The Sunday Six

Celebrating music with six random tracks at a time

After a busy week with two back-to-back “big ticket” concerts, I’m ready to take a short break from live shows and celebrate the beauty of music from home with another Sunday Six. Hope you’ll join me on my trip to visit six tunes of the past and the present.

Weather Report/Forlorn

Let’s get underway gently with some jazz fusion by Weather Report. Forlorn is a smooth track from their ninth studio album Night Passage, which came out in November 1980. The piece was composed by Austrian jazz keyboarder Joe Zawinul, who is regarded as one of the creators of jazz fusion. Zawinul co-founded Weather Report in 1970 with saxophone maestro Wayne Shorter. By the time Night Passage was released, the group also featured the amazing Jaco Pastorius (fretless bass), Robert Thomas Jr. (percussion) and Peter Erskine (drums). Weather Report would record six more albums before they disbanded in early 1986 after Shorter had left to focus on solo projects.

The Guess Who/Hand Me Down World

While I’ve only heard a handful of songs by The Guess Who, I know one thing for sure: I love this next tune! The Canadian rock band’s origins go back to 1958 when Winnipeg singer and guitarist Chad Allan formed a local group called Allan and the Silvertones. In January 1965, the band, then called Chad Allan & The Expressions, released their debut album Shakin’ All Over. The group’s cover of the Johnny Kidd & the Pirates song also became their fourth single. The band’s American label Quality Records thought it would be clever to disguise the group’s name by crediting the tune to Guess Who? Not only did the publicity stunt work but it also gave birth to the band’s new name. Hand Me Down World, written by lead guitarist Kurt Winter, is from The Guess Who’s seventh studio album Share the Land, released in October 1970. It also became one of their hit singles, reaching no. 10 in Canada and no. 17 in the U.S. A version of The Guess Who is still around and currently touring the U.S.

Tal Bachman/She’s So High

Let’s stay in Canada for this next pick from April 1999. There’s also another connection to the previous tune. Tal Bachman is the son of guess who? Yep, Randy Bachman, who in turn was a co-founder of The Guess Who and, of course, Bachman–Turner Overdrive. When I heard She’s So High in 1999, I loved it right away and got Tal Bachman’s eponymous debut album on CD. It’s pretty good power pop, and I’m a bit surprised Bachman junior only issued one additional studio album, Staring Down the Sun, in July 2004. Man, with this jangly guitar sound and the catchy melody, I still love this song as much as I did back in 1999. Beware, it might get stuck in your brain!

The Kinks/Till the End of the Day

After some catchy power pop music, I think it’s time for some ’60s rock, don’t you agree? I’ve said it before. The Kinks are among my favorite British rock bands, together with The Beatles, The Rolling Stones and The Who. Till the End of the Day, written by the great Ray Davies, first came out as a single in November 1965. Subsequently, it was also included on the band’s third studio album The Kink Kontroversy, which appeared a week after the single – clever and quite appropriate title. If you’d like to know why I’d encourage you to read this post by fellow blogger Dave from A Sound Day, who just discussed The Kinks’ volatile behavior the other day. Till the End of the Day became their sixth top ten single in the UK (no. 8). It was most successful in The Netherlands where it peaked at no. 6. Elsewhere, it charted in Germany (no. 19), Canada (no. 34), Australia (no. 63) and the U.S. (no. 50). Baby, I feel good!

Band of Horses/The Funeral

If I recall it correctly, it was on Eclectic Music Lover’s blog where I first learned about Band of Horses. In fact, his most recent Weekly Top 30s installment features Warning Signs, a tune by the indie rock band from Seattle, off their current album Things Are Great. Band of Horses have been around since 2004 and released six studio albums to date. The Funeral, despite its grim title, is a great tune from their March 2006 studio debut Everything All the Time. The music is credited to the entire group, with lyrics written by singer-songwriter Ben Bridwell who has been the band’s sole constant member throughout numerous lineup changes. The Funeral also became Band of Horses’ debut single – check out that great sound!

