Not a day goes by that you don’t see stories on TV and in other news outlets, reporting about the incredible work healthcare professionals are doing around the U.S. to care for people who are sick from the coronavirus. Last night, I caught a segment on CNN, which really got to me. For a change, I wished it was fake news, but it wasn’t!
A CNN anchor interviewed two women who are working as hospital nurses in New York City: A 20-year-old and another nurse who I guess was in her ’50s – hard to tell! Both looked extremely exhausted. The older nurse was working despite having some COVID-19 symptoms herself. Why was she still coming to work? ‘Because that’s what we do,’ she said. In the beginning, the 20-year-old tried to put on an optimistic face as best as she could, but it was obvious she was scared to death. She had just written her will and admitted she had cried a lot over the past week.
Twenty years old and feeling compelled to write her will? That’s only two years older than my son! And this is happening in America in the 21st century?
Both women pleaded with government officials that healthcare workers be provided with the protective equipment they need to continue caring for patients while reducing the risk of getting sick themselves. I have to say I never thought I would witness something like this in the U.S., one of the richest countries in the world. WTF!
It’s beyond my comprehension why certain so-called leaders at the state and federal level don’t use their full authorities to help contain the spread of the virus and fight it with all means they have at their disposal. This is not a time to question scientists or view things through an ideological lens. People are dying all around us, for crying out loud!
I’ll stop the rant here to get to the essence of the post – music, more specifically songs that in a broader sense are about doctors. Admittedly, I have to stress the word “broader” here. In any case, the idea is to give a shoutout and honor the selfless work healthcare professionals are doing across the U.S. every day. Typically for lousy pay!
Steely Dan/Dr. Wu – Donald Fagen & Walter Becker; Katy Lied (1975)
Bruce Springsteen/The Lady and the Doctor – Bruce Springstein; Before the Fame (1997)
Jethro Tull/Doctor to My Disease – Ian Anderson; Catfish Rising (1991)
Robert Palmer/Bad Case of Loving You (Doctor, Doctor) – Moon Martin; Secrets (1979)
Jackson Browne/Doctor, My Eyes – Jackson Browne; Jackson Browne (1972)
Blue Öyster Cult/Dr. Music – Joe Bouchard, Donald Roeser & Richard Meltzer; Mirrors (1979)
Counting Crows/Hospital – Coby Brown; Underwater Sunshine (Or What We Did On Our Summer Vacation) (2012)
Doobie Brothers/The Doctor – Tom Johnston, Charlie Midnight & Eddie Schwartz; Cycles (1989)
Black Sabbath/Rock ‘n’ Roll Doctor – Tony Iommi, Geezer Butler, Bill Ward & Ozzy Osbourne; Technical Ecstasy (1976)
The Fray/How to Save a Life – Isaac Slade & Joe King; How to Safe a Life (2005)
This is the third installment of my new series in as many weeks. While I’m not sure I can keep it up at that rate, I’m happy that lately more newly released music makes it on my radar screen. Best of all, three of the five artists featured in this post are entirely new to me, while I had not heard from one of the remaining two in 35 years. It also turns out the fifth and most famous artist and I were born in the same town in Germany.
Jackson Browne/A Little Soon to Say
It’s safe to assume Jackson Browne needs no introduction. Ever since I listened to the Running on Empty album in the late ’70s or early ’80s, I’ve loved the singer-songwriter. By the way, while researching the post, I realized Brown was born in Heidelberg, Germany, which also happens to be my place of birth. That’s where the commonalities end! 🙂 Browne released his latest song last Friday shortly after he had learned a test for COVID-19 had come back positive – yikes! While he had written A Little Soon to Say prior to the pandemic, Browne toldRolling Stone he decided, “Just put it out now while these things are so uncertain.” Fortunately, his symptoms appear to be mild and he is currently at home in quarantine.
