Fakefest Celebrated Triumphant Return to Atlantic City

Free four-day open air festival featured tributes to nine rock bands

It may be called Fakefest, but there’s very little that’s fake about it. Unless of course you consider tribute bands as fake. Or that nowadays you couldn’t have a music festival that features Tom Petty and Van Halen.

Fakefest is a free tribute band festival conducted annually on the outdoor deck of the Golden Nuggets hotel & casino in Atlantic City, N.J. Just like pretty much any other entertainment event, it was cancelled last year due to know what.

The line-up for the four-day event (July 8-11) featured tributes to Bruce Springsteen, Journey, Van Halen, Chicago, The Police, The Who, Tom Petty, U2 and The Rolling Stones. I was there on Saturday to see Beginnings, New York’s Finest and Who’s Next – tributes to Chicago, The Police and The Who, respectively. Following are some impressions.

Beginnings

According to their website, New York-based Beginnings, which were formed in 2002, perform music of Chicago from across the band’s 50-plus year songbook. At Fakefest, their set focused on Chicago’s late ’60s and ’70s phase, which I welcomed since I’m not particularly fond of their ’80s ballads!

I first saw this nationally touring tribute band in the summer of 2019. A few weeks later, I learned on Facebook that the band’s longtime leader, vocalist and bassist Mason Swearingen had died from a heart attack – on stage at a gig – yikes! After a four-month break, Beginnings resumed shows in December 2019.

The band put on an impressive set. Some of the tunes they played included Saturday in the Park, Beginnings, Does Anybody Really Know What Time It Is, Just You ‘n’ Me, Feelin’ Stronger Every Day and 25 or 6 to 4.

Here’s their rendition of Just You ‘n’ Me. Written by James Pankow, the track appeared on Chicago’s fifth studio album Chicago VI from June 1973. Check it out!

How about another sample? Ask you shall receive: Feelin’ Stronger Every Day. This tune, co-written by Peter Cetera and Pankow, is another track from Chicago VI.

New York’s Finest

Next up were New York’s Finest, a tribute to The Police. They have played together for 10 years and are based in New York as well. According to a short video clip on the band’s Facebook page, their members Mark Rinzel (vocals, bass), Oscar Bautista (guitar) and Alan Camlet (drums) had known each other prior to starting the tribute. One day they were asked whether they would like to perform The Police’s first album for a classic album night show. They agreed, rehearsed and subsequently formed the band.

The set spanned music from all five Police studio albums, including Murder By Numbers, Walking on the Moon, Driven to Tears, Synchronicity II, Roxanne and Can’t Stand Losing You, among others. I thought Rinzel did a great job performing Sting’s vocals. The band also sounded fantastic. It was obvious these guys had played together for a long time.

Here’s set opener Murder By Numbers. Co-written by Andy Summers and Sting, the tune was the B-side of the single Every Breath You Take. It was also a bonus track on the CD and cassette versions of Synchronicity, The Police’s fifth and final studio album released in June 1983.

In my opinion, one of the highlights of the set was a medley of Driven to Tears and Synchronicity II. The former is from Zenyatta Mondatta (October 1980), while the latter appeared on Synchronicity. Both tunes were written by Sting.

Who’s Next

This brings me to the final band of the day: Who’s Next. Named after the 1971 fifth studio album by The Who, their members include Bill Canell as Pete TownshendDoug Zahn as Roger DaltreyMike Conte as John Entwistle  and Rich Savarese as Keith Moon. I had previously seen them at British Invasion festivals at the same venue in June 2017 and June 2018.

Among the songs the band performed were Who Are You, Love Reign O’er Me, Baba O’Riley, You Better You Bet, Won’t Get Fooled Again and Long Live Rock. One difference from the last time I saw Who’s Next was lead vocalist Doug Zahn. Just like his predecessor Dave McDonald, he did a great job capturing Roger Daltrey, both vocally and visually.

Here’s Who Are You, the title track written by Pete Townshend from The Who’s eighth studio album released in August 1978 – the last to feature Keith Moon.

Let’s do one more: the mighty Love Reign O’er Me, another Townshend composition. The track is the closer of Quadrophenia, the sixth studio album by The Who, which came out in October 1973. Zahn did an impressive job with what must be a tough song to sing. Frankly, the clip doesn’t do it full justice, though I think one can still get a good idea.

While as noted above I had been to British Invasion tribute events at the Golden Nugget in Atlantic before, this was my first time at Fakefest. Until a few weeks ago, I had not known about it. Given how much of a ball I had, there’s a good chance I’ll be back.