Rival Sons/Pressure & Time

And once again it’s time to wrap up another Sunday Six. Let’s make it count with a kickass rocker by Rival Sons: Pressure & Time. The band from Long Beach, Calif. was founded in 2009 and still includes three original members: Jay Buchanan (lead vocals, harmonica, rhythm guitar), Scott Holiday (guitar, backing vocals) and Mike Miley (drums, backing vocals). Dave Beste (bass, backing vocals) who has been with the group since 2013 completes the current lineup. Pressure & Time, credited to the entire band, is the title track of the group’s sophomore album. Released in June 2011, it was their first to make the charts, climbing to no. 19 in the U.S. on Billboard’s Top Heatseekers. Wikipedia notes that while Rival Sons oftentimes are compared to ’70s rock, they have cited Prince, D’Angelo, The Roots, Muddy Waters and Howlin’ Wolf as influences. Whatever the case may be, when listening to Pressure & Time, I can hear some Zep in here, and that makes me really happy!

Last but not least here’s a Spotify playlist featuring the above tunes.

Sources: Wikipedia; YouTube; Spotify

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Goodbye June’s New Album Rocks, Classic Style

Goodbye June first entered my radar screen last December when I featured the title track of their then-forthcoming album See Where the Night Goes in a Best of What’s New installment. After listening to Breathe and Attack, which I included in my latest new music revue edition, it was an easy decision to dedicate an entire post to the group’s now-released fourth studio record, which came out on February 18.

See Where the Night Goes is the latest proof that while classic-style rock no longer is mainstream, it isn’t dead as is oftentimes claimed. Goodbye June, formed in Memphis, Tenn. in 2005, are part of what a July 2021 story in Guitar World called the New Wave of Classic Rock. Some of the other groups they noted in this context include Dirty Honey, Greta Van Fleet and Rival Sons. One band the story didn’t mention is Fortune Child, who were only founded in 2021 and may be the most recent in the pack. I featured one of their songs in yesterday’s Sunday Six installment.

Goodbye June are comprised of Landon Milbourn (lead vocals), Brandon Qualkenbush (rhythm guitar, bass, backing vocals) and Tyler Baker (lead guitar), who are all cousins. According to their AllMusic bio, they had first started making music together in their local church. The group was formed in honor of Baker’s brother who died in a car accident in June 2005. In 2009, they relocated to Nashville where they gained a reputation for their fiery live shows. Three years later, the band’s debut album Nor the Wild Music Flow came out.

Following extensive regional and some international touring, Goodbye June won first prize in 2014 in the Unsigned Music Competition. The band’s growing visibility led to a deal with Interscope Records. Their sophomore album Magic Valley appeared on that major label in May 2017. Let’s take a look at some music from See Where the Night Goes.

The album kicks off with Step Inside, credited to the three members of the band, as well as producer Paul Moak. The multi-instrumentalist from Nashville also contributed electric guitar, acoustic guitar, Clavinet, Mellotron, bass and percussion. Here’s the official video of the AC/DC-style rocker that pretty much sets the tone of the record.

Since I previously covered the title track and Breathe and Attack, I’m skipping these tunes here and go directly to Take a Ride. Like the opener, it was co-written by the band and Moak and is reminiscent of AC/DC as well. I could also see this tune on a Greta Van Fleet album.

Even high-energy rockers sometimes need to slow down. Here’s the rock ballad What I Need, credited to the band and Scott Stevens, another local Nashville artist. Call me crazy, I’m hearing some Lenny Kravitz here!

Let’s do two more: Here’s Baby, I’m Back, another Milbourn/Qualkenbush/ Baker/Moak co-write.

A tune titled Three Chords by a band like Goodbye June sounds promising, and it certainly doesn’t disappoint: Give ’em three chords/And the Holy Ghost/They’ll start a-moving/And shaking on the floor…Come on, boys, take us to rock & roll church!

Yes, Goodbye June aren’t exactly reinventing the classic rock wheel on See Where the Night Goes. And that’s precisely why I love it!