From her website: With her powerful vocals and sultry sound, Kendall Rucks fuses elements of rock, blues and dream pop to create music that is both provocative and captivating. A Florida native now based in Los Angeles, Kendall has recently released her latest single SKIN THE SUN while also juggling multiple writing and recording projects. With her band, The Zodiac Mafia, Kendall is preparing for a US tour in 2020 as well as the release of multiple new singles…With artist inspirations such as Fiona Apple, Lana Del Rey, and Cat Power as well as groups like Nirvana, Radiohead and Garbage, Kendall makes music that is deep, thought-provoking and has soul with a sultry edge. Apparently, her bio is slightly outdated. Released March 6, Bloom is Rucks’ most recent single. Pretty good – reminds me a bit of Tanita Tikaram.
Cory Vincent/I’d Love to Change the World
With that title, how could I not have selected this tune during these crazy times? From Vincent’s website: What do you get when you combine the hard edged, dreary sounds of the Pacific Northwest with the soulful, southern themed voicings of the blues? The fans of Cory Vincent have appropriately coined it, “Grunge Blues.” Drawing inspiration from genre-blending trailblazers like Neil Young, Jimi Hendrix, and Jack White; Cory’s songwriting is a throwback to an era where the song was the king…Born and raised in the small town of Sedro-Woolley, Cory’s passion for music and songwriting began at young age, with a heavy influence of Country music from legends like Hank Williams, Willie Nelson, Waylon Jennings, and Garth Brooks. It wasn’t until the age of 13, when his father brought home the Stevie Ray Vaughan album “Texas Flood,” that Cory decided to pick up the guitar. Often saying that there are way too many influences to list, Cory sums up his guitar background as follows- “I play guitar because of Stevie Ray Vaughan, Tony Iommi (Black Sabbath) changed the way I thought about guitar, and Warren Haynes confirmed it all!” All sounds good to me! I’d Love to Change the World is his latest single that came out on March 15. Written by Alvin Lee, the song was first recorded by British blues rock band Ten Years After for their sixth studio album Space in Time from October 1971.
From the band’s website: Kings Ransome started years ago as Vannare when future rock icon Porter Dowdy realized his dream of holding a guitar every day for the rest of his life. He teamed up with longtime friend, shampoo model candidate, and bassist Davis Huggins to do this band thing. Funk/fusion drummer Matt Malphrus joined the gang with a charming smile and a stellar high school football career. Not long after – enter guitarist Leo Santana. With hair that contains more rock’n’roll than most people have in their whole body, Leo upped the band’s sound and image. The guys created a kickin’ EP, but the singer quit during recording. Luckily Porter knew a guy. Trey Duncan had quit his job and was trying to pay the bills as a solo artist. Porter called him the day he told his girlfriend he needed a band to boss around, and the rest, as they say, is history. Credited to all members of the band, Solo is their most recent single that came out on January 1. Nice guitar-oriented rock – check it out!
Heinz Rudolf Kunze/Die Zeit Ist Reif
Wow, the last time I had heard from Heinz Rudolf Kunze was some 35 years ago when the German singer-songwriter and book author suddenly was everywhere on the radio with Dein Ist Mein Ganzes Herz (rough translation: You’re my everything). Some critics called Kunze “Oberlehrer” (secondary schoolteacher) for his often didactic lyrics. Including his 1981 debut, he has released 28 albums to date. Cowritten by Kunze and Heiner Lürig, Die Zeit Ist Reif (the time is now) is from his most recent album Der Wahrheit Die Ehre (pay attention to the truth), which was released on February 21. It’s a nice pop rock ballad.
It’s safe to assume many folks have watched the above clip, probably more than once – I certainly have. But after having done so yet another time, I simply couldn’t resist reposting it. This just has to be one of the greatest moments in rock & roll live history!
To start, While My Guitar Gently Weeps is one of my favorite George Harrison tunes. I also dig the all-star band that celebrated George and his music back in March 2004 at his posthumous induction as a solo artist into the Rock and Roll Hall of Fame: Tom Petty and fellow HeartbreakersSteve Ferrone (drums) and Scott Thurston (bass), Jeff Lynne, Steve Winwood, guitarist Marc Mann and George’s son Dhani Harrison – and of course the guy who ended up stealing the show: Prince!
While I had known Prince was a talented multi-instrumentalist, until that moment, I had not fully appreciated what a killer guitarist he was. And I’m not quite sure the other guys who were on stage with him that night had either.
