If I Could Only Take One

My desert island song by Roxy Music

I can’t believe it’s Wednesday again and we’re almost in July! This would be the perfect time for a summer vacation, and a beautiful tropical island sounds like an attractive proposition. But wait, before I can leave on yet another imaginary trip to some remote island in the sun, once again, I have to pick one song to take with me.

In case you’re a first-time visitor, there are a few rules that limit my options, which make the exercise both challenging and interesting at the same time. My pick cannot be a tune by a music act I’ve frequently written about. Ideally, it should be a band or artist I haven’t covered yet. It can only be one track, not an entire album. And picks must be in alphabetical order.

This week I’m up to “r.” Bands and artists (last names) starting with that letter include Radiohead, Bonnie Raitt, Ramones, R.E.M., Red Hot Chili Peppers, Otis Redding, Lou Reed, Keith Richards, The Rolling Stones, Linda Ronstadt and Roxy Music, among others.

Based on the above criteria, Bonnie Raitt, The Rolling Stones and Linda Ronstadt were immediately excluded from further consideration. For some of the other artists, sadly, I had to search my own blog to refresh my memory to what extent I had covered them before. At the end, it came down to picking Radiohead or Roxy Music, and I decided to go with the latter and More Than This.

More Than This, written by Bryan Ferry, first appeared in April 1982 as the lead single of Roxy Music’s eighth and final studio album Avalon, released the following month. It’s just a gorgeous pop tune I’ve loved from the very first moment I heard the band playing it on the radio at the time it came out.

More Than This was popular, reaching no. 6 in each the UK and Australia, but it wasn’t the group’s biggest hit. The latter was their great cover of John Lennon’s Jealous Guy, which they recorded and released as a non-album single in February 1981 to honor the ex-Beatle who had been senselessly killed by a deranged individual in New York in December 1980.

Art and pop rock group Roxy Music were founded by Ferry, the band’s lead vocalist and main songwriter, and bassist Graham Simpson in England in 1970. While they have been on and off ever since, their active recording period spanned 1972 to 1982. During these 10 years, Roxy Music released eight studio albums, three of which topped the UK charts: Stranded (1973), Flesh and Blood (1980) and the above-noted Avalon.

In 1982, at the height of their commercial success, Ferry who at that time was the only original member together with Andy Mackay (saxophone, oboe, keyboards, backing vocals), decided to dissolve Roxy Music and focus on his solo career, which he had launched in parallel to the group in 1973.

Roxy Music have since reunited several times for tours and are currently gearing up to be on the road again starting in September to celebrate their 50th anniversary. In addition to co-founders Ferry and Mackay, this includes Phil Manzanera  (guitar) and Paul Thompson (drums), who were all part of the group’s lineup that recorded Roxy Music’s 1972 eponymous debut album. The schedule of the five-week tour, which includes dates in Canada, the U.S. and the UK, is here.

Following are a few additional tidbits on More Than This from Songfacts:

Written by lead singer Bryan Ferry, this song is about a love affair that fell apart. Asked in 2014 by Entertainment Weekly why the song endures, Ferry replied, “For some reason, there’s something in the combination of the melody and the lyric that works for people.”

In America, this song got some traction when it featured in Sofia Coppola’s 2003 film Lost In Translation in a scene where Bill Murray sings it in a Tokyo karaoke bar. When the song was first released, however, it had little impact on the charts, bubbling under at just #102 on the Hot 100. Many college radio stations played the song, but commercial stations stayed away for the most part.

Roxy Music occupied just a small niche in America, where they hit the Top 40 just once (“Love Is the Drug” – #30 in 1975), but they were far more successful in the UK.

Ferry told The Mail on Sunday June 28, 2009 about the Avalon album: “I started writing the songs while on the west coast of Ireland, and I like to think that some of the dark melancholy of the album comes from that place.”

10,000 Maniacs covered this in 1997 on their album Love Among The Ruins. Mary Ramsey sang lead, as original Maniacs lead singer Natalie Merchant had just left the band to go solo.

