the only time I had heard of this Canadian band, which Wikipedia classifies as alternative country and folk rock, was in the late ’80s – probably in connection with their sophomore album The Trinity Session from November 1988, which looks like their most successful release. It included a cover of Lou Reed’s Sweet Jane, which became their highest-charting single the U.S., peaking at no. 5 on the Billboard Modern Rock chart. Well, it turns out Cowboy Junkies are still active, and on March 30, 2020, they released their latest album Ghosts. Three of their founding members, Margo Timmins (vocals), Michael Timmins (guitar, ukulele) and Peter Timmins (drums, percussion) – are siblings, and the album’s eight tracks are all related to the death of their mother Barbara, who passed away in 2018. The fourth member, Alan Anton (bass, keyboards), has also been part of the band since its formation in Toronto in 1985. I’ve listened to some of the album’s songs and like what I’ve heard so far. Here is Misery.

Ron Sexsmith/Dig Nation

Ron Sexsmith, a singer-songwriter from St. Catharines, Canada, is an artist I had not heard of before. According to Wikipedia, he has been a performing musician since 1978 and began releasing his own music in 1985. To date, he has issued 16 studio albums, the most recent of which is Hermitage that came out on April 17. Here’s Dig Nation. Really like the warm sound of that tune. And it’s quite catchy, too. Check it out!

Mavis Staples/All In It Together

Mavis Staples, who started her career in 1950 at the age of 11 as part of her family band The Staple Singers, needs no lengthy introduction. Since 1969, she has also performed as a solo artist and has released 14 solo albums to date. The most recent one, We Get By, came out in May 2019. The single All In It Together, which was released on April 2, 2020, is a collaboration with singer-songwriter Jeff Tweedy who is best known as the vocalist and guitarist of alternative rock band Wilco. “The song speaks to what we’re going through now – everyone is in this together, whether you like it or not,” Staples said in a statement, as reported by Rolling Stone. “It doesn’t matter how much money you have, what race or sex you are, where you live…it can still touch you…We will get through this but, we’re going to have to do it together. If this song is able to bring any happiness or relief to anyone out there in even the smallest way, I wanted to make sure that I helped to do that.” According to Staples’ website, proceeds from the song will be donated to My Block, My Hood, My City – a Chicago organization ensuring seniors have access to the essentials needed to fight COVID-19. Staples and Tweedy’s vocals nicely blend in this blues-oriented rock tune. I also like Tweedy’s slide guitar work.

Steve Forbert/Good Time Charlie’s Got the Blues

Here’s another great new tune by a long-time artist I mostly know by name, and this needs to change: Steve Forbert. Good Time Charlie’s Got the Blues is the lead single from Forbet’s covers album Early Morning Rain, which is set to come out next Friday, May 1. “I wish I could release this record as a magic wand, in order to renew people’s appreciation for the fine craftsmanship these songs represent,” Forbert writes on his website. “Early Morning Rain contains 11 of my favorites, with only one written later than 1973.” Good Time Charlie’s Got the Blues was written by Danny O’Keefe who also first recorded the song in 1967 but did not release it at the time. Instead, it was a band named The Bards who first put out the tune in 1968 as a b-side to a single. O’Keefe first included the song on his eponymous debut album from 1970. A re-recorded version was released as a single in August 1972 and became his best-known song. “I think ‘Good Time Charlie’s Got the Blues’ will be really good to put out there right now,” Forbert told American Songwriter. “I’ve always had a kinship with this song.”