Everything sort is flowing along nicely, with Petty and Lynne doing a beautiful job on vocals and Mann skillfully playing guitar fill-ins and Eric Clapton’s solo – kind of what you’d expect from top-notch musicians. Then, at about 3:29 minutes into the action, Prince who had been in the background steps forward and takes this performance to the next level.
At first, the other guys don’t quite seem to notice. At around 4 minutes, Prince is starting to ramp up. At 4:30 minutes, he’s in full attack mode. At 4:44 minutes, he’s turning around looking at Petty and lets himself slowly fall back into the audience. Petty has a second to briefly smile before he needs to resume singing, while Dhani is in full smile mode. The guy who is catching Prince is pushing him back up on stage. Once back on his feet and in a stable position, Prince continues his scorching solo. Eventually, the song is coming to an end.
While I can’t imagine Prince’s backward dive into the audience hadn’t been carefully planned in advance, to me, this is rock & roll at its best. Undoubtedly, this amazing performance and guitar solo raised the bar forever and won’t be forgotten!
The other day, I came across an amazing video clip featuring Robbie Robertson and a bunch of well-known and to me unknown, yet pretty talented other musicians from all over the world, playing The Weight, one of my favorite tunes by The Band. At first, I only paid attention to their great version of the iconic song and ignored the chiron at the beginning and the end of the clip that notes “Playing for Change.” Then, I noticed other video clips on YouTube, which were also put together by Playing for Change. Finally, I got curious. Who or what is Playing for Change?
It didn’t take long to find their website, which describes their story as follows: Playing For Change is a movement created to inspire and connect the world through music… Playing For Change was born in 2002 as a shared vision between co-founders, Mark Johnson and Whitney Kroenke, to hit the streets of America with a mobile recording studio and cameras in search of inspiration and the heartbeat of the people. This musical journey resulted in the award-winning documentary, “A Cinematic Discovery of Street Musicians.”
In 2005, Mark Johnson was walking in Santa Monica, California, when he heard the voice of Roger Ridley singing “Stand By Me.” Roger had so much soul and conviction in his voice, and Mark approached him about performing “Stand By Me” as a Song Around the World. Roger agreed, and when Mark returned with recording equipment and cameras he asked Roger, “With a voice like yours, why are you singing on the streets?” Roger replied, “Man I’m in the Joy business, I come out to be with the people.” Ever since that day the Playing For Change crew has traveled the world recording and filming musicians, creating Songs Around the World, and building a global family.
Creating Songs Around the World inspired us to unite many of the greatest musicians we met throughout our journey and form the Playing For Change Band. These musicians come from many different countries and cultures, but through music they speak the same language. Songs Around The World The PFC Band is now touring the world and spreading the message of love and hope to audiences everywhere.
I realize the above may embellish things a bit; still, PFC sounds like an intriguing concept. They also created the Playing for Change Foundation, a separate nonprofit organization that is funded through donations and supports arts and music programs for children around the world. Based on the foundation’s website, it looks like a legitimate organization. That being said, this isn’t an endorsement. Let’s get back to what originally brought me here – recorded musicians all over the world performing the same song and everything being neatly put together in pretty compelling video clips. Before getting to the above mentioned Robbie Roberson clip, let’s take a look at some of PFC’s other videos.
Walking Blues (Son House)
Walking Blues was written and first recorded by delta blues musician Son House in 1930. Robert Johnson, Muddy Waters and other blues musicians recorded their own versions. This clip features Kevin Roosevelt Moore, aka Keb’ Mo’, along with other musicians from Argentina, South Africa, Spain and Morocco. Apparently, the clip was put together in honor of Johnson’s birthday. Check it out!
Soul Rebel (Bob Marley)
Written by Bob Marley, Soul Rebel is the opener to Soul Rebels, the second studio album by Bob Marley and the Wailers, which appeared in December 1970. This clip features Bunny Wailer, an original member of the Wailers, French guitarist Manu Chao and Jamaican reggae singer Bushman, along with other musicians from Jamaica, Spain, Morocco, Cuba, Argentina and the U.S. Feel free to groove along!