Sources: Wikipedia; Roxy Music website; Songfacts; YouTube

The Sunday Six

Celebrating music with six random tracks at a time

Welcome to another Sunday Six, a celebration of music in different flavors of the past and the present, six tunes at a time. To those celebrating, Happy Easter! If you don’t observe the holiday, I still hope you’re enjoying the weekend. And just in case you’re looking for some great music, I have some humble suggestions. Hope on our magical time machine and let’s go!

Ahmad Jamal/For All We Know

Today’s journey starts in 1960 with relaxing jazz music by Ahmad Jamal. According to his website, he was born in July 1930 in Pittsburgh, Pa. and already began playing the piano at the age of 3. By the age of 10, Jamal was composing, orchestrating and performing works by Franz Liszt, exploring the music of Duke Ellington, Art Tatum, Nat Cole, Erroll Garner and a host of music notables...At 17, he left home at the request of the George Hudson Orchestra and began touring the country...He formed his own group in 1951 and with the help of John Hammond started his recording career with Okeh Records. Today, more than 70 years later, the now-91-year-old Jamal still appears to be active. His most recent album Ballads appeared in September 2019 – what an amazing career! For All We Know, which initially had been published in 1934 with music by J. Fred Coots and lyrics by Sam M. Lewis, was included on Happy Moods, a 1960 album Jamal recorded with Israel Crosby on bass and Vernel Fournier on drums – my type of music to start a Sunday morning!

Big Star/September Gurls

Next, we turn to the ’70s and power-pop band Big Star, to which Max from PowerPop blog introduced me and safe to assume other readers a while ago. Formed in Memphis, Tenn. in 1971 by Alex Chilton (guitars, piano, vocals), Chris Bell (guitars, vocals), Andy Hummel (bass, vocals) and Jody Stephens (drums), the group was initially active until 1975, during which they recorded two albums. While each received excellent reviews, both records were “commercial failures” due to ineffective marketing and other record label issues. For more on the band’s unfortunate history, I’d encourage you to visit Max’s blog, who has written about them various times, most recently here. One of Big Star’s best-known tunes is September Gurls, written by Chilton, off their sophomore album Radio City that appeared in February 1974. It’s hard to believe this catchy power-pop gem didn’t become a hit at the time. Twelve years later, the Bangles included a great cover on their hugely successful second album Different Light, the version I had known and loved for many years. When I listened to the original first, I immediately dug it just as much!

Bonnie Raitt/Made Up Mind

I’m very excited about this next pick, which is the most recent single by one of my all-time favorite artists: Bonnie Raitt. If you’re a more frequent visitor of the blog, you’ve probably seen me rave about Raitt and her great musicianship as a slide guitarist before. I think she’s an exceptional artist who has battled and overcome significant challenges during her 50-year-plus career. Made Up Mind, released on February 25, is from Raitt’s upcoming new album Just Like That…, slated for April 22. The tune was co-written by David Landreth, Joseph Sydney Landreth and Jonathan Singleton. Damn, now I want to see Bonnie again even more than I did before! If you like her music and haven’t been to one of her shows, I’d encourage you to catch her if you can. Her current national tour kicked off last evening in Hampton, N.H. Here’s the schedule. This lady is just amazing!

John Mellencamp/Paper in Fire

As fellow blogger Dave from A Sound Day posted a few days ago, April 12, 2022, marked the 40th anniversary of American Fool, the fifth studio album by John Mellencamp who at the time was still known as John Cougar. The thought the little ditty about Jack and Diane was on the radio four decades ago is mind-boggling to me! In a comment, I noted that my favorite album by the heartland rocker from Indiana is The Lonesome Jubilee, which appeared in August 1997. Don’t get me wrong, I also still dig Mellencamp’s straight rock albums he put out during the first half of the ’80s. But I love his transition into roots rock even more. It started on The Lonesome Jubilee with the introduction of instruments like accordion, fiddle and banjo. Here’s Paper in Fire, which was also released separately as a lead single a week ahead of the album. Like all other tracks except one, the song was written by Mellencamp.