Jeff Beck & Johnny Depp/Isolation

While multi-talent Johnny Depp certainly is not a newcomer to music and has played with the likes of Joe Perry and Alice Cooper, teaming up with guitar legend Jeff Beck is intriguing. The first outcome of their collaboration is a great cover of the John Lennon tune Isolation, which appeared last Friday, April 16. Lennon included the song on his first official solo album John Lennon/Plastic Ono Band from December 1970. According to a statement on Beck’s website, The musical soulmates have been working behind-the-scenes for the past few several years on new music. “Isolation” finds Beck in classic form on guitar with Depp on vocals, joined by long-time Beck collaborators Vinnie Colaiuta on drums and Rhonda Smith on bass…“Johnny and I have been working on music together for a while now and we recorded this track during our time in the studio last year. We weren’t expecting to release it so soon but given all the hard days and true ‘isolation’ that people are going through in these challenging times, we decided now might be the right time to let you all hear it,” says Beck. “You’ll be hearing more from Johnny and me in a little while but until then we hope you find some comfort and solidarity in our take on this Lennon classic.” Johnny Depp adds, “…Lennon’s poetry – ‘We’re afraid of everyone. Afraid of the Sun!’ – seemed to Jeff and me especially profound right now, this song about isolation, fear, and existential risks to our world. So we wanted to give it to you, and hope it helps you make sense of the moment or just helps you pass the time as we endure isolation together.”

Sources: Wikipedia; CNN; Rolling Stone; Mavis Staples website; Steve Forbert website; American Songwriter; Jeff Beck website; YouTube

What I’ve Been Listening to: Jessy Wilson/Phase

Does it sometimes happen to you as well that suddenly you remember an artist you really liked when you first discovered them but then they somehow completely disappeared from your radar screen? That’s exactly the experience I had earlier today with Muddy Magnolias and their fantastic debut album Broken People from October 2016. I had first come across this urban-R&B-meets-country-and-delta-blues duo of Jessy Wilson and Kallie North in August 2017 and blogged about the record’s title track here.

So when I checked whether they had released any new music in the meantime, it turned out North had left at the end of 2017. That’s too bad since I really dug their sound! But there was some good news. I couldn’t find any trace of North but learned Wilson went on to release her solo debut Phase in May 2019. And while at least initially I don’t like it as much as Broken People, there are some pretty intriguing tunes on this album.

MuddyMagnolias
Jessy Wilson (left) and Kallie North

Before getting to the record, I’d like to say a few words about Wilson. She grew up in Brooklyn, New York, listening to artists like Aretha Franklin, Gladys Knight, Curtis Mayfield, Lauryn Hill, Jay-Z and Biggie. After high school, Wilson became a backup singer, working and touring with artists like Alicia Keys, Usher, Kanye West, Faith Hill and Macy Gray. She also met John Legend who became her mentor. In 2013, she decided to strike out on her own as a full-time songwriter and moved to Nashville, Tenn.

There she met North, who originally hailed from Beaumont, Texas, and had worked as a photographer before deciding to pursue a career in music. Eventually, Muddy Magnolias got to Third Generation Records, which released their above-mentioned debut in October 2016. North left at the end of 2017. While her departure was a surprise to those following the band and no official reason was given at the time, Wilson during a November 2019 interview with NPR said she had seen it coming. Unlike Wilson who had been well accustomed to the ebbs and flows of the music business and the demands of touring, the lifestyle became too overwhelming for a married woman like North whose husband as a farmer could not accompany her on the road.

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Wilson decided to soldier on by herself. Not only that but she already had decided she wanted to work with Patrick Carney, drummer for the Black Keys. “Growing up in New York listening to hip hop…but still loving rock & roll music, I really became infatuated with the Black Keys,” Wilson told NPR. “And it was not just because it was rock music, it was music that was informed by all of the other stuff I really love. You know, when I would listen to Dan’s (Auerbach) vocals, I could hear Smokey Robinson in there. When I would listen to Patrick’s drumming, I could hear like that Wu-Tang girth, just like swag…for my ears and my taste, they were the only rock band that struck me that had like that swag, that street swag.”

Apparently, it took Wilson some time to convince Carney who initially did not appear to be impressed with her songs. But eventually, he agreed to work with her. This resulted in 11 tracks that with one exception are all co-written by Wilson, Carney and Jim McFarlin. In addition to being the producer, Carney also provides drums, bass, guitar and keyboards. McFarlin handles keyboards and backing vocals, while Wilson sings lead and backing vocals and plays keyboards. Other musicians on the album include Casey Kaufman (cello) and Steve Marion (guitar). Let’s get to some music.

Here’s the great opener Oh, Baby!