Listen to the Music (Tom Johnston)
Listen to the Music is a classic by The Doobie Brothers from their second studio album Toulouse Street released in July 1972. It was written by guitarist and vocalist Tom Johnston, one of the band’s founding members. Apart from Johnston and fellow Doobies Patrick Simmons and John McFee, the clip features other musicians from Venezuela, India, Brazil, Lebanon, Japan, Argentina, Senegal, Congo, South Africa and the U.S., including a gospel choir from Mississippi. This is just a joy to watch!
All Along the Watchtower (Bob Dylan)
While perhaps best known by The Jimi Hendrix Experience, All Along the Watchtower was written by Bob Dylan. He first recorded it for John Wesley Harding, his eighth studio album from December 1967. Check out this riveting take featuring Cyril Neville of The Neville Brothers, John Densmore of The Doors and Warren Haynes of The Allman Brothers Band and Gov’t Mule, along with other musicians from Italy, Zimbabwe, Lebanon, Niger, Ghana, India, Japan, Mali and the U.S. The latter include singers and dancers from the Lakota, a native American tribe that is part of the Great Sioux Nation. This is just mind-boggling to watch!
The Weight (Robbie Robertson)
And finally, here comes the crown jewel that inspired the post: The Weight written by Robbie Robertson, and first recorded for the debut album by The Band, Music From Big Pink, released in July 1968. This clip was co-produced by PFC co-founder Mark Johnson and Robbie’s son Sebastian Johnson to celebrate the 50th anniversary of the song. And it’s quite a star-studded affair: In addition to Robertson, the clip features Ringo Starr, blues guitarist Marcus King, roots rockers Larkin Poe and country-rock guitarist Lucas Nelson, along with other musicians from Italy, Japan, Democratic Republic of Congo, Kingdom of Bahrain, Spain, Argentina, Nepal and Jamaica – what a beautiful tribute to this great tune. Just watch the smile on Robertson’s face at the end. He knows how figgin’ awesome this came out – priceless!
PFC clearly has their go-to musicians in each country, and they’re not hobby musicians. Based on PFC’s website, all musicians are professionals who appear to be recognized within their countries. While as such one could argue PFC doesn’t seem to use amateur/ hobby musicians, it doesn’t take away anything of the concept’s beauty, in my view. Most of their videos capture songs performed by individual artists from different countries or by the PFC band. But it’s the song-around-the-world videos I find most impressive. You can watch all of PFC’s clips on their YouTubechannel.
Sources: Wikipedia; Playing For Change website; Playing for Change Foundation website; YouTube
A selection of artists who don’t allow the coronavirus to stop the music
By now it’s safe to assume everybody is getting tired to read about COVID-19, so I’ll keep it light. Obviously, one of the many industries that have been hit hard by the coronavirus is the concert business. Painfully but rightly, shows are being canceled or rescheduled all over the place. It simply would be irresponsible to do anything else. The good news is this doesn’t mean live performances have come to a standstill.
For example, if you follow the “right” pages on Facebook, you can receive plenty of notifications about live gigs streamed online. Sure, in nearly all cases, these performances are low key and improvised, and the majority of artists who pop up aren’t necessarily well-known. Still, there is plenty of great live music you can enjoy over the internet these days. I would also argue that low tech and improvised gigs have their own charm.
Following are some recent performances captured by Rolling Stone as part of their In My Room series. I realize these gigs are not 100 percent comparable to concerts that are live-streamed. It’s also safe to assume there was some post-production done to these clips, but the footage still conveys a good deal of spontaneity to me. It’s all about the spirit to keep the music going but doing so in a responsible way, so let’s get to some of it!
Graham Nash/Our House, 4+20 & Teach Your Children
I simply love everything about this clip. To start, Graham Nash remains a compelling artist. Let’s not forget the man is 78 years old. I also like how he is weaving in public service announcements throughout this little concert performed at his home. To me, he comes across as very genuine. All of the tunes are from Déjà Vu, the sophomore album by Crosby, Stills, Nash & Young. Undoubtedly, it’s one of the greatest albums that have ever been recorded. Our House and Teach Your Children are Nash compositions, while 4+20 was written by Stephen Stills. Obviously, much of CSNY’s magic was in their incredible harmony vocals, which is impossible for Nash to replicate, but none of this really matters. Just watching the man perform makes me happy. You can see his passion. That’s what it’s all about!