Red Hot Chili Peppers/Under the Bridge

Including two songs by Red Hot Chili Peppers off their latest album Unlimited Love in recent Best of What’s New posts here and here reminded me of a band I had known primarily by name for many years. One of the few songs I could name was Under the Bridge, a tune I’ve always liked. Credited to all four members of the band – Anthony Kiedis (lead vocals); Michael Peter Balzary, known as Flea (bass, trumpet, piano, backing vocals); John Frusciante (guitars, keyboards, backing vocals); and Chad Smith (drums, percussion) – Under the Bridge is from their fifth studio album Blood Sugar Sex Magik, released in September 1991. Today, 21 years and seven albums later, the group from the city of angels is rocking on with the same line-up. One of the things I dig about Under the Bridge is Frusciante’s guitar part. That sound is just awesome!

Green Day/Wake Me Up When September Ends

Okey-doke, time to wrap up another Sunday Six. My final pick for this installment takes us back to the ’90s and one of the best-known tunes by Green Day: Wake Me Up When September Ends, off their seventh studio album American Idiot, released in September 2004. I’ve always liked how this band, which has been around since 1987, oftentimes combines grunge, punk and alternative rock with pop, especially on this album. Wake Me Up When September Ends was written by Green Day lead vocalist and guitarist Billie Joe Armstrong about the death of his father when he was 10 years old. Bandmates Mike Dirnt (bass, backing vocals) and TrĂ© Cool (drums, percussion, backing vocals) received co-writing credits for the music. The three of them still form Green Day’s current core line-up. Beware, this is a bloody catchy tune that might get stuck in your head! 🙂

Last but not least, here’s a Spotify playlist of the above tracks. Hope there’s something you like!

Sources: Wikipedia; Ahmad Jamal website; Bonnie Raitt website; YouTube; Spotify

Best of What’s New

A selection of newly released music that caught my attention

Is it really Saturday again? Yep, the calendar doesn’t lie. I also can’t believe we’re already in April. March seemingly just flew by. Yesterday may have been April Fools’ Day, but it certainly was no joke when it came to newly released music. Following are my picks for this week, which are all on albums that came out on April 1st.

Eric Roberson/Start All Over Again

Kicking us off today is some smooth R&B and soul by Eric Roberson who hails from Rahway, N.J., about 20 miles from my house! From his website: As a GRAMMY Award-nominee, Singer, Songwriter, Producer and Howard University alum, Eric Roberson continues to break boundaries as an independent artist in an industry dominated by major labels, manufactured sounds and mainstream radio. Described as the original pioneer of the independent movement in R&B/Soul music, Eric has achieved major milestones in his career, from being a successful songwriter and producer for notable artists such as Jill Scott, Musiq Soulchild, Dwele, Vivian Green and countless others, to headlining sold out tours across the country. While I’m not familiar with any of the aforementioned artists, what I do know is I dig Start All Over Again, the opener of Roberson’s 13th and latest studio album Lessons. The tune was co-written by producer Daniel Crawford and Roberson who in addition to writing songs for others has been releasing his own music since 2001. Check out that neat smooth sound and groove!

Red Hot Chili Peppers/Aquatic Mouth Dance

Aquatic Mouth Dance is the second track in Best of What’s New from Unlimited Love, the now-released new album by Red Hot Chili Peppers, following the lead single Black Summer I had previously featured in this installment. The current members of the group, which has been around since 1983, include co-founders Anthony Kiedis (lead vocals) and Michael Peter Balzary, known as Flea (bass, trumpet, piano, backing vocals), along with John Frusciante (guitars, keyboards, backing vocals) and Chad Smith (drums, percussion). Unlimited Love is the Chili Peppers’ 12th studio album. It was produced by Rick Rubin, who previously had served as their producer for six albums in a row, released between 1991 and 2011. I’ve yet to hear a bad album this man touches! Credited to all members of the band, Aquatic Mouth Dance has an infectious funky groove driven by Flea’s great bass work.