Sources: Wikipedia; Beginnings website; New York Finest website and Facebook page; Who’s Next Facebook page; YouTube

The Sunday Six

Celebrating music with six random songs at a time

It’s Sunday and we’ve made it through another week. This means the time has come for a new installment of The Sunday Six, my weekly recurring feature that randomly explores music, six tunes at a time.

Delvon Lamarr Organ Trio/Call You Mom

This week, I’d like to open the post with groovy instrumental music by Delvon Lamarr Organ Trio. Featuring Hammond B-3 organist Delvon Lamarr, guitarist Jimmy James and drummer Dan Weiss, the group blends organ jazz with funk and soul. I “found” and first covered them in February this year. Here’s an excerpt from their website for additional color: Delvon Lamarr Organ Trio—or as it is sometimes referred to, DLO3—specialize in the lost art of “feel good music.” The ingredients of this intoxicating cocktail include a big helping of the 1960s organ jazz stylings of Jimmy Smith and Baby Face Willette; a pinch of the snappy soul strut of Booker T. & The M.G.’s and The Meters; and sprinkles Motown, Stax Records, blues, and cosmic Jimi Hendrix-style guitar. It’s a soul-jazz concoction that goes straight to your heart and head makes your body break out in a sweat. To date, Delvon Lamarr Organ Trio have released three albums. Call You Mom, co-written by Lamarr (credited as Delvon Dumas) and James (credited as Jabrille Williams), is a track from their most recent one, I Told You So, which came out on January 19, 2021.

Sting & Shaggy/Just One Lifetime

Let’s stay on the groovy side with a reggae tune by Sting and Jamaican pop reggae fusion artist Shaggy. When I learned three years ago the two had teamed up for a collaboration album, 44/876 released in April 2018, I was a bit surprised at first. But given Sting’s versatility and previous reggae groove-influenced Police tunes like Roxanne and Walking On The Moon, it quickly made sense to me. Here’s Just One Lifetime, co-written by Sting, Shaggy (credited as Orville Burrell), Shane Hoosong, Shaun Pizzonia and Rohan Rankine. This is one seductive song that’s perfect for summer.

The Lovin’ Spoonful/Summer in the City

Speaking of summer, here’s one of my favorite summer tunes from the ’60s: Summer in the City by The Lovin’ Spoonful. It must have been 30 or 40 years ago when I first heard this song on the radio in Germany – most likely on an oldies show that aired on Sunday nights on my favorite station SWF3 (now SWR3). While I can’t recall the year, what I surely remember is that I loved this tune right away. Co-written by band members John Sebastian and Steve Boone, together with John’s brother Mark Sebastian, Summer in the City first appeared in July 1966 as the lead single of The Lovin’ Spoonful’s fourth studio album Hums of the Lovin’ Spoonful released in November of the same year. It became their biggest hit, topping the Billboard Hot 100 and the charts in Canada, surging to no. 3 in New Zealand, and reaching no. 8 in the UK. After disbanding in 1969 and a short reunion in 1979, founding members Joe Butler and Steve Boone revived the band with a new line-up in 1991. The Lovin’ Spoonful exist to this day, with Butler and Boone still being part of the current incarnation.

Katrina and the Waves/Walking on Sunshine

And since we’re in the middle of summer, let’s throw in another great tune associated with the season: Walking on Sunshine by Katrina and the Waves. Interestingly, the catchy song went unnoticed when it first appeared as the title track of their debut album in December 1983. Things changed dramatically with a re-recorded version that became the lead single of the band’s eponymous third studio album from March 1985. Walking on Sunshine turned out to be their biggest hit peaking at no. 9 and no. 8 in the U.S. and the UK, respectively. Chart success was even bigger in Ireland (no. 2), Canada (no. 3) and Australia (no. 4). I still remember the tune seemed everywhere on the radio in Germany at the time. Walking on Sunshine was written by Kimberley Rew, the group’s lead guitarist. After 10 albums Katrina and the Waves dissolved in 1999, following the departure of vocalist and rhythm guitarist Katrina Leskanich. This is one fun tune!

Yes/Roundabout

I’ve never gotten very much into prog rock, in part because I found some of it not very accessible. I can also get impatient with tracks that last six, seven or even more than eight minutes because of extended instrumental sections. One of the few exceptions are Yes. Initially, the British band entered my radar screen with Owner of a Lonely Heart, their hit single from October 1983, which of course sounds much more like ’80s pop rock than progressive rock. While I loved that tune right away, it took me some time to explore and fully warm to the band’s earlier output. And, to be fully transparent, my knowledge of their music is still quite spotty. Nowadays, one of my favorite Yes tunes is Roundabout, in all of its 8-minute-plus mighty! 🙂 Co-written by lead vocalist Jon Anderson and guitarist Steve Howe, the track appeared on the band’s fourth studio album Fragile from November 1971. Yes, who were inducted into the Rock and Roll Hall of Fame in April 2017, remain active to this day, with Howe as the only original member. In fact, just a few days ago, Yes announced a new studio album, The Quest, scheduled for October 1 – the first in seven years, as reported by Ultimate Classic Rock and other music news outlets.