John Fogerty/Have You Ever Seen the Rain, Bad Moon Rising & Long As I Can See the Light
John Fogerty is another rock & roll hero in my book. If I recall it correctly, Have You Ever Seen the Rain was the first Creedence Clearwater Revival song I ever heard as a young kid back my sister. My sister had that tune on vinyl as a 45 single. I’ve loved Fogerty and this band ever since! Have You Ever Seen the Rain, Bad Moon Rising and Long As I Can See the Light were all written by Fogerty. They appeared on CCR’s Pendulum, Green River and Cosmo’s Factory studio albums from December 1970, August 1969 and July 1970, respectively. My personal highlight in the above series is Fogerty’s performance of the third tune on the piano.
Angélique Kidjo/Gimme Shelter, The Overload & Move On Up
‘Damn, damn and damn’ is all I can say watching Angélique Kidjo, a Beninese singer-songwriter, actress, and activist of Nigerian descent, sing the above tunes. Have you ever heard such a funky rendition of The Rolling Stones’ 1969 classic Gimme Shelter? Or how ’bout Move On Up, one my favorite songs by Curtis Mayfield from his 1970 solo debut album, which she turns into some African liberation song? Her version of The Overload, a tune by Talking Heads from their fourth studio album Remain in Light from October 1980, is almost more haunting than the original. This is some really cool stuff – check it out!
Yola and Birds of Chicago/At Last, It Ain’t Easier & Second Cousin
Let’s do one more and keep the best for last. I had neither been aware of English musician and singer-songwriter Yola nor Birds of Chicago, an Americana/folk band from the Windy City led by husband and wife JT Nero and Allison Russell. But after I had watched that clip, I was simply blown away – passionate and all-out beautiful singing simply doesn’t get much better. And the songs they selected are terrific! At Last, co-written by Mack Gordon and Harry Warren, was the title of the debut album by Etta James, released in November 1960. This a capella version of the tune is the highlight of the series. It Ain’t Easier was written by Yola and appeared on her debut album Walk Through Fire from February 2019. Last but not least is Second Cousin, which appears to be a tune by Birds of Chicago.
Today, my recurring music history feature is hitting a bit of a milestone with the 50th installment. While 50 sounds like an impressive number, it means I still have 315 dates left to cover! The music nerd in me tells me that’s actually not a bad thing! Plus, it turns out there’s lots of fodder for March 22, so let’s get to it.
1963:Please Please Me, the debut studio album by The Beatles, appeared in the UK. According to The Beatles Bible, the record was rush-released to capitalize on the success of the singles Love Me Do and Please Please Me. Both singles were on the album, along with their b-sides P.S. I Love You and Ask Me Why, respectively. The remaining 10 tracks were recorded during a marathon session on February 11, 1963, which lasted just under 10 hours. The other fun fact about the record is that George Martin initially had planned to call it Off The Beatle Track – kind of clever, though he obviously abandoned the idea. Naming it after a successful single probably was also part of the plan to maximize sales. As was common on the early Beatles albums, Please Please Me featured various covers. Here’s one of my favorites: Twist and Shout, co-written by Phil Medley and Bert Berns, and first recorded by U.S. R&B vocal group The Top Notes in 1961.
1965:Robert Allen Zimmerman, the genius known as Bob Dylan, released his fifth studio album Bringing It All Back Home. It marked his first top 10 record in the U.S., climbing to no. 6 on the Billboard 200, and his second no. 1 studio release in the UK, following The Freewheelin’ Bob Dylan from May 1963. Perhaps more significantly, Bringing It All Back Home was also Dylan’s first album to feature recordings with electric instruments; in fact, on the entire A-side, he was backed by an electric band. The b-side was acoustic. Four months later, on July 25, the electric controversy turned into a firestorm with Dylan’s appearance at the Newport Folk Festival. Here’s Maggie’s Farm. It was the much faster and more aggressive performance of that song at Newport, which caused most of the controversy there.