Molly Tuttle & Golden Highway/Dooley’s Farm (feat. Billy Strings)

Molly Tuttle impressed me from the very first moment I came across her in July 2020. The now 29-year-old singer-songwriter, banjo player and guitarist is focused on bluegrass and Americana. Tuttle, who grew up in the San Francisco Bay area in a musical family, is noted for her outstanding guitar skills. Her father Jack Tuttle is a bluegrass multi-instrumentalist and teacher. Her siblings Sullivan and Michael play guitar and mandolin, respectively. Molly started playing guitar as an 8-year-old and three years later already performed on stage with her dad. At age 13, she recorded her first album with Jack. In 2015, she joined the family band The Tuttles with AJ Lee, featuring her father and siblings, along with mandolist AJ Lee. Her debut EP Rise appeared in October 2017, followed by her first full-fledged album When You’re Ready in April 2019. Dooley’s Farm, co-written by Ketch Secor and Tuttle, is a track from Tuttle’s new album Crooked Tree, which was recorded live at Oceanway Studios in Nashville. It appears as Molly Tuttle & Golden Highway, her band. In addition to guitarist Billy Strings, Dooley’s Farm, among others, features Dobro maestro Jerry Douglas who also served as the album’s co-producer.

The Hellacopters/Eyes of Oblivion

Wrapping up this week’s new music revue are The Hellacopters, a Swedish hard rock band that first came together in 1994. After releasing seven albums between June 1996 and April 2008, they split. In 2016, the group’s original lineup reunited for the 20th anniversary of their debut album Supershitty to the Max!, which had won a Grammis music award in Sweden. A performance at the 2016 Sweden Rock Festival led to other gigs that year and in 2017. “As we started playing more and more shows, we felt we needed a new album because we’re not old enough to be a nostalgia band,” Hellacopters co-founder, guitarist and vocalist Nicke Andersson told Apple Music. And the result is Eyes of Oblivion, the group’s first new album in 14 years. Here’s the title track, written by Andersson. Apparently, the tune first came out as an upfront single on December 17. Nice melodic hard rock!

Last but not least, following is a Spotify playlist featuring the above and some additional tunes. Hope there’s something you like!

Sources: Wikipedia; Eric Roberson website; Apple Music; YouTube; Spotify

Best of What’s New

A selection of newly released music that caught my attention

With highs in the low ’60s and high ’50s yesterday and today, respectively, dare I say it, it does feel a bit like spring. Or perhaps global warming, since having spring in mid-February really sounds way too early? In any case, looks like it’s short-lived: In typical New York-New Jersey-Connecticut tri-state area fashion, tomorrow, the forecast high is 35.

What the heck does any of this have to do with music? Nothing, so why don’t we get to some new releases! All my picks this week appear on albums that came out yesterday. Once again, it’s a mix of artists who are entirely new to me and two names I’ve known for a long time, though I can’t claim deep familiarity with their music either.

Spoon/The Devil & Mr. Jones

Kicking it off today are Spoon, a rock band from Austin, Texas, formed as a trio in 1993. They named themselves after a song by German avant-garde group Can. Only Britt Daniel (lead vocals, guitar, bass, keyboards, percussion) and Jim Eno (drums, percussion, programming) remain as original members in the band’s current line-up, which also includes Alex Fischel (keyboards, guitar, backing vocals), Gerardo Larios (guitar, keyboards, backing vocals) and Ben Trokan (bass, keyboards). Spoon, whose music Apple Music characterizes as being inspired by new wave, power pop and soul-influenced rock, released their debut album Telephono in April 1996. The Devil & Mr. Jones, penned by Daniel and fellow Austin songwriter Andrew Cashen, is a track from Spoon’s 10th and new album Lucifer on the Sofa. Good tune!