Hurry/It’s Dangerous

Let’s wrap up things with some melodic contemporary indie rock by a band from Philadelphia I recently discovered as part of my Best of What’s New new music feature: It’s Dangerous by Hurry. The band originally started as a solo project by principal songwriter Matt Scottoline. Borrowing from my previous post, according to his Apple Music profile, Scottoline, the bassist of Philly EMO band Everyone Everywhere, spent his free time writing and recording songs on his own, delving further into power pop and ’90s guitar rock than his main band ever did…In 2012, he released an eight-song self-titled record under the Hurry name, playing all the instruments himself. When Everyone Everywhere began to cut back on their schedule in the early 2010s, Scottoline decided to form an actual band, recruiting drummer Rob DeCarolis and a rotating cadre of friends on bass to play live shows. In addition to Scottoline and DeCarolis, Hurry’s current line-up includes DeCarolis’ brother Joe DeCarolis (bass) and Justin Fox (guitar). It’s Dangerous, co-written by Scottoline and Chris Farren, is the opener of the band’s new album A Fake Idea released on June 25.

Sources: Wikipedia; Delvon Lamarr Organ Trio website; Ultimate Classic Rock; YouTube

It Was 35 Years Ago…

A look back on Live Aid benefit concert – Part 1

“In late October 1984, I came home at about six o’clock in the evening and turned on the television to watch the television news. And I saw something on the screen that put my pathetic personal problems into a horrifying perspective. There in front of me were elegant men and women, moms and dads, holding their children. But they were hardly recognizable humans at this point. They were just about alive. They had the swollen heads and the bloated stomachs of children who are dying of starvation.”

“The thing is you don’t actually die of hunger. You die of a collapse of all your immune system, so you catch all sorts of diseases, but your muscles are so weakened you can’t even make a noise. And all these children were silently screaming at me in agony to die. To die of hunger is to die in complete agony. And here were these mothers and fathers in the last seconds of their children’s lives in utter despair as to what to do. And these people stared at me in my pop star live in Chelsea in London.”

The above is an excerpt from Bob Geldof’s introduction to Live Aid 35, which you can watch in its entirety on a dedicated YouTube channel, along with plenty of footage from the actual benefit concert that took place on Saturday, July 13, 1985 – just a little over 35 years ago. I’m envisaging to commemorate the 35th anniversary in a two or three-part series over the next few days – not sure yet how much time I will have to write.

Organized by Geldof, lead vocalist of Irish rock band The Boomtown Rats, and his friend Midge Ure, frontman of Britsh new wave outfit Ultravox, to raise funds of the famine in Ethiopia, the event featured concerts at London’s Wembley Stadium and John F. Kennedy Stadium in Philadelphia. It was attended by an estimated 72,000 people in London and close to 89,500 folks in Philly. The live broadcast was watched by an estimated 1.9 billion people in 150 countries. I was one of them and still remember it pretty well.

Queen’s performance at Wembley Stadium was one of the highlights of Live Aid

The concerts are believed to have raised around £150 million for famine relief, though the initial numbers included in news reports the day after the event were significantly lower, putting the total between £40 and £50 million. There was also some controversy over the distribution of the aid, including allegations funds had been diverted to the Ethiopian government for the purchase of arms – a truly disgusting thought!

In 2010, the BBC apologized for statements made in a previous investigation, saying there “was no specific evidence [money had been diverted to buy arms] and we’re apologising today to the Band Aid Trust and we’re also apologising personally to Bob Geldof.” I’d like to leave it at that and get to some music.

Live Aid kicked off at Wembley Stadium on July 13 at 12:00 pm British Summer Time. The first act were British boogie rockers Status Quo. Here’s their rendition of John Fogerty’s Rockin’ All Over the World, the title track off their 10th studio album from November 1997, and one of their biggest hits. Perhaps the ideal tune to start a rock & pop marathon!

Of course, in addition to organizing the event, Messrs. Geldof and Ure also got to perform. Here are The Boomtown Rats with I Don’t Like Mondays, their biggest hit, initially released as a single in July 1979 ahead of their third studio album The Fine Art of Surfacing, which came out in October that year.

I’d like to wrap up part 1 with Sting and a great stripped back version of Roxanne, featuring jazz saxophone player Branford Marsalis. Written by Sting, the tune first appeared as a single by The Police in April 1978. It was also included on their debut studio album Outlandos d’Amour from November 1978.

Source: Wikipedia; BBC; YouTube