Clap Your Hands is an intriguing mix of hip hop, rock and R&B. Here’s the official video.

Waiting On… is a beautiful soulful ballad and a standout on the album. The tune is credited to an army of people who in addition to Wilson, Carney, McFarlin and Wilson’s former partner Kallie North include Luke Enyeart, Weldon Irvine, Calvin Knowles and interestingly Nina Simone. Not sure what the deal with Simone is – perhaps they sampled a part of one of her songs.

Another cool tune is aptly called Stay Cool.

Let’s do one more: Cold In the South.

Phase definitely is outside my core wheelhouse. But lately, the boundaries of that core wheelhouse have started to become a bit fuzzy. Plus, at the end of the day what really matters is whether I dig music or not.

Sources: Wikipedia; NPR; AllMusic; YouTube

Britain’s Ruby Turner Releases Classic Soul Gem

Until this morning, I had never heard of Ruby Turner. Then I came across Don’t Cry Over Yesterday, a tune from her new album Love Was Here released on January 24th. After listening to the first few songs, I was immediately hooked – something that rarely happens. The Jamaican born British soul, gospel and R&B singer’s voice, the cool vibe of the ‘70s style soul tunes and the excellent sound of her backing musicians deliver a powerful package. I love it!

Turner is not a newcomer. In fact, she has been performing since 1983, and this is her 20th solo album. Turner has also worked with other artists like Bryan Ferry, Steve Winwood, Mick Jagger and UB40. And yet, I don’t recall having heard her name in the past. Ever. Have you? I’d be curious to know. Of course, I can’t exclude the possibility it’s plain ignorance on my part.

According to the bio on her website, Ruby Turner was born in Jamaica and grew up in Montego Bay. Her grandfather sang the lead in one of the island’s gospel groups. Moving to England when she was 9, Ruby has lived there ever since. Her career to date has always had many unexpected twists and turns with major tours, theatre and TV appearances…Her major break came in the mid 1980s, when she was asked to join ‘Culture Club’ at the height of their stardom…An offer of a solo record deal closely followed and she soon signed to Jive Records, part of the Zomba Group.

Between 1986 and 1995, eight of Turner’s singles entered the UK Singles Chart. In February 1990, she also scored a no. 1 hit on the Billboard R&B Chart with It’s Gonna Be Alright, a tune she wrote – apparently a rare feat that has been accomplished by less than ten British singles. Additionally, Turner has done acting, appearing on stage and television and in film. And, oh, she was also appointed Member of the Order of the British Empire (MBE) in the 2016 Birthday Honours for services to music. Time to get to Love Was Here!

A good place to start is the opener Got to be Done. With a great groove, catchy chorus and neat sound, the tune sets the tone for the entire album. Like all except one of the 11 tracks, the song was co-written by Turner and the production team of Nick Atkinson and Kat Eaton.

Here’s the aforementioned Don’t Cry Over Yesterday.

Another gem is Under Your Sky.

Next up: The album’s title track.

The last tune I’d like to call is Runaway.

Frankly, I could have selected any of the other songs on the album. Each of these tunes is beautifully crafted and delivered with Turner’s warm and powerful voice and a backing band that just sounds great.

In a review on Something Else!, Turner is quoted as saying the album “is one I’ve always wanted to make. The feel and grooves I’ve heard and loved: Curtis Mayfield, B.B. King, Ry Cooder, the Rev. Al Green to name but a few.” While these are formidable reference artists, I feel Turner’s comments are not overblown.

“The opportunity came through meeting Nick Atkinson and Kat Eaton, a dynamic, confident and confident production team,” she added. “Their writing and approach was irresistible. They ignited my desire to write again, and I loved the creative process.”

This post wouldn’t be complete without acknowledging the great-sounding musicians playing on this album. Based on another review in AmericanBluesScene.com, they include Atkinson (guitar), Joe Glossop (keyboards), Jeremy Meek (bass) and John Blease (drums).

Love Was Here is an album of high quality and soulful delivery you rarely find among new music these days – a true gem!

Sources: Wikipedia; SomethingElseToReview.com; AmericanBluesScene.com; YouTube