alt-j/Bane

alt-j are an English alternative rock band. According to their Apple Music profile, they wear their geeky math side with pride, right down to their name, a reference to the keyboard shortcut for a delta (triangle) sign. But it was their proclivity for the liberal arts that brought them together in 2007 at Leeds University, where lead singer/guitarist Joe Newman, guitarist/bassist Gwil Sainsbury, and drummer Thom Green studied fine art and keyboardist Gus Unger-Hamilton read English literature. The quartet first started tinkering with minimal equipment in their dorm rooms, but soon after graduation their sound had evolved into multilayered melodies that mixed, mashed, and manipulated elements of indie pop, trip-hop, folk, dubstep, psychedelia, and a capella harmonies. It all came together beautifully on tracks like “Breezeblocks” and “Tessellate” from their 2012 debut album, An Awesome Wave, which garnered them the coveted Mercury Prize. Fast-forward 20 years to The Dream, the latest album by alt-j who since Sainsbury’s departure in 2014 have been a trio. Here’s Bane, credited to all three members. Admittedly, it’s outside my core wheelhouse but there’s something about it!

Eddie Vedder/Try

Eddie Vedder is a name I first and foremost associate with Pearl Jam, the Seattle rock band he co-founded in 1990 and whose lead vocalist and guitarist he remains to this day. In addition to his work with Pearl Jam, Vedder has also released three solo albums starting in 2007 with Into the Wild, which was based on his contributions to the soundtrack of a biographical adventure drama picture of the same name. Vedder’s latest effort, Earthling, is his first solo record in nearly 11 years since Ukulele Songs, a folk-oriented album released in May 2011. Here’s Try featuring Stevie Wonder on harmonica, one of three prominent guests on Earthling. The other two are Elton John and Ringo Starr. Mrs. Mills, the tune with Ringo on drums, is included in the Spotify playlist at the end of the post. Try was co-written by Vedder, former Red Hot Chili Peppers guitarist and drummer Josh Klinghoffer and Chad Smith, respectively, and producer Andrew Votman, aka Andrew Watt. I don’t believe I’ve ever heard Stevie Wonder play on a rock song, but he proves he’s definitely up to the task!

Slash feat. Myles Kennedy and The Conspirators/The River is Rising

Closing out today’s Best of What’s New is Guns N’ Roses lead guitarist Slash (born Saul Hudson). In addition to the band he’s best known for and joined shortly after they were formed in 1985, Slash has been involved in various other music projects. Primarily, that was the case following his departure from Guns N’ Roses in 1996 until his return in 2016. One of these projects has been billed to Slash featuring Myles Kennedy & The Conspirators. The first album Slash recorded with that backing band was Apocalyptic Love, released in May 2012. The fourth and latest is appropriately titled 4. Here’s the opener The River is Rising, which first had appeared as the lead single in October 2021. Co-written by Hudson and Kennedy, the tune has some of that Guns N’ Roses swagger in it, minus Axl Rose whose voice I find a bit difficult to take after a few songs.

Last but not least here’s the above noted Spotify playlist. Hope there’s something for you.

Sources: Wikipedia; Apple Music; YouTube; Spotify

Best of What’s New

A selection of newly released music that caught my attention

Welcome to another installment of Best of What’s New, my weekly look at newly-released music. This time, three of the four featured artists are entirely new to me, while the last pick I’ve primarily known by name for more than 30 years. All tunes came out yesterday (February 4).

Eric Krasno/Lost Myself

My first pick this week is Eric Krasno, a versatile New York-based guitarist, singer-songwriter and producer. According to his Apple Music profile, he is best known for his work with Soulive [a funk/jazz trio – CMM] and Lettuce [a Boston funk group – CMM], both of which he co-founded. His own musical roots lie in funk, jazz, rock, and hip-hop, and he has written songs and produced records for a variety of artists in a range of genres including Norah Jones, Aaron Neville, Talib Kweli, Tedeschi Trucks Band, Ledisi, 50 Cent, and Matisyahu…His earliest influences were his musician grandfather, a professional pianist who played gypsy jazz and swing, as well as his older brother and father, also accomplished musicians though amateurs. His early attraction to classic rock records from Led Zeppelin, the Rolling Stones, Jimi Hendrix Experience, Jeff Beck, and Grateful Dead influenced his decision to become a guitarist. He began playing in local bands during high school. After graduating, he attended the Berklee School of Music for one semester before transferring to Hampshire College. Despite its brevity, it was at Berklee that he encountered other founding members of the funk/jam unit Lettuce during a summer program…In 1999, he joined brothers Alan and Neal Evans, and Sam Kininger, to co-found Soulive, a jazz/hip-hop/folk/groove unit that recorded for several labels including Blue Note and, like Lettuce, they’re known for a rigorous touring schedule. In 2010, Krasno released his first solo album Reminisce. This brings me to this third and latest studio release Always and Lost Myself. The funky, soulful, bluesy tune was co-written by Krasno and David Gutter. Krasno’s vocals remind me a bit of John Mayer.