Sources: Wikipedia; Guitar World; AllMusic; Discogs; YouTube; Spotify

What I’ve Been Listening to: The Marcus King Band/Carolina Confessions

I first came across Marcus King in March 2020 when working on a post about the multinational music project Playing for Change and was immediately impressed. Taking a subsequent look at his solo debut album El Dorado in April that year confirmed my initial positive impression of the then-24-year-old guitarist and singer-songwriter from Greenville, S.C. And just last Friday, I was reminded of King who plays on a tune from John Mayall’s upcoming new album, which I included in my Best of What’s New installment that day. So I decided to explore more of his music.

According to King’s website, Marcus started learning guitar at age three or four. He has played professionally since he was 11 and always knew he wanted to make music his life. A fourth-generation musician, Marcus has followed in his family’s footsteps. His grandfather was a country guitarist, and his father continues to perform live. [His father is Marvin King, a well-known blues guitarist in South Carolina – CMM]

The Marcus King Band founded in Greenville, South Carolina in 2013, is his tight knit group. Drummer Jack Ryan, bass player Stephen Campbell, trumpeter/trombonist Justin Johnson, sax/steel guitarist Dean Mitchell along with Marcus—bring an irreplaceable combination of commitment, craft and soul to their work and are one of the hardest working bands today.

In 2015, The Marcus King Band released their debut album Soul Insight, which reached an impressive no. 8 on the Billboard Blues Albums chart. King was only 19 years at the time! Their eponymous sophomore release from 2016 did even better, climbing all the way to no. 2 on the blues chart. Carolina Confessions is the band’s third full-length LP that came in August 2018. Let’s take a closer look! Unless noted otherwise, all tunes were written by King.

Here’s the opener Where I’m Headed. All it takes is to listen to the first few bars to make two observations: The music is warm and rich, and King’s vocals sound very soulful – not what you’d expect from a then-22-year-old! The horns further boost the music’s soul vibe. This is so good!

Homesick is a great bluesy and funky tune. Again, the horns give this track a soulful vibe. Here’s a neat lyric video, in which you can see King and the band in action. He looks so young, and yet he sounds so mature!

Here’s How Long, another funky tune. It’s the only track that included other writers: Dan Auerbach, who produced King’s solo debut album, and Pat McLaughlin, a Nashville, Tenn.-based singer-songwriter whose tunes have been recorded by Bonnie Raitt, Taj Mahal and Al Kooper, among others.

Let’s do one more: Confessions, a slow-burning, blues-oriented rocker. I don’t mean to sound stereotypical here, but I just find it mind-boggling how a white artist in his early 20s can channel so much soulfulness in his singing. I mean, holy cow, check this out!

Carolina Confessions was recorded at the renowned RCA Studio A in Nashville, originally known as RCA Victor Nashville Sound Studios. The Beach Boys, B.B. King, Loretta Lynn and Leon Russell are among the many artists who have recorded at the storied studio.

The album was produced and mixed by Dave Cobb who has worked with the likes of Rival Sons, The Highway Women, Chris Stapleton, Jason Isbell and John Prine. Like its predecessor, Carolina Confessions climbed to no. 2 on the Billboard Blues Albums chart. It also reached no. 2 on the Heatseekers Albums. I feel Marcus King has a bright future and look forward to hearing more music from this talented young artist.

Sources: Wikipedia; Marcus King Band website; YouTube; Spotify

Best of What’s New

A selection of newly released music that caught my attention

After the unprecedented events we witnessed in this country earlier this week, it feels somewhat surreal to blog about something completely unrelated. At the same time, the fact new music keeps coming out is reassuring to me. In fact, music has always had a degree of healing power during challenging times and provided a welcome distraction. While ignoring reality can be dangerous, I believe occasionally escaping from it is a good thing to clear your mind and gather strength.

I’m very excited about this week’s Best of What’s New installment, which features indie and country singer-songwriters, a young incredibly talented vintage soul vocalist who knocked my socks off and…well, you’ll need to continue reading to find out yourself. All of this great music was just released yesterday (January 8).