1971:John Lennon released his fifth solo single Power to the People in the U.S., 10 days after its debut in the UK. Credited to Lennon and Plastic Ono Band, the non-album tune peaked at no. 11 on the Billboard Hot 100, marking Lennon’s second most successful single to date. In the UK, the song climbed to no. 6. It performed best in Norway where it hit no. 3. Power to the People was recorded at Ascot Sound Studios in Berkshire, England as part of sessions that also yielded tunes for Lennon’s second solo album Imagine. “I wrote ‘Power to the People’ the same way I wrote ‘Give Peace a Chance,’ as something for the people to sing,” Lennon reportedly said. “I make singles like broadsheets. It was another quickie, done at Ascot.” Quickie or not, I think it’s safe to say it wasn’t his best tune.
1974: The Eagles dropped their third studio album On the Border. After two country-rock records, the band decided they wanted a more rock-oriented sound. Therefore, most of the album was produced by Bill Szymczyk, who had previously worked with then-future Eagles member Joe Walsh and The James Gang, among others. It also marked the band’s first record with rock guitarist Don Felder. Here’s Already Gone, featuring Felder on lead guitar and Glenn Frey on lead vocals. Co-written by Jack Tempchin and Robb Strandlund, the tune also appeared separately as the album’s lead single. It’s one of my favorite rockers by the Eagles.
1975:Led Zeppelin hit no. 1 on the Billboard 200 with their sixth studio album Physical Graffiti. The double LP, which includes recordings spanning from January 1970 to February 1974, maintained the top spot for 6 weeks and marked Zeppelin’s fourth no. 1 record in the U.S. The album also topped the charts in the UK and Canada. Viewed as one of the band’s strongest albums, Physical Graffiti was certified 16x Platinum in the U.S. in 2006, which means sales of more than eight million copies – unreal from today’s perspective! Here’s the bombastic Kashmir, co-written by Jon Bonham, Jimmy Page and Robert Plant. It’s one of the most unusual rock songs I know; frankly, it wasn’t exactly love at first sight for me, though over the years, I’ve come to dig it.
1977: Stevie Wonder released Sir Duke, the third single off his 18th studio gem Songs in the Key of Life. Both are long-time favorites in my book. The tribute to jazz legend Duke Ellington marked Wonder’s fifth and last no. 1 on the Billboard Hot 100 during the ’70s. It also topped the R&B chart and became a hit internationally, reaching no.1 in Canada and top 10 positions in Germany, Switzerland and the UK. I just love the groove of this tune. The horn work is outstanding – take it away, Stevie!
1980:Pink Floyd scored their only no. 1 hit in the U.S. on the Billboard Hot 100 with Another Brick in the Wall (Part 2), where it would stay for four weeks. Given the Roger Waters song, off Floyd’s 11th studio album The Wall, was their most pop-oriented, radio-friendly tune, perhaps that’s not exactly a surprise. It also became a chart-topper in the UK, Austria, France, Germany, Switzerland and New Zealand. I can confirm firsthand that it was played to death on the radio in Germany. On a lighter note, I also recall a funny incident at a school party when I was in seventh grade. For some reason, which I can’t remember, we had a little get-together in our classroom. When our English and homeroom teacher walked in, the song was blasting out of a boom box. He couldn’t suppress a brief smile before looking serious again. What happens when you think you don’t need no education is now vividly on display among some young people in the U.S. and other countries, who continue to hang out in the middle of the COVID-19 pandemic as if nothing had happened.
Sources: Wikipedia; The Beatles Bible; This Day In Music; Songfacts Music History Calendar; YouTube
Lately, I’m finding myself coming across lots of new music I like. Ironically, it’s largely due to my streaming music provider. I used to complain they do a rather mediocre job of serving up music I’m supposed to dig, based on my listening habits. While some of their suggestions still look a bit odd to me, I have to give credit where credit is due: Finally, it appears their algorithms have improved, and lately, they’ve been proposing some pretty good stuff.
Hoping this is going to continue, I’m introducing a new feature to the blog ingeniously titled Best of What’s New. The idea is to highlight new songs rather than new albums. I’m already doing the latter and have no intention to change that. While I don’t see myself starting to write about electronic dance music or Neue Deutsche Haerte a la Rammstein, I’m hoping to keep these posts a bit eclectic. I realize the characterization “best” is pretty subjective. If a song speaks to me, it’s fair game. With this disclaimer out of the way, let’s get to the inaugural post.