Black Country, New Road/The Place Where He Inserted the Blade

Black Country, New Road are an English rock band established in London in 2018. The initial lineup included Tyler Hyde (bass), Lewis Evans (saxophone), May Kershaw (keyboards), Charlie Wayne (drums) and Isaac Wood (lead vocals, guitar), who all had been members of Cambridge, England-based group Nervous Conditions. After the release of their debut single Athen’s, France, guitarist Luke Mark joined the band. That formation subsequently recorded Black Country, New Road’s debut album For the First Time that came out in February 2021. The Place Where He Inserted the Blade, credited to all members, is a tune from the group’s sophomore and latest album Ants from Up There. It’s an unusual, interesting track, mixing rock, pop and classical music elements. Four days prior to the record’s release, Wood announced his departure from the band due to mental health issues. Bassist Hyde will assume lead vocals for now.

Muscadine Bloodline/Dead on Arrival

Muscadine Bloodline are a Nashville-based duo of Charlie Muncaster and Gary Stanton who blend country and Southern rock. From their website: Charlie Muncaster and Gary Stanton grew up in Mobile, Alabama, but didn’t cross paths until they each started to pursue their musical dreams. In 2012, they forged a friendship when Stanton opened a show for Muncaster’s band at Soul Kitchen in Mobile. Charlie’s contemporary vocals complimented by Gary’s harmonies and masterful guitar licks showcase a powerfully refreshing mix of talent, passion and unfiltered authenticity. Since naming themselves Muscadine Bloodline in 2015, they’ve had two Billboard-charting critically-acclaimed EP’s, have sold out shows across the country, opened concerts for hundreds of artists and earned a standing ovation at their Grand Ole Opry debut in 2018. The guys’ Southern roots carry over to their band name as well: Muscadine grapes grow in the South while Bloodline represents their heritage. In September 2020, they released their debut record Burn It at Both Ends. Bluesy country rocker Dead on Arrival is a song from the duo’s second and new album Dispatch to 16th Ave. The tune was co-written by Muncaster and Stanton, along with Adam Hood and producer Gary Stanton.

Red Hot Chili Peppers/Black Summer

Wrapping up this week’s music revue is the latest single by Red Hot Chili Peppers. While they have been around since 1983, other than Under the Bridge and Californication, I can’t name any other tunes by the rock band from Los Angeles. As expected, the group has had numerous line-up changes over the decades. The current members include co-founders Anthony Kiedis (lead vocals) and Michael Peter Balzary, known as Flea (bass, trumpet, piano, backing vocals), along with John Frusciante (guitars, keyboards, backing vocals) and Chad Smith (drums, percussion). To date, the Chili Peppers have released 11 studio, two live and 12 compilation albums. A new album, their first in nearly six years, is coming out on April 1: Unlimited Love. It was produced by Rick Rubin, who previously had served as their producer for six albums in a row, released between 1991 and 2011. Here’s Black Summer, the lead single from the new album, credited to all four members. I think it’s a great tune that makes me want to hear more.

Last but not least, as usual, here’s a playlist of the above songs, along with a few others.