Denison Witmer/River of Music

Dension Witmer is a singer-songwriter from Lancaster, Pa. According to his artist profile on Apple Music, Tagged by many music journalists as one of the most likely songwriters to fill the void left by Elliott Smith in the acoustic indie singer/songwriter movement, [he] catalogs the experiences of young adulthood in almost painfully honest detail. With a soft and sensitive voice that perfectly matches his laid-back 1970s California pop production and subtly expressive guitar work, he has gone from writing in his journal to becoming an intimate of like-minded artists like Damien Jurado and Pedro the Lion over the span of a few albums. Growing up in Lancaster, PA, Witmer picked up the guitar at the age of 16 and was soon showing enough promise to draw the interest of the Innocence Mission’s Don Peris. As Peris became Witmer’s musical mentor, he would oversee and play guitar and keyboard on his apprentice’s first recordings, 2000’s River Bends EP and the much-heralded Safe Away. Here’s the great River of Music, a track from Witmer’s new EP American Foursquare (Simplified). It surely feels good listening to his soothing voice and beautiful guitar-playing. And the lyrics about the power of music perfectly illustrate what I wrote in the intro of this post.

Morgan Wallen/Livin’ the Dream

Country music singer-songwriter Morgan Wallen, who hails from the tiny Tennessee town of Sneedville (about 250 miles east of Nashville), first gained some prominence as a contestant on season 6 of The Voice in 2014. While Wallen didn’t make it to the final, his stint eventually led to a deal with Panacea Records and his debut EP Stand Alone from August 2015. Wallen switched to Big Loud Records thereafter and released his first full-length studio album If I Know Me in April 2018. Livin’ the Dream is a track from his sophomore release Dangerous: The Double Album. This double album features a hefty 30 tunes, many prominent country songwriters and a guest appearance by Chris Stapleton. Livin’ the Dream, a tale about life as a “rock star,” was co-written by Wallen, Ben Burgess, Jacob Durrett and Michael Wilson Hardy, aka Hardy.

Barry Gibb/To Love Somebody

Yep, that’s Barry Gibb, formerly of the Bee Gees. I recently covered them in a four-part series here (part 1), here (part 2), here (part 3) and here (part 4). All I’d like to say in this post is if you think the Bee Gees were just a disco band, I’d encourage to take a closer look at their music or read my series. Was it necessary for Gibb, the group’s only surviving member, to come out with Greenfields: The Gibb Brothers’ Songbook, Vol 1., an album of newly recorded versions of mostly famous Bee Gees songs? Probably not – on the other hand, why not! The Bee Gees’ catalog is full with well crafted songs. Co-written by Barry Gibb and Robin Gibb, To Love Somebody is among my favorite early Bee Gees tunes. It initially appeared on Bee Gees’ 1st, the group’s first internationally released full-length studio album that was released in July 1967 in the UK and appeared the following month in the U.S. The newly recorded version features Jay Buchanan, lead vocalist of American rock band Rival Sons. The album also includes many other guests, mostly from country music, a favorite genre of Barry’s, such as Little Big Town, Dolly Parton and Sheryl Crow. Be cynical about it, if you like. I dig and stand behind these songs and the Bee Gees!

Aaron Frazer/ If I Got It (Your Love Brought It)

According to his website, Aaron Frazer is a Brooklyn-based, Baltimore-raised songwriter [who] first came into the international spotlight as multi-instrumentalist and co-lead singer for Durand Jones & The Indications. He penned some of the group’s most notable tracks, including ‘Morning In America,’ and sang lead on ‘Is It Any Wonder?’ – the latter an instant sweet soul classic anchored by Aaron’s falsetto, which caught the ear of producer and Black Keys guitarist Dan Auerbach…Soft-spoken with the look of a slightly disaffected 1950s matinee idol, Aaron Frazer possesses a unique voice that’s both contemporary and timeless. His higher register conveys a wide emotional palate and a progressive worldview in the tradition of musical masterminds like Curtis Mayfield. While Aaron’s stirring falsetto and thoughtful songwriting have made him established in the world of revival soul music, he refuses to be pigeonholed. That falsetto is in beautiful action on If I Got It (Your Love Brought It), a tune from Aaron’s debut album Introducing…, which was produced by Auerbach. The song was co-written by Frazer, Auerbach and David Ferguson. So good! check it out!

Sources: Wikipedia; Apple Music; Aaron Frazer website; YouTube