Clarke Thorndycaft/Jumpin’ Jack Flash
‘Really,’ you might wonder, ‘a cover?’ I didn’t say these posts will only include original music! Behind Clarke Thorndycraft are guitarist Mick Clarke and singer and harmonica player Bill Thorndycraft, who both were among the founding members of Killing Floor, a British blues-rock band that initially was active between 1968 and 1972 and has been revived in 2002. More than just a cover, the tune is an homage to The Rolling Stones, which becomes obvious when they call out each member of “the world’s greatest rock & roll band” at the end of the tune. Co-written by Mick Jagger, Keith Richards and an uncredited Bill Wyman, the song was first released as a single in May 1968.
I betcha didn’t see a modern jazz type instrumental coming, did ya? Well, while for the most part, I anticipate not to veer off too far from my core wheelhouse, I have no problem doing so, if I like it. And I find this tune beautiful and very soothing. According to Naxos Direct, Ingmar is a jazz pianist, composer and freelance musician from Uppsala, Sweden. He also is the chairman of the Uppsala Jazz Club and organizer of the Live Jazz Bar at Uplands Nation and the Jazz Corner at UKK. Coolio, Julio! Ellegatan is from Ingmar’s new album Karlavagnen, which came out yesterday. Let’s hear it!
Deep Purple/Throw My Bones
Wait, what, haven’t these guys been on a farewell tour for the past couple of years? And now new music? Well, Deep Purple ingeniously called it “The Long Goodbye Tour.” I suppose the emphasis is on long. Just released yesterday, Throw My Bones is the lead single from the band’s upcoming new studio album Whoosh! set for release on June 12. According to a statement on Deep Purple’s website, the tune “is an invitation to take a step back and see the bigger picture, a call for action and an invitation to observe the planet and the current situation on earth” – have they turned into philosophers now? The song is co-credited to the band’s current members Don Airey (keyboards), Ian Gillan (lead vocals), Roger Glover (bass), Steve Morse (guitar) and producer Bob Ezrin. While it’s not exactly Machine Head caliber, Deep Purple remain my favorite hard rock band, and I will always have a weak spot for them. Check out Steve Morse’s guitar solo on that tune – obviously, he’s a hell of a guitarist!
Durand Jones & The Indications/Young Americans
From their website: Durand Jones & the Indications aren’t looking backwards. Helmed by foil vocalists in Durand Jones and drummer Aaron Frazer, the Indications conjure the dynamism of Jackie Wilson, Curtis Mayfield, AND the Impressions. This young band of twenty-somethings are students of soul, including guitarist Blake Rhein, who moonlights doing research for The Numero Group. Even with that background, and an aesthetic steeped in the golden, strings-infused dreaminess of early ‘70s soul, the Indications are planted firmly in the present, with the urgency of this moment in time. The website lists two albums: The eponymous debut from 2016 and the sophomore American Love Call, which came out last year. Their cover of Young Americans was released as a single on January 28. Written by David Bowie, Young Americans is the title track of Bowie’s ninth studio album from March 1975. While it’s not very different from the original, I think Durand Jones and the band give it a nice soul vibe.
Ready for one more? How ’bout some more contemporary jazz? Ever heard of Pat Metheny? Yep, the American jazz guitarist and composer who has been around like forever – to be more precise since 1974, according to Wikipedia. His debut album Bright Size Life dates back to early 1976. This tune, Love May Take a While, is off Metheny’s latest album From This Place. Released on February 21, it appears to be his 10th studio record. I don’t wanna pretend that all of a sudden, I’ve turned into a jazz connoisseur. The truth is I rarely listen to jazz and know next to nothing about it. But it ain’t rocket science, baby: I simply dig the smooth and relaxing sound of this tune. The tone of Metheny’s guitar is just beautiful. Hope you enjoy it as much as I do!
Source: Wikipedia; Clarke Thorndycraft Facebook page; Naxos Direct; Deep Purple website; Durand Jones & The Indications website; YouTube