Sources: Wikipedia; Apple Music; Muscadine Bloodline website; YouTube; Spotify

Best of What’s New

A selection of newly released music that caught my attention

This has been an extremely busy week on the work and family fronts, which hardly left any time to listen to music and reading posts written by my fellow music bloggers – not to mention writing something myself. Time to start catching up! A great place to begin is to take a look at newly released music. And I found some really good stuff, mostly by bands I had not heard of before. There’s also a nice collaboration single by former Toto guitarist Steve Lukather.

South of Eden/The Talk

South of Eden, formerly known as Black Coffee, are a four-piece rock band from Columbus, Ohio: Ehab Omran (lead vocals, acoustic guitar), Justin Young (lead guitar, vocals), Tom McCullough (drums) and Nick Frantianne (bass). According to their website, the band has already performed alongside everyone from the Foo Fighters to System of a Down, and invite you to join them on their journey of looking at rock ‘n’ roll through a modern lensOriginally from the country of Jordan, Ehab primarily listened to the Arabic music his parents would play, in addition to superstars like Michael Jackson, Phil Collins, and James Brown. After coming to America, he was introduced to a wider range of music that inspired him: eighties and nineties rock including Guns N’ Roses and notably QueenEhab and Nick performed together in various bands (channeling Iron Maiden, Red Hot Chili Peppers, and Alice In Chains) and eventually joined Justin and Tom who had been working on their own band (influenced by Van Halen and Black Sabbath). The Talk is the title track of the band’s debut EP, which came out yesterday (August 21). Credited to Omran, Young, McCullough and producer Greg Wells, this nice rocker reminds me a bit of Greta Van Fleet. While it’s more on the aggressive side, it’s got a catchy melody. Check it out!

The Lemon Twigs/Hell on Wheels

The Lemon Twigs are a rock band from Long Island, N.Y., fronted by brothers and multi-instrumentalists Brian D’Addario and Michael D’Addario. Brian and Michael, who had significant stage experience as children, formed The Lemon Twigs in 2014 when they were still in high school. The band’s touring line-up also includes Daryl Johns (bass), Tommaso Taddonio (keyboards) and Andres Valbuena (drums). Their first release was a cassette, What We Know, issued as a limited edition in 2015. This was followed by the debut studio album Do Hollywood from October 2016. They have since released two additional albums, an EP and various singles. Co-written by the brothers, Hell on Wheels is the opener of the band’s new studio album Songs for the General Public, which appeared yesterday (August 21). I think it’s a catchy tune.

Steve Lukather/Run to Me

Last October, following Toto’s final show in Philadelphia to wrap up their 40th anniversary tour, Steve Lukather told Pennsylvania local newspaper The Morning Call the gig marked “certainly the end of this configuration of Toto.” But apparently Lukather already had other plans. He was supposed to join Ringo Starr and His All-Starr Band for a tour earlier this year, which of course didn’t happen and has been postponed until 2021. Now he’s out with a new song, Run to Me, the first single from an upcoming solo album, which as reported by Rolling Stone, is set for release sometime next year. The tune was co-written by Lukather together with his former Toto band mates David Paich and Joseph Williams. In addition to Paich and Williams, it features Ringo Starr and Huey Lewis and the News bassist John Piece. “This is a happy summer single for less than happy times,” commented Lukather on his website. “It just seemed like this was the right time to release the song…A little out of character for myself, but fun.  Inspired by my youth
” There’s definitely a ’60s vibe in this melodic tune, which came out on August 20. Here’s the official video.

Sea Girls/Forever

Let’s wrap up this new music installment with some indie rock from England. Sea Girls, formed in London in 2015, feature Henry Camamile (vocals, guitar), Rory Young (lead guitar), Andrew Noswad (bass) and Oli Khan (drums). The band’s debut single Call Me Out appeared in June 2017. This was followed by various additional singles and three EPs, which were all self-released. Last year, the band managed to get a deal with Polydor Records. After a few more singles and another EP, Sea Girls recorded their full-fledged studio debut Open Up Your Head, released on August 14. It includes the above tune Forever, which was written by Young. I really dig the guitar-driven sound of this tune – pretty catchy song!

Sources: Wikipedia; South of Eden website; The Morning Call; Rolling Stone; YouTube